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Cyn Armistead (14 KP) rated Fast Ships, Black Sails in Books
Mar 1, 2018
I meant to write this review with the book in my hands, which is really the only way I can properly review any anthology. Alas, the volume had to be returned to the library before that happened (and before that, Sam was enjoying it). As it is, some stories just didn't register strongly enough for me to remember them.
On the other hand the stories I do recall were really, really good, and if I could rate them on their own they'd get 4s and 5s.
I'd read Elizabeth Bear and Sarah Monette's "Boojum" online, but it was so good that I read it again. I adore their work (individually and together). That story was actually the only reason I even considered reading the book, as I'm not really much of a pirate fan. I'm not into too much darkness in my leisure reading, and I don't like antiheroes.
Next, "Pirate Solutions" by Katherine Sparrow was so good that I insisted that Sam read it. RIGHT THEN. I think Katie would have enjoyed it, too. It should be added to the "poly culture" lists. I'll be looking for more of Sparrow's work!
Naomi Novik's "Araminta, or, The Wreck of the Amphidrake" was all right, and I do remember it. It just didn't really toast my bread—possibly because I found Araminta to be an annoying brat.
"Elegy for Gabrielle, Patron Saint of Healers, Whores and Righteous Thieves" by Kelly Barnhill was absolutely lovely. I can't describe it beyond that without spoiling it for you, which would be criminal.
Carrie Vaughn managed to make me cry with "The Sea Nymph's Child." It was especially poignant to me right now, at this point in the parenting process.
We may well end up buying a copy of this one. It's certainly worth the cover price!
On the other hand the stories I do recall were really, really good, and if I could rate them on their own they'd get 4s and 5s.
I'd read Elizabeth Bear and Sarah Monette's "Boojum" online, but it was so good that I read it again. I adore their work (individually and together). That story was actually the only reason I even considered reading the book, as I'm not really much of a pirate fan. I'm not into too much darkness in my leisure reading, and I don't like antiheroes.
Next, "Pirate Solutions" by Katherine Sparrow was so good that I insisted that Sam read it. RIGHT THEN. I think Katie would have enjoyed it, too. It should be added to the "poly culture" lists. I'll be looking for more of Sparrow's work!
Naomi Novik's "Araminta, or, The Wreck of the Amphidrake" was all right, and I do remember it. It just didn't really toast my bread—possibly because I found Araminta to be an annoying brat.
"Elegy for Gabrielle, Patron Saint of Healers, Whores and Righteous Thieves" by Kelly Barnhill was absolutely lovely. I can't describe it beyond that without spoiling it for you, which would be criminal.
Carrie Vaughn managed to make me cry with "The Sea Nymph's Child." It was especially poignant to me right now, at this point in the parenting process.
We may well end up buying a copy of this one. It's certainly worth the cover price!
Heather Cranmer (2721 KP) rated The Companion in Books
Jan 8, 2021
I've been a fan of Katie Alender's since I first read her book Bad Girls Don't Die. I haven't read a bad book from her yet, and reading Alender's latest book, The Companion, was no different. I enjoyed reading it.
After losing her parents and two younger sisters in a car accident, Margot is sent to the state institution as she has no other family. There, she has vivid nightmares that leave her screaming at night. The other orphans at the institution call her lucky although Margot isn't sure she'd consider herself lucky. When she is chosen by a rich family to come live with them at their large and gorgeous home, Margot's luck may be changing. However, it doesn't seem like it's for the better. Strange things are happening at Margot's new home. Plus, she's meant to play companion for the sick and mute Agatha. On the plus side, her nightmares have seemed to stop but at what price?
The plot of The Companion was a very strong one and had quite the creepy vibe to it which I thoroughly enjoyed. Everything about about the plot was solid and flowed smoothly. The pacing was superb, and I found myself dying to know what would happen next. In fact, I felt like I was actually part of the narrative the whole time. There are a few plot twists although I felt that most were easy to figure out long before they were revealed. While the majority of The Companion was a great read, the last 100 or so pages let this book down. Margot, the protagonist of the story, seems to lose her brain and common sense towards the ending of the novel. She does some really dumb things that put her life in danger. I had a hard time believing that anyone could be that dumb. Other than that, the rest of the story is really great! Loose ends are tied up by the end of the book. However, I would have liked to know how the flowers grew so quickly by a certain grave, but that's probably just a me thing.
All of the characters in The Companion were fleshed out enough to feel realistic. The only exception was Margot towards the end of the book as stated earlier. She started out so strong and smart, it was kind of a shock to see her dumbed down towards the ending. I had really enjoyed her character and her hunger to find out what was really going on when it came to Agatha as well as what happened to Lily. Agatha was definitely my favorite character. I loved how helpful and strong she tried to be despite what was going on with her. I liked Barrett, but I just wish he would have fought a bit harder to try to help Margot instead of just giving in all the time to his mom. Laura was definitely an interesting character for sure. I enjoyed trying to figure out her story alongside Margot. I felt that Laura was the best written character in The Companion.
Trigger warnings for The Companion include minor violence, death, murder, attempted murder, some heavy kissing, drugging, and gaslighting.
Although the last hundred pages do take away from the book a little, The Companion is still a worthwhile read. It does have an interesting plot and characters and will have you hooked from the very first page. I would recommend The Companion by Katie Alender to those aged 13+ who love a suspenseful story.
After losing her parents and two younger sisters in a car accident, Margot is sent to the state institution as she has no other family. There, she has vivid nightmares that leave her screaming at night. The other orphans at the institution call her lucky although Margot isn't sure she'd consider herself lucky. When she is chosen by a rich family to come live with them at their large and gorgeous home, Margot's luck may be changing. However, it doesn't seem like it's for the better. Strange things are happening at Margot's new home. Plus, she's meant to play companion for the sick and mute Agatha. On the plus side, her nightmares have seemed to stop but at what price?
The plot of The Companion was a very strong one and had quite the creepy vibe to it which I thoroughly enjoyed. Everything about about the plot was solid and flowed smoothly. The pacing was superb, and I found myself dying to know what would happen next. In fact, I felt like I was actually part of the narrative the whole time. There are a few plot twists although I felt that most were easy to figure out long before they were revealed. While the majority of The Companion was a great read, the last 100 or so pages let this book down. Margot, the protagonist of the story, seems to lose her brain and common sense towards the ending of the novel. She does some really dumb things that put her life in danger. I had a hard time believing that anyone could be that dumb. Other than that, the rest of the story is really great! Loose ends are tied up by the end of the book. However, I would have liked to know how the flowers grew so quickly by a certain grave, but that's probably just a me thing.
All of the characters in The Companion were fleshed out enough to feel realistic. The only exception was Margot towards the end of the book as stated earlier. She started out so strong and smart, it was kind of a shock to see her dumbed down towards the ending. I had really enjoyed her character and her hunger to find out what was really going on when it came to Agatha as well as what happened to Lily. Agatha was definitely my favorite character. I loved how helpful and strong she tried to be despite what was going on with her. I liked Barrett, but I just wish he would have fought a bit harder to try to help Margot instead of just giving in all the time to his mom. Laura was definitely an interesting character for sure. I enjoyed trying to figure out her story alongside Margot. I felt that Laura was the best written character in The Companion.
Trigger warnings for The Companion include minor violence, death, murder, attempted murder, some heavy kissing, drugging, and gaslighting.
Although the last hundred pages do take away from the book a little, The Companion is still a worthwhile read. It does have an interesting plot and characters and will have you hooked from the very first page. I would recommend The Companion by Katie Alender to those aged 13+ who love a suspenseful story.
Merissa (12316 KP) created a post
Feb 4, 2021
Chris Sawin (602 KP) rated Batman Begins (2005) in Movies
Jun 18, 2019
Before Ben Affleck, but after Adam West, Michael Keaton, Kevin Conroy, Val Kilmer, and George Clooney, Christian Bale was Batman for at least two of the best Batman films out there. With a screenplay by director Christopher Nolan and his brother Jonathan and a story by David S. Goyer, Batman Begins is an origin story. Gotham City is dying since criminals like Carmine Falcone (Tom Wilkinson) are able to get away with murder since, “he keeps the bad people rich and the good people scared,” as Rachel Dawes (Katie Holmes) puts it. Bruce Wayne (Christian Bale) trains with Henri Ducard (Liam Neeson), the right hand of Ra’s Al Ghul (Ken Watanabe), and The League of Shadows.
But The League of Shadows has a skewed view of justice since they believe that more serious crimes should be punishable by death (usually by their hand) while Bruce believes in compassion and the right to a fair trial before passing judgment. Leaving The League of Shadows in shambles, Bruce makes his way back to Gotham after a seven year absence. In Bruce’s own words, “As a man, I’m flesh and blood. I can be ignored. I can be destroyed. But as a symbol I can be incorruptible. I can be everlasting.” This is the story of Batman’s uprising; how a young Bruce Wayne conquered his fear of bats and the death of his parents to become the ominous and fearsome dark knight.
Even when you look back at what Christopher Nolan accomplished in his Dark Knight Trilogy, Batman Begins still holds its own and should be considered one of the best Batman films to date. Before Batman v Superman took the dark and gritty aspects of serious superhero films too far, Batman Begins was the first Batman film since Tim Burton’s Batman to favor a more serious tone in comparison to the campiness that overloads the likes of Batman Forever and Batman & Robin. Christopher Nolan always had the intention of keeping Batman grounded in realism and that concept reflected in its incredibly well-written storyline. Batman Begins is a lot like the Year One comic book storyline with Bruce Wayne returning to Gotham City after training in martial arts and being gone for several years, the inclusion of Carmine Falcone, a blossoming relationship between Batman and Jim Gordon, and The Joker tease on the rooftop even ends the story in similar fashion.
The realistic quality Christopher Nolan was aiming for also translates into the dialogue as nothing seems forced or out of place and everything seems to take place in consistent and reasonable fashion. Aside from Christian Bale, the rest of the cast is far more impressive than it had any right to be with the likes of Michael Caine, Morgan Freeman, Gary Oldman, Cillian Murphy, and Rutger Hauer. Caine adds a level of tenderness to the Alfred character we haven’t really seen before while Cillian Murphy is brilliantly sinister as Jonathan Crane/Scarecrow. Thanks to frequent Christopher Nolan collaborator, director of photography Wally Pfister, Batman Begins is beautifully shot. Colors are always bright and vibrant outside of the Batcave as the dark visuals of the film seem to slowly swallow their colorful surroundings piece by piece.
The inclusion of Liam Neeson in the film is an interesting one for statistical purposes. Prior to Taken, Neeson was known for taking on roles where his character died; Star Wars: Episode I – The Phantom Menace, Gangs of New York, Kingdom of Heaven, and The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe are all prime examples. Neeson’s character Ducard is also the main ingredient in the surprise Nolan often includes in the finale of his films. Neeson has this calm demeanor about him as Ducard that portrays just how in control he is of the training he’s passing onto Bruce. The cast to Batman films are usually packed with stars that are relevant to the time it’s released, but Batman Begins can boast that its supporting cast is just as strong as the leads in the film.
The reasoning behind Christian Bale’s Batman voice is legitimate and you certainly understand why it’s utilized, but the awkward transition between normal voice and rough and raspy vigilante takes some getting used to since you immediately think of the ridiculousness in The Lego Batman Movie or the handful of Deadpool 2 jokes whenever he’s Batman now. Katie Holmes is dull dishwater as an actress. She is the least memorable of the entire cast and is basically that person at a party that everyone knows that’s there but they don’t say anything to anybody before leaving when no one is looking. Maggie Gyllenhaal is able to add some depth with the Rachel Dawes character in The Dark Knight, but it’s as if you can still hear the sound of the Dawson’s Creek theme song echoing in your head whenever Gyllenhaal is on-screen; Katie Holmes is like a huge fart that is still smelt after she’s gone in the sequel she’s not even a part of. There was an overwhelming amount of complaints in the online community regarding how ugly Batman’s new Batmobile, The Tumblr, is in the film. While the vehicle is ugly, at least that ugliness is maintained throughout Nolan’s entire trilogy. Batman likes ugly things in this universe, but at least they’re functional and serve their purpose.
Even with how most individuals feel about The Dark Knight, Batman Begins is still an incredible superhero film that is more than capable as a standalone feature as well as the jumpstart to a new set of Batman films. Christopher Nolan practically reinvented the Batman franchise to a certain extent starting with this film. Depending on how you feel about Ben Affleck’s Batman, Christian Bale was the last satisfying Batman.
Batman Begins feels more like a crime film first and a superhero film second where Batman is an unstoppable force of nature. Stripping the film of its origin retelling, one would think this is what Todd McFarlane is going for with his new Spawn film only to an R-rated extent; a superhero that flourishes in the darkness and has a reputation as this spiritual incarnation of vengeance. Christopher Nolan made something special with his Batman films and it feels like Batman Begins is often overlooked due to the reputation of The Dark Knight. While that perspective isn’t necessarily wrong, fans should at least appreciate Batman Begins in a similar light if not a slightly brighter one.
Batman Begins is currently available to stream for $2.99 on Amazon Prime, YouTube, Vudu, and Google Play and for $3.99 on iTunes. The film is available for a variety of formats on Amazon including 4K/Blu-ray ($24.49), DVD ($9.43), and Multi-Format Blu-ray ($11.49). The Blu-ray is currently $5.22 (5% off its normal $5.50 price) in brand new condition and $3.42 pre-owned on eBay with free shipping on both. You can also get the film as part of a three-disc DVD trilogy pack with The Dark Knight and The Dark Knight Rises or as The Dark Knight Trilogy box set on DVD or Blu-ray. Both options are available on both Amazon and eBay (DVD set is running $11.97 on eBay and $19.72 on Amazon while The Dark Knight Trilogy is available in a variety of formats (regular, ultimate, and special editions) on both sites between $12 and $18.99 unless you want the $69.99 ultimate set.
But The League of Shadows has a skewed view of justice since they believe that more serious crimes should be punishable by death (usually by their hand) while Bruce believes in compassion and the right to a fair trial before passing judgment. Leaving The League of Shadows in shambles, Bruce makes his way back to Gotham after a seven year absence. In Bruce’s own words, “As a man, I’m flesh and blood. I can be ignored. I can be destroyed. But as a symbol I can be incorruptible. I can be everlasting.” This is the story of Batman’s uprising; how a young Bruce Wayne conquered his fear of bats and the death of his parents to become the ominous and fearsome dark knight.
Even when you look back at what Christopher Nolan accomplished in his Dark Knight Trilogy, Batman Begins still holds its own and should be considered one of the best Batman films to date. Before Batman v Superman took the dark and gritty aspects of serious superhero films too far, Batman Begins was the first Batman film since Tim Burton’s Batman to favor a more serious tone in comparison to the campiness that overloads the likes of Batman Forever and Batman & Robin. Christopher Nolan always had the intention of keeping Batman grounded in realism and that concept reflected in its incredibly well-written storyline. Batman Begins is a lot like the Year One comic book storyline with Bruce Wayne returning to Gotham City after training in martial arts and being gone for several years, the inclusion of Carmine Falcone, a blossoming relationship between Batman and Jim Gordon, and The Joker tease on the rooftop even ends the story in similar fashion.
The realistic quality Christopher Nolan was aiming for also translates into the dialogue as nothing seems forced or out of place and everything seems to take place in consistent and reasonable fashion. Aside from Christian Bale, the rest of the cast is far more impressive than it had any right to be with the likes of Michael Caine, Morgan Freeman, Gary Oldman, Cillian Murphy, and Rutger Hauer. Caine adds a level of tenderness to the Alfred character we haven’t really seen before while Cillian Murphy is brilliantly sinister as Jonathan Crane/Scarecrow. Thanks to frequent Christopher Nolan collaborator, director of photography Wally Pfister, Batman Begins is beautifully shot. Colors are always bright and vibrant outside of the Batcave as the dark visuals of the film seem to slowly swallow their colorful surroundings piece by piece.
The inclusion of Liam Neeson in the film is an interesting one for statistical purposes. Prior to Taken, Neeson was known for taking on roles where his character died; Star Wars: Episode I – The Phantom Menace, Gangs of New York, Kingdom of Heaven, and The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe are all prime examples. Neeson’s character Ducard is also the main ingredient in the surprise Nolan often includes in the finale of his films. Neeson has this calm demeanor about him as Ducard that portrays just how in control he is of the training he’s passing onto Bruce. The cast to Batman films are usually packed with stars that are relevant to the time it’s released, but Batman Begins can boast that its supporting cast is just as strong as the leads in the film.
The reasoning behind Christian Bale’s Batman voice is legitimate and you certainly understand why it’s utilized, but the awkward transition between normal voice and rough and raspy vigilante takes some getting used to since you immediately think of the ridiculousness in The Lego Batman Movie or the handful of Deadpool 2 jokes whenever he’s Batman now. Katie Holmes is dull dishwater as an actress. She is the least memorable of the entire cast and is basically that person at a party that everyone knows that’s there but they don’t say anything to anybody before leaving when no one is looking. Maggie Gyllenhaal is able to add some depth with the Rachel Dawes character in The Dark Knight, but it’s as if you can still hear the sound of the Dawson’s Creek theme song echoing in your head whenever Gyllenhaal is on-screen; Katie Holmes is like a huge fart that is still smelt after she’s gone in the sequel she’s not even a part of. There was an overwhelming amount of complaints in the online community regarding how ugly Batman’s new Batmobile, The Tumblr, is in the film. While the vehicle is ugly, at least that ugliness is maintained throughout Nolan’s entire trilogy. Batman likes ugly things in this universe, but at least they’re functional and serve their purpose.
Even with how most individuals feel about The Dark Knight, Batman Begins is still an incredible superhero film that is more than capable as a standalone feature as well as the jumpstart to a new set of Batman films. Christopher Nolan practically reinvented the Batman franchise to a certain extent starting with this film. Depending on how you feel about Ben Affleck’s Batman, Christian Bale was the last satisfying Batman.
Batman Begins feels more like a crime film first and a superhero film second where Batman is an unstoppable force of nature. Stripping the film of its origin retelling, one would think this is what Todd McFarlane is going for with his new Spawn film only to an R-rated extent; a superhero that flourishes in the darkness and has a reputation as this spiritual incarnation of vengeance. Christopher Nolan made something special with his Batman films and it feels like Batman Begins is often overlooked due to the reputation of The Dark Knight. While that perspective isn’t necessarily wrong, fans should at least appreciate Batman Begins in a similar light if not a slightly brighter one.
Batman Begins is currently available to stream for $2.99 on Amazon Prime, YouTube, Vudu, and Google Play and for $3.99 on iTunes. The film is available for a variety of formats on Amazon including 4K/Blu-ray ($24.49), DVD ($9.43), and Multi-Format Blu-ray ($11.49). The Blu-ray is currently $5.22 (5% off its normal $5.50 price) in brand new condition and $3.42 pre-owned on eBay with free shipping on both. You can also get the film as part of a three-disc DVD trilogy pack with The Dark Knight and The Dark Knight Rises or as The Dark Knight Trilogy box set on DVD or Blu-ray. Both options are available on both Amazon and eBay (DVD set is running $11.97 on eBay and $19.72 on Amazon while The Dark Knight Trilogy is available in a variety of formats (regular, ultimate, and special editions) on both sites between $12 and $18.99 unless you want the $69.99 ultimate set.
