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Story – The Box is a very interesting horror, it poses a question that would leave the audience much like Susan wondering what changed everything in her family’s life, it has a shock moment, while the rest is filled with the psychological side of horror. The Birthday Party plays out more like a dark comedy that a horror, it does work very well watching how hard the it is to cover up a death. Don’t Fall does seem to be the weakest of the stories here, mostly because it is way too short, it seems to take us to the location, hit night and everything happens and it is over way too quickly. Her Only Living Son does play out a lot like ‘We Need to Talk About Kevin’ only having a supernatural side to the outcome, it is one that could easily be a longer film too. Overall the stories are different enough, we have little sparks for each sub-genre of horror too which only means if you didn’t like one, you can skip to the next with ease.
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
Matthew Krueger (10051 KP) rated the Xbox 360 version of Batman: Arkham Asylum in Video Games
Nov 4, 2019 (Updated Nov 4, 2019)
Welcome to the Madness
Arkham Asylum- is one, if not the best batman video game or all time. It is a excellent game, that gamers shouls play. If you want to feel the experience of being batman, this game does that.
Lets talk about it:
In the game's main storyline, Batman battles his archenemy, the Joker, who instigates an elaborate plot to seize control of Arkham Asylum, trap Batman inside with many of his incarcerated foes, and threaten the fictional Gotham City with hidden bombs.
Most of the game's leading characters are voiced by actors who have appeared in other media based on the DC Animated Universe; Kevin Conroy, Mark Hamill, and Arleen Sorkin reprised their roles as Batman, the Joker, and his sidekick Harley Quinn respectively.
The game is presented from the third-person perspective with a primary focus on Batman's combat and stealth abilities, detective skills, and gadgets that can be used in combat and exploration.
Rocksteady began developing ideas for a sequel months before Arkham Asylum's completion, hiding hints to the sequel within the game.
The player can use "Detective Vision"—a visual mode which provides contextual information, tinting the game world blue and highlighting interactive objects like destructible walls and removable grates, the number of enemies in an area and their status—such as their awareness of Batman's presence—and shows civilians and corpses.
The game world has 240 collectable items, such as Riddler trophies, chattering Joker teeth, interview tapes with some of Arkham's inmates, and cryptic messages left in the asylum by its founder Amadeus Arkham that discuss the facility's bleak history.
The player can use predatory tactics through stealth—including silent takedowns, dropping from overhead perches and snatching enemies away, or using the explosive gel to knock foes off their feet—to tilt the odds in their favor.
I love this game, i can go on and on about how i love this game.
If you havent played it yet, i would reccordmend playing it.
Lets talk about it:
In the game's main storyline, Batman battles his archenemy, the Joker, who instigates an elaborate plot to seize control of Arkham Asylum, trap Batman inside with many of his incarcerated foes, and threaten the fictional Gotham City with hidden bombs.
Most of the game's leading characters are voiced by actors who have appeared in other media based on the DC Animated Universe; Kevin Conroy, Mark Hamill, and Arleen Sorkin reprised their roles as Batman, the Joker, and his sidekick Harley Quinn respectively.
The game is presented from the third-person perspective with a primary focus on Batman's combat and stealth abilities, detective skills, and gadgets that can be used in combat and exploration.
Rocksteady began developing ideas for a sequel months before Arkham Asylum's completion, hiding hints to the sequel within the game.
The player can use "Detective Vision"—a visual mode which provides contextual information, tinting the game world blue and highlighting interactive objects like destructible walls and removable grates, the number of enemies in an area and their status—such as their awareness of Batman's presence—and shows civilians and corpses.
The game world has 240 collectable items, such as Riddler trophies, chattering Joker teeth, interview tapes with some of Arkham's inmates, and cryptic messages left in the asylum by its founder Amadeus Arkham that discuss the facility's bleak history.
The player can use predatory tactics through stealth—including silent takedowns, dropping from overhead perches and snatching enemies away, or using the explosive gel to knock foes off their feet—to tilt the odds in their favor.
I love this game, i can go on and on about how i love this game.
If you havent played it yet, i would reccordmend playing it.
The Dead Wife's Handbook
Book
The Dead Wife's Handbook is the stunning emotional debut from author Hannah Beckerman. 'Today is my...
LeftSideCut (3778 KP) rated Never Hike Alone (2017) in Movies
Oct 20, 2020
Never Hike Alone is a hell of an accomplishment - a fan made film based on Friday the 13th that is as good, maybe even better, than the best entries in the main franchise.
It's premise is simple - a survival/hiking enthusiast is collecting footage for his YouTube channel when he accidentally stumbles across the remains of Camp Crystal Lake, resulting in a one on one fight for his life when he discovers that Jason Voorhees still resides there - and it's short runtime (clocking in at just under an hour) make for a no-filler, sharp-shock slice of slasher goodness.
It carries a lot of tension, the first half being relatively calm as protagonist Kyle (Drew Leighty) explores the remnant of the camp. Fans of the original film will surely get a kick out of recognisable landmarks, including the bed that Kevin Bacon was skewered through. It's a nice way of showing that this short is a true love letter to the franchise. Kyle is a likable and believable lead who's survival skill set makes him a good match for the big bad.
When Jason eventually shows up, he's damn scary! This version of Jason is just relentless. He's quick, heavy footed, and smashes through doors like they're not even there. Director Vincent DiSanti fills the shoes of Jason, and his tall and broad figure make for a genuinely intimidating version of this beloved horror icon.
He looks fantastic as well, it's clear that a lot of effort was put into his make up and costume.
Top all of this off with a cameo from Thom Mathews himself, and what you get is a recipe for a successful short film, made for fans, by fans.
Never Hike Alone is a real treat for anyone who even has a passing interest in Friday the 13th. Hats off to Womp Stomp Films for their great work.
It's premise is simple - a survival/hiking enthusiast is collecting footage for his YouTube channel when he accidentally stumbles across the remains of Camp Crystal Lake, resulting in a one on one fight for his life when he discovers that Jason Voorhees still resides there - and it's short runtime (clocking in at just under an hour) make for a no-filler, sharp-shock slice of slasher goodness.
It carries a lot of tension, the first half being relatively calm as protagonist Kyle (Drew Leighty) explores the remnant of the camp. Fans of the original film will surely get a kick out of recognisable landmarks, including the bed that Kevin Bacon was skewered through. It's a nice way of showing that this short is a true love letter to the franchise. Kyle is a likable and believable lead who's survival skill set makes him a good match for the big bad.
When Jason eventually shows up, he's damn scary! This version of Jason is just relentless. He's quick, heavy footed, and smashes through doors like they're not even there. Director Vincent DiSanti fills the shoes of Jason, and his tall and broad figure make for a genuinely intimidating version of this beloved horror icon.
He looks fantastic as well, it's clear that a lot of effort was put into his make up and costume.
Top all of this off with a cameo from Thom Mathews himself, and what you get is a recipe for a successful short film, made for fans, by fans.
Never Hike Alone is a real treat for anyone who even has a passing interest in Friday the 13th. Hats off to Womp Stomp Films for their great work.
The Suspect: An Olympic Bombing, the FBI, the Media, and Richard Jewell, the Man Caught in the Middle
Kent Alexander and Kevin Salwen
8.0
Rate It
Book
The masterful true-crime account of the 1996 Centennial Olympic Park bombing that captured the...
Sarah (7798 KP) rated Seven (1995) in Movies
Nov 18, 2020
A timeless crime thriller
Film #2 on the 100 Movies Bucket List: Se7en
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
BankofMarquis (1832 KP) rated Night School (2018) in Movies
Oct 15, 2018
Funny...enough - especially the classmates
Both Kevin Hart and Tiffany Hadish are comedic performers that can wear their welcome out if they are not reigned in properly. They both serve best as the comic "2nd banana" of a film, rather than the lead, so it was with some trepidation that I checked out the Hart/Haddish starring comedy NIGHT SCHOOL and when the first meeting of the two was the both of them running their very fast mouths at each other, I thought - for sure - that they would wear their welcome out with me.
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis
Gareth von Kallenbach (977 KP) rated Horrible Bosses 2 (2014) in Movies
Aug 6, 2019
Kurt, Nick and Dale are back, and with them comes all the rest in Horrible Bosses 2. This time around, we see our would-be criminals (Jason Sudekis, Jason Bateman and Charlie Dale, respectively) as their own bosses.
Horrible Bosses 2 opens on the trio as a guest on a cheesy day-time talk show. They are there to show off their new invention, the Shower Buddy. This spot gets them some notice from the head of a big time, SkyMall-esque, corporation who wants to place a large order. But when the deal goes south, our boys have to figure out a way to save their own skin, and get back at the corporation.
The greatest thing about this sequel? It was not just a rehashing of the first movie. Yes, there are a lot of the elements there, but the plot was different enough that it could have been a movie of its own and not a prequel. Of course, there were some great call backs to the first movie during the film and the closing credits. But there were new things introduced, and not just the same old re-hashing.
Sudekis, Bateman and Day have such a great chemistry together, too. They played very well off each other, and had near perfect timing through the whole movie. Add to this the returning cast from the first film (Jennifer Aniston, Kevin Spacey, and Jamie Foxx), and introduce Chris Pine and Christoph Waltz to the mix, and it only increases the fun. Our newcomers blew me away too, because I am not used to seeing them in roles such as this.
There is not a lot bad that I can say about this movie. Great performances by main and supporting cast, a well-rounded plot, with the exception of one part of the wrap-up in the end (I won’t spoil it for you), and a very complimentary soundtrack makes this one of the best comedies I have seen in a while. Thumbs up to these guys! I’m hoping they might be able to find the same magic for a third film!
4.5 Stars out of 5
Horrible Bosses 2 opens on the trio as a guest on a cheesy day-time talk show. They are there to show off their new invention, the Shower Buddy. This spot gets them some notice from the head of a big time, SkyMall-esque, corporation who wants to place a large order. But when the deal goes south, our boys have to figure out a way to save their own skin, and get back at the corporation.
The greatest thing about this sequel? It was not just a rehashing of the first movie. Yes, there are a lot of the elements there, but the plot was different enough that it could have been a movie of its own and not a prequel. Of course, there were some great call backs to the first movie during the film and the closing credits. But there were new things introduced, and not just the same old re-hashing.
Sudekis, Bateman and Day have such a great chemistry together, too. They played very well off each other, and had near perfect timing through the whole movie. Add to this the returning cast from the first film (Jennifer Aniston, Kevin Spacey, and Jamie Foxx), and introduce Chris Pine and Christoph Waltz to the mix, and it only increases the fun. Our newcomers blew me away too, because I am not used to seeing them in roles such as this.
There is not a lot bad that I can say about this movie. Great performances by main and supporting cast, a well-rounded plot, with the exception of one part of the wrap-up in the end (I won’t spoil it for you), and a very complimentary soundtrack makes this one of the best comedies I have seen in a while. Thumbs up to these guys! I’m hoping they might be able to find the same magic for a third film!
4.5 Stars out of 5
GPS Odometer Pro
Travel and Health & Fitness
App
A simple and easy to use odometer. GPS Odometer only does one thing, and does it well: measure...
Gareth von Kallenbach (977 KP) rated The Wedding Ringer (2015) in Movies
Aug 6, 2019
When I first heard the title of this movie, I probably thought what 99% of the population thought… that sounds like The Wedding Singer. Without even knowing anything about the film I had this preconceived notion that it was about a jeweler for weddings who is the best jeweler in town! Sarcasm is so hard to convey, but picture the end of that last sentence dripping with it.
It seems like Kevin Hart is in everything these days. He is the big name to know, and on everyone’s short list (rim shot). But it’s for good reason. They guy is funny. So I had a little hope The Wedding Ringer. Especially when you partner him with Josh Gad, a person more commonly known for being the supporting actor. Who is still a supporting actor in this film, but you wouldn’t know it.
For those that don’t know, TWR is about Doug Harris (Gad), a bridegroom who finds himself in a little bit of a pickle. It’s 10 days before his wedding, and he still has yet to figure out how to tell Gretchen (Kaley Cuoco-Sweeting), his bride-to-be, that his Best Man, and entire wedding party, are entirely fictitious. Never fear, for Harris is lead to Jimmy Callahan (Hart), proprietor of The Best Man, Inc. Only Jimmy doesn’t know exactly what he’s getting into as he makes an attempt at the fabled “Golden Tuxedo”, a myth in the business of being able to provide a 7-man grooms party in 10 days. Hilarity and hijinks ensue.
This movie was far better than I imagined it would be. With edgy humor, and great cameo appearances, the film delivers. Not afraid to make inside jokes about the actors’ previous roles, and not focusing on racial humor that some may anticipate, the film did not disappoint. The chemistry between Hart and Gad was good. It wasn’t great, but you can tell there was some. Hearing Cuoco-Sweeting curse after watching her for years on network television was a bit of a shock at first, but it certainly seemed natural. It was just so hard to accept the fact that she played her character so well, being the opposite end of the spectrum from some of the things she is most known for.
As I mentioned earlier, there were some great cameos throughout the film. Without giving away the big surprises, be on the lookout for Josh Peck, Cloris Leachman, Mimi Rogers, Whitney Cummings and Jeffrey Ross (just to name a few). Surprisingly enough, the edgiest jokes did not even come from the main cast, but more the supporting actors. They did an excellent job of spreading the humor. And while soundtrack is not a huge focus for comedies, I thought it a nice touch that many of the selections were more than fitting for the scenes.
Was the movie formulaic? You betcha? I called the ending of the movie a mere 20 minutes in. Are all of the jokes original? No. There were some great ones that I have never heard before, and the ones that you’ve seen a lot were delivered in fresh, creative way. Is it a movie that’s going to win awards? Likely not, but it’s definitely worth checking out for date night.
Bottom line, the movie surpassed my expectations by a mile. It was nice to see a movie that doesn’t rely on the obvious jokes and humor you would expect given the cast and setting. This is definitely one that will be making its way into my collection when released for home viewing, and I may head out and take a gander at it again this weekend.
It seems like Kevin Hart is in everything these days. He is the big name to know, and on everyone’s short list (rim shot). But it’s for good reason. They guy is funny. So I had a little hope The Wedding Ringer. Especially when you partner him with Josh Gad, a person more commonly known for being the supporting actor. Who is still a supporting actor in this film, but you wouldn’t know it.
For those that don’t know, TWR is about Doug Harris (Gad), a bridegroom who finds himself in a little bit of a pickle. It’s 10 days before his wedding, and he still has yet to figure out how to tell Gretchen (Kaley Cuoco-Sweeting), his bride-to-be, that his Best Man, and entire wedding party, are entirely fictitious. Never fear, for Harris is lead to Jimmy Callahan (Hart), proprietor of The Best Man, Inc. Only Jimmy doesn’t know exactly what he’s getting into as he makes an attempt at the fabled “Golden Tuxedo”, a myth in the business of being able to provide a 7-man grooms party in 10 days. Hilarity and hijinks ensue.
This movie was far better than I imagined it would be. With edgy humor, and great cameo appearances, the film delivers. Not afraid to make inside jokes about the actors’ previous roles, and not focusing on racial humor that some may anticipate, the film did not disappoint. The chemistry between Hart and Gad was good. It wasn’t great, but you can tell there was some. Hearing Cuoco-Sweeting curse after watching her for years on network television was a bit of a shock at first, but it certainly seemed natural. It was just so hard to accept the fact that she played her character so well, being the opposite end of the spectrum from some of the things she is most known for.
As I mentioned earlier, there were some great cameos throughout the film. Without giving away the big surprises, be on the lookout for Josh Peck, Cloris Leachman, Mimi Rogers, Whitney Cummings and Jeffrey Ross (just to name a few). Surprisingly enough, the edgiest jokes did not even come from the main cast, but more the supporting actors. They did an excellent job of spreading the humor. And while soundtrack is not a huge focus for comedies, I thought it a nice touch that many of the selections were more than fitting for the scenes.
Was the movie formulaic? You betcha? I called the ending of the movie a mere 20 minutes in. Are all of the jokes original? No. There were some great ones that I have never heard before, and the ones that you’ve seen a lot were delivered in fresh, creative way. Is it a movie that’s going to win awards? Likely not, but it’s definitely worth checking out for date night.
Bottom line, the movie surpassed my expectations by a mile. It was nice to see a movie that doesn’t rely on the obvious jokes and humor you would expect given the cast and setting. This is definitely one that will be making its way into my collection when released for home viewing, and I may head out and take a gander at it again this weekend.