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Emma @ The Movies (1786 KP) rated Downsizing (2017) in Movies

Jun 30, 2019 (Updated Sep 25, 2019)  
Downsizing (2017)
Downsizing (2017)
2017 | Comedy, Drama, Sci-Fi
Paul and Audrey are like any normal couple, they plod along and everything is... okay. But when they meet one of Paul's high school friends who has "downsized" they wonder if this might be what they've been looking for to change their life.

Wow... just wow. Matt Damon is doing amazingly well at reassuring me of the reasons I don't like his films. I'm afraid to say that this one gets two stars purely for the fact that the story line had so much potential... and barely any of it was tapped.

If you go on to IMDb you can see that they've listed this one as comedy, drama, and sci-fi. Now, the last one is a given, as unless I've been missing something we are unable to shrink people. But the other two... I genuinely think that there were two versions of the script, one comedy and one drama, and when someone was taking them to production they accidentally dropped them and ended up matching the comedy beginning with the drama end... the worst type of pantomime horse ever created.

The trailer that I kept seeing for this one looked entirely like a comedy. I was really surprised that it became a "drama". It could quite easily have been one or the other, Damon would have fit well in the comedy version, and had they done some fun stuff around him and his wife trying to reconcile after she bailed on being Downsized I could have seen that working. Equally, with some different casting I could have seen the more serious ending to the movie working if they'd had an equally serious beginning. As it is though this movie seems to have no idea who it's trying to appeal to... and actually, thinking about it... I'm going to revoke one of those stars, talking over it has made me see the error of my ways.
  
Don't Let Go (2019)
Don't Let Go (2019)
2019 | Horror, Mystery, Thriller
Don't Let Go nearly passed me by, last minute advertising popped it back onto my radar and I was still suitably intrigued by it and managed to catch it at my local. The idea seemed like an interesting one, it worked for Frequency so why not now too? After seeing the film though you realise that if you take the sci-fi out you could easily adapt the story into a regular thriller. I thought they handled the "time travel" between cuts in a very good way, but ultimately the lack of explanation felt like a letdown and the ending felt rather unfulfilling too.

They do some of my least favourite camera work, bouncy cameras and the opening gliding shot didn't sit well with me. Just once I'd like to see a camera in a car that only jumps when they hit a pothole or take a speed bump.

The majority of the film is following Jack, played by David Oyelowo, he does a good job of the mania that you'd expect from this situation. There's always the issue with situations that are more real than science fiction... how can you even begin to work out what you'd do? It felt believable and that was a fairly impressive feat.

I'd previously seen Storm Reid in A Wrinkle In Time which I loved, but in neither film did I find her easy to watch. She's got a talent for sure but sometimes things don't seem all that natural on screen.

As I said, the idea is intriguing, I'm hopeful that appeal will be enough for some people to find this film entertaining. I enjoyed it for the most part but the disappointing ending and too many points left to "it's a mystery" mean I won't be putting this very high on the list of things to rewatch.

Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/dont-let-go-movie-review.html
  
Fast & Furious Presents: Hobbs & Shaw (2019)
Fast & Furious Presents: Hobbs & Shaw (2019)
2019 | Action, Adventure
Contains spoilers, click to show
I would like to start by saying that I have, at the time of writing this, never seen any of the previous ‘The Fast and The Furious’ films and my knowledge of the franchise is; Film 1 - some people steel some cars, Film 2 – more cars get stolen, Film 3 racing in Japan, then apparently they get weird so I wasn’t total sure what I was getting into but hay any film that has an evil cyborg going up against two action hero’s has to be good. Doesn’t it?
Of course it does. I’m not going to pretend that ‘Hobbs & Shaw’ is a massive cinematic masterpiece but you it knows what it is, a ‘no brainier’ action film that doesn’t take itself too seriously. The plot is, of course simple and ridiculous, to stop the technological enhanced Brixton from getting a virus that can wipe out most of the people on earth Hattie injects it into herself. Hobbs & Shaw are hired to get Hattie and the virus back. Hobbs and Shaw don’t like each other having met before in one of the previous films and Dwayne Johnson and Jason Statham play this brilliantly, bouncing insults off each other though out most of the film.
The film does have a slight serious theme as the subject of family is tackled but this only helps the flow of the film.
The only side effect of not seeing any of the other films was that I was unsure if Brixton had been in any of them before, there was a backstory between him and Shaw but I couldn’t tell if it did refer to something seen before or if it was just for this film. There was also a second bad guy who mentioned that Hobbs didn’t remember him but it was never reviled who this was and as neither of these points impact on the film they do not take away any of the enjoyment.
So If you like easy going action films with car chases and explosions this film is for you.
  
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Colin Newman recommended The Amateur View by To Rococo Rot in Music (curated)

 
The Amateur View by To Rococo Rot
The Amateur View by To Rococo Rot
(0 Ratings)
Album Favorite

"How I got to know about it was through knowing their original record label Kitty-Yo and working with people in Berlin and going over there, and then I met Ronald, and this album summed up a moment for me. Dance music had so completely dominated the 90s. Really you could only ever talk about music in terms of the beat. There was techno and electro and then there was drum & bass, and they were so dominant; there was no other music. I remember thinking at the time, at the height of drum & bass, why would you listen to any other kind of music besides drum & bass? That's the only kind of music there is. There's Britpop, but that's rubbish. And then towards the end of the 90s all that started to fade and there was Tortoise suddenly appearing with what Americans who didn't do dance music did as instrumental music. And then from Germany you had To Rococo Rot. I think they gave me that record, because I think the version I've got is a promo. And again it's one of those records we just listen to over and over again. Wire did a tour, I think it was in 2000, and when we started we hadn't provided any music to go on before the band. And in every venue they were playing something like Soundgarden. Sorry, but I can't stand Soundgarden. I can't take it. So then we said well why don't we give them some music to put on? And I had that album, so we had that on before every show and it was really good. It was like you have some thrashy support band and then some thrashy dirge playing after that and then Wire coming on and it's like an evening of dirge. So to lighten it up we put something else on that puts the audience in a different space. And it also set us up in a different way. We got to feel differently about what we were doing. It was very effective for that"

Source
  
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Rick Astley recommended Under the Pink by Tori Amos in Music (curated)

 
Under the Pink by Tori Amos
Under the Pink by Tori Amos
1994 | Alternative

"I haven't listened to this record for ages. But I intend to! I walk a lot and used to live by Richmond Park and I like to walk with an album as I don't do that very often. That was one of my Richmond Park albums. There's that Kate Bush element, beautiful, mad lyrical content and some of those song titles are like 'what the fuck?' Just great. What was I doing during this period? I was retired. I quit in the mid 1990s and decided I was going to teach myself to make records for other people like a producer. And it was a time when Auto-tune was king in pop music and this – and other things – made me realise I didn't want to do it and also I probably can't do it. It's quite an art to make songs for other people. You give it your everything but no one writes songs for bands, no one wrote songs for The Smiths. They write them for solo artists most of the time. That void is taken up by pop and you have to make records which are autotuned because a lot of the time - in the 1990s – the idea was 'Can she sing? Well, it doesn't matter'. But it did to me! It is an alchemy of Christ knows what to make a good record and I don't think I've got the chops to do that [for someone else]. I had a record deal with Polydor in Germany at one point specifically within the context of not having to release the album anywhere else! I did a bit of promotion there but nothing happened. It wasn't the kind of record that used to get me on the radio in the 1980s but it also wasn't the kind of record that was enough of truly doing what I wanted to do."

Source
  
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Daniel Boyd (1066 KP) rated The Upside (2019) in Movies

May 8, 2019 (Updated May 8, 2019)  
The Upside (2019)
The Upside (2019)
2019 | Comedy, Drama
Great performances all round (0 more)
On The Up and Up
This movie had a bit of a strange release, at least in my area. It was one of those movies that only had two showings a day on it's opening weekend and they were both at really obscure times like 10:30am and 2:40pm, - times that would suggest that this movie was being put out to die. This was disappointing as, after seeing the trailers, I was looking forward to seeing it and never got the chance while it was in cinemas. Anyway, I finally got around to seeing it upon it's home release and I really enjoyed it.

Although I did like the look of this project from the trailer and I am a big fan of Bryan Cranston, I was wary of Kevin Hart starring opposite him in this role. It looked like a role that would require a more serious actor than Kevin Hart and I was concerned that Hart had been miscast and only chosen because of the recognition of his name rather than whether or not he was the right actor for the part.

Surprisingly and thankfully, I was proven entirely wrong. Hart shows here that he is in fact very capable in a more serious role such as this and doesn't just have to resort to screaming in every film he is in. I hope that he takes on more serious stuff following this as I much prefer it to any of his 'comedic,' roles. The rest of the cast are also great, Cranston gives a sublime performance as he always does and Nicole Kidman works well as Cranston's character's secretary/ potential love interest.

This film is a remake of a French film called The Intouchables and there are other elements of it that bear similarities to other movies that we have seen before, but it is a well told story that has various worthwhile messages littered throughout it. The script is witty and snappy enough that the film never feels slow or boring.

Overall, I really enjoyed my time with this one. It isn't the most original thing I have ever seen, but it was entertaining and it had heart. The script was well written and the direction was solid. The performances from the entire cast also help elevate the already funny script even further.
  
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Hazel (2934 KP) rated My Lovely Wife in Books

Apr 6, 2019  
My Lovely Wife
My Lovely Wife
Samantha Downing | 2019 | Thriller
8
8.2 (12 Ratings)
Book Rating
A gem of a read
This book is like nothing I have read before ... in a good way of course but I am slightly worried that I may be moving onto the dark side of normal! Why? you may ask - just read this book and you'll understand!

What we have here is an absolute gem of a read that had me hooked from the start. I won't go into the plot as I don't want to give anything away but will describe it as being edgy, dark, twisted, engrossing, disturbingly entertaining and totally unique. The characters are just excellent but more than that, they are frighteningly believable and rarely do I find myself feeling so wrong about liking and rooting for someone so disturbed but scarily normal!

The writing is crisp and effective and easy to read with excellent pacing; great suspense and twists leave you reading way too late into the night in anticipation of what the heck is going to happen next.

I can't believe this is a debut and I am waiting on tenterhooks for Samantha Downing's next book and I only hope it's as disturbingly good as this one. On her website, she says that she wants to "tell stories that make people walk into walls"; I think she did with this one.

Thank you to the publisher, Penguin UK - Michael Joseph, and NetGalley for my copy in exchange for an honest review.
  
Willy's Wonderland (2021)
Willy's Wonderland (2021)
2021 | Horror, Thriller
7
6.7 (13 Ratings)
Movie Rating
I can safely say that I got exactly what I expected from Willy's Wonderland, a schlocky as hell B-Movie horror that manifests Nicolas Cage going toe-to-toe with a host of murderous animatronic mascots, set to a music score of synth heavy electronica/children's party jingles. Is it silly and dumb? Yes. Does it have annoying and unlikable teenage human characters who are there just to die horribly? Also yes. Is it entertaining as fuck? Most definitely.

Cage's silent protagonist feels like the role that his career has been leading up to all these years. He has his very own corner of the zeitgeist at this point, and is just running with it, happily poking fun at himself whilst managing to be undeniably badass, whether it be the Mad Max-esque opening, tearing the robots to shreds with his bare hands, or him furiously dancing whilst playing pinball. Whenever he's on screen, he steals all the focus, without uttering a word. It's so ridiculous and enjoyable, that it renders the half-baked plot a moot point.
The animatronics themselves look pretty decent for the most part, and there's some solid gore here and there. It's the kind of gore that will make you burst out laughing, but in a good way.

Willy's Wonderland is far from a perfect experience, but it is what it is, and never tries to be anything more, and therefore succeeds in what it's trying to achieve.
  
Daisy Jones & the Six
Daisy Jones & the Six
Taylor Jenkins Reid | 2019 | Fiction & Poetry
THIS BOOK DESTROYED ME!!!! I'll do a proper review soon but right now I don't have the words
<blockquote><b>"Fire is great man, but we're made of water. Water is how we keep living. Water is what we need to survive."</b>- Billy Dunne</blockquote>
I have so many emotions. When I picked this book up having read the description I didn't think that it was going to be my sort of thing. OH, HOW WRONG I WAS! I ended up falling in love with the writing, the characters and the story. There were so many quotes in this book that I loved that I ended up having a whole note in my notes app filled with quotes from this book alone. This book broke me, I don't know how I'm moving on from this point, there were times I had to pause so I could adequately cry. I can't actually put into words just how special this book is and I'm so happy that I decided to pick it up and give it a go. This little book has somehow managed to leapfrog its way from a book I didn't even think I'd like, to the very top of my list of favourite books of all time. I listened to the audiobook version through my local library but I've literally just bought myself a physical copy so that I can love and cherish it forever.
  
Saw (2004)
Saw (2004)
2004 | Horror
The first Saw film has become tarnished over the years, due to the relentless shit filled wave of increasingly torturous (both for the audience and the characters) sequels, when really, Saw is a relatively low budget but super tight thriller.

The premise of a serial killer who kidnaps people who don't appreciate life itself, puts them in a dire situation, but gives them a chance to escape if they fight hard enough for it, is one that is intriguing, and captured the imagination of thousands - Jigsaw has since become an iconic horror antagonist.
The unlucky victims first time around are played by Cary Elwes and writer Leigh Whannell.
The two of them are situated in a very minimalist setting. It's grimy and nasty. Director James Wan works wonders with what little he has in that respect.
The cast also includes Danny Glover, which is always a win in my book.

The gore on show in Saw is pretty minimal compared to what's to come, but what we do see is effective and was just right - coupled with a plot that keeps the audience guessing until the final minute, it was enough to get everyone talking back in 2004.
And that ending absolutely shattered me on first watch. An iconic 'Gotcha!' moment for the ages.

Saw is a genuinely decent horror thriller and a rewarding experience for those that like a good twist. Just a shame about those sequels!