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Nick Rhodes recommended Off the Wall by Michael Jackson in Music (curated)
Mark @ Carstairs Considers (2206 KP) rated A Perilous Pal in Books
Jul 6, 2022
Bucket List of Suspicion
Emma Westlake is thrilled to have a new client for her new A Friend for Hire business. Kim Felder’s kids have moved out, and her husband has left her, leaving Kim as loose ends. Together, Emma and Kim start a list of things that Kim would like to explore, but Kim adds a few suggestions of how to get back at her ex. They are intended as a joke, but when he is murdered that night, the police consider them evidence that Kim killed him. Emma may have just met Kim, but she is certainly that Kim is innocent. Can she prove it?
Since the first book set up the premise of the series, this book was able to jump right into the story. We move forward at a steady pace, and my interest never lagged until we reached the logical climax. Most of the characters from the first book are back. I did find the same irritants from the first here again as a result, but they were minor since I love all the characters overall. I even laughed a few times at their interactions, and I loved seeing their storylines advance. I’m curious where they will go next. I also appreciate the realistic way that Emma’s new romantic relationship progressed here. Fans of Laura’s other books will enjoy the Easter Eggs she’s worked into the book. This book really is like a warm hug. It’s fun, mysterious and refreshing. If that is what you are looking for, you’ll enjoy it.
Since the first book set up the premise of the series, this book was able to jump right into the story. We move forward at a steady pace, and my interest never lagged until we reached the logical climax. Most of the characters from the first book are back. I did find the same irritants from the first here again as a result, but they were minor since I love all the characters overall. I even laughed a few times at their interactions, and I loved seeing their storylines advance. I’m curious where they will go next. I also appreciate the realistic way that Emma’s new romantic relationship progressed here. Fans of Laura’s other books will enjoy the Easter Eggs she’s worked into the book. This book really is like a warm hug. It’s fun, mysterious and refreshing. If that is what you are looking for, you’ll enjoy it.
Sophia (Bookwyrming Thoughts) (530 KP) rated A Different Kind in Books
Jan 23, 2020
A Different Kind follows Payton Carlson, a high school who has a perfect life as a cheerleader and on top of the social pyramid at her school, at least until she starts getting strange dreams that are actually her being abducted by aliens.
A Different Kind definitely isn't my favorite book, contrary to the stellar rating. It reminded me a lot about Lux, which I actually have a like/hate relationship:
~ Aliens. Obviously. On the bright side, the name isn't complex, although Lux certainly isn't complex. But Latin is most certainly complex. Here, they're just called Greys. Simple. Easy.
~ DOD, aka Department of Defense, or maybe some sort of government interference. The DOD checks up on fellow Luxens in Lux. It's pretty much a similar case here, although it's simply someone. Chances are it's the DOD. That's up to Lauryn to confirm.
~ Telepathy. Need I say more? O_O I did find "We mean you no harm" funny though... it's probably made me think of the weird voice going "We come in peace."
<img border="0" src="http://3.bp.blogspot.com/-C7DVLiXJ_jg/U3FdCxE4PMI/AAAAAAAADQI/JNNizFBzwVw/s1600/we_come_in_peace.jpg"; height="240" width="320">
<b>What Made Me Enjoy A Different Kind?</b>
~ Logan's humble. At least, that's what it seems to me. He certainly doesn't need an ego check AT ALL. I don't think he even has an ego. I'm not saying all book boys with an ego need a check. Some I just don't like. Some I don't like in the first but I like them by the second, and if I don't like said boy by the second book, he's toasty. No pun intended.
~ Telekinesis over metal, which I find majorly cool. Blacksmiths would be uber happy if this were an actual power. Oh, and there would be less hospital bills. ;)
~ Despite the fact I disliked Payton in the first half of the book, I actually liked her by the end. She makes a major character change from being a complete jerk to someone who realized that she didn't want to be popular after all and for her entire life, she's been acting like someone that everyone expected her to be. I did have a problem with her being drunk a lot though. But that was before her change. I suppose that means strong character development. :3
MORAL: Be Yourself
<img border="0" src="http://3.bp.blogspot.com/-inMi1-dfOq4/U3FdRYX9AwI/AAAAAAAADQQ/6xhvm2InqUo/s1600/be-yourself-Favim.com-368618.gif"; height="179" width="320">
------------------
Review copy provided by the author
Original Rating: 4.5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/review-a-different-kind-by-lauryn-april.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
A Different Kind definitely isn't my favorite book, contrary to the stellar rating. It reminded me a lot about Lux, which I actually have a like/hate relationship:
~ Aliens. Obviously. On the bright side, the name isn't complex, although Lux certainly isn't complex. But Latin is most certainly complex. Here, they're just called Greys. Simple. Easy.
~ DOD, aka Department of Defense, or maybe some sort of government interference. The DOD checks up on fellow Luxens in Lux. It's pretty much a similar case here, although it's simply someone. Chances are it's the DOD. That's up to Lauryn to confirm.
~ Telepathy. Need I say more? O_O I did find "We mean you no harm" funny though... it's probably made me think of the weird voice going "We come in peace."
<img border="0" src="http://3.bp.blogspot.com/-C7DVLiXJ_jg/U3FdCxE4PMI/AAAAAAAADQI/JNNizFBzwVw/s1600/we_come_in_peace.jpg"; height="240" width="320">
<b>What Made Me Enjoy A Different Kind?</b>
~ Logan's humble. At least, that's what it seems to me. He certainly doesn't need an ego check AT ALL. I don't think he even has an ego. I'm not saying all book boys with an ego need a check. Some I just don't like. Some I don't like in the first but I like them by the second, and if I don't like said boy by the second book, he's toasty. No pun intended.
~ Telekinesis over metal, which I find majorly cool. Blacksmiths would be uber happy if this were an actual power. Oh, and there would be less hospital bills. ;)
~ Despite the fact I disliked Payton in the first half of the book, I actually liked her by the end. She makes a major character change from being a complete jerk to someone who realized that she didn't want to be popular after all and for her entire life, she's been acting like someone that everyone expected her to be. I did have a problem with her being drunk a lot though. But that was before her change. I suppose that means strong character development. :3
MORAL: Be Yourself
<img border="0" src="http://3.bp.blogspot.com/-inMi1-dfOq4/U3FdRYX9AwI/AAAAAAAADQQ/6xhvm2InqUo/s1600/be-yourself-Favim.com-368618.gif"; height="179" width="320">
------------------
Review copy provided by the author
Original Rating: 4.5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/review-a-different-kind-by-lauryn-april.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
BankofMarquis (1832 KP) rated Hellboy (2019) in Movies
Apr 14, 2019
Oh...hell, no!
HELLBOY?!? HELL NO!
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I would imagine that about 90% of my readership just got what they needed out of my review with that first line and have moved on. For the rest of you, I will now explain why this reboot of HELLBOY is now the "leader in the clubhouse" for worst picture of 2019.
I was pleasantly surprised by the 2004 Guillermo del Toro helmed and written HELLBOY and was even more surprised by how good the del Toro written and helmed HELLBOY II: THE GOLD ARMY (2008) was. I think that this was because there was a driving force - and vision - from a true auteur and was a perfect combination of material and artistic staff - including Ron Perlman in the title role.
This version of HELLBOY has none of that. No vision, no driving force and a "B" performance by David Harbour in the title role. It feels like what it is - a cash grab. I blame the studio who produced this film - Summit Entertainment - for "going on the cheap" on this one.
First off, they tapped a "B Movie" Director, Neil Marshall to Direct this thing. He is known for such artistic successes as DOOMSDAY and THE DESCENT - horror flicks that were heavy on gore, short on characters and plot - and that is what he brought to this film. Why worry about characters, plot or any kind of engaging features (including Special FX) when you can show, yet again, a body getting torn apart and blood spurting all over the screen.
The studio also skimped on the performers. Instead of Perlman, Selma Blair, John Hurt and Doug Jones you get David Harbour, Daniel Dae Kim, Mila Jovovich and a sleep-walking, just give me my paycheck, Ian McShane. It's like watching the "road company" of a Broadway show. While the actors are game (with the notable exception of McShane), they are "B picture" actors, much like the Director.
And...much like the special FX. I knew, going in, that the early word on this film was not good, but that never stops me. I like to make up my own mind, so I thought I'd "pony up" for the IMAX experience to, at least, see the CGI and FX on as large a screen with as good a sound system as possible. I shouldn't have bothered, for the CGI and FX were mediocre (at best) and all the big screen and sound did was emphasize how low quality the CGI was.
And...finally...the pacing of this film is problematic, at best. This is certainly a film that was written and edited within an inch of it's life for the "short attention span" audience of today. The prevailing theory was "why linger on a plot or a character or a moment when we can quick cut to another body getting pulled in two and watch a plume of blood spurt out in a giant arc)."
There are 2 scenes in the end credits to set up the next film(s) in this series. Films that I seriously doubt will be made. If they are, I hope they pump some more money into the budget and get a creative team with some artistic vision.
A swing and a miss.
Letter Grade: C (and I'm being generous)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Rachel King (13 KP) rated Fragile Eternity (Wicked Lovely, #3) in Books
Feb 11, 2019
At first I was really excited that this book was picking up on Seth and Aislinn from where the first book left off. Sorcha's court is very interesting and uniquely different from the other three courts, and I think that it is the court I would most likely fit into. I like how Marr fashions each court by a different set of rules, so that something that one court has the power to accomplish another court cannot necessarily duplicate. This makes the plot less predictable and allows the monarchs of each court to become more memorable and unique to the reader.
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).
Sarah (7798 KP) rated A Discovery of Witches - Season 1 in TV
Nov 11, 2018
Dull and cringeworthy
I knew after the first couple of episodes that this series wasn’t for me, but I persevered in the hope it might get better as it went along. Sadly it doesn’t.
The main problem is that witches, vampires etc have all been done before. And most have been done better than this. The vampires are all moody and gloomy looking dressed in black, and all of the different creatures show no potential whatsoever. The witches exhibit some powers but nothing particularly impressive, the vampires don’t do much either and the demons do absolutely nothing and don’t show any powers or supernatural abilities whatsoever. For the most part, this is just a romance with a supernatural backdrop thrown in. And even the romance aspect isn’t very good - this stinks of a slightly more adult version of Twilight. It’s cheesy, cringey and moves so quickly it beggars belief.
There are some talented actors in this, but sadly the script and the plot really lets them down. Matthew Goode’s attempts at making his vampire snarling, bloodthirsty and terrifying are laughable. The only person who really pulls off any menace is Trevor Eve but he’s sidelined in favour of more irritating characters. Even Teresa Palmer doesn’t come across well, playing so much like Bella from Twilight it’s disturbing.
The show itself is very scenic and beautifully shot, unsurprising considering some of the locations like Oxford and Venice. It’s just a shame that i found it very dull and laughable (not in a good way). I also found the cliffhanger ending disappointing, as the likelihood of me ever bothering to watch another series is slim. I only just made it through these 8 episodes.
The main problem is that witches, vampires etc have all been done before. And most have been done better than this. The vampires are all moody and gloomy looking dressed in black, and all of the different creatures show no potential whatsoever. The witches exhibit some powers but nothing particularly impressive, the vampires don’t do much either and the demons do absolutely nothing and don’t show any powers or supernatural abilities whatsoever. For the most part, this is just a romance with a supernatural backdrop thrown in. And even the romance aspect isn’t very good - this stinks of a slightly more adult version of Twilight. It’s cheesy, cringey and moves so quickly it beggars belief.
There are some talented actors in this, but sadly the script and the plot really lets them down. Matthew Goode’s attempts at making his vampire snarling, bloodthirsty and terrifying are laughable. The only person who really pulls off any menace is Trevor Eve but he’s sidelined in favour of more irritating characters. Even Teresa Palmer doesn’t come across well, playing so much like Bella from Twilight it’s disturbing.
The show itself is very scenic and beautifully shot, unsurprising considering some of the locations like Oxford and Venice. It’s just a shame that i found it very dull and laughable (not in a good way). I also found the cliffhanger ending disappointing, as the likelihood of me ever bothering to watch another series is slim. I only just made it through these 8 episodes.
LeftSideCut (3778 KP) rated Friday the 13th Part V: A New Beginning (1985) in Movies
Nov 29, 2020
Part V of the Friday the 13th franchise is an absolute blast, and no one can tell me otherwise. Is it silly? Definitely. Does it go overboard with its goofy characters a little too often? Damn right it does (pretty sure someone gets called "a dildo" at one point) Are there better Friday films out there? Yes sir, but none of this stops the fact that Part V is a decent, entertaining, smack bang middle of the 80s slasher.
The killer this time around isn't Jason Voorhees, even if it is only by name, and this "mystery" surrounding the killers identity achieves two things - 1. It adds a whodunnit element to the series, otherwise only ever seen in the original and 2. It keeps the killer offscreen for most of the runtime, saving budget costs by not showing much in terms of kills (although that belt against the tree death is a doozy). This results in a less gory sequel, especially after the more brutal Part IV, but it's not a big issue. The whole thing almost feels like an R-Rated episode of Scooby-Doo. The reveal of the killer is definitely weak though. Not enough set up means and underwhelming payoff.
There are soooooooo many characters in this. I swear there are still new ones being introduced up until the last 20 minutes, and they're all just body count fodder for "Jason". Not necessarily a bad thing, pretty standard practice by now. I did like little Reckless Reggie. That dude is awesome. Way more awesome than Tommy Jarvis, who is just a whiny bitch for the whole runtime. Thankfully Thom Mathews is just around the corner.
It's not the best Friday movie, but far from being the worst. As far as 80s slashers go, it's damn good time.
The killer this time around isn't Jason Voorhees, even if it is only by name, and this "mystery" surrounding the killers identity achieves two things - 1. It adds a whodunnit element to the series, otherwise only ever seen in the original and 2. It keeps the killer offscreen for most of the runtime, saving budget costs by not showing much in terms of kills (although that belt against the tree death is a doozy). This results in a less gory sequel, especially after the more brutal Part IV, but it's not a big issue. The whole thing almost feels like an R-Rated episode of Scooby-Doo. The reveal of the killer is definitely weak though. Not enough set up means and underwhelming payoff.
There are soooooooo many characters in this. I swear there are still new ones being introduced up until the last 20 minutes, and they're all just body count fodder for "Jason". Not necessarily a bad thing, pretty standard practice by now. I did like little Reckless Reggie. That dude is awesome. Way more awesome than Tommy Jarvis, who is just a whiny bitch for the whole runtime. Thankfully Thom Mathews is just around the corner.
It's not the best Friday movie, but far from being the worst. As far as 80s slashers go, it's damn good time.
Phillip McSween (751 KP) rated Men in Black (1997) in Movies
Jan 6, 2021
Visually Brilliant and Gorgeous
A New York police officer gets thrown into a crazy world when he stumbles upon a special group trying to stop intergalactic threats.
Acting: 10
Will Smith and Tommy Lee Jones have to be one my most favorite duos of all time. Playing Agent J and Agent K respectively, their partnership is one of new blood versus old head. I love how each of them took on their respective role, Smith with air of cockiness and bravado and Jones with the nature of one who has been there and done that too many times before. And I haven’t even dove into the fun performances of actors like Rip Torn and Tony Shalhoub. Very well casted movie.
Beginning: 10
Characters: 10
J and K are magnificent to watch, but it’s the broad scope of aliens for me that take the cake. There’s Jeebs whose head can explode and grow back. Then there’s Edgar who eventually becomes a massive bug wearing an “Edgar Suit” played by the amazing Vincent D’Onofrio. Those are only to name a couple from a large list of enriching characters that shed a fun new light on the underground of New York.
Cinematography/Visuals: 10
Conflict: 10
The first ten minutes of the movie gives you a taste of what the action is going to be like. That dives right into the next scene and the next. Great action with high stakes that races across the city of New York. I appreciate the high level of conflict that kept me engaged.
Entertainment Value: 7
Memorability: 7
Pace: 10
Ninety-eight minutes goes by quick in Men In Black. It’s one of those movies that you almost don’t want to end but you know it has to. It races through its story, but just quickly enough so that you don’t miss any important details. I love when movies can move at a pace like this without ruining with exposition.
Plot: 7
Resolution: 8
I wanted a little more from the ending but it was satisfactory for the most part. Definitely leaves room for the obvious sequel that follows it. Decent way to wrap things up.
Overall: 89
From the beginning, I had no doubt that I was going to like Men In Black. It wraps solid sci-fi action into a nice gift with quick pacing and a solid story for a bow. Director Barry Sonnenfeld masterfully captures the “aliens among us” idea and makes it inventive. Definitely a necessary piece of sci-fi movie history.
Acting: 10
Will Smith and Tommy Lee Jones have to be one my most favorite duos of all time. Playing Agent J and Agent K respectively, their partnership is one of new blood versus old head. I love how each of them took on their respective role, Smith with air of cockiness and bravado and Jones with the nature of one who has been there and done that too many times before. And I haven’t even dove into the fun performances of actors like Rip Torn and Tony Shalhoub. Very well casted movie.
Beginning: 10
Characters: 10
J and K are magnificent to watch, but it’s the broad scope of aliens for me that take the cake. There’s Jeebs whose head can explode and grow back. Then there’s Edgar who eventually becomes a massive bug wearing an “Edgar Suit” played by the amazing Vincent D’Onofrio. Those are only to name a couple from a large list of enriching characters that shed a fun new light on the underground of New York.
Cinematography/Visuals: 10
Conflict: 10
The first ten minutes of the movie gives you a taste of what the action is going to be like. That dives right into the next scene and the next. Great action with high stakes that races across the city of New York. I appreciate the high level of conflict that kept me engaged.
Entertainment Value: 7
Memorability: 7
Pace: 10
Ninety-eight minutes goes by quick in Men In Black. It’s one of those movies that you almost don’t want to end but you know it has to. It races through its story, but just quickly enough so that you don’t miss any important details. I love when movies can move at a pace like this without ruining with exposition.
Plot: 7
Resolution: 8
I wanted a little more from the ending but it was satisfactory for the most part. Definitely leaves room for the obvious sequel that follows it. Decent way to wrap things up.
Overall: 89
From the beginning, I had no doubt that I was going to like Men In Black. It wraps solid sci-fi action into a nice gift with quick pacing and a solid story for a bow. Director Barry Sonnenfeld masterfully captures the “aliens among us” idea and makes it inventive. Definitely a necessary piece of sci-fi movie history.
Kristy H (1252 KP) rated In Her Bones in Books
Mar 6, 2019
Wonderful thriller with detailed plot and characters
When Edie Beckett was in her teens, her mother, Lilith Wade, murdered six women. Lilith went to prison for life and Edie's life irrevocably changed. Now she's nearly thirty, trying to stay sober, working a city clerk job, and living a lonely life. Her only family is her brother Dylan, and she has no friends, no real life. At night, Edie secretly obsesses over the families of Lilith's victims, watching them online--and in real life. Then she actually meets one in person, and a man ends up murdered. Edie is immediately the police's one and only suspect. The investigating detective, Gil Brandt, is the same one who arrested her mother. He knows Edie better than anyone. She goes on the run, with Gil on her trail. Will Edie discover the truth in time?
This book just kept getting better with every page. I absolutely loved Kate Moretti's THE BLACKBIRD SEASON and was worried this one might not live up to it. I shouldn't have worried. This is just an excellent, fascinating novel.
The book is told from the point of view of Edie and Gil, with excerpts included from a tell-all book written about Lilith and her family. It all combines to make a very intriguing read. The way the novel explores looking at serial killers from the perspective of their family is just amazing and interesting. As Edie says,
"Sometimes, Lilith was just my mother."
You get this really in-depth look at how Lilith was both an awful mother, a regular mother, and influenced by mental illness. The book does a great job of providing a portrait of mental illness as well. I thought its look at Lilith as a serial killer was just so well-done. Lilith isn't necessarily the main focus--that's Edie--but she's had such an influence on forming Edie that we learn so much about her.
As for Edie, I was worried at first that I wouldn't like her or enjoy her character, because sometimes I have a hard time with characters who make nothing but bad decisions. But I quickly grew attached to her and to really, really like her. One of the best things about this book is that despite its serious and sometimes even gruesome subject matter, it can be funny sometimes. It's definitely heartbreaking and real. It's powerfully written, and Edie becomes this wonderfully great main character. She's so very smart and so very real. Moretti gives such a personality to everyone through her excellent detail; you're just able to visualize each character so well. I really love how you can get lost in her books. The bond between Brandt and Edie is interesting--different in many ways, but I liked how they were tied together in some way, and the how they each described that thread.
What's so great about this book is that you get to explore the serial killer aspect--how Edie is affected by her mom, some of the elements that formed Lilith into what she is, and more, but you also get a really well-done mystery too, after a character dies and Edie goes on the run. These two storylines run expertly in parallel and keep you riveted throughout the entire novel. There are some awesome twists and turns, and the whole book is just so well-done. I really loved these characters and truly just felt changed by the end of this one.
Overall, this is just a wonderful book. The characters are amazing and detailed, the plot is excellent, and I was just drawn in from the beginning. This goes deeper than your usual mystery or thriller, and I was so impressed and touched by this novel. I highly recommend this one!
This book just kept getting better with every page. I absolutely loved Kate Moretti's THE BLACKBIRD SEASON and was worried this one might not live up to it. I shouldn't have worried. This is just an excellent, fascinating novel.
The book is told from the point of view of Edie and Gil, with excerpts included from a tell-all book written about Lilith and her family. It all combines to make a very intriguing read. The way the novel explores looking at serial killers from the perspective of their family is just amazing and interesting. As Edie says,
"Sometimes, Lilith was just my mother."
You get this really in-depth look at how Lilith was both an awful mother, a regular mother, and influenced by mental illness. The book does a great job of providing a portrait of mental illness as well. I thought its look at Lilith as a serial killer was just so well-done. Lilith isn't necessarily the main focus--that's Edie--but she's had such an influence on forming Edie that we learn so much about her.
As for Edie, I was worried at first that I wouldn't like her or enjoy her character, because sometimes I have a hard time with characters who make nothing but bad decisions. But I quickly grew attached to her and to really, really like her. One of the best things about this book is that despite its serious and sometimes even gruesome subject matter, it can be funny sometimes. It's definitely heartbreaking and real. It's powerfully written, and Edie becomes this wonderfully great main character. She's so very smart and so very real. Moretti gives such a personality to everyone through her excellent detail; you're just able to visualize each character so well. I really love how you can get lost in her books. The bond between Brandt and Edie is interesting--different in many ways, but I liked how they were tied together in some way, and the how they each described that thread.
What's so great about this book is that you get to explore the serial killer aspect--how Edie is affected by her mom, some of the elements that formed Lilith into what she is, and more, but you also get a really well-done mystery too, after a character dies and Edie goes on the run. These two storylines run expertly in parallel and keep you riveted throughout the entire novel. There are some awesome twists and turns, and the whole book is just so well-done. I really loved these characters and truly just felt changed by the end of this one.
Overall, this is just a wonderful book. The characters are amazing and detailed, the plot is excellent, and I was just drawn in from the beginning. This goes deeper than your usual mystery or thriller, and I was so impressed and touched by this novel. I highly recommend this one!
Fred (860 KP) rated Overlord (2018) in Movies
Jun 8, 2019
Great blend of genres
After some great WWII war drama, this movie shifts to horror & blends the two perfectly. It's kind of like "From Dusk Til Dawn" where it all seems to be going normally, then BAM! we're hit with the shift. The acting is top notch, but the only problem is the film never feels like it's really WWII. You can tell it was made recently. I mean, there's no way the soldiers would be racially mixed. And if it was, the soldiers wouldn't have been civil to each other. It does pull us out of the mood a little, but today's movies have to do this. A strong person of color and/or a strong woman must be thrown in, otherwise people will complain.I have no problem with these & if it sounds like I am complaining about it, it's only to point out that people will complain. I wouldn't be giving the film an 8 out of 10 otherwise.
Anyway, back to the film itself. Plenty of action & drama in this one. It's most enjoyable & sometimes can be real creepy. I don't want to give the story away, so I'll just leave it at that. Simple enough. If you're into war dramas, horror, sci-fi & the likes, then give it a watch.
Anyway, back to the film itself. Plenty of action & drama in this one. It's most enjoyable & sometimes can be real creepy. I don't want to give the story away, so I'll just leave it at that. Simple enough. If you're into war dramas, horror, sci-fi & the likes, then give it a watch.