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Phillip McSween (751 KP) rated After the Dark (2014) in Movies
Jan 13, 2018
Nope
Ever drank an open soda that's been sitting in the fridge too long? That's kind of like what happens to the premise of After the Dark. Due to its lack of reality (will expand on that in a moment), there are no real stakes and we all know what happens to Phillip McSween when he watches a film with no stakes. I turn green...
Despite a premise that falls flat, I can appreciate the message that the film was trying to get across. Everyone is important and has value. You can never understand that true value of a person or a thing until you give that person or a thing a try. The true value behind this message actually saved this film from getting a worse score.
I also give credit, as I did with I Declare War, for the film daring to try such an interesting premise. On paper it seems like it just might work and, perhaps with a bit more development, it could have. Or perhaps the film was just doomed from the start. One can never be sure.
I'll let you decide for yourself: On their last day of classes, a professor challenges a high school class to imagine different scenarios in which they would have to survive an apocalypse. While this is all happening inside of a classroom, the film takes us into the imaginary world of these different apocalyptic scenarios so what we're seeing is never actual reality, but the scenarios themselves. Ready to drop everything and watch yet?
With me watching 365 movies and having to randomly choose some from my list of all-time Rotten Tomato films, I expect some duds to slip through. Not only was the source material not enough to make me care, but the ending was so ridiculous that it destroyed any hopes of After the Dark being worth anyone's time. I give it a 61.
Despite a premise that falls flat, I can appreciate the message that the film was trying to get across. Everyone is important and has value. You can never understand that true value of a person or a thing until you give that person or a thing a try. The true value behind this message actually saved this film from getting a worse score.
I also give credit, as I did with I Declare War, for the film daring to try such an interesting premise. On paper it seems like it just might work and, perhaps with a bit more development, it could have. Or perhaps the film was just doomed from the start. One can never be sure.
I'll let you decide for yourself: On their last day of classes, a professor challenges a high school class to imagine different scenarios in which they would have to survive an apocalypse. While this is all happening inside of a classroom, the film takes us into the imaginary world of these different apocalyptic scenarios so what we're seeing is never actual reality, but the scenarios themselves. Ready to drop everything and watch yet?
With me watching 365 movies and having to randomly choose some from my list of all-time Rotten Tomato films, I expect some duds to slip through. Not only was the source material not enough to make me care, but the ending was so ridiculous that it destroyed any hopes of After the Dark being worth anyone's time. I give it a 61.
Rick Astley recommended Every Kingdom by Ben Howard in Music (curated)
Darren (1599 KP) rated The Confines (2015) in Movies
Sep 13, 2019
Characters – Streak is a disturbed young woman, she must prove she can keep a job to get her child back which leads her to the night watchwoman role. She doesn’t have experience in this role which leads her to explore and using her gift to learn the truth about the building. Cooper is the experienced night watchman, he needs this job and with his disability, it seems like a comfortable gig for him, this night turns into a nightmare as he must deal with Streak never being sure if she is unstable herself or there is something going on in the building. To round out our small cast we have a homeless man and the guy that hires Streak, neither do much else in the film.
Performances – Louisa Krause in the leading role is solid enough, though we never truly believe her fear through the night and her lack of ability to make us feel like we could be seeing her on edge over just horrors doesn’t convince. Jason Patric is solid to, though he never gets the time required to do anything with his character. The rest of the cast barely get any screen time which is why they suffer from low scores.
Story – The story much like many horror film keeps everything very simple, this is all we needed it to do too. On the first night of a job as a night watchwoman our leading lady must battle her own inner demons when strange things start happening within the apartment building she is working in. well this sounds like it should be an enjoyable enough watch for a horror fan, the ending only left me scratching my head which is disappointing, even though it could have made sense or not.
Horror/Mystery – The horror side of the film mostly down to what isn’t there as we balance between stuff int eh corner over anything else. The mystery comes from what could be making the noises in the building and what is involved with the history of the events here.
Settings – The film takes place completely in the building, this does keep the events confined to one location, we have the darker rooms, the forbidden rooms which only draw the horror ideas we could get.
Special Effects – The effects are solid enough though most of it is the in the corners blink and you miss it moments.
Scene of the Movie – The first visit.
That Moment That Annoyed Me – The ending.
Final Thoughts – This isn’t the best horror, it has potential of greatness, though it just doesn’t click things together like it should do.
Overall: Horror that will just become forgettable.
Performances – Louisa Krause in the leading role is solid enough, though we never truly believe her fear through the night and her lack of ability to make us feel like we could be seeing her on edge over just horrors doesn’t convince. Jason Patric is solid to, though he never gets the time required to do anything with his character. The rest of the cast barely get any screen time which is why they suffer from low scores.
Story – The story much like many horror film keeps everything very simple, this is all we needed it to do too. On the first night of a job as a night watchwoman our leading lady must battle her own inner demons when strange things start happening within the apartment building she is working in. well this sounds like it should be an enjoyable enough watch for a horror fan, the ending only left me scratching my head which is disappointing, even though it could have made sense or not.
Horror/Mystery – The horror side of the film mostly down to what isn’t there as we balance between stuff int eh corner over anything else. The mystery comes from what could be making the noises in the building and what is involved with the history of the events here.
Settings – The film takes place completely in the building, this does keep the events confined to one location, we have the darker rooms, the forbidden rooms which only draw the horror ideas we could get.
Special Effects – The effects are solid enough though most of it is the in the corners blink and you miss it moments.
Scene of the Movie – The first visit.
That Moment That Annoyed Me – The ending.
Final Thoughts – This isn’t the best horror, it has potential of greatness, though it just doesn’t click things together like it should do.
Overall: Horror that will just become forgettable.
Darren (1599 KP) rated Climax (2018) in Movies
Jul 13, 2019
Verdict: What The?
Story: Climax starts as we meet all the dancers in this gathering, Selva (Boutella) seems to be the one that is planning the big dance number that will give all of them a chance to show of their different styles and techniques, we see an early look at the project before seeing the dancers relaxing at a party, going through the social numbers.
The night takes a dramatic turn when somebody spikes the drink with LSD putting everybody into a hallucinatory nightmare bringing out the worst in them all.
Thoughts on Climax
Characters – We have so many characters that we meet in this film, nobody seems to be the main character, with most getting equal screen time, this doesn’t help the movie because it is hard to keep up with every single character, you get to see the names in the opening introduction only to forget them when you meet the next one, not many of them are that interesting either, they do all have one thing in common though, they want to be dancers.
Performances – It is hard to judge any of the performances in this film, the dancing side of everything is faultless, it is meant to look different, but because we don’t give enough time to the actors it is hard to give them time to shine in anyway through this film.
Story – The story follows a group of dancers that are working on a project who look to celebrate only for the occasion to turn into a nightmare when the drink is spike. I am going to be honest, there really isn’t a story here, it is mostly just characters talking about who they want to have sex with, then getting high and running around like maniacs, that is all that happens.
Horror – The horror in this film comes from just what these people end up doing to each other once the drugs have kicked in, it’s a lot of screaming and it does try to push the boundaries, the problem comes from us not getting to know these characters enough to care what they do.
Settings – The film is set in one location, it has plenty of corridors along with a big party hall, which does make senses for everything happening in once location over one night.
Scene of the Movie – The interview introductions do make sense for the number of characters we have to meet.
That Moment That Annoyed Me – The first about 50 minutes is just boring.
Final Thoughts – This is a movie that will have its fans, though it is just a complete art piece that is trying to push the boundaries more than give us a proper story with too many characters to keep up with.
Overall: Overly Arty Movie.
Rating
Story: Climax starts as we meet all the dancers in this gathering, Selva (Boutella) seems to be the one that is planning the big dance number that will give all of them a chance to show of their different styles and techniques, we see an early look at the project before seeing the dancers relaxing at a party, going through the social numbers.
The night takes a dramatic turn when somebody spikes the drink with LSD putting everybody into a hallucinatory nightmare bringing out the worst in them all.
Thoughts on Climax
Characters – We have so many characters that we meet in this film, nobody seems to be the main character, with most getting equal screen time, this doesn’t help the movie because it is hard to keep up with every single character, you get to see the names in the opening introduction only to forget them when you meet the next one, not many of them are that interesting either, they do all have one thing in common though, they want to be dancers.
Performances – It is hard to judge any of the performances in this film, the dancing side of everything is faultless, it is meant to look different, but because we don’t give enough time to the actors it is hard to give them time to shine in anyway through this film.
Story – The story follows a group of dancers that are working on a project who look to celebrate only for the occasion to turn into a nightmare when the drink is spike. I am going to be honest, there really isn’t a story here, it is mostly just characters talking about who they want to have sex with, then getting high and running around like maniacs, that is all that happens.
Horror – The horror in this film comes from just what these people end up doing to each other once the drugs have kicked in, it’s a lot of screaming and it does try to push the boundaries, the problem comes from us not getting to know these characters enough to care what they do.
Settings – The film is set in one location, it has plenty of corridors along with a big party hall, which does make senses for everything happening in once location over one night.
Scene of the Movie – The interview introductions do make sense for the number of characters we have to meet.
That Moment That Annoyed Me – The first about 50 minutes is just boring.
Final Thoughts – This is a movie that will have its fans, though it is just a complete art piece that is trying to push the boundaries more than give us a proper story with too many characters to keep up with.
Overall: Overly Arty Movie.
Rating
LeftSideCut (3778 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 29, 2019 (Updated Oct 29, 2019)
I'll start by saying that Terminator: Dark Fate isn't quite the glorious return to form that a lot of people were hoping it would be. It's not a scratch on the first two, but there's enough good here to provide a mostly enjoyable sequel.
The Terminator series has had a bit of an extended rough patch over the last 15-20 years to say the least. Many fans (including myself) are quite happy to pretend that any entries after T2 just don't exist.
Lucky for us then that Dark Fate feels the same way.
Picking up after the events of T2, with a bit of digital trickery, we're first subjected to a sweet shot of nostalgia that we seem to be getting used to these days.
One thing I found apparent throughout DF, is that it drip feeds nostalgia quite subtly, without ever going overboard.
From there we're introduced to characters old and new including a new Terminator target Dani (Natalia Reyes), her cybernetically augmented human protector-from-the-future, Grace (Mackenzie Davis) and the new improved Terminator model for this chapter, the 'Rev-9' (Gabriel Luna).
And then of course Sarah Connor (Linda Hamilton), back and more badass than ever.
I enjoyed the cast as a whole during DF, but I'll admit that whenever Hamilton was involved in a scene was when my attention was at a peak.
The pacing drags at times - the action scenes are pretty hectic, and mostly entertaining, and a decent script holds the slower moments together for the most part, but i found parts of the middle act a little dull at times.
Arnold Schwarzenegger appears fairly late on, and the film picked up a notch for me at this point. The position we find him in is initially quite jarring, but does (kind of) make sense once explained. It's also Schwarzenegger that provides the bulk of Dark Fate's sparse humour, and it's done very well. Just like the nostalgia aspect, it never quite goes overboard, allowing for some genuinely funny moments in an otherwise serious movie.
The climax of the film is stupidly entertaining, with thrilling action, and some genuinely emotional moments. Dark Fate felt like a 6/10 to me until the last 25 minutes, and it's a strong final sequence that closes the film nicely.
The CGI is mostly decent. Mostly. There are some moments early on that look dodgy AF, and an action set piece on a huge plane a bit later on that is glaringly awful, but it's not enough to tank what is overall, an entertaining action vehicle, with a great cast.
I honestly (and probably naively) hope that the Terminator franchise is left alone now. There's only so many ways one can shoehorn Arnie into a new Terminator narrative, and Dark Fate does just enough to make up for the last three films. And that's good enough for me.
The Terminator series has had a bit of an extended rough patch over the last 15-20 years to say the least. Many fans (including myself) are quite happy to pretend that any entries after T2 just don't exist.
Lucky for us then that Dark Fate feels the same way.
Picking up after the events of T2, with a bit of digital trickery, we're first subjected to a sweet shot of nostalgia that we seem to be getting used to these days.
One thing I found apparent throughout DF, is that it drip feeds nostalgia quite subtly, without ever going overboard.
From there we're introduced to characters old and new including a new Terminator target Dani (Natalia Reyes), her cybernetically augmented human protector-from-the-future, Grace (Mackenzie Davis) and the new improved Terminator model for this chapter, the 'Rev-9' (Gabriel Luna).
And then of course Sarah Connor (Linda Hamilton), back and more badass than ever.
I enjoyed the cast as a whole during DF, but I'll admit that whenever Hamilton was involved in a scene was when my attention was at a peak.
The pacing drags at times - the action scenes are pretty hectic, and mostly entertaining, and a decent script holds the slower moments together for the most part, but i found parts of the middle act a little dull at times.
Arnold Schwarzenegger appears fairly late on, and the film picked up a notch for me at this point. The position we find him in is initially quite jarring, but does (kind of) make sense once explained. It's also Schwarzenegger that provides the bulk of Dark Fate's sparse humour, and it's done very well. Just like the nostalgia aspect, it never quite goes overboard, allowing for some genuinely funny moments in an otherwise serious movie.
The climax of the film is stupidly entertaining, with thrilling action, and some genuinely emotional moments. Dark Fate felt like a 6/10 to me until the last 25 minutes, and it's a strong final sequence that closes the film nicely.
The CGI is mostly decent. Mostly. There are some moments early on that look dodgy AF, and an action set piece on a huge plane a bit later on that is glaringly awful, but it's not enough to tank what is overall, an entertaining action vehicle, with a great cast.
I honestly (and probably naively) hope that the Terminator franchise is left alone now. There's only so many ways one can shoehorn Arnie into a new Terminator narrative, and Dark Fate does just enough to make up for the last three films. And that's good enough for me.
Daniel Boyd (1066 KP) rated Just Cause 3 in Video Games
Jul 20, 2017
Terrible dialogue (1 more)
Excruciatingly long loading screens
Into the fire, or just a flash in the pan?
I have always been a huge fan of the Just Cause games, I played the hell out of the first one on PS2 and I have great memories of it and of being blown away by the sheer scope and beauty of the game’s environment. Then the follow up was even crazier and even more fun. The explosions were bigger, the characters were more bombastic, the map was massive and the game was amazing. So, I think it’s fair to say I had been fairly excited for a while for the series’ third entry. Unfortunately, as has been the case with a number of big AAA games released in 2015, it is a disappointment. It’s not a bad game by any standard, it just fails to improve on it’s predecessors in any way. When I’m weighing up my opinion on a game, the first thing I always ask myself is, is it fun? And is Just Cause 3 a fun game? Hell yes it is. The explosions feel and look just as good as you would hope they would and the addition of the wingsuit is awesome. Flying around the map like a superhero feels truly epic, it really does give you a sense of being Godlike and it is without doubt the highlight of the game’s new mechanics. However, when you take those two things away, the wingsuit and the explosions, all that is left is a very mediocre third person shooter with mediocre graphics and a cheesy, poorly written script read by voice actors playing uninteresting stereotypes. But hey, this is a Just Cause game, it isn’t exactly known for it’s reputation of telling deep stories about the evolution of a certain character’s psyche, this is the game where you ride missiles and grapple launch into a man with a dropkick, so as long as the fundamental Just Cause functions are present, then surely that’s all that matters. Then you run into the problem with loading times. Now I don’t actually mind games with long load times all that much, within reason, but Just Cause is the type of game where it gives you so many insane mechanics that you naturally feel the need to experiment, but sometimes these experiments end up in Rico’s violent death, which in turn results in another long load screen. After four or five times of this happening within the space of a single mission, the frustration is at boiling point and the game becomes a chore and any fun you were having is quickly lost. It’s as if the game actually punishes you for trying crazy things, yet it claims to be the game that encourages insanity! Also the ways in which you die are so inconsistent that they become massively unpredictable. For example, after dying 3 or 4 times while trying to liberate a base using a madman zipline/parachute combination technique, I finally decided to just play it safe and get the liberation over and done with, so I used a missile mounted chopper. I blew up a bunch of fuel tanks etc and then a couple of SAM’s blew some holes in my chopper, most of the time the game gives you a minute to jump out of the chopper before it explodes, but sometimes at random, it will just blow up instantly and kill you dead, leaving you with another 5 minute loading screen and even more despair. Also Rico can sometimes take fall damage of up to a good few hundred feet, but sometimes a small drop from a roof to the ground of a bungalow will kill him instantly. This wouldn’t be so much of a problem if it wasn’t coupled with long ass load times, which is what really makes the process excruciating. Like I said before, I don’t mind long load screens all that much, but when they are coupled with frequent random chance instadeath, then I have a problem. There is a website that I use frequently called HowLongToBeat.com and it essentially gives you the average amount of time that it takes to beat a game’s campaign. For Just Cause the website says 15.5 hours to beat, which is about right, but I reckon that if you shorten the load times and fixed the random occurrences of instadeath, you could beat it in 11 or 12 hours. That’s 4 hours of sitting through frustrating load screens that you are never going to get back.
It really sucks actually, I wanted to love this game so much and it’s done it’s damndest to prevent me from doing so. To put it bluntly there are better open world games out there and you won’t have to wait half as long to load them up.
It really sucks actually, I wanted to love this game so much and it’s done it’s damndest to prevent me from doing so. To put it bluntly there are better open world games out there and you won’t have to wait half as long to load them up.
Emma @ The Movies (1786 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Sep 25, 2019
I refrained from doing my review until I'd seen both of the preview screenings on at Cineworld. I had some serious issues with the visuals, and it turns out I wasn't the only one.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
Emma @ The Movies (1786 KP) rated Mortal Engines (2018) in Movies
Sep 25, 2019
I refrained from doing my review until I'd seen both of the preview screenings on at Cineworld. I had some serious issues with the visuals, and it turns out I wasn't the only one.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
I want to talk about the positives first because there really are a lot of things to appreciate. The fact that they've linked the action so directly to the comic book format is wonderful. Having both the storyboard transitions, the lettering and the actual comic books involved brought everything together. Even the "little" things like Spidey-sense and the dot work overlay.
All of that took a back seat to the bizarre background elements at times. In the 2D showing in particular it looked like they were showing a 3D version of the film. The most distracting moments contained areas blurring into double vision, when it wasn't the blurring it just looked like some of it was unfinished.
Spider-Verse had some very good promos in the run up to the film. You see some amazing bits during all of that but luckily they held plenty back for the rest of it. We've already seen the "I love you dad" scene in the trailer, but the extended version is so much better.
Miles' story makes for a great centre piece. Every step of him trying to learn about his new found abilities is done in a humorous and well thought out way and give him a great opportunity to mingle with his spider-friends.
... And those spider-friends... you can't help but love them just a little bit. Noir is probably my favourite, he's taken a leaf out of Pocahontas' book in Ralph Breaks The Internet and has his own personal wind machine, and a confusing relationship with colours that make him a perfectly eccentric character.
Aunt May kicks ass. I can't deny that I'm loving this incarnation of her just a little bit. She definitely could have saved a few Spidey movies for me.
I actually can't believe that Spider-Ham has been in the Marvel Universe since 1983. He featured in a One Shot Marvel Tails originally that featured other Marvel hero parodies including Captain AmeriCat, Hulk-Bunny and Goose Rider. The series definitely requires some further investigation... particularly Ant-Ant, Croctor Strange and Nick Furry: Agent Of S.H.E.E.P.. Honestly there's no end to punny names. Sadly, this amusing back story doesn't save Spider-Ham for me, apart from the issue I had with the graphics he's my low point. He really is just too hammy for the storyline.
What you should do
You should definitely watch this one, there's enough amusement and action for everyone. For the older nerds, wait until the end of the credits for a scene that most of the kids won't understand but you'll appreciate.
Movie thing you wish you could take home
Having the ability to stick my hands to things wouldn't be bad. Climbing walls would be good, I'd never need a ladder to paint those hard to reach spots in the house... and I'd never drop my phone. Lots of possibilities there.
Kyera (8 KP) rated Frozen (Heart of Dread, #1) in Books
Feb 1, 2018
The story Frozen, by Melissa de la Cruz and Michael Johnston, is a tale about a girl with powers who lives in a world unlike our own. In post-apocalyptic New Vegas, Nat fins the one object that might allow her to escape the frozen landscape. The map to help her find the Blue, a promised land untainted by the cold and destruction her world knows. A place that maybe she can live a good life and not spend each day fearful that she will be discovered.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
For an established YA writer, this book is surprisingly wrought with errors and would make an English major cringe. It was a poorly written novel with a multitude of punctuation, grammar, and spelling errors. Those completely detracted from the book and made it difficult to read the novel fluidly. There was an overuse of commas, "For days upon days she had been left in the room, alone, in total silence, with little food and water, the weight of solitude becoming ever more oppressive, the silence a heaviness that she could not shake, punishment for refusing to do as she was told, punishment for being what she was." I ran out of breath just reading that incredibly long, run on sentence. It also illustrates another example, the banal repetitiveness. Some examples would be, "She walked down the road, the road that was smooth." Or "The fire that raged within her. The fire that destroyed and consumed. The fire that would destroy and consume her..." How many times does one need to write the fire? Many of the sentences are just reworded versions of the one that came before it. Unnecessarily repetitive and it makes the book sound like a novice writer threw it together in a slap-dash manner with no editor to speak of.
It also cannot decide what genre it wishes to fall under. The magical elements and new species lend itself to a label of fantasy, like books about faeries or nymphs. Paranormal romance perhaps, for the love story that blossoms over the course of the novel? Or the more recently popular zombie novels, with their diseases and alterations of the human dNA, like Forest of Teeth and Bones? Perhaps its a post-apocalyptic or dystopian style novel, akin to Divergent or the Hunger Games - with its frozen world, scarce resources, and tyrannical governments. Whatever it is, the fact that it cannot decide makes the book quite confusing. It does not flow well as a result of the colliding and conflicting worlds. There also is no world-building, which is incredibly important to me in a book. And character building, or even character personalities? Almost non-existent. I would recommend this book to young teen readers, but not anyone who finds themselves frequently noticing errors in novels (even minor ones)as this will drive you crazy. I almost didn't finish the first chapter because the book was so poorly written, but I wanted to see if it would improve.
Night Reader Reviews (683 KP) rated Very Practical Magic: Modern Magic for Everyday Use in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Very Practical Magic: Modern Magic for Everyday Use by Nicola Kelleher is an interesting spellbook, to say the least. People interested in all different kinds of magic will be able to find something useful in this book. I just urge people to be sure of their intent before attempting any of these. Also, some of the spells suggest or even require the use of feathers and it may be important to note that the possession of specific feather in the US is not legal (something that I just learned recently) so users might just want to be aware of it.
This short book of practical spells starts out with a small preface about the author and some basic information about when it is best to perform magic. The book explains what powers are strongest on each day of the week and by each phase of the moon. It then moves on to love spells but explains that even with these spells the caster can not force anyone to love them and should not attempt to do so. The spells for the home go over every subject from protection and cleaning to even selling and finding your dream home.
No starter spellbook (and that is exactly what this is) would be complete without a section on bringing more wealth toward the user so long as it is not for greed. It contains spells to help bring new friends to you and cultivate current friendships. There is even a version of the Witch’s Ladder toward the back of the book as well. For all the pet lovers there are spells to protect or heal a pet who is sick, yet it encourages readers not to forgo proper medical care. No matter what the reader classifies themselves as or who their patron god/goddess (if applicable) is this book contains a spell for everyone.
What I liked best is that the spells are simple and could easily be adapted for a specific use. I also really liked the list of crystals, herbs, oils, and candles at the back of the book. These lists are a great reference for anyone who wants to create their own spells or needs substitutions for an unavailable item. There was just one thing that I did not like at all, a spell I did not agree with. The spell titled Nail Yourself a Lover encourages filing your nails into a tea that you will serve someone else. This just feels completely wrong to me and gross, not to mention I am not even sure if it is legal.
While I can not suggest an age range for this but there is a clear group of people this book is meant for. The main requirement is that the reader must believe in Magic (not the slight-of-hand type) but real magic. I give this book a rating of 3 out of 4. The title is correct in saying that this is a book of very practical magic. Most of the spells have very few ingredients or requirements and do not take long to perform. I would have liked to see pictures of the crystals along with their descriptions in the back of the book to make it better and less likely for errors to occur.
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This short book of practical spells starts out with a small preface about the author and some basic information about when it is best to perform magic. The book explains what powers are strongest on each day of the week and by each phase of the moon. It then moves on to love spells but explains that even with these spells the caster can not force anyone to love them and should not attempt to do so. The spells for the home go over every subject from protection and cleaning to even selling and finding your dream home.
No starter spellbook (and that is exactly what this is) would be complete without a section on bringing more wealth toward the user so long as it is not for greed. It contains spells to help bring new friends to you and cultivate current friendships. There is even a version of the Witch’s Ladder toward the back of the book as well. For all the pet lovers there are spells to protect or heal a pet who is sick, yet it encourages readers not to forgo proper medical care. No matter what the reader classifies themselves as or who their patron god/goddess (if applicable) is this book contains a spell for everyone.
What I liked best is that the spells are simple and could easily be adapted for a specific use. I also really liked the list of crystals, herbs, oils, and candles at the back of the book. These lists are a great reference for anyone who wants to create their own spells or needs substitutions for an unavailable item. There was just one thing that I did not like at all, a spell I did not agree with. The spell titled Nail Yourself a Lover encourages filing your nails into a tea that you will serve someone else. This just feels completely wrong to me and gross, not to mention I am not even sure if it is legal.
While I can not suggest an age range for this but there is a clear group of people this book is meant for. The main requirement is that the reader must believe in Magic (not the slight-of-hand type) but real magic. I give this book a rating of 3 out of 4. The title is correct in saying that this is a book of very practical magic. Most of the spells have very few ingredients or requirements and do not take long to perform. I would have liked to see pictures of the crystals along with their descriptions in the back of the book to make it better and less likely for errors to occur.
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