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The Land That Time Forgot  (1975)
The Land That Time Forgot (1975)
1975 | Adventure, Fantasy
First of the Amicus-Kevin Connor-Doug McClure fantasy adventure films is an unexpectedly classy genre movie. A U-boat carrying a mix of British and German sailors (it's 1916, so tensions abound), led by a beefy American (McClure), pitches up in a lost world inhabited by the usual rubber dinosaurs and ape men.

Pulp, but superior pulp: good production values and unexpectedly thoughtful in places. Even the dinosaurs are a cut above (the pterodactyls still leave a bit to be desired). The look and feel of the thing is very good indeed, but the plot is a touch underpowered and linear. The book's ideas about the strange way evolution works in the lost world are faithfully reproduced, but not really explored enough, and don't contribute anything significant to the plot. The film's weaknesses are those of the source material, but its fidelity to Burroughs is commendable; its strengths are all its own.
  
Missionary (2014)
Missionary (2014)
2014 | Drama, Mystery
6
6.0 (1 Ratings)
Movie Rating
Directed by Anthony DiBlasi (whom is no stranger to the horror genre) ‘Missionary’ stars Dawn Olivieri (Heroes, True Blood, House Of Lies, CSI, How I Met Your Mother, Stargate Atlantis, The Vampire Diaries, Entourage, American Hustle) as Katherine, a young single mother recently separated from her husband Ian portrayed by actor Kip Pardue (Remember The Titans, Driven, The Rules Of Attraction, Hostel: Part 3, Mad Men, House) who is struggling to work full time, go to school, and raise their son Kesley (Conner Christie). One afternoon while helping Kelsey practice before tryouts for the junior high football team they are visited buy two Mormon missionaries. One of the two, Elder Kevin Brock (Mitch Ryan) offers to help Kelsey practice thereby ‘bending the rules’ regarding Mormons and sports under the guise of hoping to convert Katherine and Kelsey to the Mormon faith. In reality, Kevin and Katherine become infatuated with each other despite their 10 year age difference and begin an affair which also seriously compromises what Katherine likes to refer to as ‘the rules in the Mormon handbook’. While Katherine sees this as only a ‘temporary’ yet passionate sexual relationship, Kevin becomes more and more obsessed not only with Katherine but becoming a father figure to her young son Kelsey and based upon ‘his interpretation’ of Mormon doctrine believes that Katherine and Kesley are the family he’s been seeking since he joined the Mormon and that they will become his ‘celestial family’. Eventually, Katherine decides that the relationship is not good for either of them and instead choose to reconcile with her husband Ian and attempts to quietly end her relationship with Kevin. Now obsessed and bordering on psychotic, Kevin begins to stalk Katherine and her son determined to make them his ‘family’ at any cost.

 

For a film that follows the blueprint for the classic slasher/stalker, I have to give it a great deal of credit.

The introduction of the ‘Mormon Component’ was an original idea that to the best of my knowledge no one had dared to utilize in a movie. Probably out of fear that it might anger the leadership and followers of the Mormon faith. This film did an exceptional job though of creating a ‘distance’ between the antagonist and the other characters in the movie who were Mormons so even those who are not familiar with the religion almost instantly know that Kevin is not a legitimate follower of the faith and that his actions are NOT those of an everyday follower of that faith. The casting of Dawn Olivieri, Connor Christie, and Kip Pardue as the Kingsmen family were spot on. They were truly believable as a struggling family that was going through rough times and trying to work through their difficulties only to be thwarted by a most unlikely circumstance in the form of a crazed stalker-type who twists his religious beliefs into justifying his violent and evil actions.

 

On a scale of 1 to 5 stars, I’d give this film 3 stars. The film may not win any awards with the exception being an excellent job on the part of the actors and crew. The film does follow a blueprint of sorts as mentioned earlier for a slasher/stalker film and combined with original components definitely deserves a place in the scary movie section. Definitely NOT one for the kids as the film contains violence, gore, and some partial nudity. I would include it in a movie marathon on a Friday or Saturday night with a group of friends and some popcorn.