Search
Shattered
Book
The acclaimed author Kevin Hearne returns with a brand new novel in his epic urban fantasy series...
Gareth von Kallenbach (965 KP) rated Footloose (2011) in Movies
Aug 7, 2019
Public dancing is against the law in the small religious town of Bomont. But Boston-raised teenager, Ren McCormack and the Reverend’s daughter Ariel have other ideas in this remake of the 1984 classic.
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
LeftSideCut (3778 KP) rated Tremors (1990) in Movies
Jan 15, 2021
As far as practical effects driven monster movies go, you can't get much better than Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
Sarah (7798 KP) rated R.I.P.D. (2013) in Movies
Oct 24, 2018
So bad it’s actually vaguely enjoyable
I remember watching this when it first came out at the cinema and I wasn’t particularly impressed, however on watching it again recently I can admit that this is definitely one of those films that’s so bad it’s actually quite entertaining. Mostly due to Jeff Bridges.
Let’s start with this obvious: I know this is based on a comic, but this is such a blatant rip off of Men in Black, it’s just a shame it comes off as a much poorer relation. Everything about this from the plot progression to the deados just echoes MIB, and that’s high expectations to live up to.
The main humour from this film comes from how the characters look normally versus how they appear in the real world, which admittedly is pretty hilarious but this is the only decent attempt at humour. The plot is completely dull and the Kevin Bacon as the villain is uninteresting too. The special effects are surprisingly good in parts, but then ruined by the downright terrible effects used on the deados. The true saviours of this film are Jeff Bridges and Ryan Reynolds. The relationship and communication between their characters is the most entertaining thing about this film and Jeff Bridges is in fine form hamming it up to the max as Roy. He may be going a little over the top, but it’s damn funny to watch. Just a shame they couldn’t have put more effort into the rest of the story.
Let’s start with this obvious: I know this is based on a comic, but this is such a blatant rip off of Men in Black, it’s just a shame it comes off as a much poorer relation. Everything about this from the plot progression to the deados just echoes MIB, and that’s high expectations to live up to.
The main humour from this film comes from how the characters look normally versus how they appear in the real world, which admittedly is pretty hilarious but this is the only decent attempt at humour. The plot is completely dull and the Kevin Bacon as the villain is uninteresting too. The special effects are surprisingly good in parts, but then ruined by the downright terrible effects used on the deados. The true saviours of this film are Jeff Bridges and Ryan Reynolds. The relationship and communication between their characters is the most entertaining thing about this film and Jeff Bridges is in fine form hamming it up to the max as Roy. He may be going a little over the top, but it’s damn funny to watch. Just a shame they couldn’t have put more effort into the rest of the story.
JT (287 KP) rated Frost/Nixon (2008) in Movies
Mar 10, 2020
"Hello, Good Evening and Welcome”, David Frost’s suave and debonair talk show host, up against Richard Nixon a President draped in controversy while all the while standing firm in his beliefs.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
Emma @ The Movies (1786 KP) rated Logan Lucky (2017) in Movies
Sep 25, 2019
Jimmy Logan is down on his lucky, his busted knee from college football has just lost him another job. His brother wants you to believe it's the Logan's curse plaguing their family again. That nonsense isn't going to stop Jimmy, getting something out of his life. He's got a plan.
There's going to be a robbery.
It doesn't matter how often I see the title, my brain always recalls it as Lucky Logan, it sounds so much better that way round.
I enjoyed this one, I'm glad I saw it, but I don't think I'll need to see it again. At 119 minutes long it was a little painful to watch, not because it was bad, but because it felt like every minute of that time. I actually checked the clock because I thought it must have been ending soon and it had only been on for an hour.
Despite that, all the stars worked really well on screen together. It was a little off to see Craig in that role, but he played it with a nice amusing spin. I just went on a fun little Kevin Bacon loop as well, as I didn't realise there was a Gleeson in it... "wait, he's not the one I know" after a few click I realised that this one's brother was in American Made... small world!
It's a fun story line, and you do get a bit of an Ocean's feel about the whole thing. It is pretty much Ocean's Eleven with hillbillies. The ending did amuse me. I'm not sure why they left it like that, but it does leave you wondering...
There's going to be a robbery.
It doesn't matter how often I see the title, my brain always recalls it as Lucky Logan, it sounds so much better that way round.
I enjoyed this one, I'm glad I saw it, but I don't think I'll need to see it again. At 119 minutes long it was a little painful to watch, not because it was bad, but because it felt like every minute of that time. I actually checked the clock because I thought it must have been ending soon and it had only been on for an hour.
Despite that, all the stars worked really well on screen together. It was a little off to see Craig in that role, but he played it with a nice amusing spin. I just went on a fun little Kevin Bacon loop as well, as I didn't realise there was a Gleeson in it... "wait, he's not the one I know" after a few click I realised that this one's brother was in American Made... small world!
It's a fun story line, and you do get a bit of an Ocean's feel about the whole thing. It is pretty much Ocean's Eleven with hillbillies. The ending did amuse me. I'm not sure why they left it like that, but it does leave you wondering...
Kiruji (13 KP) rated X-Men: First Class (2011) in Movies
Jul 18, 2018
I'm not an X-Men fan. I know, it's strange, right? I mean, I'm a comic book fan in general. Iron Man's a dude. I dig the Hulk. I love all things Batman (except when Joel Schumacher tweaked the Batman's Batnipples). I geekgasmed all over my trousers in the lead up to THE DARK KNIGHT and actually watching it at an IMAX was like losing my virginity again. But the X-Men? Kinda leave me cold. Even though, on the face of it, it should be pretty awesome. Mutant humans with the ability to do just about anything you can imagine, fighting each other and various other bad things? Why the hell wouldn't I like that? But I could never get into it. The first X-Men movie, way back in 2000, left me feeling indifferent. It was OK, but nothing special. The second one was worse. The third one just plain awful. WOLVERINE: ORIGINS was quite fun, but then, a hard drinking, smoking, swearing brawler with friendly mutton-chops and blades in his hands was always going to be appealing to me.
And so, it was with a feeling of complete indifference that I flashed my Cineworld Unlimited card at a bored usher and got my ticket and a mixed slushie last week. I only went to see it because my buddy wanted to and, well, we'd missed the start of THE HANGOVER PART II.
So, into the darkened room early for a change. Managed to get prime seats. Mainly because the auditorium was pretty much empty. Something I didn't think was the most fortuitous portent to the movie we were about to watch. On the plus side however, as we were watching a comic book movie, we got the comic book trailer reel... First was THE GREEN LANTERN, which excited me a little (mainly because I have a man crush on Ryan Reynolds). Then came CAPTAIN AMERICA, which excited me a little more (mainly because it looks FREAKIN' AWESOME). Then we got RISE OF THE PLANET OF THE APES, which intrigued me (mainly because James Franco was doing a 'learned man' accent). Presumably because Cineworld were already scraping the comic book movie barrel, they then repeated the APES trailer, which killed the mood and left me feeling indifferent again.
But I digress. I think you get that I didn't really give a crap one way or the other about the movie I was about to watch. The opening scenes however, are set in a WWII concentration camp and I found my interest piqued. At first, I couldn't figure out whether it had been newly filmed or if they were recycling one of the flashbacks from one of the earlier movies. Then, Kevin Bacon. Suddenly, I was transfixed by the German pouring forth from his mouth which seemed authentic and I couldn't quite work out if he was lip-synching or not. That's somewhat besides the point though, as the scene itself was very tense and only marginally spoiled by the child actor when it was his turn to scream the longest NOOOOOOO!!! (sorry, NEEEEEEEEIN!!!) since Adolf Vader in Episode 3.
The film very quickly moved on in leaps and bounds, sucking me in and winning me over. Kevin Bacon seemed to enjoy hamming it up as the evil Sebastian Shaw. James McAvoy is an exceptionally talented chap and made for an excellent Charles Xavier - a cocky, beer-swilling, genius ladies man. Similarly, Michael Fassbender did a top notch job in playing Erik Lehnsherr, coming across as a Holocaust-surviving Bond, maybe even slightly cooler. Even Jason Flemyng was pretty good, although I don't think he actually spoke at all, which might have helped his case.
I loved the whole origins story, seeing how Xavier and Lehnsherr were good friends despite their obvious differences and started the School for the Gifted together was pretty cool. The only little blight on the movie (after the whole NEEEEEEEIN!!! incident) was that when it came time for Fassbender to don Magneto's helmet, the prop department had obviously measured his noggin wrong and it was clearly too tight. I say that because, every time he slapped it on his dome, his accent turned from gruff-hero-of-indeterminate-country-of-origin to... Well, to Oirish. The only reason I can think of is that the helmet was squeezing his bonce a bit too snugly. It didn't happen when Kevin Bacon was wearing it.
Helmet business aside, on the whole, I left feeling like I'd just seen a proper comic book movie. Full of fantastical, incredible things dancing around a plot that made sense and characters that I, on the whole, cared about at least a little. There was even a Wolverine cameo in it, which made me chuckle more than it should have. Far from being indifferent towards the X-Men now, I'm looking forward to seeing where the story goes next. I just hope Matthew Vaughn is directing again. He's turned out an X-Men film that is much, much better than mediocre and they'd be idiots to give it to anyone else.
And so, it was with a feeling of complete indifference that I flashed my Cineworld Unlimited card at a bored usher and got my ticket and a mixed slushie last week. I only went to see it because my buddy wanted to and, well, we'd missed the start of THE HANGOVER PART II.
So, into the darkened room early for a change. Managed to get prime seats. Mainly because the auditorium was pretty much empty. Something I didn't think was the most fortuitous portent to the movie we were about to watch. On the plus side however, as we were watching a comic book movie, we got the comic book trailer reel... First was THE GREEN LANTERN, which excited me a little (mainly because I have a man crush on Ryan Reynolds). Then came CAPTAIN AMERICA, which excited me a little more (mainly because it looks FREAKIN' AWESOME). Then we got RISE OF THE PLANET OF THE APES, which intrigued me (mainly because James Franco was doing a 'learned man' accent). Presumably because Cineworld were already scraping the comic book movie barrel, they then repeated the APES trailer, which killed the mood and left me feeling indifferent again.
But I digress. I think you get that I didn't really give a crap one way or the other about the movie I was about to watch. The opening scenes however, are set in a WWII concentration camp and I found my interest piqued. At first, I couldn't figure out whether it had been newly filmed or if they were recycling one of the flashbacks from one of the earlier movies. Then, Kevin Bacon. Suddenly, I was transfixed by the German pouring forth from his mouth which seemed authentic and I couldn't quite work out if he was lip-synching or not. That's somewhat besides the point though, as the scene itself was very tense and only marginally spoiled by the child actor when it was his turn to scream the longest NOOOOOOO!!! (sorry, NEEEEEEEEIN!!!) since Adolf Vader in Episode 3.
The film very quickly moved on in leaps and bounds, sucking me in and winning me over. Kevin Bacon seemed to enjoy hamming it up as the evil Sebastian Shaw. James McAvoy is an exceptionally talented chap and made for an excellent Charles Xavier - a cocky, beer-swilling, genius ladies man. Similarly, Michael Fassbender did a top notch job in playing Erik Lehnsherr, coming across as a Holocaust-surviving Bond, maybe even slightly cooler. Even Jason Flemyng was pretty good, although I don't think he actually spoke at all, which might have helped his case.
I loved the whole origins story, seeing how Xavier and Lehnsherr were good friends despite their obvious differences and started the School for the Gifted together was pretty cool. The only little blight on the movie (after the whole NEEEEEEEIN!!! incident) was that when it came time for Fassbender to don Magneto's helmet, the prop department had obviously measured his noggin wrong and it was clearly too tight. I say that because, every time he slapped it on his dome, his accent turned from gruff-hero-of-indeterminate-country-of-origin to... Well, to Oirish. The only reason I can think of is that the helmet was squeezing his bonce a bit too snugly. It didn't happen when Kevin Bacon was wearing it.
Helmet business aside, on the whole, I left feeling like I'd just seen a proper comic book movie. Full of fantastical, incredible things dancing around a plot that made sense and characters that I, on the whole, cared about at least a little. There was even a Wolverine cameo in it, which made me chuckle more than it should have. Far from being indifferent towards the X-Men now, I'm looking forward to seeing where the story goes next. I just hope Matthew Vaughn is directing again. He's turned out an X-Men film that is much, much better than mediocre and they'd be idiots to give it to anyone else.
Gareth von Kallenbach (965 KP) rated My One and Only (2009) in Movies
Aug 9, 2019
“My One and Only” is the 1950’s story of Anne Deveraux (Renée Zellweger) wife of two-timing Dan Devereaux (Kevin Bacon) who has decided to leave her husband and move to another city in pursuit of a better life. Anne soon learns that the process of enticing men has grown increasing challenging with time and that she now must raise her two sons George (Logan Lerman) and Robbie (Mark Rendell) on the road and on her own or face the defeat of returning to her unfaithful husband.
Beautifully shot, the film immediately sweeps viewers into another time in American history. The use of detailed sets and props, from the varied homes the family lives in to the light powder-blue car, creates a visual dynamic ripe for the telling of this 1950’s gem. Additionally, the use of literature, film, and music throughout “My One and Only” make it a delight to watch even without the somewhat well crafted plot.
As characters go, Zellweger delivers again, this time as the likeably flawed heroine Anne. Yet it was maturely acted roles of Anne’s sons, George and Robbie, stood out as undeniably honestly and direct.
Majority of the plot is solid covering the ups and downs of Anne’s attempts to secure a new home and husband for her family. It was only the rushed and disjointed ending that lessened the caliber of film.
“My One and Only” touches on themes of respect, feminism, aging, and security. A good film overall, filled with laughs and moral realities of the time, I enjoyed getting to know Anne’s family.
A visually strong, well cast film with a less than satisfying ending, “My One and Only” is an entertaining and spirited story of a non-traditional family growing up during a time of change in America.
Beautifully shot, the film immediately sweeps viewers into another time in American history. The use of detailed sets and props, from the varied homes the family lives in to the light powder-blue car, creates a visual dynamic ripe for the telling of this 1950’s gem. Additionally, the use of literature, film, and music throughout “My One and Only” make it a delight to watch even without the somewhat well crafted plot.
As characters go, Zellweger delivers again, this time as the likeably flawed heroine Anne. Yet it was maturely acted roles of Anne’s sons, George and Robbie, stood out as undeniably honestly and direct.
Majority of the plot is solid covering the ups and downs of Anne’s attempts to secure a new home and husband for her family. It was only the rushed and disjointed ending that lessened the caliber of film.
“My One and Only” touches on themes of respect, feminism, aging, and security. A good film overall, filled with laughs and moral realities of the time, I enjoyed getting to know Anne’s family.
A visually strong, well cast film with a less than satisfying ending, “My One and Only” is an entertaining and spirited story of a non-traditional family growing up during a time of change in America.
TL
The Largest Art: A Measured Manifesto for a Plural Urbanism
Book
Urban design in practice is incremental, but architects imagine it as scaled-up architecture --...
LeftSideCut (3778 KP) rated X-Men: First Class (2011) in Movies
Jul 28, 2019
Back on form
Fox made a smart move with First Class. After just four movies, the X-Men movie franchise had already started to feel a bit stale. The solution? Take the story way back for a 60s adventure.
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!