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Say Nothing: A True Story of Murder and Memory in Northern Ireland
10.0
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From award-winning New Yorker staff writer Patrick Radden Keefe, a stunning, intricate narrative...
Phil Leader (619 KP) rated Taylor's Plight (The Sanctum Series #3) in Books
Nov 26, 2019
Taylor's Plight is the third book in The Sanctum series of pre-teen adventure novels by Katrina Cope. Once again Jayden, Eva, Robert and Aaron are attempting to stop terrorism by using 'surrogates' - robots they can control remotely that appear to be human.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
This installment starts with a bang (quite literally) and just keeps going. The previous two books took a little while to lay the groundwork for both characters and plot but there is no need to do that here, especially as the story continues essentially from the end of the second book, Scarlet's Escape.
Once again someone is moving against the Sanctum, trying to stop their fight against terrorism, attacking their infrastructure in an attempt to bring down Scarlet, the computer intelligence that controls much of the Santum's functions.
Liam and the other pupils at Ernest College are also involved, and seemingly on a course to uncover the Sanctum's meddling at their school. But are they working towards the same cause, or against? As the two groups of students converge on the truth, the stakes have never been higher and the danger never more real.
This really is a fantastic read. From start to finish it grips the reader, drawing them along. The threads of Ernest and the Sanctum play off of each other, each giving a slightly different view of what is really going on. Most of the second half of the book is a breathless rush towards the final climax as the children on both sides uncover the truth. The phrase 'I couldn't put it down' is overused but is totally justified in this case.
Not everything in their world is safe and cosy and this is one of the great things about Cope's books. She is not afraid to put her characters through the mill, but they are always shown to be able to overcome adversity through quick wits and to come out stronger the other side. As usual the strong role models are well in evidence.
This is a book I would unhesitatingly recommend to any reader from about 9 upwards, although reading the first two books will be necessary to introduce the characters involved and the world of the Sanctum.
JT (287 KP) rated Dead Man's Shoes (2006) in Movies
Mar 10, 2020
British films don’t really come more powerful as this, Shane Meadows has delivered a film so intense it’ll feel like the quickest most terrifying ninety minutes of your life.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Richard (Considine) has returned home from active service in order to seek vengeance against those who tormented his mentally challenged brother Anthony (Kebbell) some years ago.
Those responsible, Sonny (Stretch) the local drug dealer and his gang, attempt to tackle Richard head on, but Richard is stone faced and not in the least bit afraid. All the while Anthony follows Richard around like a lost puppy, happy just to have his brother with him.
Meadows uses black and white flash backs revealing just what happend to poor Anthony, which puts you at ease that what Richard is doing is more than justified. Nobody likes a bully but everyone loves it when they get their comeuppance.
With the group realising that there efforts are all for nothing it becomes just a waiting game as to when Richard comes for them, and come for them he does. Richard initially makes his presence in the town known, subtly at first and in the beginning he toys with the gang before taking his intentions just that little bit further.
It’s a violent film make no question of that, you almost feel sorry for Sonny and his gang.
One particular scene sees Richard spike the kettle with a concoction of drugs that gives three of the gang the most spaced out cup of tea they’ve ever had. Watching it almost makes you feel like you’re high with them. Considine gives a breathtaking performance, Richard is a cold and calculated killer and he’s not in the least bit afraid. He plans everything meticulously, like a lion stalking its prey.
That said all the cast do an amazing job, and its a brilliantly written script as well, with Meadows delving into each character. The film also has a slight black comedy element to it, while we shouldn’t be laughing in some scenes although it is hard not to, this doesn’t detract from the fact its a brutally disturbing film, and is arguably the best British film I have seen.
Greece Marco Polo Guide
Book
Marco Polo Greece: the Travel Guide with Insider Tips Experience all of Greece's attractions with...
Debbiereadsbook (1202 KP) rated Amalgamated (Coming Home #2) in Books
Sep 29, 2019
fabulous easy read!
This is book two in the Coming Home series, but other than the long absence from home, there is no direct link between the two. I did read that, but I did not write a review, I would have given it 4 stars.
Leo left his home in Australia to work in the UK five years ago. Now on a trip home, he comes face to face with part of the reason he left: Zak. Leo has loved Zak all this time, but will Zak even speak to Leo, after what he did?
My first thought when finishing this was: cute! Really cute! I liked it, a lot, but I can’t quite love it.
It’s written only from Leo’s point of view in the first person. And of course I’m gonna say I needed to here from Zak, you know I am. I fell here though, I am more than justified in saying it!
Leo wrecked Zak’s bike, after he saw Zak kissing someone else, and I wanted, no NEEDED to know what went through Zak’s mind at that point, but more so, when he finally admits to Leo why he did what he did all those years ago. Zak NEEDED his voice, and he doesn’t get it.
I also found I wanted to know what Leo was doing in the UK! I mean, I read the book, but I don’t think I saw what his work was!
Still, those points aside, I really did enjoy it.
It is one of those bath-tub/lunch break reads, that don’t take any concentrating on, and you can just fall into, and read, you know? It’s not a negative thing, not at all! Sometimes, you need a nice, sweet read, that allows you to decompress from a much longer, difficult read. Or in my case, a nice, easy read that allows you to sit out in the sun, on your lunch break in a 14 hour shift and ignore the world.
Thank you, Ms Seymour, for the very warm and fuzzies, too stinking cute read that was ABSOLUTELY needed today!
4 stars
**same worded review will appear elsewhere**
Leo left his home in Australia to work in the UK five years ago. Now on a trip home, he comes face to face with part of the reason he left: Zak. Leo has loved Zak all this time, but will Zak even speak to Leo, after what he did?
My first thought when finishing this was: cute! Really cute! I liked it, a lot, but I can’t quite love it.
It’s written only from Leo’s point of view in the first person. And of course I’m gonna say I needed to here from Zak, you know I am. I fell here though, I am more than justified in saying it!
Leo wrecked Zak’s bike, after he saw Zak kissing someone else, and I wanted, no NEEDED to know what went through Zak’s mind at that point, but more so, when he finally admits to Leo why he did what he did all those years ago. Zak NEEDED his voice, and he doesn’t get it.
I also found I wanted to know what Leo was doing in the UK! I mean, I read the book, but I don’t think I saw what his work was!
Still, those points aside, I really did enjoy it.
It is one of those bath-tub/lunch break reads, that don’t take any concentrating on, and you can just fall into, and read, you know? It’s not a negative thing, not at all! Sometimes, you need a nice, sweet read, that allows you to decompress from a much longer, difficult read. Or in my case, a nice, easy read that allows you to sit out in the sun, on your lunch break in a 14 hour shift and ignore the world.
Thank you, Ms Seymour, for the very warm and fuzzies, too stinking cute read that was ABSOLUTELY needed today!
4 stars
**same worded review will appear elsewhere**
The Palgrave Handbook of Quantum Models in Social Science: Applications and Grand Challenges
Emmanuel Haven and Andrei Khrennikov
Book
It is not intuitive to accept that there exists a link between quantum physical systems and...
Kristy H (1252 KP) rated The Rooster Bar in Books
Jan 1, 2018
Slow-moving (1 more)
Not interesting
Not one of Grisham's best
Mark, Todd, and Zola all had big aspirations when they signed up for Foggy Bottom law school. They also dreamed of the big paychecks that would follow after graduation. Those paychecks would help pay off the student loans required to attend Foggy Bottom--a less than well-respected for-profit law school that has left each of the trio with an average of $200K in debt. Even worse, Foggy Bottom is such a terrible school that they are receiving a mediocre education from sub-par professors; they may not even pass the bar exam. And if they do, they have little chance of gaining one of the coveted, well-paying law positions that can pay off those loans. So when one of their close friends, Gordy, alerts them that their school is owned by a shady financial operative who also has ties to a bank that profits off their loans, they are outraged. When tragedy besets the group, Mark, Todd, and Zola decide to take matters into their own hands, no matter what it takes. Even if that means quitting school a few months shy of graduation...
Oh man, I wanted to like this one, but it just didn't work for me. It took me eleven days to read--unheard of for basically any book, let alone a Grisham, and I practically had to force myself to finish it. It seemed like a really good premise: the novel combines the timely issues of student loan debt and immigration, but nothing meshes together well.
I never warmed to the protagonists. It's really hard to like or empathize with Mark, Todd, or even Zola, who is dealing with her family being deported. What's being done to the three law students is certainly not great, but their response just never seemed fully justified to me. I could not root for them like I could a Darby Shaw, a Gray Grantham, a Reggie Love. It's a shame, because the bad guy is fairly despicable, but we don't get enough development on either side to feel fully invested. As for our trio, for instance, they basically blow a huge case for someone and never do anything to make amends--nor ever really seem to show any real remorse. How is that any better than the people they are going up against?
Without anyone to really root for or a plot to quickly move forward, this one just dragged on. For me, it was slow-moving and not-interesting. Definitely a letdown. 2.5 stars.
Oh man, I wanted to like this one, but it just didn't work for me. It took me eleven days to read--unheard of for basically any book, let alone a Grisham, and I practically had to force myself to finish it. It seemed like a really good premise: the novel combines the timely issues of student loan debt and immigration, but nothing meshes together well.
I never warmed to the protagonists. It's really hard to like or empathize with Mark, Todd, or even Zola, who is dealing with her family being deported. What's being done to the three law students is certainly not great, but their response just never seemed fully justified to me. I could not root for them like I could a Darby Shaw, a Gray Grantham, a Reggie Love. It's a shame, because the bad guy is fairly despicable, but we don't get enough development on either side to feel fully invested. As for our trio, for instance, they basically blow a huge case for someone and never do anything to make amends--nor ever really seem to show any real remorse. How is that any better than the people they are going up against?
Without anyone to really root for or a plot to quickly move forward, this one just dragged on. For me, it was slow-moving and not-interesting. Definitely a letdown. 2.5 stars.
Ande Thomas (69 KP) rated The Martian Chronicles in Books
May 30, 2019
I have some feelings about Ray Bradbury.
I understand why he is so well loved. I understand his importance in literature and in science fiction. I just don't like reading him. It's something I can't fully explain. I generally enjoy his stories and his ideas. He paints a beautiful portrait with his words, relying as much on the landscape as he does his characters, which I am normally really into. I like being able to peek into the social structure of the early days of science fiction to see how people envisioned the future and by extension, how they saw themselves. For some unknown reason though, I can never get myself settled and engrossed in a Bradbury story.
The Martian Chronicles has some highlights, to be sure. Favorites include <i>The Earth Men</i>, <i>Way in the Middle of the Air</i> and <i>Usher II</i> come immediately to mind. As simply a collection of short stories, I think I would like it more, but since he decided to thread them loosely together, it causes more trouble than it gains. Because of the nature of the narrative, we get a sort of dreamlike quality to the story. Rules that work in one story may not work in the next. The image of martian life that we are treated to seems a bit arbitrary and dependent on the tale that surrounds it at any given moment. And that's fine! It makes sense given that they were different stories published at different times. But there's nothing that really pulls them together into a cohesive unit.
The characters can at times, be a bit infuriating. The naivety and undisciplined behavior of many of the explorers irked me. <i>The Earth Men,</i> despite being one of my favorite stories, is the most egregious offender. An expedition to a new planet, especially one immediately after a failed one in which everyone died, is upset that none of the natives are thrilled with their presence? Their first and only concern is finding pats on the back? The redeeming factor in this story is the conclusion, which I find justified and well deserved. Maybe Mr. Xxx is right. (Which leads me to my frustration with Martian naming conventions throughout the various stories, but that's neither here nor there.)
Despite my grievances, I still appreciate the lofty ideas Bradbury puts forth and the perspective he brings. Maybe I'm too heavy into modern, harder SF to find solace in the whimsical worlds he presents here. I know it has it's place, that place just isn't with me.
I understand why he is so well loved. I understand his importance in literature and in science fiction. I just don't like reading him. It's something I can't fully explain. I generally enjoy his stories and his ideas. He paints a beautiful portrait with his words, relying as much on the landscape as he does his characters, which I am normally really into. I like being able to peek into the social structure of the early days of science fiction to see how people envisioned the future and by extension, how they saw themselves. For some unknown reason though, I can never get myself settled and engrossed in a Bradbury story.
The Martian Chronicles has some highlights, to be sure. Favorites include <i>The Earth Men</i>, <i>Way in the Middle of the Air</i> and <i>Usher II</i> come immediately to mind. As simply a collection of short stories, I think I would like it more, but since he decided to thread them loosely together, it causes more trouble than it gains. Because of the nature of the narrative, we get a sort of dreamlike quality to the story. Rules that work in one story may not work in the next. The image of martian life that we are treated to seems a bit arbitrary and dependent on the tale that surrounds it at any given moment. And that's fine! It makes sense given that they were different stories published at different times. But there's nothing that really pulls them together into a cohesive unit.
The characters can at times, be a bit infuriating. The naivety and undisciplined behavior of many of the explorers irked me. <i>The Earth Men,</i> despite being one of my favorite stories, is the most egregious offender. An expedition to a new planet, especially one immediately after a failed one in which everyone died, is upset that none of the natives are thrilled with their presence? Their first and only concern is finding pats on the back? The redeeming factor in this story is the conclusion, which I find justified and well deserved. Maybe Mr. Xxx is right. (Which leads me to my frustration with Martian naming conventions throughout the various stories, but that's neither here nor there.)
Despite my grievances, I still appreciate the lofty ideas Bradbury puts forth and the perspective he brings. Maybe I'm too heavy into modern, harder SF to find solace in the whimsical worlds he presents here. I know it has it's place, that place just isn't with me.
FilmIntuition (33 KP) rated Picture Us In The Light in Books
May 23, 2018
A Book of the Heart
While many novelists refer to their latest works as “the book of my heart,” in the case of young adult author Kelly Loy Gilbert’s finely crafted, humanistic new effort Picture Us In the Light, that description is entirely justified.
Sensitively penned within the immediately convincing first person point-of-view of our main character, high school senior and aspiring artist Danny Cheng, the author pulls us into Picture’s picturesque world within the very first chapter.
After stumbling upon a mysterious box of his father's and going through it with gusto, Danny begins to wonder just how much his loving but secretive parents have been keeping from him.
Unable to come of age until he can come to terms with unexplained gaps and tragedies in his past, he enlists the help of his two best friends - only to discover that he can’t examine the lives of those closest to him without doing the same himself.
Balancing wry observations and deft characterizations with heavy subject matter, Loy Gilbert foreshadows big twists to come as we move further into the novel. And although it begins with a steady climb, Picture slows down just long enough to ensure that we feel as connected to the characters as they are to each other.
Now sure she’s got you, the author returns to full speed - moving like a bullet train from roughly the hundred page mark all the way through to its bittersweet but very satisfying final chapter.
Written during the tumultuous 2016 election and revised afterward, Loy Gilbert is right on YouTube when she acknowledges the vital role that stories play in this post election world where “facts don't matter,” due to fiction’s empathetic ability to introduce us to people, places, and plights we might not encounter otherwise.
Filled with so much internal and external dramatic mystery that in less gifted hands, Picture could’ve easily resulted in a messy collision of conflicts, although there are a few revelations about both the plot and our protagonist that we’re able to deduce long before he does, the author wraps things up artfully.
Dropping hints and red herrings into sentences and passages so gorgeous that I found myself making multiple notes throughout, Kelly Loy Gilbert never once lets us feel as though she’s taking a shortcut on her way to the book’s resolution.
Relatively new to twenty-first century post-Harry Potter young adult fiction, if I had not received this stunning Picture through the Bookish First raffle, I would’ve completely missed what’s since become one of the best novels I’ve read so far this year.
To put it another way, it’s a book of the heart indeed.
Sensitively penned within the immediately convincing first person point-of-view of our main character, high school senior and aspiring artist Danny Cheng, the author pulls us into Picture’s picturesque world within the very first chapter.
After stumbling upon a mysterious box of his father's and going through it with gusto, Danny begins to wonder just how much his loving but secretive parents have been keeping from him.
Unable to come of age until he can come to terms with unexplained gaps and tragedies in his past, he enlists the help of his two best friends - only to discover that he can’t examine the lives of those closest to him without doing the same himself.
Balancing wry observations and deft characterizations with heavy subject matter, Loy Gilbert foreshadows big twists to come as we move further into the novel. And although it begins with a steady climb, Picture slows down just long enough to ensure that we feel as connected to the characters as they are to each other.
Now sure she’s got you, the author returns to full speed - moving like a bullet train from roughly the hundred page mark all the way through to its bittersweet but very satisfying final chapter.
Written during the tumultuous 2016 election and revised afterward, Loy Gilbert is right on YouTube when she acknowledges the vital role that stories play in this post election world where “facts don't matter,” due to fiction’s empathetic ability to introduce us to people, places, and plights we might not encounter otherwise.
Filled with so much internal and external dramatic mystery that in less gifted hands, Picture could’ve easily resulted in a messy collision of conflicts, although there are a few revelations about both the plot and our protagonist that we’re able to deduce long before he does, the author wraps things up artfully.
Dropping hints and red herrings into sentences and passages so gorgeous that I found myself making multiple notes throughout, Kelly Loy Gilbert never once lets us feel as though she’s taking a shortcut on her way to the book’s resolution.
Relatively new to twenty-first century post-Harry Potter young adult fiction, if I had not received this stunning Picture through the Bookish First raffle, I would’ve completely missed what’s since become one of the best novels I’ve read so far this year.
To put it another way, it’s a book of the heart indeed.
BankofMarquis (1832 KP) rated At Eternity's Gate (2018) in Movies
Feb 16, 2019
A slow meditation of the last days of a tortured artist
he artist as a tortured soul.
How many films have been made on this subject? Too many to count. Add AT ETERNITY'S GATE to this list as it tells the tale of the tortured final days of Vincent Van Gogh - including cutting his own ear off - so perhaps no one deserves the title of "tortured artist" more than he.
Directed by Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY) and starring Willem DaFoe (AQUAMAN) in an Oscar nominated turn as Van Gogh, AT ETERNITY'S GATE follows Van Gogh in the final weeks of his life. Since it is a film by Schnabel, you get an introspective, languid, haunting, beautifully shot meditation on life, art, madness and misunderstanding. Which, of course, is both the blessing and the curse of the film. Schnabel trains his camera - sometimes for long stretches - on the mundane...Van Gogh walking through a field, Van Gogh looking out at a landscape, Van Gogh thinking and, most importantly. Van Gogh painting...and painting...and painting...
Do you know how exciting it is to WATCH someone paint? About as exciting as watching paint dry.
Thank goodness DaFoe is mesmerizing as Van Gogh, for he really holds the film - and attention - throughout. His Academy Award nomination is justified for he brings a haunted, world weariness quality to his portrayal. - check this film out just for this performance. Rupert Friend, Oscar Isaac, Mads Mikkelson and Mathieu Amalric all show up in glorified cameos to punch a little dialogue and forward momentum into this narrative. But, mostly, we watch DaFoe - as Van Gogh - walk and think and look and paint and paint and paint...
I know I am repeating myself, but I felt the film repeated itself over and over again as well. I think there is about 1/2 of interesting film in this 1 hour 54 minute movie. The rest is just "art" and "artistic expression" of images on the screen by Schnabel. If that sort of thing is up your alley, you'll enjoy this. For the rest , it will just become repetitive and boring.
I will say, however, that after seeing this film, I have a greater appreciation for Van Gogh's work, how he made them and how his style differs from ANYBODY else. I am now going to make it a point to find a museum that shows some of his works and check it out.
So, I guess, that's a good thing.
Letter Grade: B- (it is a well made and acted film)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
How many films have been made on this subject? Too many to count. Add AT ETERNITY'S GATE to this list as it tells the tale of the tortured final days of Vincent Van Gogh - including cutting his own ear off - so perhaps no one deserves the title of "tortured artist" more than he.
Directed by Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY) and starring Willem DaFoe (AQUAMAN) in an Oscar nominated turn as Van Gogh, AT ETERNITY'S GATE follows Van Gogh in the final weeks of his life. Since it is a film by Schnabel, you get an introspective, languid, haunting, beautifully shot meditation on life, art, madness and misunderstanding. Which, of course, is both the blessing and the curse of the film. Schnabel trains his camera - sometimes for long stretches - on the mundane...Van Gogh walking through a field, Van Gogh looking out at a landscape, Van Gogh thinking and, most importantly. Van Gogh painting...and painting...and painting...
Do you know how exciting it is to WATCH someone paint? About as exciting as watching paint dry.
Thank goodness DaFoe is mesmerizing as Van Gogh, for he really holds the film - and attention - throughout. His Academy Award nomination is justified for he brings a haunted, world weariness quality to his portrayal. - check this film out just for this performance. Rupert Friend, Oscar Isaac, Mads Mikkelson and Mathieu Amalric all show up in glorified cameos to punch a little dialogue and forward momentum into this narrative. But, mostly, we watch DaFoe - as Van Gogh - walk and think and look and paint and paint and paint...
I know I am repeating myself, but I felt the film repeated itself over and over again as well. I think there is about 1/2 of interesting film in this 1 hour 54 minute movie. The rest is just "art" and "artistic expression" of images on the screen by Schnabel. If that sort of thing is up your alley, you'll enjoy this. For the rest , it will just become repetitive and boring.
I will say, however, that after seeing this film, I have a greater appreciation for Van Gogh's work, how he made them and how his style differs from ANYBODY else. I am now going to make it a point to find a museum that shows some of his works and check it out.
So, I guess, that's a good thing.
Letter Grade: B- (it is a well made and acted film)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)