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Mark @ Carstairs Considers (2084 KP) rated Scene of the Climb (Pacific Northwest Mystery #1) in Books
Mar 9, 2018
Meg Reed has finally landed her first post college job. Unfortunately, it’s at an outdoor magazine, and Meg is not an outdoor kind of person. Still, she bravely faces her fear of heights to cover the final leg in a cross country reality TV show competition. But when she witnesses one of the contestants plunge to his death, Meg realizes she might be in over her head.
Meg is a great main character, and I loved spending time with her. The rest of the cast is equally as strong. The pacing was off in the plot a bit, but everything does come together for a nice climax. I will definitely be back for more.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/01/book-review-scene-of-climb-by-kate-dyer.html">Carstairs Considers</a>.
Meg is a great main character, and I loved spending time with her. The rest of the cast is equally as strong. The pacing was off in the plot a bit, but everything does come together for a nice climax. I will definitely be back for more.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/01/book-review-scene-of-climb-by-kate-dyer.html">Carstairs Considers</a>.
Hazel (2934 KP) rated Look Both Ways [Audiobook] in Books
Mar 5, 2023
![Look Both Ways [Audiobook]](/uploads/profile_image/70e/89b3e333-4f7c-4d1e-ba94-d1f1cb69d70e.jpg?m=1678050968)
I would say that this book is a cross between Christine and The Terminator and is one crazy ride!
Garrett Island's inhabitants have had all their cars removed and self-driving and fully automated 'Arrivals' given to them as an experiment. Arrivals are aware of each other and of everything around them ... gone are accidents, speeding, dints and scrapes; well, that's the theory anyway and it works until someone throws a spanner in the works and all hell breaks loose.
There's some great characters; I especially liked Bruce, Kate and Archie. The story is solid and the action comes thick and fast and whilst I found it a very entertaining story which I enjoyed, I think I would have enjoyed it even more had I read the actual book as the narration just didn't do it for me unfortunately and it just didn't seem to be right for the story somehow.
Overall, a great book that makes you think twice about what the future is likely to hold and my thanks go to HarperCollins UK Audio, HQ and NetGalley for enabling me to listen to and share my thoughts of Look Both Ways.
Garrett Island's inhabitants have had all their cars removed and self-driving and fully automated 'Arrivals' given to them as an experiment. Arrivals are aware of each other and of everything around them ... gone are accidents, speeding, dints and scrapes; well, that's the theory anyway and it works until someone throws a spanner in the works and all hell breaks loose.
There's some great characters; I especially liked Bruce, Kate and Archie. The story is solid and the action comes thick and fast and whilst I found it a very entertaining story which I enjoyed, I think I would have enjoyed it even more had I read the actual book as the narration just didn't do it for me unfortunately and it just didn't seem to be right for the story somehow.
Overall, a great book that makes you think twice about what the future is likely to hold and my thanks go to HarperCollins UK Audio, HQ and NetGalley for enabling me to listen to and share my thoughts of Look Both Ways.
David McK (3219 KP) rated Superman Returns (2006) in Movies
Aug 26, 2019 (Updated Jul 16, 2023)
Edit: Brandon Routh finally got to return to the character in (TV) Arrow's 'Crisis on Infinite Earths', about 15 years later ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the Shar of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the Shar of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
Darren (1599 KP) rated The Dressmaker (2016) in Movies
Oct 14, 2019
Characters – Tilly Dunnage is a glamorous woman that has seen the world learning the fashion world, she has returned home for revenge after being forced to leave the town as a child, she helps the women of the town look gorgeous and extra special, while she convinces herself that she isn’t cursed. She knows how to turn heads using her cloths to make this happen. Molly is the mother of Tilly who has been living in isolation for years, she didn’t want her daughter to return, even though she doesn’t start to bond with her after all these years apart. Teddy is a young man in the town, he is one of the few people that looked after Molly while Tilly was away, he soon takes a shine to her, wanting to prove that she didn’t do anything in the first place. Sergeant Farrat is one of the people that is happy to welcome Tilly back to town, he does have his own secret which involves his cross dressing, making him easy to twist when Tilly wants information.
Performances – Kate Winslet is great in this leading role, bring us a character filled with guilt who is just as happy to show a positive confident side to the people in the town. Judy Davis is a scene stealer in this film, being able to get the laughs required to make her the most memorable part of nearly ever scene she is in. Liam Hemsworth is at the best he has ever been, which is great to see him breaking away from the roles that aren’t working for him. Hugo Weaving gets to have a lot of fun in his role too.
Story – The story follows a woman who returns home to get revenge on the people that forced her to leave, only to learn that town has just as many secrets within the walls, that revenge is just about letting them out. We get to see how a town can turn enough heads to make everything seem like nothing is wrong, only for a curse to be waiting to be lifted if it isn’t inside somebody’s mind. We do get a lot of characters being introduced which can make things difficult to keep up with because we get plenty of little factors that do lead up to the personal conflict between the characters. this is a lot more fun of a story than I was expecting even though it is sprinkled with very dark moments.
Comedy – The comedy in the film does come the quirky nature of the events as they unfold, we have plenty of fashion related comical moments as well as small town gossip, which will get laugh along the way.
Settings – The film is set in a small rural Australian town, where everybody does know everybody else, we are filled with gossip and instant reactions to anything that goes on in the town too.
Scene of the Movie – Leaving town.
That Moment That Annoyed Me – Slightly too many characters.
Final Thoughts –This is a quirky dark comedy that is sprinkled by the elements of revenge, which does keep us wondering just what is the endgame of her decision making process.
Overall: Dark quirky comedy treat.
Performances – Kate Winslet is great in this leading role, bring us a character filled with guilt who is just as happy to show a positive confident side to the people in the town. Judy Davis is a scene stealer in this film, being able to get the laughs required to make her the most memorable part of nearly ever scene she is in. Liam Hemsworth is at the best he has ever been, which is great to see him breaking away from the roles that aren’t working for him. Hugo Weaving gets to have a lot of fun in his role too.
Story – The story follows a woman who returns home to get revenge on the people that forced her to leave, only to learn that town has just as many secrets within the walls, that revenge is just about letting them out. We get to see how a town can turn enough heads to make everything seem like nothing is wrong, only for a curse to be waiting to be lifted if it isn’t inside somebody’s mind. We do get a lot of characters being introduced which can make things difficult to keep up with because we get plenty of little factors that do lead up to the personal conflict between the characters. this is a lot more fun of a story than I was expecting even though it is sprinkled with very dark moments.
Comedy – The comedy in the film does come the quirky nature of the events as they unfold, we have plenty of fashion related comical moments as well as small town gossip, which will get laugh along the way.
Settings – The film is set in a small rural Australian town, where everybody does know everybody else, we are filled with gossip and instant reactions to anything that goes on in the town too.
Scene of the Movie – Leaving town.
That Moment That Annoyed Me – Slightly too many characters.
Final Thoughts –This is a quirky dark comedy that is sprinkled by the elements of revenge, which does keep us wondering just what is the endgame of her decision making process.
Overall: Dark quirky comedy treat.
Bob Mann (459 KP) rated The Post (2017) in Movies
Sep 29, 2021
Landing the Hindenburg in a Thunderstorm.
What a combination: Streep, Hanks, Spielberg, Kaminski behind the camera, Williams behind the notes. What could possibly go wrong?
Nothing as it turns out. After, for me, the disappointment of “The BFG” here is Spielberg on firm ground and at the height of his game.
It’s 1971 and the New York Times is in trouble for publishing what became known as “The Pentagon Papers”: a damning account of multiple administration’s dodgy dealings around the Vietnam War, put together by Robert McNamara (Bruce Greenwood, “Star Trek: Into Darkness“) and meant for “posterity” – not for publication! Watching from the sidelines with frustration at their competitor’s scoop are the Washington Post’s editor Ben Bradlee (Tom Hanks, “Bridge of Spies“, “Inferno“) and the new owner Kay Graham (Meryl Streep, “Florence Foster Jenkins“, “Suffragette“). With immaculate timing, Graham is taking the paper public, so needs the newspaper embroiled in any sort of scandal like a hole in the head. But with the US First Amendment under pressure, will Graham and Bradlee put their business and their freedom at risk by publishing and being damned?
Bradlee (Tom Hanks) and Graham (Meryl Streep) in the Washington Post’s newsroom.
Both of the leads play characters that are quite strikingly out of character from their normal roles.
In a seamingly endless run of ‘kick-ass’ women in the movie driving seat, here I expected Streep to be in full “Iron Lady” mode, but in fact she starts the film as quite the opposite: nervous, timid, vascillating. For although the story is about “The Washington Post” and “The Pentagon Papers”, the real story is about Graham herself (Liz Hannah’s script is actually based on Graham’s autobiography). In many ways it’s about a woman, in a male world, overcoming her fear and finding her own voice. As has been demonstrated in many recent films (“Hidden Figures” for example) the working world for woman has changed so markedly since the 60’s and 70’s that it’s almost impossible to relate to these chavenistic attitudes. Graham is repeatedly downtrodden as “not good enough” by her underlings within earshot, and then thanks them “for their frankness”. When the women folk retire at dinner, to let the men-folk talk politics, Graham meekly goes with them. Even her father, for God’s sake, left the newspaper not to her but to her (now late) husband! It’s no surprise then that she is coming from a pretty low base of self-confidence, and her journey in the film – as expertly played by Streep – is an extraordinarily rousing one.
The real deal: Ben Bradlee and Kay Graham.
Hanks, normally the guy you’d most like to invite round for dinner (@tomhanks if you happen to be reading this sir, that’s a genuine invitation… we make a mean lasagne here!) also plays somewhat outside of his normal character here. As Bradlee, he is snappy, brusque and businesslike. Although I don’t think he could ever quite match the irascibility of the character’s portrayal by Jason Robards in the classic “All the President’s Men” – who could? – its a character with real screen presence.
The similarities with Alan J Pakula’s 1976 classic Watergate movie – one of my personal favourites – don’t stop there. The same sets that were once populated by Redford and Hoffman are gloriously reproduced with Spielberg and Janusz Kaminski delivering great tracking shots through the newsroom. (Watch out for Sacha Spielberg – daughter of Stephen and Kate Capshaw – who also turns up there delivering a package).
The scoop revealed: Odenkirk, Hanks and David Cross get the low-down.
The supporting cast includes Sarah Paulson (so memorable in “The Trial of O.J. Simpson”) as Bradlee’s wife Tony, Bradley Whitford (“The West Wing”, “Get Out“) and Tracy Letts (“The Big Short“) as two of Graham’s board advisors and Jesse Plemons (“The Program“, “Bridge of Spies“) as the lead legal advisor. Particularly impressive though is Bob Odenkirk (“Breaking Bad”) as Ben Bagdikian, Bradlee’s lead investigative reporter on the case: all stress, loose change and paranoia in his dealings with the leaky Daniel Ellsberg (Matthew Rhys).
Bagdikian (Bob Odenkirk) ordering a drink for himself and his travelling companion.
In a memorable piece of casting Richard Nixon is played by…. Richard Nixon. Although a silluohetted Curzon Dobell stalks the Oval office, the ex-president’s original phone recordings are played on the soundtrack. (There, I knew those recordings would be useful for something… thank heavens he kept them all!)
The film also demonstrates in fascinating style the newsprint business of yesteryear. When I click a button on my PC and a beautifully laser-printed page streams out of my Epson printer, it still seems like witchcraft to me! But it is extraordinary to think that newspapers in those days were put together by typesetters manually building up the pages from embossed metal letters laboriously slotted into a frame. Brilliantly evocative.
Ellsberg (Matthew Rhys) takes a risk.
If Spielberg has a fault, it is one of sentimentality – something that is pointed out in Susan Lacy’s superb HBO documentary on Spielberg (something I have yet to write a review on, but if you like Spielberg you should definitely seek out). Here he falls into that trap again, with an unnecessary bedroom scene between Graham and her daughter tipping the screenplay into mawkishness. It’s unnecessary since we don’t need the points raised rammed down our throats again. It’s something repeated in a rather bizarre final scene with Graham walking down the steps of the supreme court with admiring woman – only woman – watching her. These irritations tarnish for me what could have been a top-rated film.
But the movie is an impressive watch and older viewers, and anyone interested in American political history will, I think, love it. The film, especially with its nice epilogue, did make me immediately want to come home and put “All the President’s Men” on again… which is never a bad thing. Highly recommended.
Nothing as it turns out. After, for me, the disappointment of “The BFG” here is Spielberg on firm ground and at the height of his game.
It’s 1971 and the New York Times is in trouble for publishing what became known as “The Pentagon Papers”: a damning account of multiple administration’s dodgy dealings around the Vietnam War, put together by Robert McNamara (Bruce Greenwood, “Star Trek: Into Darkness“) and meant for “posterity” – not for publication! Watching from the sidelines with frustration at their competitor’s scoop are the Washington Post’s editor Ben Bradlee (Tom Hanks, “Bridge of Spies“, “Inferno“) and the new owner Kay Graham (Meryl Streep, “Florence Foster Jenkins“, “Suffragette“). With immaculate timing, Graham is taking the paper public, so needs the newspaper embroiled in any sort of scandal like a hole in the head. But with the US First Amendment under pressure, will Graham and Bradlee put their business and their freedom at risk by publishing and being damned?
Bradlee (Tom Hanks) and Graham (Meryl Streep) in the Washington Post’s newsroom.
Both of the leads play characters that are quite strikingly out of character from their normal roles.
In a seamingly endless run of ‘kick-ass’ women in the movie driving seat, here I expected Streep to be in full “Iron Lady” mode, but in fact she starts the film as quite the opposite: nervous, timid, vascillating. For although the story is about “The Washington Post” and “The Pentagon Papers”, the real story is about Graham herself (Liz Hannah’s script is actually based on Graham’s autobiography). In many ways it’s about a woman, in a male world, overcoming her fear and finding her own voice. As has been demonstrated in many recent films (“Hidden Figures” for example) the working world for woman has changed so markedly since the 60’s and 70’s that it’s almost impossible to relate to these chavenistic attitudes. Graham is repeatedly downtrodden as “not good enough” by her underlings within earshot, and then thanks them “for their frankness”. When the women folk retire at dinner, to let the men-folk talk politics, Graham meekly goes with them. Even her father, for God’s sake, left the newspaper not to her but to her (now late) husband! It’s no surprise then that she is coming from a pretty low base of self-confidence, and her journey in the film – as expertly played by Streep – is an extraordinarily rousing one.
The real deal: Ben Bradlee and Kay Graham.
Hanks, normally the guy you’d most like to invite round for dinner (@tomhanks if you happen to be reading this sir, that’s a genuine invitation… we make a mean lasagne here!) also plays somewhat outside of his normal character here. As Bradlee, he is snappy, brusque and businesslike. Although I don’t think he could ever quite match the irascibility of the character’s portrayal by Jason Robards in the classic “All the President’s Men” – who could? – its a character with real screen presence.
The similarities with Alan J Pakula’s 1976 classic Watergate movie – one of my personal favourites – don’t stop there. The same sets that were once populated by Redford and Hoffman are gloriously reproduced with Spielberg and Janusz Kaminski delivering great tracking shots through the newsroom. (Watch out for Sacha Spielberg – daughter of Stephen and Kate Capshaw – who also turns up there delivering a package).
The scoop revealed: Odenkirk, Hanks and David Cross get the low-down.
The supporting cast includes Sarah Paulson (so memorable in “The Trial of O.J. Simpson”) as Bradlee’s wife Tony, Bradley Whitford (“The West Wing”, “Get Out“) and Tracy Letts (“The Big Short“) as two of Graham’s board advisors and Jesse Plemons (“The Program“, “Bridge of Spies“) as the lead legal advisor. Particularly impressive though is Bob Odenkirk (“Breaking Bad”) as Ben Bagdikian, Bradlee’s lead investigative reporter on the case: all stress, loose change and paranoia in his dealings with the leaky Daniel Ellsberg (Matthew Rhys).
Bagdikian (Bob Odenkirk) ordering a drink for himself and his travelling companion.
In a memorable piece of casting Richard Nixon is played by…. Richard Nixon. Although a silluohetted Curzon Dobell stalks the Oval office, the ex-president’s original phone recordings are played on the soundtrack. (There, I knew those recordings would be useful for something… thank heavens he kept them all!)
The film also demonstrates in fascinating style the newsprint business of yesteryear. When I click a button on my PC and a beautifully laser-printed page streams out of my Epson printer, it still seems like witchcraft to me! But it is extraordinary to think that newspapers in those days were put together by typesetters manually building up the pages from embossed metal letters laboriously slotted into a frame. Brilliantly evocative.
Ellsberg (Matthew Rhys) takes a risk.
If Spielberg has a fault, it is one of sentimentality – something that is pointed out in Susan Lacy’s superb HBO documentary on Spielberg (something I have yet to write a review on, but if you like Spielberg you should definitely seek out). Here he falls into that trap again, with an unnecessary bedroom scene between Graham and her daughter tipping the screenplay into mawkishness. It’s unnecessary since we don’t need the points raised rammed down our throats again. It’s something repeated in a rather bizarre final scene with Graham walking down the steps of the supreme court with admiring woman – only woman – watching her. These irritations tarnish for me what could have been a top-rated film.
But the movie is an impressive watch and older viewers, and anyone interested in American political history will, I think, love it. The film, especially with its nice epilogue, did make me immediately want to come home and put “All the President’s Men” on again… which is never a bad thing. Highly recommended.