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Christina Haynes (148 KP) rated Being Alpha in Books
Sep 18, 2018
Being Alpha
Tessa and Dastien are now finally married and are on their well overdue honeymoon. Dastien wants to relax and enjoy himself with Tessa but like always she's on edge and a good thing too, because something is lurking around the corner and like always it's after her...
This book features the aftermath of what Luciana was trying to do, the whole summoning of demons. This time the demon she was trying to bring to our world is only a few moments away. The gang are back together in order to bring this demon down, except Meredith and Donovan as they are having their own problems. We get introduced to a new character along the way. This character has a pretty cool ability.
Like each book before this one we experience upset, drama and danger. All of which come together to create a good story.
I feel that this book didn't really need to happen if I'm honest, because that's what I want my reviews to be... honest. The reason I felt this is because we already defeated Luciana, we didn't then need to defeat what she did again. I like that this book was in this series and I do have mixed feelings about this and I don't know if it's because for the last seven weeks I've been reading the same series and I'm getting bored of it. Or because there is something after seven books that I don't really like about Tessa but I loved more with the other characters. This book was good, but it didn't need to happen. The buildup for the next book could of happened in the sixth and this one could of been the eighth book if that makes sense. I find that really this book should of been half of what it was, so maybe it could of just happened as a shorter story or tied in with the last book and made it long?
Anyway I am looking forward to the next book where we get to see more of Chris and his soul mate!!!
☕☕☕ - NOT A BAD BOOK
Love,
Christina xx
This book features the aftermath of what Luciana was trying to do, the whole summoning of demons. This time the demon she was trying to bring to our world is only a few moments away. The gang are back together in order to bring this demon down, except Meredith and Donovan as they are having their own problems. We get introduced to a new character along the way. This character has a pretty cool ability.
Like each book before this one we experience upset, drama and danger. All of which come together to create a good story.
I feel that this book didn't really need to happen if I'm honest, because that's what I want my reviews to be... honest. The reason I felt this is because we already defeated Luciana, we didn't then need to defeat what she did again. I like that this book was in this series and I do have mixed feelings about this and I don't know if it's because for the last seven weeks I've been reading the same series and I'm getting bored of it. Or because there is something after seven books that I don't really like about Tessa but I loved more with the other characters. This book was good, but it didn't need to happen. The buildup for the next book could of happened in the sixth and this one could of been the eighth book if that makes sense. I find that really this book should of been half of what it was, so maybe it could of just happened as a shorter story or tied in with the last book and made it long?
Anyway I am looking forward to the next book where we get to see more of Chris and his soul mate!!!
☕☕☕ - NOT A BAD BOOK
Love,
Christina xx
Johnny Marr recommended Out of Our Heads by The Rolling Stones in Music (curated)
Phillip McSween (751 KP) rated Friday (1995) in Movies
Feb 12, 2019
Comedy That Still Holds Up
Can you believe that 2018 was the first time that I ever watched Friday in its unrated entirety? I had seen bits and pieces on USA, but I always felt like I was missing something in the translation. I get it now. The plot: After Craig (Ice Cube) gets fired on his day off, he suddenly finds himself helping his pothead friend Smokey (Chris Tucker) earn enough money selling weed to pay off Big Worm (Faizon Love).
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
LeftSideCut (3776 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 11, 2022
I've taken a few days since seeing Multiverse of Madness to try and digest it as a whole, and decide how I felt about it. It's certainly wild, and leaves a hefty impression. My initial reservations stem from a couple of elements. Firstly, due to the nature of the multiverse, there are some big set pieces and character moments that feel a bit inconsequential. I hope that future projects might reveist these moments and the subsequent fallout from them, but I've got a sneaky feeling that might not happen. Secondly, there's a massive plot point that drives the entire movie that feels a little unearned, even if the execution packs a hell of a punch.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Kirk Bage (1775 KP) rated BlacKkKlansman (2018) in Movies
Jan 22, 2021
I have had my issues with Spike Lee as a filmmaker over the years. It always seemed like his next film was the most “important” one, and that he didn’t make a film if it didn’t have something to say about race and the oppression of African Americans. Which in itself is not a problem, as long as that point isn’t laboured to the detriment of all other aspects of the film. My problem wasn’t the message, it was that a lot of the films were dull or just not that great.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
Debbiereadsbook (1421 KP) rated For You I Fall ( Angels & Misfits #1) in Books
Sep 1, 2018
Not really one for me :-(
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
As an angel sent to watch over his charges, Dante has many rules. Falling in ove with his charge is one of them. But Seth is such a beautiful person, has such a beautiful soul, Dante can't help himself. When Seth's time comes, Dante will do anything so they can spend eternity together. He never figured on being betrayed, or the strength of the love Seth has for Dante.
*insert sigh*
**insert another sigh**
I'm not really sure what I felt about this book, and I'm struggling to write a coherent review, that makes sense, so bear with me, okay??
I didn't love it, not t all, but I don't think I really LIKED it, either. I certainly did NOT hate it, because if I did, I would not have finished and there would be no review at all.
It's told from both Seth and Dante's point of view, in the third person. It's not overly explicit, just the right amount, I thought, for this book.
It does have some darker undertones and parts of the story are a little graphic in places, but again, I thought just the right level for THIS book.
I did see the betrayal coming at me, and I liked watching it play out the way I thought it would. I did not see how this would resolve itself for Seth and Dante to be together, so that was good to watch unfold. I did like that a certain someone got his just desserts and paid the highest price for his crimes.
I just can't figure out WHY I'm left feeling I don't know what about this book! And you know that pains me so!
Someone will love this book, someone will rant and rave about how awesome it is. Unfortunately, that someone is not me.
So...
3 stars
**same worded review will appear elsewhere**
As an angel sent to watch over his charges, Dante has many rules. Falling in ove with his charge is one of them. But Seth is such a beautiful person, has such a beautiful soul, Dante can't help himself. When Seth's time comes, Dante will do anything so they can spend eternity together. He never figured on being betrayed, or the strength of the love Seth has for Dante.
*insert sigh*
**insert another sigh**
I'm not really sure what I felt about this book, and I'm struggling to write a coherent review, that makes sense, so bear with me, okay??
I didn't love it, not t all, but I don't think I really LIKED it, either. I certainly did NOT hate it, because if I did, I would not have finished and there would be no review at all.
It's told from both Seth and Dante's point of view, in the third person. It's not overly explicit, just the right amount, I thought, for this book.
It does have some darker undertones and parts of the story are a little graphic in places, but again, I thought just the right level for THIS book.
I did see the betrayal coming at me, and I liked watching it play out the way I thought it would. I did not see how this would resolve itself for Seth and Dante to be together, so that was good to watch unfold. I did like that a certain someone got his just desserts and paid the highest price for his crimes.
I just can't figure out WHY I'm left feeling I don't know what about this book! And you know that pains me so!
Someone will love this book, someone will rant and rave about how awesome it is. Unfortunately, that someone is not me.
So...
3 stars
**same worded review will appear elsewhere**
Rick Astley recommended Only Revolutions by Biffy Clyro in Music (curated)
Kristy H (1252 KP) rated Little Secrets in Books
May 7, 2020
Don't get me wrong. This is a really good book. It takes any parent's worst fear and turns it into a raw, dark page-turner. I think what made me a little sad about this thriller is that is was so hyped, so loved that I felt a little let down when I read it. Was it good? Yes, it was. Jennifer Hillier is an amazing writer, and I will always love her books. But did it blow me away like I was hoping? No. And I was a bit disappointed by that. Maybe I'm just becoming jaded in my old age.
Again, this not me saying not to read this book. It's good. It's emotional and sad, twisty and deep. But I also found a lot of it far more predictable than I thought I would. I had an inkling who had taken Sebastian from the beginning and while I still wanted to read the story, I felt a little let down by that. I guessed several of the other big "aha" moments too. Sigh. Maybe I've just read too many thrillers.
Still, this is quite a page-turner, and I read it over the span of two days. You're pulled quickly into Marin's horrible world, where she's completely broken by the aftermath of losing--literally losing--Sebastian. She feels hopeless and when she realizes Derek has cheated on her, it gives her a purpose, even if it is a misguided one. Kenzie works well as an enemy--appearing young and vapid. Derek comes across as a heartless man ignoring his depressed wife. As things build up, you know that an inevitable confrontation will not go well. I just wish I hadn't guessed how said confrontation would go.
However, just about everyone on the planet loved this book unconditionally, so you can't go wrong picking it up. 3.75 stars from me.
Again, this not me saying not to read this book. It's good. It's emotional and sad, twisty and deep. But I also found a lot of it far more predictable than I thought I would. I had an inkling who had taken Sebastian from the beginning and while I still wanted to read the story, I felt a little let down by that. I guessed several of the other big "aha" moments too. Sigh. Maybe I've just read too many thrillers.
Still, this is quite a page-turner, and I read it over the span of two days. You're pulled quickly into Marin's horrible world, where she's completely broken by the aftermath of losing--literally losing--Sebastian. She feels hopeless and when she realizes Derek has cheated on her, it gives her a purpose, even if it is a misguided one. Kenzie works well as an enemy--appearing young and vapid. Derek comes across as a heartless man ignoring his depressed wife. As things build up, you know that an inevitable confrontation will not go well. I just wish I hadn't guessed how said confrontation would go.
However, just about everyone on the planet loved this book unconditionally, so you can't go wrong picking it up. 3.75 stars from me.
ArecRain (8 KP) rated I Heart Geeks in Books
Jan 18, 2018
I received a complimentary copy in exchange for a review.
The good thing about anthologies is that if you dont like the story you are reading, you can move on to the next one. Unfortunately, I found myself doing that a lot with this anthology. I requested it because it showcases a culture I am apart of. I go to cons, I read comics books, and play video games. I even have a twitch account where I stream.
But this just wasnt what I was looking for. Out of all the stories, I only enjoyed a couple. I felt that many of the characters and situations were cliché and stereotypical. While I understand that those type of people and situations exist, I felt that each story was a repeat of the others. When I say those people and those situations, I am talking about the anti-social, socially awkward people who are sensitive and easily hurt.
I understand, I get it. Those people need representation, too. But these werent the people I wanted to read about. I wanted to read about the happy, friendly, quirky people you cant help but love. The people who are unapologetic in their love of all things nerdy regardless of what that includes. Most of the protagonists in their stories were fragile and delicate. It seems that every protagonists I read about has been hurt before and is resolved to not love again.
Its an old tired trope. I wish I would have enjoyed it more. I loathe writing negative reviews, but reading this anthology just frustrated me.
The good thing about anthologies is that if you dont like the story you are reading, you can move on to the next one. Unfortunately, I found myself doing that a lot with this anthology. I requested it because it showcases a culture I am apart of. I go to cons, I read comics books, and play video games. I even have a twitch account where I stream.
But this just wasnt what I was looking for. Out of all the stories, I only enjoyed a couple. I felt that many of the characters and situations were cliché and stereotypical. While I understand that those type of people and situations exist, I felt that each story was a repeat of the others. When I say those people and those situations, I am talking about the anti-social, socially awkward people who are sensitive and easily hurt.
I understand, I get it. Those people need representation, too. But these werent the people I wanted to read about. I wanted to read about the happy, friendly, quirky people you cant help but love. The people who are unapologetic in their love of all things nerdy regardless of what that includes. Most of the protagonists in their stories were fragile and delicate. It seems that every protagonists I read about has been hurt before and is resolved to not love again.
Its an old tired trope. I wish I would have enjoyed it more. I loathe writing negative reviews, but reading this anthology just frustrated me.
JT (287 KP) rated The Intruder (2019) in Movies
Mar 10, 2020
When are couples moving into a new home going to realise that there is a lot more to worry about than just making sure all of your stuff arrives in one piece. If it’s not things going bump in the night or uninvited demons, it’s seemingly sweet as pie neighbours with an ulterior motive.
Annie (Meagan Good) and Scott ( Michael Ealy) think that they have found their dream home, away from the concrete jungle of the city with an idyllic setting in which to start a family. Step in Charlie (Dennis Quaid), a kind hearted widower who is selling in order to start a new life with his daughter in Florida – or so it would seem, as we know, looks can be deceiving.
Dennis Quaid nails the disturbed seller turned psycho
The film has been battered with reviews saying that it forgoes plot in favour of setting up a good jump scare, but do you know what? I don’t mind that.
I’ve always been a sucker for this type of genre and this one is no different. There are the obvious plot holes, some laughable, like how come it takes Annie so long to realise that Charlie has psychotic tendencies, despite Scott practically spelling it out for her? Or the fact that everyone seems to be drawn to a particular linen closet. It moves along enough to keep you entertained with Quaid giving a good account of himself and clearly having fun.
Director (Deon Taylor) seems inspired by classic home invasion thrillers but offers nothing new that we won’t have already seen before – you can just throw this one onto the pile with all the rest.
Annie (Meagan Good) and Scott ( Michael Ealy) think that they have found their dream home, away from the concrete jungle of the city with an idyllic setting in which to start a family. Step in Charlie (Dennis Quaid), a kind hearted widower who is selling in order to start a new life with his daughter in Florida – or so it would seem, as we know, looks can be deceiving.
Dennis Quaid nails the disturbed seller turned psycho
The film has been battered with reviews saying that it forgoes plot in favour of setting up a good jump scare, but do you know what? I don’t mind that.
I’ve always been a sucker for this type of genre and this one is no different. There are the obvious plot holes, some laughable, like how come it takes Annie so long to realise that Charlie has psychotic tendencies, despite Scott practically spelling it out for her? Or the fact that everyone seems to be drawn to a particular linen closet. It moves along enough to keep you entertained with Quaid giving a good account of himself and clearly having fun.
Director (Deon Taylor) seems inspired by classic home invasion thrillers but offers nothing new that we won’t have already seen before – you can just throw this one onto the pile with all the rest.