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Ali A (82 KP) rated Hello (from Here) in Books
Sep 14, 2021
Trigger Warnings: Covid-19, death of a parent, AIDS, generalized anxiety disorder, panic attacks,
Max and Jonah bump into each over at the grocery store right when the Covid-19 lockdown was beginning in California. Max's part-time job as a personal shopper begins to transform into a bit of a nightmare and Jonah's pre-existing anxiety disorder is becoming a daily struggle. Can the two come together even though they must stay apart? Hello (from Here) jumps into the first two months of the quarantine and the love lives and two teenagers trying to figure out this new world.
This wasn't my favorite book on the planet, but I still enjoyed it nonetheless. I will also keep it on my shelves and possibly come back to it another time (when the Corona Virus isn't still running wild). Like most who have reviewed this book, I feel like it may have been too soon.
The main characters were okay, but not amazing, I did find them a little whiny towards the end... Olivia, Jonah's sister, was probably my favorite out of everybody and I'd kind of like to hear some more of her story! Also Arlo and his story! Kate and Jonah's "step-parent replacing late parent" trope was shown well in the novel. I thought the development of their relationship was well handled and realistic. I was happy with the end result for them.
I also thought the anxiety disorder representation was handled well in this novel too. As someone with anxiety who has had panic attacks (though not quite like Jonah's), I felt like one could still understand what he was going through, especially in his current situation.
I feel like this novel fell short - mostly by tackling too much all at once. I felt a little anticlimactic by the time I closed it. So many things were brought up: important issues and themes, but then were finished limply in the end. (view spoiler).
The cheating storyline was just - bleh. It wasn't needed and was more of a distraction. I also felt like it didn't make much sense for how the character had been acting throughout the whole storyline.
Overall, I feel like this was just too soon. I'm sure it will be good in a few years time though, when we weren't all still going through the same pandemic.
Max and Jonah bump into each over at the grocery store right when the Covid-19 lockdown was beginning in California. Max's part-time job as a personal shopper begins to transform into a bit of a nightmare and Jonah's pre-existing anxiety disorder is becoming a daily struggle. Can the two come together even though they must stay apart? Hello (from Here) jumps into the first two months of the quarantine and the love lives and two teenagers trying to figure out this new world.
This wasn't my favorite book on the planet, but I still enjoyed it nonetheless. I will also keep it on my shelves and possibly come back to it another time (when the Corona Virus isn't still running wild). Like most who have reviewed this book, I feel like it may have been too soon.
The main characters were okay, but not amazing, I did find them a little whiny towards the end... Olivia, Jonah's sister, was probably my favorite out of everybody and I'd kind of like to hear some more of her story! Also Arlo and his story! Kate and Jonah's "step-parent replacing late parent" trope was shown well in the novel. I thought the development of their relationship was well handled and realistic. I was happy with the end result for them.
I also thought the anxiety disorder representation was handled well in this novel too. As someone with anxiety who has had panic attacks (though not quite like Jonah's), I felt like one could still understand what he was going through, especially in his current situation.
I feel like this novel fell short - mostly by tackling too much all at once. I felt a little anticlimactic by the time I closed it. So many things were brought up: important issues and themes, but then were finished limply in the end. (view spoiler).
The cheating storyline was just - bleh. It wasn't needed and was more of a distraction. I also felt like it didn't make much sense for how the character had been acting throughout the whole storyline.
Overall, I feel like this was just too soon. I'm sure it will be good in a few years time though, when we weren't all still going through the same pandemic.
Haley Mathiot (9 KP) rated One Scream Away (Sheridan, #1) in Books
Apr 27, 2018
Seven years ago, Chevy Bankes did something horrific to Beth. She’s been living with her ghosts ever since then. Beth has learned to live on her own and has raised her daughter by herself. But she isn’t prepared to face Bankes when she finds out that he’s been released from prison, and that now he’s after her. Neil, an ex-FBI agent, has somehow gotten himself roped into the case. Now it’s causing him to have to dig up his own ghosts and face them, too. Can two people who lost love earlier in their lives learn to love each other, can Beth keep her daughter out of Bankes’ hands, and can Neil save the woman he loves from her worst nightmare?
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
One Scream Away was one of those books that you stay up late reading and that you can’t put down, and that you yell at whoever interrupts you because it was so addicting good. It was exciting, suspenseful, romantic, mysterious… everything a book should be.
Without giving away anything, there were many parts in this book that I felt my heart rip when I read what happened. The characters were tangible, like I could pluck them out of the book and set them on my table and watch the rest of the story play out. But they were also relatable, so most of the time I felt like the characters themselves.
Pacing and plot were fantastic in this one. It was impossible to see what would happen next, and Kate Brady keeps you guessing until the very last page, and surprises you at the end.
The writing was not the strongest point. It wasn’t bad per se, it just wasn’t very good either. Acceptably mediocre is the best phrase I can think of, because it wasn’t Dante, but it wasn’t hard to read.
My only other complaint was that a lot of the times, Brady describes what things look like, but not what things feel like. Although the characters were very relatable, I found my own imagination supplying the feelings of the characters while I read this.
Content: There was no elicit sex in this book, although scenes are mentioned and skipped over. There was a lot of language (hey, we’re talking about FBI agents and Police officers and Serial Killers here.) and some rather vulgar details. Murder is not exactly pleasant. Although it wasn’t mapped out in extreme detail, the images left in the reader’s mind are ones that are not for the faint of heart. Or stomach.
Recommendation: Ages 18+
Kristy H (1252 KP) rated Angels Burning in Books
Feb 13, 2018
Dove Carnahan is Chief of Police in a rural Pennsylvania town. Her job is typically more administrative than investigative. So when a girl's body is found beaten and burned in abandoned part of town, Dove must rally her team's limited resources to find out what has happened. In addition, she must work with the state police, including Chief Nolan, with whom she has a past, to solve the crime. In doing so, Dove becomes entwined with a local redneck family. The crime also brings up memories of the murder of Dove's mother many years ago. Will Dove be able to bring justice for this crime, without getting sidetracked by her own past?
I thoroughly enjoyed this book - it took me by complete surprise. Part of it was that I felt that I knew the characters. I've grown up with families like these - gone to school with them, live near them now. O'Dell portrayed the town dynamics flawlessly and she did a magnificent job of bringing each character into full detail.
Dove is an interesting character - flawed in many ways, but you cannot help but root for her and like her. The entire book felt somewhat familiar, like I'd picked up in the middle of series. (Speaking of, when this ended, I thought, oh I hope O'Dell writes another book featuring Dove.) Dove reminded me a little bit of Kate Burkholder, from Linda Castillo's excellent series - another strong female detective fighting for her hometown.
There were a few plot points that seemed a bit unbelievable (at one point, Dove shoots out the tires on a boys' pickup truck, just because he's annoyed her - something that would no doubt get her fired in this crazy media/viral video age we live in), but O'Dell's writing and plot gets you past any missteps. I thought Dove focused a bit too much on worries about her age (she's just turned 50) and her gender -- pointing out how men wouldn't treat her a particular way if she was actually a man. But really, Dove is so excellent at her job that she really just manages to prove that she can do anything - age or gender be damned.
The plot is intriguing and compelling and you find yourself drawn into the deceased girl's family and acquaintances, as well as Dove's own family and past. Honestly, when this one was over, I felt sad, which is a rare quality anymore. 4.5 stars.
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)
I thoroughly enjoyed this book - it took me by complete surprise. Part of it was that I felt that I knew the characters. I've grown up with families like these - gone to school with them, live near them now. O'Dell portrayed the town dynamics flawlessly and she did a magnificent job of bringing each character into full detail.
Dove is an interesting character - flawed in many ways, but you cannot help but root for her and like her. The entire book felt somewhat familiar, like I'd picked up in the middle of series. (Speaking of, when this ended, I thought, oh I hope O'Dell writes another book featuring Dove.) Dove reminded me a little bit of Kate Burkholder, from Linda Castillo's excellent series - another strong female detective fighting for her hometown.
There were a few plot points that seemed a bit unbelievable (at one point, Dove shoots out the tires on a boys' pickup truck, just because he's annoyed her - something that would no doubt get her fired in this crazy media/viral video age we live in), but O'Dell's writing and plot gets you past any missteps. I thought Dove focused a bit too much on worries about her age (she's just turned 50) and her gender -- pointing out how men wouldn't treat her a particular way if she was actually a man. But really, Dove is so excellent at her job that she really just manages to prove that she can do anything - age or gender be damned.
The plot is intriguing and compelling and you find yourself drawn into the deceased girl's family and acquaintances, as well as Dove's own family and past. Honestly, when this one was over, I felt sad, which is a rare quality anymore. 4.5 stars.
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)
Hazel (1853 KP) rated The Cure for Dreaming in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
On her seventeenth birthday 1900, Olivia Meade gets invited onto a stage to be hypnotized by the young Monsieur Henri Reverie in this historical, paranormal novel. In Oregon at this period of time women were not allowed to vote in presidential elections and Olivia’s father is determined that she does not get influenced by the campaigning suffragists. On hearing about the hypnotist, Dr. Meade hires him with the job of removing the “selfish” and “unladylike dreams” from his daughter’s head. However this causes Olivia more problems than expected. She begins to see horrible images but are these as a result of Henri telling her “you will see the world the way it truly is”, or is she hallucinating as a result of reading Dracula more times than necessary?
<i>The Cure For Dreaming</i> contains a mix of historical references and paranormal ideas as both Henri and Olivia struggle to find a successful way of reversing the effects of the hypnosis as well as involving themselves in the women’s suffrage movement.
Cat Winters, despite the added fantasy elements, has kept the book historically accurate. A typical novel about women’s equality would result in life changing successes, however as Oregon did not did not gain full suffrage until 1912 this of course was not impossible to include in <i>The Cure For Dreaming</i>. Ultimately it is a novel about growing up to be who you want to be and knowing your own mind rather than succumbing to the “natural” views of society.
The writing is contemporary and easy to understand which makes it suitable for ages twelve and older. The downside to this is that it detracts from the historical setting, making Olivia appear a lot more modern than she actually is. Apart from mimicking a classic novel type style, which would make it less suitable for its target audience, there is not a lot that can be done about that.
Between chapters of the book are relevant photographs or images from the appropriate time period, which help to illustrate the events in the plot. There are also quotes from authors such as Kate Chopin and Mark Twain as well as more political lines from various speeches. These also help to provide an understanding of the historical setting.
Overall <i>The Cure For Dreaming</i> is a great book for teenagers. There may be paranormal themes but it is not a horror novel, in fact there is just as much romance as anything else.
On her seventeenth birthday 1900, Olivia Meade gets invited onto a stage to be hypnotized by the young Monsieur Henri Reverie in this historical, paranormal novel. In Oregon at this period of time women were not allowed to vote in presidential elections and Olivia’s father is determined that she does not get influenced by the campaigning suffragists. On hearing about the hypnotist, Dr. Meade hires him with the job of removing the “selfish” and “unladylike dreams” from his daughter’s head. However this causes Olivia more problems than expected. She begins to see horrible images but are these as a result of Henri telling her “you will see the world the way it truly is”, or is she hallucinating as a result of reading Dracula more times than necessary?
<i>The Cure For Dreaming</i> contains a mix of historical references and paranormal ideas as both Henri and Olivia struggle to find a successful way of reversing the effects of the hypnosis as well as involving themselves in the women’s suffrage movement.
Cat Winters, despite the added fantasy elements, has kept the book historically accurate. A typical novel about women’s equality would result in life changing successes, however as Oregon did not did not gain full suffrage until 1912 this of course was not impossible to include in <i>The Cure For Dreaming</i>. Ultimately it is a novel about growing up to be who you want to be and knowing your own mind rather than succumbing to the “natural” views of society.
The writing is contemporary and easy to understand which makes it suitable for ages twelve and older. The downside to this is that it detracts from the historical setting, making Olivia appear a lot more modern than she actually is. Apart from mimicking a classic novel type style, which would make it less suitable for its target audience, there is not a lot that can be done about that.
Between chapters of the book are relevant photographs or images from the appropriate time period, which help to illustrate the events in the plot. There are also quotes from authors such as Kate Chopin and Mark Twain as well as more political lines from various speeches. These also help to provide an understanding of the historical setting.
Overall <i>The Cure For Dreaming</i> is a great book for teenagers. There may be paranormal themes but it is not a horror novel, in fact there is just as much romance as anything else.
Louise (64 KP) rated The Mistletoe Bride and Other Haunting Tales in Books
Jul 2, 2018
I am not going to ramble on and on giving you a synopsis for all the stories but I will let you know some of the ones that I enjoyed the most out of this collection. I really wanted to start reading some more short stories so I have continuously made an effort in reading a collection per month. With each book there are obviously going to be some better than others. I think the hardest thing for the authors is to create a really good and atmospheric story that will truly grip you and Kate Mosse has certainly done that in some of these stories. Others were a bit weak and easily forgettable.
The stories included are:
The Mistletoe Bride – 4/5 stars
Duet – 3.5/5 stars
Red Letter day – 2.5/5 stars
The drowned village – 3/5 stars
The house on the hill – 3/5 stars
Why the yew tree lives so long -1.5/5stars
Sainte-Therese – 3/5 stars
The ship of the dead -4/5 stars
La Fille de Melisande -2/5 stars
The revenant -5/5 star – FAVOURITE
On Harting hill -3.5/5 stars
The princess Alice -3/5 stars
In the Theatre at night 2.5/5 stars
The yellow scarf -3.5/5 stars
Syrinx 1/5 stars
Each of these stories comes with an authors note as what inspired her to write them. There are also some black and white gothic illustrations before each of the stories drawn by Rohan Daniel Eason which sets the tone. The stories are set in Sussex, Brittany and Languedoc that are based on Folk tales ranging from the 1800’s to the present day.
I will admit as writing this review I had to check the stories again to see which ones were which as they are somewhat forgettable. The ones that have clearly stuck with me is ‘The Mistletoe Bride’, ‘Duet’ and ‘The Revenant’.
The revenant was the best story by far in the book, it was eerie and creepy and had me on the edge of my seat with my pulse racing as I was actually scared but couldn’t stop reading. It is probably one of the scariest short stories that I have read! Mosse manages to create an intense atmosphere and completely grips the reader. The writing style is very easy to read and flows beautifully.
I would recommend this to people who are looking to read some short-stories that have historical fiction with supernatural elements and a bit of horror.
Overall I rated this 3.5/5 stars
The stories included are:
The Mistletoe Bride – 4/5 stars
Duet – 3.5/5 stars
Red Letter day – 2.5/5 stars
The drowned village – 3/5 stars
The house on the hill – 3/5 stars
Why the yew tree lives so long -1.5/5stars
Sainte-Therese – 3/5 stars
The ship of the dead -4/5 stars
La Fille de Melisande -2/5 stars
The revenant -5/5 star – FAVOURITE
On Harting hill -3.5/5 stars
The princess Alice -3/5 stars
In the Theatre at night 2.5/5 stars
The yellow scarf -3.5/5 stars
Syrinx 1/5 stars
Each of these stories comes with an authors note as what inspired her to write them. There are also some black and white gothic illustrations before each of the stories drawn by Rohan Daniel Eason which sets the tone. The stories are set in Sussex, Brittany and Languedoc that are based on Folk tales ranging from the 1800’s to the present day.
I will admit as writing this review I had to check the stories again to see which ones were which as they are somewhat forgettable. The ones that have clearly stuck with me is ‘The Mistletoe Bride’, ‘Duet’ and ‘The Revenant’.
The revenant was the best story by far in the book, it was eerie and creepy and had me on the edge of my seat with my pulse racing as I was actually scared but couldn’t stop reading. It is probably one of the scariest short stories that I have read! Mosse manages to create an intense atmosphere and completely grips the reader. The writing style is very easy to read and flows beautifully.
I would recommend this to people who are looking to read some short-stories that have historical fiction with supernatural elements and a bit of horror.
Overall I rated this 3.5/5 stars
Phillip McSween (751 KP) rated Office Christmas Party (2016) in Movies
Oct 13, 2018
Fun Holiday Film
A Branch Manager of a struggling tech company looks to throw the mother of all parties to help recruit a major client. He has to do it under the nose of his jerk sister who is the CEO of the company.
Acting: 10
Stellar cast all around, each of them bringing a different type of hilarity to the film. Kate McKinnon is my personal favorite, playing the role of Office Manager Mary Winetoss. Her against-the-grain role makes you cringe and laugh at the same time.
Jennifer Aniston plays Carol Vanstone, the CEO you love to hate. Aniston, typically an innocent good girl, is actually quite good at being bad. One scene in particular has her squaring up with a little girl in a lounge and it’s easily one of the best parts of the film.
Beginning: 7
Pretty plain lift-off as you are introduced to the majority of the players in the film. It’s not the greatest start, but it still has its moments. Ten minutes was enough to make me want to see more.
Characters: 10
Office Christmas Party would fall short without hilarious characters like Vanstone and Winetoss. They keep the narrative interesting and the party entertaining. There’s random cameos, a crazy black DJ, and a nutty pimp. This film has it all!
Cinematography/Visuals: 10
Conflict: 4
Easily one of the film’s weak spots. The film’s goal is to throw a huge party for a potential client and hope the CEO doesn’t find out. When you think about it, there’s not too much room for conflict here, at least not enough to raise concern. If you go into the film with that in mind, you’ll have a much better time.
Genre: 8
Memorability: 6
There are quite a few fun moments that ultimately save the film. They don’t hit you like machine gun fire, rather they are more sporadic hence the lower score. I did walk away with some good quotable lines that cracked me up (“Something’s happening in my diaper"!).
Pace: 5
Plot: 8
Resolution: 6
Overall: 74
As I’m sitting here watching Olivia Munn and Jason Bateman do their dance routine in giant snowman costumes, I can’t help but think that a few tweaks here and there could have really made this film a classic. I enjoyed Office Christmas Party and have no problem adding it to my holiday rotation. If you’re looking to expand out of the feel good, innocent Christmas films of the year, this definitely one to check out.
Acting: 10
Stellar cast all around, each of them bringing a different type of hilarity to the film. Kate McKinnon is my personal favorite, playing the role of Office Manager Mary Winetoss. Her against-the-grain role makes you cringe and laugh at the same time.
Jennifer Aniston plays Carol Vanstone, the CEO you love to hate. Aniston, typically an innocent good girl, is actually quite good at being bad. One scene in particular has her squaring up with a little girl in a lounge and it’s easily one of the best parts of the film.
Beginning: 7
Pretty plain lift-off as you are introduced to the majority of the players in the film. It’s not the greatest start, but it still has its moments. Ten minutes was enough to make me want to see more.
Characters: 10
Office Christmas Party would fall short without hilarious characters like Vanstone and Winetoss. They keep the narrative interesting and the party entertaining. There’s random cameos, a crazy black DJ, and a nutty pimp. This film has it all!
Cinematography/Visuals: 10
Conflict: 4
Easily one of the film’s weak spots. The film’s goal is to throw a huge party for a potential client and hope the CEO doesn’t find out. When you think about it, there’s not too much room for conflict here, at least not enough to raise concern. If you go into the film with that in mind, you’ll have a much better time.
Genre: 8
Memorability: 6
There are quite a few fun moments that ultimately save the film. They don’t hit you like machine gun fire, rather they are more sporadic hence the lower score. I did walk away with some good quotable lines that cracked me up (“Something’s happening in my diaper"!).
Pace: 5
Plot: 8
Resolution: 6
Overall: 74
As I’m sitting here watching Olivia Munn and Jason Bateman do their dance routine in giant snowman costumes, I can’t help but think that a few tweaks here and there could have really made this film a classic. I enjoyed Office Christmas Party and have no problem adding it to my holiday rotation. If you’re looking to expand out of the feel good, innocent Christmas films of the year, this definitely one to check out.
Gareth von Kallenbach (980 KP) rated Office Christmas Party (2016) in Movies
Jun 19, 2019
Josh Parker (Jason Bateman) is a man with many things on his mind. He has just finalized a divorce which has cost him his house, tons of money, and his confidence. Known for bunting instead of swinging away, Josh heads to his office to move on with his life as Christmas approaches.
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
Gareth von Kallenbach (980 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020
Bad Boys, Bad Boys, Whatchu gonna do? Whatchu gonna do when they come for you? Bad Boys premiered in 1995, the sequel way back in 2003. Bad Boys for Life, the third movie in the franchise takes us back to Miami, where Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) have been partners in the force for over 25 years.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.
Marcus certainly is feeling his age, having been married with grown kids, and Mike is still ready to go and take down criminals with his own style. Marcus is eyeing retirement and his partner Lowrey, does not want any part of it. They are going by the motto of “Bad Boys for Life”. Captain Howard (Joe Pantoliano) is still running the precinct and a new tactical team has been established to carry out quick responses. This small team is led by Rita (Paola Nunez) who has had some history with Mike Lowrey.
Rita’s team is comprised by Kelly (Vanessa Hudgens) the team badass. Rafe (Charles Melton) the resident smart ass who immediately chafes Mike’s hide and Dorn (Alexander Ludwig), the IT specialist and gentle giant. It is as if the recruiter got Rafe and Dorn from an Abercrombie catalogue. They are AMMO, the rapid response team assigned to take on immediate issues that affect Miami.
The current problem is an assassin taking out members of Miami’s law enforcement community. We learn that there is a Mexican drug cartel looking for retribution and it is led by Isabel Aretas, the widow of the Kingpin (Kate de Castillo, playing the character with such seething hatred) and her son Armando (Jacob Scipio)
Bad Boys 3 is co-directed by the team of Adil and Bilall, who have worked together on film for the past ten years. Taking over the franchise from Michael Bay. There are plenty of chases and gunfights in the movie. The action is fantastic, the rapport between Marcus and Lowrey is just plain hilarious. The chemistry of their partnership is still there, and their timing is on point. I did not expect to laugh so hard or so much.
The movie took a minute to find it’s pacing at the beginning. Once the story was set, the timing was quick, but steady and the humor came on one after another. I thoroughly enjoyed the movie, it had all the elements that I would have expected from a Bad Boys sequel: a logical story line, action, humor, eye candy and car chases. I would recommend this movie for anyone who wants to lose themselves in an action film with a large side order of humor.
Gareth von Kallenbach (980 KP) rated Rock the Kasbah (2016) in Movies
Aug 6, 2019
Music is a language that transcends race, gender, age, and nationality. It is timeless. It is transformative. Music has the power to shape and redefine culture. In Rock the Kasbah, Bill Murray plays Richie Lanz, a washed up Rock manager who seeks to bring one of his acts to Afghanistan as part of the USO tour. Within the first day of arrival, his plans are unraveled as his singer (Zooey Deschanel) panics and runs off with his money and passport in order to return back to America.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
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