"This is actually kind of a curve ball, ’cause I don’t generally like movies that are this dark, but I’m a huge fan of the Todd Solondz film Happiness. That movie’s so f**ked up, but it’s so… I actually really enjoy that movie. That movie is so deeply disturbing but there’s something exuberant and hilarious about it. The laughs are so uncomfortable. That movie just really works for me and I don’t generally like movies where the vision of humanity is that dark and unforgiving."

"For obvious reasons. It’s just painted on a giant canvas – it’s larger than life. There’s a reason it’s a classic, and I don’t know what else to say about it that hasn’t already been said. It’s just one of the greats. There’s not a character in it that I don’t like, and there’s not a performance in it that’s flawed. It’s incredible."

"The Big Lebowski is like a bowl of noodles I could eat every single day, and it would be endlessly emitting new flavors. It’s just incredible. There is like an academic reading of Big Lebowski that you could go about on forever…this polemic about war, maybe specifically World War II, and then it’s like this commentary on Hollywood, like a spoof. Then, it’s just a great weed movie. And then the performances are just ridiculous. Jeff Bridges is doing, I mean, Olivier level acting. It’s ridiculous that there’s a monologue in the limousine… he comes out of the limo that Maude sent him, and then another driver immediately – ­which is just the most hilarious visual, just going from one limo to another limo. Then, he gets in there holding his White Russian, and then has to explain himself, and he stammers, and each thought is so clear, but leads nowhere. There are no scenes that aren’t fun. Also, I don’t understand the movie, which is kind of a great feeling to have. I don’t fully understand the plot, and I’ve seen it 100 times. It’s a very unique movie in the sense that I don’t know what’s going on every time I see it."