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Whatchareadin (174 KP) rated Small Great Things in Books
Apr 9, 2019
Here lately we hear a different story every week where a person of color has been wrong by the police or another authoritative figure in their community. Jodi Picoult tackles this issue head on. Telling the story of Ruth Jefferson, the only black nurse in the Labor and Delivery Unit at Mercy-West Haven Hospital in New Haven, Connecticut. When she is removed from the Bauer case because of the color of her skin, she's upset but continues to to do her job. When something horrible happens to the baby, Ruth has to choose between doing the job she was trained to do and fulfilling the wish of the white supremacist parents. When tragedy strikes, Ruth finds herself in the middle of a murder trial.
This book was amazing. I have been a fan of Jodi Picoult for a long time. Her books have a way of grabbing at your heart strings and make you look at the world from a different perspective. This book was no exception. I literally read this book from cover to cover. Rarely do I read the Author's Notes, but this time I did. I had to know where the inspiration for this book came from and what would make a white woman write a book about such an explosive topic in our society today. As a woman of color I felt a lot of emotions while reading this book.
Ruth Jefferson is a highly educated nurse at Mercy-West Haven Hospital. Despite being the only black woman in her department and one of the few in her neighborhood, she gets along well with her colleagues and neighbors and considers some of them friends, or so she thinks. As Ruth tells her story, I can relate to some of the struggles she faces. I was always taught not to judge people by the color of their skin. With part of my family descending from slaves and another part who owned slaves, my family is quite a mix of cultures. But when Ruth is put on trial or murder, these colleagues and neighbors were no longer her friends, they were now people who saw her as the black woman who killed a white baby.
This is an important book for everyone to read. Told from three points of view; Ruth's the nurse on trial for killing a baby; Turk, the white supremacist father of that baby; and Kennedy, the white, female public defender who is Ruth's attorney. Each character learns about themselves and the people around them over the course of this book.
I commend Jodi Picoult for tackling this difficult subject, especially during this time in our country when the subject is so relevant. As she mentions in her Author's Notes, most white authors write historical fiction about the black community, but this book fits right with today's headlines and some are even mentioned. This book helps to confirm why Jodi Picoult is one of my favorite authors.
This book was amazing. I have been a fan of Jodi Picoult for a long time. Her books have a way of grabbing at your heart strings and make you look at the world from a different perspective. This book was no exception. I literally read this book from cover to cover. Rarely do I read the Author's Notes, but this time I did. I had to know where the inspiration for this book came from and what would make a white woman write a book about such an explosive topic in our society today. As a woman of color I felt a lot of emotions while reading this book.
Ruth Jefferson is a highly educated nurse at Mercy-West Haven Hospital. Despite being the only black woman in her department and one of the few in her neighborhood, she gets along well with her colleagues and neighbors and considers some of them friends, or so she thinks. As Ruth tells her story, I can relate to some of the struggles she faces. I was always taught not to judge people by the color of their skin. With part of my family descending from slaves and another part who owned slaves, my family is quite a mix of cultures. But when Ruth is put on trial or murder, these colleagues and neighbors were no longer her friends, they were now people who saw her as the black woman who killed a white baby.
This is an important book for everyone to read. Told from three points of view; Ruth's the nurse on trial for killing a baby; Turk, the white supremacist father of that baby; and Kennedy, the white, female public defender who is Ruth's attorney. Each character learns about themselves and the people around them over the course of this book.
I commend Jodi Picoult for tackling this difficult subject, especially during this time in our country when the subject is so relevant. As she mentions in her Author's Notes, most white authors write historical fiction about the black community, but this book fits right with today's headlines and some are even mentioned. This book helps to confirm why Jodi Picoult is one of my favorite authors.
Troublemakers: How a Generation of Silicon Valley Upstarts Invented the Future
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Molly J (Cover To Cover Cafe) (106 KP) rated A Love Surrendered (Winds of Change, #3) in Books
Feb 27, 2019
*This review is from my blog and originally published in 2012*
This is going to be a hard review for me to write. No,no, it’s not a bad book. It’s one of my favorites. It’s bittersweet because this is the ending to one of my favorite Christian Fiction series. I fell in love with Ms. Lessman’s work when I read book 1 in this series, A Hope Undaunted. Ironically, it’s not the first in the O’Connor clans stories…there was a series previously written called The Daughters Of Boston. This particular series is so emotionally moving, so deeply intense that you get to become a part of the story. You can feel yourself being pulled deep into the heart of the story, becoming the characters, feeling every pain, every laugh, and every tear drop that falls. It’s absolutely an amazing feeling when reading a Julie Lessman novel.
I’ve been dying to read this book. This one is Steven O’Connor’s story. He’s the baby boy of the O’Connor family and, while I adored each of the others that I read about, I felt that Steven was the most deserving of having his story told. He was quietly awaiting his turn through out all the other books and it’s finally here! And oh what a turn it is! We get a bit of background on Steven in the other books, having a broken relationship with his ex fiance. Now, he’s a respectable man of the law and 25 years old. What he’s not expecting is for the arrival of Annie, a young impressionable girl of 17…..and his former fiance’s baby sister. Or the protectiveness he feels for her.
Susannah “Annie” Kennedy has left her home in Iowa to move on from her past and embrace a future in Boston. Her parents are dead now, her sister has raved about Boston and she’s ready to embrace a life out side of her straight and narrow past. When an circumstance arises and Annie finds herself face to face with Steven O’Connor, her sisters ex, she’s embarrassed…..and highly attracted to him! There’s just one little problem with that….he doesn’t realize that she’s Maggie’s baby sister.
Watching as these two came to terms with their past, and seeking forgiveness to over come it, and move on to a life filled with love and happiness was absolutely tear jerking! I loved every minute of this amazing 5 Book conclusion to my favorite series. Ms. Lessman kept the intensity woven through out as she did with the previous books. Her messages of forgiveness, letting go and seeking His love are just as strong and sweep through the reader instantly. If you love passion, if you love heartbreaking redemption and amazing historic detail, then look no further than the author who can create an unforgettable, un-put-downable novel that will spin the readers mind out of control. Well done Ms. Lessman and I am anxious to see what you have in story for your fans next…will we get glimpses of the O’Connor’s? Will we get to fall in love with another amazing family? Keep up the amazing writing, Ms. Lessman!
This is going to be a hard review for me to write. No,no, it’s not a bad book. It’s one of my favorites. It’s bittersweet because this is the ending to one of my favorite Christian Fiction series. I fell in love with Ms. Lessman’s work when I read book 1 in this series, A Hope Undaunted. Ironically, it’s not the first in the O’Connor clans stories…there was a series previously written called The Daughters Of Boston. This particular series is so emotionally moving, so deeply intense that you get to become a part of the story. You can feel yourself being pulled deep into the heart of the story, becoming the characters, feeling every pain, every laugh, and every tear drop that falls. It’s absolutely an amazing feeling when reading a Julie Lessman novel.
I’ve been dying to read this book. This one is Steven O’Connor’s story. He’s the baby boy of the O’Connor family and, while I adored each of the others that I read about, I felt that Steven was the most deserving of having his story told. He was quietly awaiting his turn through out all the other books and it’s finally here! And oh what a turn it is! We get a bit of background on Steven in the other books, having a broken relationship with his ex fiance. Now, he’s a respectable man of the law and 25 years old. What he’s not expecting is for the arrival of Annie, a young impressionable girl of 17…..and his former fiance’s baby sister. Or the protectiveness he feels for her.
Susannah “Annie” Kennedy has left her home in Iowa to move on from her past and embrace a future in Boston. Her parents are dead now, her sister has raved about Boston and she’s ready to embrace a life out side of her straight and narrow past. When an circumstance arises and Annie finds herself face to face with Steven O’Connor, her sisters ex, she’s embarrassed…..and highly attracted to him! There’s just one little problem with that….he doesn’t realize that she’s Maggie’s baby sister.
Watching as these two came to terms with their past, and seeking forgiveness to over come it, and move on to a life filled with love and happiness was absolutely tear jerking! I loved every minute of this amazing 5 Book conclusion to my favorite series. Ms. Lessman kept the intensity woven through out as she did with the previous books. Her messages of forgiveness, letting go and seeking His love are just as strong and sweep through the reader instantly. If you love passion, if you love heartbreaking redemption and amazing historic detail, then look no further than the author who can create an unforgettable, un-put-downable novel that will spin the readers mind out of control. Well done Ms. Lessman and I am anxious to see what you have in story for your fans next…will we get glimpses of the O’Connor’s? Will we get to fall in love with another amazing family? Keep up the amazing writing, Ms. Lessman!
Emma @ The Movies (1786 KP) rated Tomorrow (2019) in Movies
Nov 7, 2019
The film had me at "brief strong sex" on the title card.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
Tesla, a war veteran, struggles day to day being in the real world again. His loses weigh heavily on him and he hits rock bottom. A chance encounter with the over-friendly Sky leads him to new friends and new opportunities. Will he be able to see past his inner demons long enough to make a go of everything?
Firstly, someone at BBFC is leading a very sheltered life... moving on.
I had concerns going into this, Tomorrow was written by Stuart Brennan and Sebastian Street, if you're wondering why one of those sounds familiar it's because Stuart Brennan wrote Wolf (and directed, and produced and starred), I gave that 1.5 stars and I was one of the more generous viewers. You'll also spot the name Sebastian Street as he's playing the lead role of Tesla to Brennan's Sky.
I actually thought that Brennan did a great job as Sky. His storyline progressed at a much tougher rate than any of the other characters and his handling of it was surprisingly good.
Sebastian Street was in no way convincing. Tesla had an important point to make about disability and veterans but it felt more like he was acting in a bad soap opera than a film.
Unfortunately the downsides don't stop there, neither Stephanie Leonidas nor Sophie Kennedy Clark gave convincing portrayals, though I'm inclined to think that is more to do with the script. Tesla's love interest Katie, played by Leonidas, was a particularly hateful woman at times. I'm sure they were attempting to bring her on a learning curve about Tesla and his PTSD but there are moments that are entirely unbelievable. No one would be as oblivious as she was and I was genuinely annoyed by the fact he didn't tell her to take a hike then and there.
You'll also see on the cast list we have Stephen Fry, James Cosmo and Paul Kaye... I know! Cosmo gives a good performance but both Fry as Chris and Kaye as Milo felt like a let down. Neither character was well written and the tone really didn't fit the scenarios they were in. I have no idea why they went for the parts, I'm assuming bills.
While I felt there were a lot of issues with the film, many more than I listed, I was able to identify with part of the film and actually felt like they treated the subject with more respect than everything else was afforded. Because of that fact I'm giving Tomorrow a 2 star score, it deserves more than Wolf but I couldn't in good conscience recommend it to anyone. It's currently sitting at a 7 on IMDb which seems rather suspicious to me, the 29% on RT seems like a more accurate rating for this film.
What you should do
While I found something in this to latch onto there's not a lot to gain from seeing this.
Movie thing you wish you could take home
I've always wanted my own restaurant, so I'd have to go with that or Sky's adorable dog.
Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
Targeting Frankenstein: A Horror Icon
Targets- is a very suspenseful film that stars a old boris Karloff. His performance in this film is different. Usually he is type-cast in a horror movie. Targets is not the cast, its a more serious role for Karloff and I liked it alot. He is dramatic in Targets. It was Karloff's last appearance in a marjor american film, before he passed away in 1968.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.
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Debbiereadsbook (1202 KP) rated Retribution (The Protectors #3) in Books
Apr 15, 2019
My fav of the three so far!
*verified Audible purchase June 2017*
This is book three in the Protectors series. You don’t NEED to have read/listened to books one and two, but I think you SHOULD. It will give you a better picture of this group of people and what they do, and how Hawke came to at the head. And you know, FIVE star listens, people!
For ten years, Hawke has been searching for the men who killed his wife and unborn son. Meeting Tate makes him feel again, something he didn’t think was possible. He certainly never thought it possible he would feel for a MAN.
I loved books one and two, and I loved this one too! I again cannot split the narration from the story, so not even gonna try. So I apologise if this review jumps around a bit!
Hawke loved his wife, bone deep, and when she was murdered, it broke. He’s spent the last ten years as head of an organisation that delivers justice to those let down by the law. The revenge for his wife’s death is a long time coming but he’s getting close and Tate is his link. His reaction to Tate is . . . unexpected. And when Hawke realises why Tate is running, his protectiveness goes into overdrive.
It’s no secret I’m not a fan of READING first person books, particularly if they are multi person but I find I’m really enjoying LISTENING to first person books, ESPECIALLY if they are multi point of view! Joel Leslie is a MASTER at his craft, at narrating multi point of view, in the first person! I simply CANNOT fault the narration. The way Leslie gets every single heart wrenching thought that Hawke has: thinking about his wife, ad what his growing feelings for Tate mean. Every fear that Tate has: that his father will find him, that Hawke might hurt him, that he might lose his little boy. This is not a short listen, over 8 hours and I listened to it in one single siting. I tried to stop, I really did but I needed to know what would happen, how this would play out. It takes a single question from Ronan (Salvation, book 2) to break Hawke. The same question broke me too! And I sobbed at that point, great heart wrenching sobs at the emotion that Leslie pours out of Hawke.
Of course, Leslie can only narrate the words given him, but Kennedy is fast becoming a favourite of mine. The way she intertwines multi level stories, from book to book, is amazing. Sometimes, series lose their . . .what’s the word . . .ethos, as it moves along but not so here. They hold true to their meaning, and I cannot wait to see where this series goes.
I LOVE that I have 9 more books to get through BUT I’ve discovered that Michael Pauley narrates book 4, Forsaken, and I’m not sure how I feel about that! I’ll buy it, without a doubt, but it will be interesting to see how Pauley portrays the voices that Leslie has done up to now.
So, because I can’t split the narration, because I listened in one day, and just bloody I can . . .
5 stars for the book
5 stars for the narration
5 stars overall
This is book three in the Protectors series. You don’t NEED to have read/listened to books one and two, but I think you SHOULD. It will give you a better picture of this group of people and what they do, and how Hawke came to at the head. And you know, FIVE star listens, people!
For ten years, Hawke has been searching for the men who killed his wife and unborn son. Meeting Tate makes him feel again, something he didn’t think was possible. He certainly never thought it possible he would feel for a MAN.
I loved books one and two, and I loved this one too! I again cannot split the narration from the story, so not even gonna try. So I apologise if this review jumps around a bit!
Hawke loved his wife, bone deep, and when she was murdered, it broke. He’s spent the last ten years as head of an organisation that delivers justice to those let down by the law. The revenge for his wife’s death is a long time coming but he’s getting close and Tate is his link. His reaction to Tate is . . . unexpected. And when Hawke realises why Tate is running, his protectiveness goes into overdrive.
It’s no secret I’m not a fan of READING first person books, particularly if they are multi person but I find I’m really enjoying LISTENING to first person books, ESPECIALLY if they are multi point of view! Joel Leslie is a MASTER at his craft, at narrating multi point of view, in the first person! I simply CANNOT fault the narration. The way Leslie gets every single heart wrenching thought that Hawke has: thinking about his wife, ad what his growing feelings for Tate mean. Every fear that Tate has: that his father will find him, that Hawke might hurt him, that he might lose his little boy. This is not a short listen, over 8 hours and I listened to it in one single siting. I tried to stop, I really did but I needed to know what would happen, how this would play out. It takes a single question from Ronan (Salvation, book 2) to break Hawke. The same question broke me too! And I sobbed at that point, great heart wrenching sobs at the emotion that Leslie pours out of Hawke.
Of course, Leslie can only narrate the words given him, but Kennedy is fast becoming a favourite of mine. The way she intertwines multi level stories, from book to book, is amazing. Sometimes, series lose their . . .what’s the word . . .ethos, as it moves along but not so here. They hold true to their meaning, and I cannot wait to see where this series goes.
I LOVE that I have 9 more books to get through BUT I’ve discovered that Michael Pauley narrates book 4, Forsaken, and I’m not sure how I feel about that! I’ll buy it, without a doubt, but it will be interesting to see how Pauley portrays the voices that Leslie has done up to now.
So, because I can’t split the narration, because I listened in one day, and just bloody I can . . .
5 stars for the book
5 stars for the narration
5 stars overall