Search
Search results
Kirk Bage (1775 KP) rated Disobedience (2018) in Movies
Mar 3, 2020
English language films with big name actors are not usually this European. Which is why I have chosen the beautiful French poster to highlight this unexpected gem.
I hadn’t expected to like it, but was curious to see the two lead actresses work together on something so intimate, that became in the media something controversial, regrettably, for all the wrong reasons. They chose to focus on the sexual aspect of two high profile women about to commit to film a level of titillation hitherto unseen by either… but, of course, it is so much more than that.
The world of orthodox Judaisim and commitment to a patriarchal ideal of tradition and intrinsic value is at the heart of this small, yet devastating film. At first, that world is so alien and upsetting that it seems like a fantasy. Until you allow yourself to realise that this community does exist, and thrives.
Both Rachel Weisz as a woman with a secret who managed to escape the constraints and prejudices of the male dominant world, and Rachel McAdams, as the friend left behind to swallow her pride and be the expected wife, deliver extraordinary performances. The passion, repression and guilt are apparent in every scene.
But it is Alessandro Nivola, as the key antagonist, that really wins the plaudits. Watch a character so unlikable become a hero in the most humble and unlikely sense, in a scene of such breath-taking clarity, towards the film’s climax. I can only wish all “bad guys” get this kind of human pay-off.
A film of resonance and social interest that fails as an entirely coherent piece, but works in so many good ways it is worth seeing just for the feels! There is no point where you do not believe how much these women are in love. And for that reason alone, I recommend it.
I hadn’t expected to like it, but was curious to see the two lead actresses work together on something so intimate, that became in the media something controversial, regrettably, for all the wrong reasons. They chose to focus on the sexual aspect of two high profile women about to commit to film a level of titillation hitherto unseen by either… but, of course, it is so much more than that.
The world of orthodox Judaisim and commitment to a patriarchal ideal of tradition and intrinsic value is at the heart of this small, yet devastating film. At first, that world is so alien and upsetting that it seems like a fantasy. Until you allow yourself to realise that this community does exist, and thrives.
Both Rachel Weisz as a woman with a secret who managed to escape the constraints and prejudices of the male dominant world, and Rachel McAdams, as the friend left behind to swallow her pride and be the expected wife, deliver extraordinary performances. The passion, repression and guilt are apparent in every scene.
But it is Alessandro Nivola, as the key antagonist, that really wins the plaudits. Watch a character so unlikable become a hero in the most humble and unlikely sense, in a scene of such breath-taking clarity, towards the film’s climax. I can only wish all “bad guys” get this kind of human pay-off.
A film of resonance and social interest that fails as an entirely coherent piece, but works in so many good ways it is worth seeing just for the feels! There is no point where you do not believe how much these women are in love. And for that reason alone, I recommend it.
Holly Johnson recommended The Rise And Fall Of Ziggy Stardust And The Spiders From Mars by David Bowie in Music (curated)
Kirk Bage (1775 KP) rated The Discreet Charm of the Bourgeoisie (1972) in Movies
Jan 28, 2021
The self confessed king of cinema surrealism, Luis Buñuel has 15 feature films listed as 7.5 or higher on IMDb, proving his life’s work is more loved and respected as you might think. This title was the only one I had really heard of being talked about by serious film folk that stuck in my mind, so it was as good a place as any to start with. It is an odd beast that I had a little trouble getting onboard with. It feels entirely 70s and kitsch, and on the surface feels at times little better than The Confessions of a Window Cleaner, or some such bawdy farce. To say it is a comedy is to take comedy to mean intellectual absurdism that pokes fun at the conventions and habits that lurk inside humanity, and the sophistication that masks our base instincts and flaws. I got the “joke”, it just all feels very dated now.
The cast have a lot of fun in the dreamlike landscape of manners and appetites, and the symbolism that abounds is indeed quite clever and arch if you want to analyse it. What I did like is how it feels increasingly like an actual dream, where things done and said begin to lose true meaning, and events and places merge into one flow of madness. You can definitely see a lot of ideas here that have been borrowed by other films since, and I appreciate what it tries to do, but ultimately this one left me a little cold. It has a pompous and smug air about it that is not for me, although I totally understand why it is held in high regard. I will probably never choose to watch it again.
The cast have a lot of fun in the dreamlike landscape of manners and appetites, and the symbolism that abounds is indeed quite clever and arch if you want to analyse it. What I did like is how it feels increasingly like an actual dream, where things done and said begin to lose true meaning, and events and places merge into one flow of madness. You can definitely see a lot of ideas here that have been borrowed by other films since, and I appreciate what it tries to do, but ultimately this one left me a little cold. It has a pompous and smug air about it that is not for me, although I totally understand why it is held in high regard. I will probably never choose to watch it again.
Debbiereadsbook (1730 KP) rated Nine Small Sips (Tales Of Bryant #2) in Books
Jun 28, 2019
my only fault? No Brian!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is NOT a stand alone, you really MUST read Tales of Bryant before this one, it is a continuation of Isamu and Brian’s story.
Brian and Isamu have a wedding coming up, and with an over sensitive-to-change wedding planner, a grandmother who demands traditions and a job that could take Isamu away from Brian so soon after their wedding, things are not going to plan!
Again, only the fact that Brian does not have a say is the only fault I can find with this book!
Adrian, the wedding planner, provides hysterical moments, that made me laugh out loud, cos the man simply does NOT like to change his wedding plans. But as Brian points out, it is NOT Adrian’s wedding, it is Isamu and Brian’s wedding, and Isamu needs to stand his ground.
Isamu’s grandmother and parents provide the serious side to this tale. Baba wants Isamu to embrace his Japanese heritage and include a ceremony that would honour his grandfather. I loved Isamu’s family. While they were still unsure about the age gap, they could see that Brian loves Isamu, and Isamu loves Brian.
We catch up with Isamu’s boss, Canada, oh, sorry, Caiden (love that Brian calls him Canada!) and with Isamu’s friend, Devon. Devon and Caiden have instant and powerful attraction, and I hope they get a tale of their own!
Its sexy and steamy in the most sweetest way, not quite as sweet as Tales of Bryant but still sugar rush enducing.
Like I said, just the fact that Brian isn’t given a voice, is the only reason I can’t stretch to 5 stars, and I am sorry for that!
4 very good stars
**same worded review will appear elsewhere**
This is NOT a stand alone, you really MUST read Tales of Bryant before this one, it is a continuation of Isamu and Brian’s story.
Brian and Isamu have a wedding coming up, and with an over sensitive-to-change wedding planner, a grandmother who demands traditions and a job that could take Isamu away from Brian so soon after their wedding, things are not going to plan!
Again, only the fact that Brian does not have a say is the only fault I can find with this book!
Adrian, the wedding planner, provides hysterical moments, that made me laugh out loud, cos the man simply does NOT like to change his wedding plans. But as Brian points out, it is NOT Adrian’s wedding, it is Isamu and Brian’s wedding, and Isamu needs to stand his ground.
Isamu’s grandmother and parents provide the serious side to this tale. Baba wants Isamu to embrace his Japanese heritage and include a ceremony that would honour his grandfather. I loved Isamu’s family. While they were still unsure about the age gap, they could see that Brian loves Isamu, and Isamu loves Brian.
We catch up with Isamu’s boss, Canada, oh, sorry, Caiden (love that Brian calls him Canada!) and with Isamu’s friend, Devon. Devon and Caiden have instant and powerful attraction, and I hope they get a tale of their own!
Its sexy and steamy in the most sweetest way, not quite as sweet as Tales of Bryant but still sugar rush enducing.
Like I said, just the fact that Brian isn’t given a voice, is the only reason I can’t stretch to 5 stars, and I am sorry for that!
4 very good stars
**same worded review will appear elsewhere**
Rat Scabies recommended Live at Leeds by The Who in Music (curated)
Absolute RC Simulator Full Version
Games
App
This is the FULL version of Absolute RC Simulator that includes all models and flying fields and is...
Rachel King (13 KP) rated Ink Exchange (Wicked Lovely, #2) in Books
Feb 11, 2019
The second book in the Wicked Lovely series is decidely darker than the first book, especially as it focuses on the Dark Court. A major plot point is Leslie's struggles to deal with how her brother and father have fallen off the "deep end" and the rape that her brother allowed to happen to her. She believes a tattoo will allow her to reclaim her body as her own and stop being afraid, but the tattoo she chooses has unimaginable consequences as she becomes entangled into the drama of the faery courts that her best friend Aislinn belongs to.
I like the change in main characters, as we get to see this world through other characters' eyes as well as learn about different aspects that Keenan or Aislinn may not be familiar with. I had a difficult time finding a character to really love, as all three of the main characters, Leslie, Irial, and Niall, all seemed to have major faults that I had a hard time getting around. The theme for this book seemed to be the darker side of humanity and how deeply entrenched people can get into the "gray" area of life, while still believing that they are not doing anything wrong. Irial wants to only use Leslie, just as he has for every other mortal, but then he falls for her. Leslie wants to be her own person and hates her brother for his druggie lifestyle, but then becomes an addict just like Ren. Niall has shunned the Dark Court for all it stands for, even denying his own nature, but then wants Leslie so bad that he unknowingly uses what he is and what the Dark Court is about to try and lure her to him. In a word, they all behave like hypocrites, but Marr is such a good writer, that I find myself feeling sorry for all of them at some point. While in many fantasy genre works, the female lead often has to choose between two guys, Marr takes a completely unpredictable approach, and I think that I like this ending the best of all possibilities. Plus, since this is only the second book in a series, there is potential for Leslie to change her mind in the long run as she becomes more comfortable in her own skin.
The way that Marr approaches the horrific trauma that Leslie endured prior to this book's beginning is handled very delicately, as it should be. It is never really described in detail what exactly happens to her, and it is mostly left up to the reader's imagination, which I think is a smart move in that girls who have been in a situation similar to Leslie's can relate to her and feel like they have a voice in her words and thoughts. This alone is what makes this book both poignant and powerful. The fact that both males vying for her affection try to rescue her from this trauma in his own way is what redeems both of them for me.
Politics run heavy in this series, and while I am not really a fan of politics in real life, fantasy books often make it much more interesting, Marr's writing being no exception. The dynamics between the faery courts are quite intriguing and I think they seem to balance one another out well, even though at first glance it might seem like some should be kept over others. I find myself constantly wondering about the High Court and its Queen, Sorcha, which I can look forward to in the third installment in the series, Fragile Eternity (Wicked Lovely).
I like the change in main characters, as we get to see this world through other characters' eyes as well as learn about different aspects that Keenan or Aislinn may not be familiar with. I had a difficult time finding a character to really love, as all three of the main characters, Leslie, Irial, and Niall, all seemed to have major faults that I had a hard time getting around. The theme for this book seemed to be the darker side of humanity and how deeply entrenched people can get into the "gray" area of life, while still believing that they are not doing anything wrong. Irial wants to only use Leslie, just as he has for every other mortal, but then he falls for her. Leslie wants to be her own person and hates her brother for his druggie lifestyle, but then becomes an addict just like Ren. Niall has shunned the Dark Court for all it stands for, even denying his own nature, but then wants Leslie so bad that he unknowingly uses what he is and what the Dark Court is about to try and lure her to him. In a word, they all behave like hypocrites, but Marr is such a good writer, that I find myself feeling sorry for all of them at some point. While in many fantasy genre works, the female lead often has to choose between two guys, Marr takes a completely unpredictable approach, and I think that I like this ending the best of all possibilities. Plus, since this is only the second book in a series, there is potential for Leslie to change her mind in the long run as she becomes more comfortable in her own skin.
The way that Marr approaches the horrific trauma that Leslie endured prior to this book's beginning is handled very delicately, as it should be. It is never really described in detail what exactly happens to her, and it is mostly left up to the reader's imagination, which I think is a smart move in that girls who have been in a situation similar to Leslie's can relate to her and feel like they have a voice in her words and thoughts. This alone is what makes this book both poignant and powerful. The fact that both males vying for her affection try to rescue her from this trauma in his own way is what redeems both of them for me.
Politics run heavy in this series, and while I am not really a fan of politics in real life, fantasy books often make it much more interesting, Marr's writing being no exception. The dynamics between the faery courts are quite intriguing and I think they seem to balance one another out well, even though at first glance it might seem like some should be kept over others. I find myself constantly wondering about the High Court and its Queen, Sorcha, which I can look forward to in the third installment in the series, Fragile Eternity (Wicked Lovely).
ArecRain (8 KP) rated Goddess of Yesterday in Books
Jan 18, 2018
First off, I should say that I absolutely love Greek mythology. I do not consider myself sufficiently schooled in the subject, but it is a passion of mine. I do not, however, like reading about the Trojan War. Therefore, I was a bit iffy when I request this book from book swap on goodreads.com . After reading it, I was pleased that the novel barely touched on the war.
There are so many thing that I love about this book that I dont know if I can even fit it all into one review. I normally do not like narratives, but I think this novel wouldnt have been the same if it hadnt been. When it first starts, the main character, Anaxandra, is only 5 years old and , thus, narrates through the eyes of a five year old (who knows how to express herself very well ). As the story progresses and Anaxandra grows older, the way she thinks and talks also evolves. You almost feel as if you grow with her, learning the things that she does and experiencing what she does with such clarity.
From page one, the plot unfolds, another thing I adore about any book. There is no excessive detail or long drawn out explanations of anything. Cooney wastes no time with excessive writing when she can sufficiently say it in a few sentences. Something I thought was very realistic considering the narrator. It almost reads like a stream on consciousness. It isnt staccato and rough like Hemingways writing, reading smoothing while still sounding like what is going through a young girl's mind during the time.
The plot actually wasnt too complicated. A young girl is given to a king as a companion for his daughter. Their village is sacked when she is older and she lies to Menalaus to save herself and thus becomes a companion for his young daughter. Helen meets Paris, and the rest is history. It sounds simple enough, but every page had something on it that progressed the storyline. It seemed that something was always happening.
Cooney's Helen of Troy had me clutching my book firmly in my claws, trying not to through it across the room in rage. I always picture Helen of Troy as a narcisstic woman who should have been put in her place. Cooney portrayed just that: a woman so caught in her own supposed birthright, beauty, and self bestowed power that, at time, Helen acted as if she was a goddess herself. She had accepted her life but was bored with it. It wasn't until someone as equally gorgeous and captivating as her came along, Paris, did she gain the courage to finally defy her husband.
I equally agreed with Cooney's portrayal of Paris. The young prince, who was also known to be quite the stud of his time, just bragged about his conquests and skills, of which, in truth, he had none.
What is not to love about two people wrapped up in themselves actually falling in love with each other? I wondered if they were only in love with the idea of them having a mate that compared to their unsurpassable looks.
All in all, there were far to many things in this novel that made me place it back on my shelf instead of donating it once I had finished. It lacks a certain maturity that I had grown use to from the other novels I have been reading as of late, but considering it is a young adult novel, I think Cooney can be forgiven for such a triviality.
If you like fiction about ancient Greece and Greek Mythology, I whole-heartedly recommend this little gem.
There are so many thing that I love about this book that I dont know if I can even fit it all into one review. I normally do not like narratives, but I think this novel wouldnt have been the same if it hadnt been. When it first starts, the main character, Anaxandra, is only 5 years old and , thus, narrates through the eyes of a five year old (who knows how to express herself very well ). As the story progresses and Anaxandra grows older, the way she thinks and talks also evolves. You almost feel as if you grow with her, learning the things that she does and experiencing what she does with such clarity.
From page one, the plot unfolds, another thing I adore about any book. There is no excessive detail or long drawn out explanations of anything. Cooney wastes no time with excessive writing when she can sufficiently say it in a few sentences. Something I thought was very realistic considering the narrator. It almost reads like a stream on consciousness. It isnt staccato and rough like Hemingways writing, reading smoothing while still sounding like what is going through a young girl's mind during the time.
The plot actually wasnt too complicated. A young girl is given to a king as a companion for his daughter. Their village is sacked when she is older and she lies to Menalaus to save herself and thus becomes a companion for his young daughter. Helen meets Paris, and the rest is history. It sounds simple enough, but every page had something on it that progressed the storyline. It seemed that something was always happening.
Cooney's Helen of Troy had me clutching my book firmly in my claws, trying not to through it across the room in rage. I always picture Helen of Troy as a narcisstic woman who should have been put in her place. Cooney portrayed just that: a woman so caught in her own supposed birthright, beauty, and self bestowed power that, at time, Helen acted as if she was a goddess herself. She had accepted her life but was bored with it. It wasn't until someone as equally gorgeous and captivating as her came along, Paris, did she gain the courage to finally defy her husband.
I equally agreed with Cooney's portrayal of Paris. The young prince, who was also known to be quite the stud of his time, just bragged about his conquests and skills, of which, in truth, he had none.
What is not to love about two people wrapped up in themselves actually falling in love with each other? I wondered if they were only in love with the idea of them having a mate that compared to their unsurpassable looks.
All in all, there were far to many things in this novel that made me place it back on my shelf instead of donating it once I had finished. It lacks a certain maturity that I had grown use to from the other novels I have been reading as of late, but considering it is a young adult novel, I think Cooney can be forgiven for such a triviality.
If you like fiction about ancient Greece and Greek Mythology, I whole-heartedly recommend this little gem.
Jamie (131 KP) rated Naja (volumes 1-5) in Books
Jun 4, 2017
An underwhelming and strange assassin mystery
What a shame. The comic had an interesting concept and started off pretty well but in the end was really lacking. Naja is a badass to be certain, but she has almost no personality. She was the stereotypical ruthless femme fatale and not much more than that. The other assassins from Zero’s organization were genuinely interesting and the fights were memorable. I just wish I could have cared more about Naja. The plot drags for the first few volumes and I had wished for a little more from the story.
I ended up regretting that wish.
The more that was revealed, the more it just seemed like torture porn. The sad part is, even after some traumatic experiences from Naja’s past was revealed, I didn’t find myself feeling much more for her character.
The comic crashed and burned spectacularly with the final volume honestly leaving me feeling rather angry and disgusted. It seemed to me that the story was almost like a twisted retelling of Romeo and Juliet, tragic star crossed lovers each hailing from rival families with a sprinkling of incest. It was disturbing in the worst way possible and I honestly wish I hadn’t finished the series off.
On the bright side, the art style is modern and edgy and very easily one of the best aspects of the comic. The action sequences are fast and bloody and were fun to read. Overall I can’t recommend this one given the weak story, but Bengal’s art is definitely something to admire.
I ended up regretting that wish.
The more that was revealed, the more it just seemed like torture porn. The sad part is, even after some traumatic experiences from Naja’s past was revealed, I didn’t find myself feeling much more for her character.
The comic crashed and burned spectacularly with the final volume honestly leaving me feeling rather angry and disgusted. It seemed to me that the story was almost like a twisted retelling of Romeo and Juliet, tragic star crossed lovers each hailing from rival families with a sprinkling of incest. It was disturbing in the worst way possible and I honestly wish I hadn’t finished the series off.
On the bright side, the art style is modern and edgy and very easily one of the best aspects of the comic. The action sequences are fast and bloody and were fun to read. Overall I can’t recommend this one given the weak story, but Bengal’s art is definitely something to admire.
Haley Mathiot (9 KP) rated The Espressologist in Books
Apr 27, 2018
Thoughts: Ok, so if you like to sit down on the couch in front of your Christmas tree with a cup of hot chocolate or a coffee, a blanket, and a cute fun light-hearted book that will make you smile and laugh a bit, this one is for you. There was a grand total of two kisses (no sex!), and no (zero!) bad words. It’s appropriate for ages 8-14.
But I wouldn’t go higher than 14. With that in mind, I’m 18. I guess I didn’t see what was great about this book. Maybe I’m hard to please (though I doubt it, because I was pleased by Perfect Chemistry. That sucked too.) but really, this book was pretty lame. There were parts where I thought “oh that’s cute” or “oh no!” but that’s about as exciting as it got, and that was the extent of my interaction with the plot. There was a lot of drama, and all of it was ridiculously unrealistic. The characters were shallow and had no relatability, and had what I call “happyland syndrome” when it came to their dialogue. I just didn’t like the dialogue—the things they said were either too perfectly thought out to be realistic, or just sounded silly. The writing was very mediocre, even for a contemporary YA novel. Lastly, the ending was weak.
Again, in for a light-hearted-relax-goof-off-waste-my-time kind of book? The Espressologist is for you. If not? Skip it. You aren’t missing much.
**Thank you to Kathryn from Henry Holt In Group for supplying my review copy**
But I wouldn’t go higher than 14. With that in mind, I’m 18. I guess I didn’t see what was great about this book. Maybe I’m hard to please (though I doubt it, because I was pleased by Perfect Chemistry. That sucked too.) but really, this book was pretty lame. There were parts where I thought “oh that’s cute” or “oh no!” but that’s about as exciting as it got, and that was the extent of my interaction with the plot. There was a lot of drama, and all of it was ridiculously unrealistic. The characters were shallow and had no relatability, and had what I call “happyland syndrome” when it came to their dialogue. I just didn’t like the dialogue—the things they said were either too perfectly thought out to be realistic, or just sounded silly. The writing was very mediocre, even for a contemporary YA novel. Lastly, the ending was weak.
Again, in for a light-hearted-relax-goof-off-waste-my-time kind of book? The Espressologist is for you. If not? Skip it. You aren’t missing much.
**Thank you to Kathryn from Henry Holt In Group for supplying my review copy**