Search
Sarah (7798 KP) rated Misery (1990) in Movies
Oct 11, 2018
Brilliant
I need to be very honest now, despite being a massive film and Stephen King fan, I have never seen Misery until now. I’ve read the book many times, but for some reason I never got round to watching the film, and I’m pretty ashamed of myself.
This is one of the best Stephen King adaptations out there. Kathy Bates is phenomenal as Annie, she plays her perfectly. James Caan would never have been my first choice as Paul Sheldon, but he does very well. The entire film is so true to the book, it’s surprisingly good. Whilst I wouldn’t call it a horror film, it’s definitely one of the best thriller films out there despite its age. I can’t fault this film at all.
This is one of the best Stephen King adaptations out there. Kathy Bates is phenomenal as Annie, she plays her perfectly. James Caan would never have been my first choice as Paul Sheldon, but he does very well. The entire film is so true to the book, it’s surprisingly good. Whilst I wouldn’t call it a horror film, it’s definitely one of the best thriller films out there despite its age. I can’t fault this film at all.
Lenard (726 KP) rated Richard Jewell (2019) in Movies
Jan 6, 2020
Richard Jewell is a mixed bag of timeliness and a victim of the country's short-time memory. It was 23 years ago that a security guard in Olympic Park at the Atlanta Olympics discovered a bomb. Hailed as a national hero until he became the prime suspect, Richard Jewell's simple world was torn asunder. Sam Rockwell and Kathy Bates give great performances as Richard's friend/lawyer who tried his best to keep Richard from constantly signing his death confession and Richard's mother respectively. (Imagine if the two had played the other's role!) Richard fought every day to protest his innocence against the two most powerful forces in the world, the American government and the American press. Eventually, the real culprit was found, but not before a man's life was nearly destroyed in pursuit for being "right."
Movie Metropolis (309 KP) rated The Boss (2016) in Movies
Jun 11, 2019
Where's the comedy?
Melissa McCarthy is one of the biggest stars in Hollywood. Her rise to fame has been nothing short of extraordinary, helped in part by her leading roles in The Heat, Spy and of course the hilarious Bridesmaids.
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
However, each of those examples of comedic brilliance had one thing in common, apart from McCarthy, director Paul Feig. He brings out the very best in the actress and we’ll see if this formula continues to work with the controversial Ghostbusters reboot, released later this year.
For now, McCarthy teams up with director and real-life husband Ben Falcone (Tammy) in The Boss. But does it offer you a laugh a minute?
The Boss follows the fall from grace of Michelle Darnell (McCarthy), one of America’s wealthiest women, and her efforts to get back on top. Her plan? To start a cake-making empire. Alongside her for the ride is long-suffering assistant Claire (Kristen Bell). Side roles are reserved for Game of Thrones star Peter Dinklage as Michelle’s rival and Kathy Bates as her mentor.
Unfortunately, the biggest problem The Boss has is one that blights many films nowadays; the best bits have already been shown in the trailer. For an action adventure, this is disappointing, but for a comedy, it’s silver-screen suicide. Having laughed in the pre-release clips already, the rest of the film is as barren as the Sahara when it comes to raising a titter.
That’s a real shame as the film’s plot, whilst hardly ground-breaking, is fundamentally solid and the acting is, Dinklage’s hammy performance aside, decent. McCarthy in particular takes a poor script and injects some much-needed spice into it – a testament to her incredible talents as a comedienne. Bell is on-point and bounces off McCarthy’s presence very well while Kathy Bates provides the film with one of its more memorable scenes, albeit one already used in the trailer.
There’s also a well-choreographed bust-up between two groups of teenage girls that manages to raise a chuckle, but again the majority of it was added to the most recent trailer.
Overall, The Boss is McCarthy’s second true turkey with Tammy being the first, but there’s no blame to be placed on her shoulders here. Michelle Darnell is a cracking character, despite her striking resemblance to Rita from Coronation Street, and is one that deserves far better than a film that’s light on laughs and has to rest on the laurels of its lead star – now that’s just lazy.
Perhaps the next time her husband asks her to star in one of his comedies, she should really, really think about it first.
https://moviemetropolis.net/2016/06/11/wheres-the-comedy-the-boss-review/
Andy K (10821 KP) rated Fried Green Tomatoes (1991) in Movies
May 18, 2019
Onscreen female friendships are the best!
When a friendship between an awkward tomboy and a shy girl blossoms into a thriving southern business in 1930s Alabama, the two young women have much to deal with including racism, domestic violence and even a murder.
Meanwhile, a middle aged woman meets a kindly old lady in a nursing home. The old woman begins to tell the tale of the two girls. The woman is intrigued and keeps coming back for more.
How does it all turn out? Does the girls' friendship endure and persevere?
I remember seeing this film when it was first released in 1991, but didn't revisit until yesterday.
Hot off their Academy Award wins, Kathy Bates and Jessica Tandy are just marvelous and Mary Louise Parker and Mary Stuart Masterson are perfect as the young woman forming their lifelong bond.
Even book author Fannie Flagg makes an appearance during one of the group sessions the middle aged woman attends. They get to talk about their vaginas! (Having never done so myself, I can't see the fascination!)
I think this ranks with Steel Magnolias as one of my favorite this type of film I have seen. Just poignant and one of those "Dramedy" "Happy/Sad" kind of films.
Meanwhile, a middle aged woman meets a kindly old lady in a nursing home. The old woman begins to tell the tale of the two girls. The woman is intrigued and keeps coming back for more.
How does it all turn out? Does the girls' friendship endure and persevere?
I remember seeing this film when it was first released in 1991, but didn't revisit until yesterday.
Hot off their Academy Award wins, Kathy Bates and Jessica Tandy are just marvelous and Mary Louise Parker and Mary Stuart Masterson are perfect as the young woman forming their lifelong bond.
Even book author Fannie Flagg makes an appearance during one of the group sessions the middle aged woman attends. They get to talk about their vaginas! (Having never done so myself, I can't see the fascination!)
I think this ranks with Steel Magnolias as one of my favorite this type of film I have seen. Just poignant and one of those "Dramedy" "Happy/Sad" kind of films.
JT (287 KP) rated The Highwaymen (2019) in Movies
Mar 10, 2020
The legend of Bonnie and Clyde is cemented in criminal folklore. The murderous couple were idolised by the public for their robin hood style capers. They left a trail of destruction during their crime spree that was eventually ended in a spectacular ambush.
That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.
The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.
Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.
The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.
That ambush was orchestrated by former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson), who were coaxed out of retirement by Texas Governor Miriam ‘Ma’ Ferguson (Kathy Bates) as the only ones capable of taking down the two outlaws.
The onscreen chemistry between Costner and Harrelson is great and the grumpy old men regail each other with tales of the past and how things have changed – not always for the better. It is this chemistry which holds the film together.
Their road trip takes them through quiet and sometimes picturesque Southern American landscapes and towns, as they retrace the bloodshed that Bonnie and Clyde leave behind. Bonnie (Emily Brobst) and Clyde (Edward Bossert) are seen but never heard and only glimpsed now and again, this subtle approach leaves the light to shine firmly on the long arm of the law.
The project itself was earmarked for a Paul Newman and Robert Redford pairing, something that I would have love to have seen given their previous work. As it was it fell to the hands of Costner and Harrelson who both do an admirable job.
Lee (2222 KP) rated Richard Jewell (2019) in Movies
Jan 15, 2020
Richard Jewell tells the true story of a security guard, hailed a hero for spotting a suspicious package at the 1996 Olympic games in Atlanta, before going on to be accused of masterminding the whole thing and having his life turned upside down by the media and the FBI. Directed by Clint Eastwood, Richard Jewell is another one of those stories from recent history that I knew very few details about, other than there was a bombing at the Olympics, and it's a story that clearly deserves to be told.
We start by getting to know a bit about Richard Jewell (Paul Walter Hauser) and how he eventually found himself working security at such a high profile event. When we first meet Richard, he's working as a supply clerk for a public law firm in 1986. He meets attorney Watson Bryant (Sam Rockwell), who can be heard from across the other side of the office loudly and angrily shouting at somebody on the phone. He's not much friendlier to Richard when he puts the phone down either, discovering that Richard has very kindly replaced some stationery in his desk drawers, and even added some more Snickers bars in there after noticing empty wrappers in Watson's bin. But the pair do eventually build up a good rapport, even sharing an interest in playing video games at a local arcade during their lunch breaks.
Richard eventually leaves the firm to become a security guard at a college. With dreams of some day working his way up into law enforcement, Richard takes his role a bit too seriously, resulting in a number of complaints being made to the dean and his subsequent dismissal. Having moved in with his mother Bobi (Kathy Bates) in Atlanta, Richard lands a job working security at the Olympic games, working alongside police officers in Centennial Park during a number of events. His mother joins him to enjoy a Kenny Rogers concert one night, and then a few nights later Richard gets to work while his favourite group are playing. It's during that time, while trying to move on a group of drunk and rowdy boys, that Richard notices a suspicious backpack beneath a nearby bench. Police are alerted, and the backpack is determined to be carrying a bomb. As Richard and the police officers try to disperse the crowd, the bomb detonates and casualties are much lower than they could have been. Richard is hailed a hero.
As Richard quickly begins appearing on TV, and being offered book deals, the FBI begin their investigation. Agent Shaw (Jon Hamm) was there when the bomb went off and feels responsible for something that happened on his watch, so is determined to find the man responsible. It's not long before they decide that Richard fits the profile of previous bombers - a wannabe police officer who carries out attacks and then seeks fame and glory by helping out his victims. The situation isn't helped when ballsy reporter Kathy Scruggs (Olivia Wilde), who will go to any lengths to get her story, including sleeping around, publishes a front page story declaring Richard to be prime suspect with the FBI. From there, Richard's life, along with his mothers, is sent into turmoil and Richard is forced to contact old friend Watson Bryant to see if he'll help defend him as his lawyer.
The dynamic between Richard and Watson is what really made this movie for me. They're old friends, but clearly two very different people - Watson doesn't take any crap from anyone while Richard is a kindly, thoughtful man who just wants to help everyone, so ends up not doing himself any favours. On one occasion, Watson tells Richard not to say a word while the FBI are searching his home, and then Richard proceeds to talk to them all about anything and everything, blissfully ignorant of the glares he's receiving from Watson. There's a lot of humour in Richard Jewell, which I wasn't really expecting, and while it did make for an enjoyable movie, I felt it detracted a little from the drama and tension at times. Outside of that, both Jon Hamm and Kathy Bates were perfect in their roles, Kathy Bates this week receiving an Oscar nomination for her performance.
As the movie progresses, the injustice of it all is truly incredible. Just by Watson walking the route from the phone-booth where the warning call originated and the location where Richard was when the bomb went off, it was clear that he couldn't have done it. He even passed a polygraph test and yet he still continued to be hounded in the absence of any other leads or suspects, as he was just an easy target. It's an enjoyable watch, and certainly an important story, but because of the humour I described earlier, it just didn't have enough intensity or drama to make a bigger impact on me.
We start by getting to know a bit about Richard Jewell (Paul Walter Hauser) and how he eventually found himself working security at such a high profile event. When we first meet Richard, he's working as a supply clerk for a public law firm in 1986. He meets attorney Watson Bryant (Sam Rockwell), who can be heard from across the other side of the office loudly and angrily shouting at somebody on the phone. He's not much friendlier to Richard when he puts the phone down either, discovering that Richard has very kindly replaced some stationery in his desk drawers, and even added some more Snickers bars in there after noticing empty wrappers in Watson's bin. But the pair do eventually build up a good rapport, even sharing an interest in playing video games at a local arcade during their lunch breaks.
Richard eventually leaves the firm to become a security guard at a college. With dreams of some day working his way up into law enforcement, Richard takes his role a bit too seriously, resulting in a number of complaints being made to the dean and his subsequent dismissal. Having moved in with his mother Bobi (Kathy Bates) in Atlanta, Richard lands a job working security at the Olympic games, working alongside police officers in Centennial Park during a number of events. His mother joins him to enjoy a Kenny Rogers concert one night, and then a few nights later Richard gets to work while his favourite group are playing. It's during that time, while trying to move on a group of drunk and rowdy boys, that Richard notices a suspicious backpack beneath a nearby bench. Police are alerted, and the backpack is determined to be carrying a bomb. As Richard and the police officers try to disperse the crowd, the bomb detonates and casualties are much lower than they could have been. Richard is hailed a hero.
As Richard quickly begins appearing on TV, and being offered book deals, the FBI begin their investigation. Agent Shaw (Jon Hamm) was there when the bomb went off and feels responsible for something that happened on his watch, so is determined to find the man responsible. It's not long before they decide that Richard fits the profile of previous bombers - a wannabe police officer who carries out attacks and then seeks fame and glory by helping out his victims. The situation isn't helped when ballsy reporter Kathy Scruggs (Olivia Wilde), who will go to any lengths to get her story, including sleeping around, publishes a front page story declaring Richard to be prime suspect with the FBI. From there, Richard's life, along with his mothers, is sent into turmoil and Richard is forced to contact old friend Watson Bryant to see if he'll help defend him as his lawyer.
The dynamic between Richard and Watson is what really made this movie for me. They're old friends, but clearly two very different people - Watson doesn't take any crap from anyone while Richard is a kindly, thoughtful man who just wants to help everyone, so ends up not doing himself any favours. On one occasion, Watson tells Richard not to say a word while the FBI are searching his home, and then Richard proceeds to talk to them all about anything and everything, blissfully ignorant of the glares he's receiving from Watson. There's a lot of humour in Richard Jewell, which I wasn't really expecting, and while it did make for an enjoyable movie, I felt it detracted a little from the drama and tension at times. Outside of that, both Jon Hamm and Kathy Bates were perfect in their roles, Kathy Bates this week receiving an Oscar nomination for her performance.
As the movie progresses, the injustice of it all is truly incredible. Just by Watson walking the route from the phone-booth where the warning call originated and the location where Richard was when the bomb went off, it was clear that he couldn't have done it. He even passed a polygraph test and yet he still continued to be hounded in the absence of any other leads or suspects, as he was just an easy target. It's an enjoyable watch, and certainly an important story, but because of the humour I described earlier, it just didn't have enough intensity or drama to make a bigger impact on me.
Gareth von Kallenbach (965 KP) rated Bad Santa 2 (2016) in Movies
Jul 12, 2019
The last time we heard from Willie Soke (Billy Bob Thornton) he was recovering in jail after being shot eight times. We catch up with him today in maybe worse shape. He is out of jail but finds himself unable to hold a job and drinking to extreme excess. Th only visitor he has is a delusional, simple minded and well intentioned Thurman Merman (Brett Kelly). On the verge of ending it all he receives an invitation from his old partner, Marcus Skidmore (Tony Cox), to make a big score by robbing a Chicago charity on Christmas Eve. Wary, mostly because Marcus double crossed and shot him on their last job, Willie decides he needs the money and it’s a chance to double cross Marcus. So, he takes the job and heads to Chicago. When he arrives, he finds that Marcus has not told him everything. The job was put together by his arch nemesis. Someone who is more vile, crude and despicable than he is…his mother Sunny (Kathy Bates). Driven by greed and with the agreement that Marcus and him will cut his mother out at the end of the job Willie agrees to go forward with the robbery. The unlikely trio set out to infiltrate and rob the charity.
It is surprising to say but this sequel to 2003s Bad Santa is even more outrageous and raunchy than the original. Billy Bob Thornton is perfect in this role as a sex crazed and barely functioning alcoholic. Willie is truly the Anti-Santa Claus. But with Thurman having faith in him and in his very out of the box way of trying to do good, you can’t help but root for him to succeed. Kathy Bates performance as a crude as can be equal to Thornton’s character was fun and unexpected. The full cast of characters are all unique and all bring something to the film. The story however is very familiar and not that far off from the first film. There were definitely jokes and plot lines that followed too closely, in my opinion, to the original film. This is definitely not a film for young audiences, as most of the film is profanity laced and full of sexual situations and innuendos. But for the adult audience there are a lot of laughs to be had. For me this was a perfect film to shut off for an hour and a half and just enjoy the craziness happening on screen. It is not an overthought or over complicated film. They took things from the original film that were successful changed them up a little, not enough at some points, and made everything a little more over the top.
I wouldn’t necessarily recommend paying movie theater prices for this film but it is definitely worth a watch for the right audiences.
It is surprising to say but this sequel to 2003s Bad Santa is even more outrageous and raunchy than the original. Billy Bob Thornton is perfect in this role as a sex crazed and barely functioning alcoholic. Willie is truly the Anti-Santa Claus. But with Thurman having faith in him and in his very out of the box way of trying to do good, you can’t help but root for him to succeed. Kathy Bates performance as a crude as can be equal to Thornton’s character was fun and unexpected. The full cast of characters are all unique and all bring something to the film. The story however is very familiar and not that far off from the first film. There were definitely jokes and plot lines that followed too closely, in my opinion, to the original film. This is definitely not a film for young audiences, as most of the film is profanity laced and full of sexual situations and innuendos. But for the adult audience there are a lot of laughs to be had. For me this was a perfect film to shut off for an hour and a half and just enjoy the craziness happening on screen. It is not an overthought or over complicated film. They took things from the original film that were successful changed them up a little, not enough at some points, and made everything a little more over the top.
I wouldn’t necessarily recommend paying movie theater prices for this film but it is definitely worth a watch for the right audiences.
JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
Richard Jewell (Paul Walter Hauser) is a softly spoken, overzealous university campus security guard whose heart is in the right place and is dedicated to his job – maybe a little too much.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.
Sarah (7798 KP) rated Titanic (1997) in Movies
Feb 5, 2021
Shame about the romance
Film #13 on the 100 Movies Bucket List: Titanic
Titanic is a rather divisive film. There are many that absolutely love it, the creators of this list among them I don’t doubt. And then there are those that can’t stand it, despite it’s 11 Oscar wins. When it was first released, Titanic’s popularity was immense and it was all the rage at my high school. At that time I loved it like everyone else, but over the years I’ve grown to notice its flaws as well.
Titanic is another epic from the mind of James Cameron and unsurprisingly tells the real life story behind the sinking of the Titanic in 1912. As the true story wasn’t enough, the sinking is shown from the point of view of a love story between Rose Dewitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio). In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team are searching the wreckage of the Titanic for a rare diamond and instead come across a preserved drawing of Rose, who meets with Brock and tells the story of her experiences onboard. These experiences involve a class divide, a fiancé with anger management issues (Billy Zane) and some nice (Kathy Bates) and not very nice (Frances Fisher) female aristocrats.
While I can understand why Cameron has intertwined a romance into this real life tragedy, for me it’s this story that lessens the impact of such a horrific tale and makes this into not quite the masterpiece he wanted it to be. There are the obvious plot holes and irrational actions – the hugely memorable water door scene that could blatantly fit more than one person, and the motives for keeping a invaluable diamond hidden for 80+ years only to throw it away in the ocean – are just two of the laughably bad scenes in this. Paired with a sometimes dodgy script (there’s a scene where Rose says “Jack” over half a dozen times in less than a minute) and some cheesy exposition and narration from the older Rose, do not make for an endearing story.
However if you can ignore the romance and poor fictional story, the rest of Titanic is an impressive bit of filmmaking. From the opening shots featuring real life footage of the actual wreckage of the Titanic to the effects used to bring the ship to life, they are truly stunning. You can really appreciate the love and care that has gone in to making this film, and the cinematography is faultless. Water is not an easy element to film yet James Cameron has mastered it with ease and including shots of the real wreckage only adds to the emotions that this evokes, especially as there are a lot of facts interlaced within the romance – the band continuing to play despite impending death is particularly moving. The cast too are strong despite the sometimes questionable material they have to work with. This is undoubtedly the film that made both Leonardo DiCaprio and Kate Winslet megastars in their own rights, although for me I much preferred the more low key performances from the likes of Kathy Bates, Bernard Hill (as Captain Smith) and Victor Garber (as ship builder Thomas Andrews).
Titanic is not perfect. It is a drawn out and overly long romance set aboard a disaster movie and it can’t justify being longer than 3 hours. However despite it’s flaws, it is still a masterpiece in filmmaking and truly an epic film.
Titanic is a rather divisive film. There are many that absolutely love it, the creators of this list among them I don’t doubt. And then there are those that can’t stand it, despite it’s 11 Oscar wins. When it was first released, Titanic’s popularity was immense and it was all the rage at my high school. At that time I loved it like everyone else, but over the years I’ve grown to notice its flaws as well.
Titanic is another epic from the mind of James Cameron and unsurprisingly tells the real life story behind the sinking of the Titanic in 1912. As the true story wasn’t enough, the sinking is shown from the point of view of a love story between Rose Dewitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio). In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team are searching the wreckage of the Titanic for a rare diamond and instead come across a preserved drawing of Rose, who meets with Brock and tells the story of her experiences onboard. These experiences involve a class divide, a fiancé with anger management issues (Billy Zane) and some nice (Kathy Bates) and not very nice (Frances Fisher) female aristocrats.
While I can understand why Cameron has intertwined a romance into this real life tragedy, for me it’s this story that lessens the impact of such a horrific tale and makes this into not quite the masterpiece he wanted it to be. There are the obvious plot holes and irrational actions – the hugely memorable water door scene that could blatantly fit more than one person, and the motives for keeping a invaluable diamond hidden for 80+ years only to throw it away in the ocean – are just two of the laughably bad scenes in this. Paired with a sometimes dodgy script (there’s a scene where Rose says “Jack” over half a dozen times in less than a minute) and some cheesy exposition and narration from the older Rose, do not make for an endearing story.
However if you can ignore the romance and poor fictional story, the rest of Titanic is an impressive bit of filmmaking. From the opening shots featuring real life footage of the actual wreckage of the Titanic to the effects used to bring the ship to life, they are truly stunning. You can really appreciate the love and care that has gone in to making this film, and the cinematography is faultless. Water is not an easy element to film yet James Cameron has mastered it with ease and including shots of the real wreckage only adds to the emotions that this evokes, especially as there are a lot of facts interlaced within the romance – the band continuing to play despite impending death is particularly moving. The cast too are strong despite the sometimes questionable material they have to work with. This is undoubtedly the film that made both Leonardo DiCaprio and Kate Winslet megastars in their own rights, although for me I much preferred the more low key performances from the likes of Kathy Bates, Bernard Hill (as Captain Smith) and Victor Garber (as ship builder Thomas Andrews).
Titanic is not perfect. It is a drawn out and overly long romance set aboard a disaster movie and it can’t justify being longer than 3 hours. However despite it’s flaws, it is still a masterpiece in filmmaking and truly an epic film.
