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Awix (3310 KP) rated Wonder Wheel (2017) in Movies
Mar 12, 2018 (Updated Mar 12, 2018)
Not-bad-by-his-recent-standards-at-least Woody Allen melodrama (NB: theme park attractions are not central to plot). Frustrated former actress trapped in unhappy marriage with Fred Flintstone lookalike starts an affair with intellectual lifeguard, becomes insanely jealous when her stepdaughter also catches her lover's eye.
One of Allen's more theatrical movies - it certainly seems to have been made on a relatively low budget. Feels very much like a pastiche of Tennessee Williams or Eugene O'Neill, only considerably less subtle. At least as a character piece focused on a (somewhat) older woman there are fewer of the more problematic Allen tropes on display, and no sign of a laboured message or theme. Film is carried by a tremendous performance from Kate Winslet; Juno Temple is also good in a supporting role. Watchable stuff, certainly for Allen's remaining followers, although you do still wish he'd just make one more all-out comedy in the old-school style.
One of Allen's more theatrical movies - it certainly seems to have been made on a relatively low budget. Feels very much like a pastiche of Tennessee Williams or Eugene O'Neill, only considerably less subtle. At least as a character piece focused on a (somewhat) older woman there are fewer of the more problematic Allen tropes on display, and no sign of a laboured message or theme. Film is carried by a tremendous performance from Kate Winslet; Juno Temple is also good in a supporting role. Watchable stuff, certainly for Allen's remaining followers, although you do still wish he'd just make one more all-out comedy in the old-school style.
Romance Film: Passion Strategies in Film and Life
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Romance Film is a critical history of significant romance films from Hollywood and abroad. Kagan...
Stephen (210 KP) rated Heavenly Creatures (1994) in Movies
Mar 12, 2019
Wealthy and precocious teenager Juliet (Kate Winslet) transfers from England to Christchurch, New Zealand, with her family, and forms a bond with the quiet, brooding Pauline (Melanie Lynskey) through their shared love of Mario Lanza and their games of make believe. But when their parents begin to suspect that their increasingly intense friendship is becoming unhealthy, the girls decide to run away together, hatching a dark plan for those who threaten to keep them apart.
The movie is one of Peter Jackson’s earlier works, and demonstrates his unique sense of directing which featured in his first few films. Both Kate Winslett and Melanie Lynskey give outstanding performances - Melanie’s scowling face is especially disturbing.
Based on a true story, Jackson focuses a lot on the dream world element of the girls’ story, which I feel gives the film’s ending even more shock appeal.
I won’t spoil the ending, but let me say that the first time I saw the movie I felt so disturbed I felt as if I was actually there, and even now, when I rewatch the movie, I still get chills when the girls are walking down that path....
I appreciate that the film is not going to appeal to everyone, but the amazing performances of the two main characters, and the horrifying insight into how deep obsessive friendships can go, makes this an essential but very disturbing watch.
The movie is one of Peter Jackson’s earlier works, and demonstrates his unique sense of directing which featured in his first few films. Both Kate Winslett and Melanie Lynskey give outstanding performances - Melanie’s scowling face is especially disturbing.
Based on a true story, Jackson focuses a lot on the dream world element of the girls’ story, which I feel gives the film’s ending even more shock appeal.
I won’t spoil the ending, but let me say that the first time I saw the movie I felt so disturbed I felt as if I was actually there, and even now, when I rewatch the movie, I still get chills when the girls are walking down that path....
I appreciate that the film is not going to appeal to everyone, but the amazing performances of the two main characters, and the horrifying insight into how deep obsessive friendships can go, makes this an essential but very disturbing watch.
Movie Metropolis (309 KP) rated Contagion (2011) in Movies
Jun 11, 2019
Steven Soderbergh has produced some fine films in his time as an established director; Ocean’s Eleven was a sublime mix of dark humour and action, whilst Ocean’s Twelve and Thirteen remained decent but not exactly pulse-racing. Here, it seems Soderbergh sticks to what he knows best, how to deliver a brilliantly shot, gripping film. Here we have, Contagion.
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/
An all-star cast with the likes of Gwyneth Paltrow, Kate Winslet, Matt Damon and Jude Law is bolstered by excellent cinematography and nail-biting claustrophobia in a film which never forgets its purpose: to shock.
Contagion starts with a cough, a single cough from a single woman, which in turn spreads across the globe, killing over 20 million people in every country on the planet and becoming one of the worst viral epidemics the world has ever seen. The directing style is exquisite and focuses on the days after the first contraction of the deadly virus; close-ups of door knobs and drinking fountains add to the heightened panic and sense of claustrophobia and the continuous references to bird-flu bring it home how frail a race we actually are.
Soderbergh gets stuck into the details of the virus straight away and the pace never lets up, you’ll be gasping for air with the infected as you struggle to keep pace with what’s going on; it’s a relentless film, much like the disease itself. The movie is one of many recent developments that have parallel storylines running throughout; Kate Winslet is a scientist at the centre of disease research, whilst Matt Damon plays a middle aged father protecting his daughter.
Gwyneth Paltrow plays a wife and mother who has been embarking on a dangerous affair whilst away on business and it has to be said, she is excellent in her role, even though it lasts a mere 20 minutes before she pegs it. Her illness is well controlled on screen and you share the pain she is in.
Matt Damon is somehow immune to the virus after losing his wife (Paltrow) and more disturbingly, his son in scenes unbefitting of the films 12A certificate and Kate Winslet looks surprisingly angelic in her body bag… oops, didn’t mean to spoil that for you.
Alas, it’s not all good news as Jude Law pops up now and again as an annoying journalist trying to discover a cure and shame the money grabbing pharmaceutical companies, he plays the character well and you definitely buy into his sense of ‘crazy’ but out of all the stories shuffling for your attention, his is the one you care least about.
Unfortunately, some other small issues hold the film from being a complete success. Parallel storylines are all well and good but there are perhaps too many here. Whilst focusing on Winslet dealing with the fact she has contracted the virus, you forget about how Mr. Damon is coping looking after his potentially not immune daughter and the same can be said for Law’s character too. Which one are we to focus on?
Contagion is artistically, a brilliant film, but it could be said that it’s more style over substance. Yes, the characters have depth, though not as much as we’d like, the story is well written and the shots are beautifully choreographed but that good, solid story is lost about half way through as Soderbergh tries to handle all the different viewpoints. It’s a fantastic film, but not the outright success it could have been. You will however, be reaching for that anti-bacterial hand cleanser a little more often.
https://moviemetropolis.net/2011/11/08/review-contagion-2011/
Sarah (7798 KP) rated The Mountain Between Us (2017) in Movies
Aug 12, 2018
Would've been better without the romance
I like both Idris Elba and Kate Winslet, however I feel like this film could've been much better without a pointless romance between them.
This should've been a survival film only, and it would've been much more endearing. The love story was a little ridiculous and unnecessary, and the ending too was just predictable and cheesy. As purely a survival film though, this could have actually been quite good. There are parts of this where they appear to survive fairly harsh conditions and situations without any real consequences, which seems a little farfetched - they spend 3 weeks in the mountains but barely seem knackered at all. There also seem to be a few nuances and plot holes. I also get very annoyed with survival films when one of the characters is always a doctor! It's awfully convenient.
To be fair this was an alright film to watch until it started on the romance. I'm just glad nothing bad happened to the dog.
This should've been a survival film only, and it would've been much more endearing. The love story was a little ridiculous and unnecessary, and the ending too was just predictable and cheesy. As purely a survival film though, this could have actually been quite good. There are parts of this where they appear to survive fairly harsh conditions and situations without any real consequences, which seems a little farfetched - they spend 3 weeks in the mountains but barely seem knackered at all. There also seem to be a few nuances and plot holes. I also get very annoyed with survival films when one of the characters is always a doctor! It's awfully convenient.
To be fair this was an alright film to watch until it started on the romance. I'm just glad nothing bad happened to the dog.
Phillip McSween (751 KP) rated Jude (1996) in Movies
Jan 29, 2018 (Updated Jan 29, 2018)
Meh
Set in the late 1800's, Jude Fawley (Christopher Eccleston) leaves his country home to enroll in a university and finds a taboo love in the process. It's somewhat ironic that I'm reviewing this just after my dog vomited because the story unfolds just as slowly. Just as I screamed "Just do it already!" to my beagle, I felt Jude could have gotten to the point a little faster. I have some ideas about how this could have been accomplished, but I can't share them without spoiling the film.
The slow progression of the plot would have been fine had the ending been stronger. The last twenty minutes were a whirlwind and not in a good way. If the film is an unsettling ice cream sundae, the ending was an ugly cherry that tastes as bad as it looks.
For what it's worth, the story is definitely intriguing with simple, yet complex details. It's weird, yet somehow heartwarming. Despite my dislike for the film as a whole, Eccleston and Kate Winslet both played phenomenal roles. Two performances that were almost enough to carry the film.
Not quite. I give Jude a 67.
The slow progression of the plot would have been fine had the ending been stronger. The last twenty minutes were a whirlwind and not in a good way. If the film is an unsettling ice cream sundae, the ending was an ugly cherry that tastes as bad as it looks.
For what it's worth, the story is definitely intriguing with simple, yet complex details. It's weird, yet somehow heartwarming. Despite my dislike for the film as a whole, Eccleston and Kate Winslet both played phenomenal roles. Two performances that were almost enough to carry the film.
Not quite. I give Jude a 67.
Boy: Tales of Childhood
9.5
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Phizzwhizzing new cover look and branding for the World's NUMBER ONE Storyteller! BOY, Roald Dahl's...
Matthew Krueger (10051 KP) rated Contagion (2011) in Movies
Mar 3, 2020
The Outbreak
With all of this news about the coronavirus, i thought i reviewing this movie. This came out when the swine flu was around, so back in 2011. When the trailer came out, it looked really scary, because it was about a deadly virus speading. Now thats happening right now with the coronavirus. Its scary, but if you wash your hands with soap and water/hand Sanitizer, keep away from sick people, cover your mouth when you snezze and dont touch your eyes, you will be okay.
Anways to the plot:
When Beth Emhoff (Gwyneth Paltrow) returns to Minnesota from a Hong Kong business trip, she attributes the malaise she feels to jet lag. However, two days later, Beth is dead, and doctors tell her shocked husband (Matt Damon) that they have no idea what killed her. Soon, many others start to exhibit the same symptoms, and a global pandemic explodes. Doctors try to contain the lethal microbe, but society begins to collapse as a blogger (Jude Law) fans the flames of paranoia.
It has a all-star cast: includes Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Kate Winslet, and Jennifer Ehle. Plus Steven Soderbergh directed it.
If you like medical action thriller film, than you will like this film.
Anways to the plot:
When Beth Emhoff (Gwyneth Paltrow) returns to Minnesota from a Hong Kong business trip, she attributes the malaise she feels to jet lag. However, two days later, Beth is dead, and doctors tell her shocked husband (Matt Damon) that they have no idea what killed her. Soon, many others start to exhibit the same symptoms, and a global pandemic explodes. Doctors try to contain the lethal microbe, but society begins to collapse as a blogger (Jude Law) fans the flames of paranoia.
It has a all-star cast: includes Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Kate Winslet, and Jennifer Ehle. Plus Steven Soderbergh directed it.
If you like medical action thriller film, than you will like this film.
Boy and Going Solo
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Boy and Going Solo is the whole of Roald Dahl's extraordinary autobiography in one volume. Reissued...
Movie Metropolis (309 KP) rated Labor Day (2014) in Movies
Jun 11, 2019
Director Jason Reitman is no stranger to obtaining a few awards from his varied career, with films like Juno and Up in the Air under his belt, you would be forgiven for thinking that he could put himself on autopilot – however his latest offering Labor Day stays well clear of such drama.
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/