"I prefer Metal Box, but this is a wonderful album and it just shows you where Lydon was culturally at that point in time. And he was obviously a bright fella. In interviews he was always talking about bands like Hawkwind and Can, so you always knew he was going to come from the left field, but the album didn't sound like anything else. I mean, Wobble's bass, Donut [Jim Walker]'s drumming, Keith Levene's guitar. I saw them play and Keith Levene had that metal guitar and he broke string after string during every song, Wobble was just sat down, and the whole thing just captured the bedlam but it just wasn't delivering what people were expecting. If you listen to 'Religion', it is just so cutting and stark and amazing; he channelled all of the anger that he had in a way that he couldn't with the Pistols because he wasn't being manipulated. He was cynical by this point because of the way he'd been treated and all the bullshit, and it all came out on this album. It was a game changer, this album."

"The climax. The euphoria that comes from that intro. You know everything's going to be OK. You can feel they've gone through this hell, and they've arrived at this place that didn't really do them any good. They broke up, but it's a massively positive song, and it's absolutely fantastic. People say they didn't fulfil their potential - Keith Richards says bands don't stay together long enough - but really? They didn't have to. That one album is up there with Never Mind The Bollocks, with with any classic debut album. It's up there. Totally.""

"More than any other band, the Who put that thing in me that made me who I am now, and this documentary told their story in a way that really zapped me. That connection you see between Pete Townshend and Keith Moon: you rarely see people get so possessed by their music, their energy and connection to each other. Then there’s Roger Daltrey being this flawless singer, an angel, in the chaos of it all. This documentary shows how much of the band’s exuberance is in their music, and when we’re watching their performances being constructed, I don’t see them being fakes – I see them making art out of their imaginations."

"I have three copies of Live Evil on vinyl because I play it so much. My favourite period of Miles Davis is from Bitches Brew to Big Fun, but in terms of the musicians on it, this is a compilation so you get almost every musician he played with in that period. Hermeto Pascoal is on it, and Airto Moreira – usually it's just one of those guys. John McLaughlin's on it, Billy Cobham my favourite drummer and Jack DeJohnette, my other favourite drummer. On the same song! Keith Jarrett, Herbie Hancock, Joe Dallin... you get all the greats of that period on one record. In terms of the Miles Davies free form jazz album, that's the one to get."

"See I’m a Pisces so I get down with love songs. I’m totally into slow jams and old-school R&B, all that. As far as R. Kelly and Usher, all that shit is really cool, but this Best of Keith Sweat is the most flawless album. You can throw it on and every song is legit. The beats are dope. People have sampled a lot of his shit. I just think it’s probably the best album to put on and freaking make love to your woman. ‘How Deep Is Your Love’ is the track for sure. That is such a heavy bass. Celly Cel from the Bay sampled it, ‘It’s Goin Down.’ That one is legit"

"Aftermath is one of my favourite Stones albums because it's the first record Mick and Keith wrote all the songs on, there were no covers. It was recorded at RCA studios in Los Angeles in-between dates of their American tours. It has great tracks like 'Under My Thumb', 'I Am Waiting', 'Stupid Girl', 'Lady Jane' and 'Goin' Home'. It has incredible sounds like a distorted bass, which is almost like a pre-Public Image, post-punk bass sound. Also, Brian Jones plays the marimba, harpsichord, sitar and loads of other different instruments. It's a very interesting album and one of my favourites. It sounds more like an American record than an English one. It sounds like the Stones have finally found their voice. A beautiful record with a cool cover as well."