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LilyLovesIndie (123 KP) rated Reckoning (The Gates Legacy #4) in Books
Nov 5, 2018
Oh my gosh! The Gates Legacy is back with an almighty bang, and boy was it good to catch up with the gang! Picking straight back up where we left off, Rohnert is nursing some severe issues regarding his mate's passing, Cyrus is intent on revenge for his torture, Issy just wants to be loved and the rest of the gang are trying to hold it all together like some magical glue. Throw some ancient, and very freaky, enemies into the mix for power and you have your full set to play with, and play is what Lorenz Font does so well.
The pace in this book is much more reminiscent of the earlier parts of the series. It's got a pull that as soon as it's got you hooked, you can't put it down. I've spent many nights reading way past my bedtime because I just needed to know what the characters were going to do next. As I've already mentioned, this book picks back up where we left off and it was like slipping back into your favourite pair of jeans. It' was familiar, yet there was another threat to follow - how Font finds so many enemies for the little rag tag band of heroes is beyond me, but it makes for very compelling reading!
Told mainly from the perspective of Cyrus and Issy, it was, as always with Font's writing, a delight to see so many POV's being used in the writing. It's like a lesson for aspiring writers on how to change POV's in a way that gives the reader so much information yet doesn't confuse them in the process. I adore her writing style, and this latest offering is no different in that. In fact, I probably like this one best of all, if only because, despite there being some hairy moments, Font managed to keep all of my favourites alive for a whole book!
The character development over the course of this story was also superb. Every character feels like they continue to grow, but none more so that Isidora. She is really coming into her own and holds the role of the lead heroine with the poise you'd expect of such a bloodline. She was an absolute joy to read and has secured her place within my favourite characters. Her relationship with Cyrus is probably one of the best developed and well told romances I've read in a while. It's believable, understandable thanks to their own troubled pasts and a fabulous pairing to read. I just hope Font leaves these two to enjoy a little happily ever after time, but I won't hold my breath knowing her penchant for throwing things in the air when they get settled!
The many twists and turns of the story also need a mention. When writing a series of this length and complexity it is very hard to keep it fresh, but Font never fails to deliver another twist or turn that leaves the reader reeling and wondering when that 18 wheeler truck or 2 ton bus hit them. It really is edge of the seat reading that leaves you needing more from the gang of vampires. I'm already on tenterhooks wondering how some of the loose ends will be tied up in the next book and I love that Font has left me thinking of her characters, even hours after finishing the book, because, let's face it, who doesn't like it when a book gets under your skin like that?
And so, I suppose I should wrap up and end my waffle. If you are new to the series, go back and read the others first. If you're an old hand returning for your next fix, you're going to love it. It's awesome, amazing, phenomenal and Font is right back on form with another 5 star thriller from the Gates crew. Buy it, I can promise you that you will not be disappointed.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
The pace in this book is much more reminiscent of the earlier parts of the series. It's got a pull that as soon as it's got you hooked, you can't put it down. I've spent many nights reading way past my bedtime because I just needed to know what the characters were going to do next. As I've already mentioned, this book picks back up where we left off and it was like slipping back into your favourite pair of jeans. It' was familiar, yet there was another threat to follow - how Font finds so many enemies for the little rag tag band of heroes is beyond me, but it makes for very compelling reading!
Told mainly from the perspective of Cyrus and Issy, it was, as always with Font's writing, a delight to see so many POV's being used in the writing. It's like a lesson for aspiring writers on how to change POV's in a way that gives the reader so much information yet doesn't confuse them in the process. I adore her writing style, and this latest offering is no different in that. In fact, I probably like this one best of all, if only because, despite there being some hairy moments, Font managed to keep all of my favourites alive for a whole book!
The character development over the course of this story was also superb. Every character feels like they continue to grow, but none more so that Isidora. She is really coming into her own and holds the role of the lead heroine with the poise you'd expect of such a bloodline. She was an absolute joy to read and has secured her place within my favourite characters. Her relationship with Cyrus is probably one of the best developed and well told romances I've read in a while. It's believable, understandable thanks to their own troubled pasts and a fabulous pairing to read. I just hope Font leaves these two to enjoy a little happily ever after time, but I won't hold my breath knowing her penchant for throwing things in the air when they get settled!
The many twists and turns of the story also need a mention. When writing a series of this length and complexity it is very hard to keep it fresh, but Font never fails to deliver another twist or turn that leaves the reader reeling and wondering when that 18 wheeler truck or 2 ton bus hit them. It really is edge of the seat reading that leaves you needing more from the gang of vampires. I'm already on tenterhooks wondering how some of the loose ends will be tied up in the next book and I love that Font has left me thinking of her characters, even hours after finishing the book, because, let's face it, who doesn't like it when a book gets under your skin like that?
And so, I suppose I should wrap up and end my waffle. If you are new to the series, go back and read the others first. If you're an old hand returning for your next fix, you're going to love it. It's awesome, amazing, phenomenal and Font is right back on form with another 5 star thriller from the Gates crew. Buy it, I can promise you that you will not be disappointed.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Chris Sawin (602 KP) rated Rainy Dog (1997) in Movies
Jun 19, 2019
Rainy Dog introduces us to Yuuji, a yakuza hitman who lives in Taiwan. He mentions later on in the film that his grandma always told him that going out in the rain was bad luck and that couldn't be more true. Not too long after he received word from his brother that a hit was put on his former boss and was killed recently, a woman comes busting into his house while he's sleeping. She's brought a little mute boy named Ah Chen with her who she says is his son. She's taken care of him up until this point and he is now Yuuji's responsibility. Yuuji pretty much ignores Ah Chen and continues to carry out hits to pay the bills and even goes to a whore house while Ah Chen tags along every step of the way. When the prostitute(Lily) he'd been spending time with says she'd like to go somewhere where it doesn't rain, Yuuji takes it a little too seriously and kills the wrong people in order to get a little extra cash. Now, trying to stay one step ahead of the boss he was working for in Taiwan and his men, Yuuji tries to get Lily and Ah Chen out of town but doesn't count on bonding with a prostitute and a mute to become a dysfunctional family of sorts.
Rainy Dog is part of Takashi Miike's Black Society Trilogy. Shinjuku Triad Society, Rainy Dog, and Ley Lines make up the entire trilogy. The main reason I'm writing this review is because if you're familiar with any of Miike's former works, then you're probably expecting the black humor, crazy sex, and over the top violence and gore you may have seen in films like Ichi the Killer, Visitor Q, or Audition. Well, this has none of that. Rainy Dog is still dark and has a great sense of atmosphere, but has none of the things you may have thought were signature of a Miike film. The heavy rain may not sound like a lot on paper, but its presence throughout the film adds more to the overall feel of the movie than you may think. This is a crime drama and while it could have still very easily attained that R rating, it still doesn't show a whole lot. It's actually what it doesn't show that helps get the point across. Sometimes it's just better to let the viewer use their imagination.
I'm a fan of Miike's work. I really am. I'm hearing this is the best of the Black Society Trilogy though and if that's the case, then I'm going to be a little disappointed. I enjoyed Rainy Dog, but I felt there was room for improvement since it did seem to drag in certain scenes. This is actually a more character driven effort with drama and heartfelt scenes, scenes you'd never think you'd see in a Miike film, and I'm all for the unexpected. Maybe I was just a little letdown though as I do like the over the top violence Miike is known best for.
Rainy Dog is not a bad film, by any means. In fact, I'd recommend seeing it. I actually heard people comparing it to Unforgiven and Leon the Professional, so you'll probably like this if you enjoyed either of those films. Some fans say this is in Miike's top three best films of all time. I wouldn't go that far, but it's definitely worth renting or owning if you like crime films.
Do you remember that line from Kill Bill Vol. 1 that went something like this:
"It was not my intention to do this in front of you. For that, I'm sorry. But you can take my word for it, your mother had it coming. When you grow up, if you still feel raw about it, I'll be waiting." ?
It feels like it's an homage to this movie as there's a line almost identical to it:
"Grow up. Then come and kill me. I'll be waiting for you."
Rainy Dog is part of Takashi Miike's Black Society Trilogy. Shinjuku Triad Society, Rainy Dog, and Ley Lines make up the entire trilogy. The main reason I'm writing this review is because if you're familiar with any of Miike's former works, then you're probably expecting the black humor, crazy sex, and over the top violence and gore you may have seen in films like Ichi the Killer, Visitor Q, or Audition. Well, this has none of that. Rainy Dog is still dark and has a great sense of atmosphere, but has none of the things you may have thought were signature of a Miike film. The heavy rain may not sound like a lot on paper, but its presence throughout the film adds more to the overall feel of the movie than you may think. This is a crime drama and while it could have still very easily attained that R rating, it still doesn't show a whole lot. It's actually what it doesn't show that helps get the point across. Sometimes it's just better to let the viewer use their imagination.
I'm a fan of Miike's work. I really am. I'm hearing this is the best of the Black Society Trilogy though and if that's the case, then I'm going to be a little disappointed. I enjoyed Rainy Dog, but I felt there was room for improvement since it did seem to drag in certain scenes. This is actually a more character driven effort with drama and heartfelt scenes, scenes you'd never think you'd see in a Miike film, and I'm all for the unexpected. Maybe I was just a little letdown though as I do like the over the top violence Miike is known best for.
Rainy Dog is not a bad film, by any means. In fact, I'd recommend seeing it. I actually heard people comparing it to Unforgiven and Leon the Professional, so you'll probably like this if you enjoyed either of those films. Some fans say this is in Miike's top three best films of all time. I wouldn't go that far, but it's definitely worth renting or owning if you like crime films.
Do you remember that line from Kill Bill Vol. 1 that went something like this:
"It was not my intention to do this in front of you. For that, I'm sorry. But you can take my word for it, your mother had it coming. When you grow up, if you still feel raw about it, I'll be waiting." ?
It feels like it's an homage to this movie as there's a line almost identical to it:
"Grow up. Then come and kill me. I'll be waiting for you."
Emma @ The Movies (1786 KP) rated Free Guy (2021) in Movies
Aug 13, 2021
Some comedy action feels like a no-brainer really, and I do love a bit of Ryan Reynolds.
Guy is loving life in Free City, his goldfish, the amazing view from his apartment, getting to work with his best pal at the bank, it's all great. But when he meets the girl of his dreams, he starts to realise that there might be more to his world than he ever realised.
Well... this is exactly my sort of film, and yet, I'm really not feeling the excitement for it. The audience experience had me chuckling though, to my left... yawning, to my right... squeals of glee.
I think my main issue is that it felt very much like something I'd seen before. Almost instantly my brain said LEGO Movie and Truman Show, with some Ready Player One thrown in for good measure. Looking at the writers' back catalogue left no real surprises. Zak Penn wrote the screenplay for Ready Player One (one of his first credits on IMDb is for the story of Last Action Hero, and that feels like it gave some contributions too), and I had a mild recognition of bits from Matt Lieberman's Scoob and Playing With Fire.
Guy's initial evolution in the film is quite nice to watch with his days changing slightly each time. Everything then ramps up quite quickly once he steps out of his NPC programming properly for the first time... and this is where I thought I would be on board with it.
Once the video game elements kicked in I did have a bit of Easter egg spotting euphoria. Watching the background players jumping randomly, the generic but obviously named shops and locations. Much like Ready Player One, there were lots of things to discover in scenes outside of the storyline. But the style kept jumping between this "real life" video game and the video game that didn't know it was a video game. Admittedly there's a very fine line between those two realities. I did like that it replicates the way immersive play can feel when you forget that you are just playing a game, but even this, at times, felt a little forced.
As much as I love Ryan Reynolds, this wasn't a very challenging or original role for him. And just like the film overall, this felt like a mish-mash of his role that we've already seen on the big screen.
Comer's performance was great, and her online and real life personas had the subtle differences I'd expect to see... this does however, mildly highlight a slightly wider issue, and that's the stereotyping of gamers.
Computer nerds and gamers living in their mum's basements and being a little odd. That's a staple in media. Matty Cardarople's gamer, Kevin Smith's Warlock, Chris Reed's Todd Zarnecki. We love them, or we love to hate them, but it's getting a little tired.
One thing I couldn't fault the film for was the look of everything. Vibrant colours, a bit of fun with the costumes, and the effects throughout the action. It worked as a whole package, and for the most part, it balanced out the danger of the comedy getting a little too ridiculous.
I didn't overly notice an excess of IP/brand plugs, but there was one little cluster in Free Guy. One of the few things I truly enjoyed was where the Disney property merged into a fight scene towards the end. It amused me because I was expecting something like it to happen. It may have gone a smidge over the line of enjoyable, but I'm going to give it a pass. (And I do have a point that would have made this scene better, and I'm honestly disappointed that they didn't think to do it.)
I had been hoping that Free Guy would be a 4 star film, but I don't think I could give it more than a 3. It's watchable, but I don't feel any great need to own it or hunt it down before it's streaming. That being said, I am going to see it again. In the same vein as Ready Player One and 1917, I've watched it for the story, now I'm going back for the background detail.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/free-guy-movie-review.html
Guy is loving life in Free City, his goldfish, the amazing view from his apartment, getting to work with his best pal at the bank, it's all great. But when he meets the girl of his dreams, he starts to realise that there might be more to his world than he ever realised.
Well... this is exactly my sort of film, and yet, I'm really not feeling the excitement for it. The audience experience had me chuckling though, to my left... yawning, to my right... squeals of glee.
I think my main issue is that it felt very much like something I'd seen before. Almost instantly my brain said LEGO Movie and Truman Show, with some Ready Player One thrown in for good measure. Looking at the writers' back catalogue left no real surprises. Zak Penn wrote the screenplay for Ready Player One (one of his first credits on IMDb is for the story of Last Action Hero, and that feels like it gave some contributions too), and I had a mild recognition of bits from Matt Lieberman's Scoob and Playing With Fire.
Guy's initial evolution in the film is quite nice to watch with his days changing slightly each time. Everything then ramps up quite quickly once he steps out of his NPC programming properly for the first time... and this is where I thought I would be on board with it.
Once the video game elements kicked in I did have a bit of Easter egg spotting euphoria. Watching the background players jumping randomly, the generic but obviously named shops and locations. Much like Ready Player One, there were lots of things to discover in scenes outside of the storyline. But the style kept jumping between this "real life" video game and the video game that didn't know it was a video game. Admittedly there's a very fine line between those two realities. I did like that it replicates the way immersive play can feel when you forget that you are just playing a game, but even this, at times, felt a little forced.
As much as I love Ryan Reynolds, this wasn't a very challenging or original role for him. And just like the film overall, this felt like a mish-mash of his role that we've already seen on the big screen.
Comer's performance was great, and her online and real life personas had the subtle differences I'd expect to see... this does however, mildly highlight a slightly wider issue, and that's the stereotyping of gamers.
Computer nerds and gamers living in their mum's basements and being a little odd. That's a staple in media. Matty Cardarople's gamer, Kevin Smith's Warlock, Chris Reed's Todd Zarnecki. We love them, or we love to hate them, but it's getting a little tired.
One thing I couldn't fault the film for was the look of everything. Vibrant colours, a bit of fun with the costumes, and the effects throughout the action. It worked as a whole package, and for the most part, it balanced out the danger of the comedy getting a little too ridiculous.
I didn't overly notice an excess of IP/brand plugs, but there was one little cluster in Free Guy. One of the few things I truly enjoyed was where the Disney property merged into a fight scene towards the end. It amused me because I was expecting something like it to happen. It may have gone a smidge over the line of enjoyable, but I'm going to give it a pass. (And I do have a point that would have made this scene better, and I'm honestly disappointed that they didn't think to do it.)
I had been hoping that Free Guy would be a 4 star film, but I don't think I could give it more than a 3. It's watchable, but I don't feel any great need to own it or hunt it down before it's streaming. That being said, I am going to see it again. In the same vein as Ready Player One and 1917, I've watched it for the story, now I'm going back for the background detail.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/free-guy-movie-review.html
Domonique (0 KP) rated The Walking Dead: v. 1: Days Gone Bye in Books
May 12, 2018
This was awesome! I've been watching the show for years, but I never read the comic even though I knew that's what it was based on. And people kept saying how good it was, but I read so many other things that I just never had a chance to check out. But I got this free trial on Comixology and thought, why not? And let me tell you, I am hooked, I think I read this in a day and it's a comic book so it's not like it takes longs to read anyway but I found it hard to focus on other things when all I wanted to do was read this. It's exactly like the show, and of course I know this came first, but it's kind of cool to read this after watching the show to see how true they stayed to the story. I've started Volume 2 already and I'm pretty sure I'm going to finish this quickly as well. Before long, I might be caught on the comics like I am with the show.
MelanieTheresa (997 KP) rated The Breakdown in Books
May 16, 2018
Ok, so I never saw the twist coming.
This story is crafted so well, and kept me so engaged, that it was hard to put the book down. The entire time, I felt so bad for Cass - what must it be like to forget things like how to use the washing machine or the microwave? Terrifying, I imagine. To feel like you're losing your mind, and then to find out you were being gas-lighted all along by the two people you love most in the world?
I felt vindicated right along with her when the truth came out and she got some measure of revenge on her husband and best friend - both of whom are just terrible, terrible people and deserve every ounce of it. In truth, the actual "murder mystery" part of the story was entirely secondary for me, as I was completely wrapped up in what was happening to Cass.
Thank you to SheSpeaks and St. Martin's Press for the opportunity to read and review this book!
This story is crafted so well, and kept me so engaged, that it was hard to put the book down. The entire time, I felt so bad for Cass - what must it be like to forget things like how to use the washing machine or the microwave? Terrifying, I imagine. To feel like you're losing your mind, and then to find out you were being gas-lighted all along by the two people you love most in the world?
I felt vindicated right along with her when the truth came out and she got some measure of revenge on her husband and best friend - both of whom are just terrible, terrible people and deserve every ounce of it. In truth, the actual "murder mystery" part of the story was entirely secondary for me, as I was completely wrapped up in what was happening to Cass.
Thank you to SheSpeaks and St. Martin's Press for the opportunity to read and review this book!
Lilyn G - Sci-Fi & Scary (91 KP) rated Just Add Magic - Season 1 in TV
Feb 9, 2018
There are far worse kid shows to be stuck watching
While I can't say I'm exactly a rabid fan of Just Add Magic, it's not horrible. In comparison to some of the other stuff I've had to listen to while my child gets her allotted TV time, I will happily choose this show.
The three girls are a nice range of personalities. Their older parallels are equally interesting. There are some problems, of course, like the Hispanic one of the older trio of course being the sneaky one. However, that can generate discussion with your child about stereotypes, so you can gripe about it and not watch the show and watch something like Spongebob instead – or you can use it as a reason to have a dialogue with your child about stereotypes and go from there.
The dialogue doesn’t make me want to scrub out my ears. The cinematography is pleasing. My 8 year old loves it. It gives her hints on how doing stuff like trying to take the easy way out never works out well. So, it’s a win for me.
The three girls are a nice range of personalities. Their older parallels are equally interesting. There are some problems, of course, like the Hispanic one of the older trio of course being the sneaky one. However, that can generate discussion with your child about stereotypes, so you can gripe about it and not watch the show and watch something like Spongebob instead – or you can use it as a reason to have a dialogue with your child about stereotypes and go from there.
The dialogue doesn’t make me want to scrub out my ears. The cinematography is pleasing. My 8 year old loves it. It gives her hints on how doing stuff like trying to take the easy way out never works out well. So, it’s a win for me.
James Koppert (2698 KP) rated From the Shadows in Books
Oct 25, 2019
From The Shadows
I'm not an avid reader of crime thrillers as I often find them unbelievable, predictable or rediculous. This is neither. I was gripped from the beginning and found it hard to put down. Just one more chapter was my continuous mantra. Like Jane Harper's brilliant novels, as well as the character, the setting itself shines like the main character. Here the cold Highlands of Scotland paint the bleak setting for the dark crimes unfolding.
Bravely, Halliday doesn't feel the need to add romance or standard go to characters to make it work. He relies on his storytelling and strong individuals and how refreshing to see a book featuring a social worker that isn't female or a do gooder.
I'm gobsmacked this is a debut, it reads like a hardened crime writer who is a master at their trade. I can imagine this becoming an ITV drama in the future and look forward to the next installment. An absolutely cracking read for any crime or thriller fan.
Bravely, Halliday doesn't feel the need to add romance or standard go to characters to make it work. He relies on his storytelling and strong individuals and how refreshing to see a book featuring a social worker that isn't female or a do gooder.
I'm gobsmacked this is a debut, it reads like a hardened crime writer who is a master at their trade. I can imagine this becoming an ITV drama in the future and look forward to the next installment. An absolutely cracking read for any crime or thriller fan.
Kate (493 KP) rated The House of Twelve in Books
Nov 26, 2019
I did enjoy this book. I like crime novels and was not aware this was paranormal as well but it did all make sense and tie in at the end.
Once I started reading I couldn't out the book down - I read it in a day.
The story flowed well and it was interesting to find out the back ground of each character. I did like the twist at the end when the newspaper cut outs and reports were found. It really tied everything together.
I couldn't connect with the characters but that could be because some of them weren't around long and others I just didn't feel anything for. I didn't care what happened to each character and/or when it happened.
The story reminded me of the Saw films. They were more about a game and torture which I don't like so the book was better.
The book was very well put together.
I received a complimentary copy of the book from the author via Voracious Readers Only.
Once I started reading I couldn't out the book down - I read it in a day.
The story flowed well and it was interesting to find out the back ground of each character. I did like the twist at the end when the newspaper cut outs and reports were found. It really tied everything together.
I couldn't connect with the characters but that could be because some of them weren't around long and others I just didn't feel anything for. I didn't care what happened to each character and/or when it happened.
The story reminded me of the Saw films. They were more about a game and torture which I don't like so the book was better.
The book was very well put together.
I received a complimentary copy of the book from the author via Voracious Readers Only.
Awix (3310 KP) rated The Skin I Live In (La piel que habito) (2011) in Movies
Apr 7, 2020
Operatically twisted (and twisty) erotic psycho-horror-thriller-drama from Almodovar. Brilliant scientist and surgeon (Banderas) seems to be keeping a young woman (Anaya) prisoner in his house, and performing various experiments on her (even his mum thinks he is insane). But the truth turns out to be a little more complicated than it at first seems...
Initially seems like much more of a plot-driven genre movie than is typical for this director, but the familiar themes (sex, desire, obsession, family ties) soon resurface albeit in somewhat modulated form. The plot grips like a vice, the performances are superb, it looks fabulous, and the (warped) sensuality of the film makes most so-called erotic thrillers look very bland and tame. This would qualify as a masterpiece, as good as anything Almodovar has ever done, except for the ending, which feels like a significant misstep, stumbling for conventional closure in a way that just doesn't ring true or feel satisfying. Nevertheless, a brilliant piece of film-making. (Do NOT read or hear a plot synopsis before watching if you can possibly avoid it.)
Initially seems like much more of a plot-driven genre movie than is typical for this director, but the familiar themes (sex, desire, obsession, family ties) soon resurface albeit in somewhat modulated form. The plot grips like a vice, the performances are superb, it looks fabulous, and the (warped) sensuality of the film makes most so-called erotic thrillers look very bland and tame. This would qualify as a masterpiece, as good as anything Almodovar has ever done, except for the ending, which feels like a significant misstep, stumbling for conventional closure in a way that just doesn't ring true or feel satisfying. Nevertheless, a brilliant piece of film-making. (Do NOT read or hear a plot synopsis before watching if you can possibly avoid it.)
The World of Cycling According to G
Book
Like no other cycling book, from no other rider - Britain's Rio 2016 Olympic cycling star shares his...