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ClareR (5721 KP) rated Marple: Twelve New Stories in Books
Jul 10, 2023
I’ve haven’t read any Agatha Christie, so I’ve only seen Miss Marple on the TV in her many guises - and I’ve enjoyed them all.
My favourite stories in the anthology were written by: Val McDermid, Natalie Haynes, Ruth Ware, Ely Griffiths and Kate Moss.
The authors mentioned above gave the most convincing re-imaginings, whilst some of the others made her sound more modern, or Americanisms had slipped in - which is definitely very un-Marple-ish!
All in all, it’s a very enjoyable anthology, and I did like all of the stories.
Thanks to The Pigeonhole and to all the authors that contributed (the US cover actually shows who all of the authors are).
My favourite stories in the anthology were written by: Val McDermid, Natalie Haynes, Ruth Ware, Ely Griffiths and Kate Moss.
The authors mentioned above gave the most convincing re-imaginings, whilst some of the others made her sound more modern, or Americanisms had slipped in - which is definitely very un-Marple-ish!
All in all, it’s a very enjoyable anthology, and I did like all of the stories.
Thanks to The Pigeonhole and to all the authors that contributed (the US cover actually shows who all of the authors are).
Movie Metropolis (309 KP) rated Insurgent (2015) in Movies
Jun 10, 2019
A little soulless
There hasn’t been a better time to be part of the Young Adult revolution. From Stephanie Meyer’s underwhelming Twilight saga to Suzanne Collins’ superb Huger Games trilogy and everything in between, there is something about this genre that audiences love to read and to watch.
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/