"Another movie I’m going to give you is the same thing. I mean, it’s just that the writing is unbelievable, and that’s Sweet Smell of Success. It was a movie I discovered a little bit later, like maybe in my teens. And that was another move that I was just like, “Jesus, the writing on this thing, it’s unbelievable.” The one-liners are so smart, you know? I loved movies like Sunset Boulevard and I loved the kind of Hitchcock films and all of these kind of things and then I saw Sweet Smell of Success and I was like, “Oooh, this is a little bit naughtier,” you know what I mean? There’s something a little bit darker about that movie. The performances in it are so priceless. It was a little bit more of a leap in the cinematography, I think, than maybe those of, like, Sunset Boulevard or something. The lighting, it was very harsh. They were doing things with the cinematography that I was like, “Ooh, this is naughty,” like, “You’re not supposed to do that.” You know?"

"More so than any of her records, again, I just find it one after another songs that just particularly move me... I'm very moved by the song 'The Man with the Child in his Eyes' - I love that song. So, it's funny, it's a lot about having children and at the time I first heard it, I had no idea that I'd ever have children. I always loved her - she seemed like a kind of punk rock folk singer to me, with that punk rock attitude, and that extraordinary voice and such beautiful songwriting and very diverse musicianship. This record for me is something that, in my teenage years, I was just engrossed in. I can't really take myself back there and say why, what started that. It was very much part of my teenage years, but it's also very much part of my life now - fuck, this is so hard! 'The Man with the Child in his Eyes', 'L'Amour Looks Something Like You', 'Them Heavy People' - all of them, 'Moving'... often it's the way the songs start, as much as anything. It's a bit like Blue; as soon as they start, you know something amazing's coming, and then her voice kicks in and it's just like heaven. Ah, it's just heavenly!"

"I remember a group of us all went to this record store - FOPP in Covent Garden - and they were having a Blue Note sale, and every record was like three quid. And I remember all of us going in with like 30 quid and we’d just clean up on the catalogue, and that CD was one of the first ones I remember going home and listening to. I don’t know if you’ve had one of them experiences where you listen to a record and you just feel something change in you. Like, what's happening? How have I never heard anything like this? There's so many questions in your head. Even still to this day I’m like how did you even make that? How do you even begin to approach that and make a work like it, to this day it still stands that test of time; creativity, authenticity, sound, energy all of that stuff. Yeah man, shout out to Andrew Hill."

"First one on my list is Do the Right Thing. Spike Lee, man. I actually saw that twenty times in the theaters. That’s before VCRs; I mean, that was like right when the VCRs were kind of happening, and you had to wait a year for something to come out on VHS. It wasn’t the quick turnaround like we have right now. But Do the Right Thing changed my life in so many ways, because I had never seen… it was a movie that was comedic, yet so powerful. I didn’t really have a definition, because I’d never seen black people on screen like that, and it was just one of those things. It was my era; it was my generation. There was a lot of blaxploitation before that, you know, and you could see people on TV, and all this stuff. But I remember I was in college, and it was kind of like this empowerment. Spike had made She’s Gotta Have It, but then Do the Right Thing really broke it down. It changed my life. It made me want to get into the business like never before. Totally. I was like, I am a Spike Lee nut; I want to do this. I thought it should have won Best Picture that year; it just meant so much. It just meant a lot to everybody. There was a lot of race relations stuff, and just think of the stars that came out of that: Sam Jackson, Martin Lawrence, and Spike himself, and Rosie Perez, and John Turturro. I mean, it’s just… Whew! It just changed the game, changed the game."