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Elli H Burton (1288 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Dec 10, 2019
The rock, yes he is pretty badass in this, but he captured the person playing him (no idea how to explain that part lol) well. (1 more)
It was actually quite funny.
Exceeding expectations
All the 4 avatar characters are awesome and well played. You get the sense of the person behind the avatar. I loved Jack Black, whom I usually cannot stand. Kevin Hart was his usual brilliantly funny self, the rock i mentioned in my good bits and Karen Gillan was fabulous!!!
I was sceptical, being a HUGE fan of Jumanji. After they get to the tree house with a little shout out to Alan Parish (which i absolutely loved, melted my heart, felt like something so natural, to give a nod to the comedy legend Robin Williams.) It definitely didn't feel like an insult to the orginal, more like a tribute in a way. I glimspe into where Alan spent all those years.
I was sceptical, being a HUGE fan of Jumanji. After they get to the tree house with a little shout out to Alan Parish (which i absolutely loved, melted my heart, felt like something so natural, to give a nod to the comedy legend Robin Williams.) It definitely didn't feel like an insult to the orginal, more like a tribute in a way. I glimspe into where Alan spent all those years.
AJaneClark (3962 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 13, 2019 (Updated Dec 13, 2019)
I had hoped for so much more, and yet there I was in the cinema believing I had gone back in time and was watching the very first, and by first I mean The Rock Remake all over again.
Don’t get me wrong, it was enjoyable enough, and i definitely did not hate it. But i found myself rolling my eyes as the same jokes and gags were repeated and rehashed.
With a great cast, you couldn’t help but wish for something more. As before Dwayne Johnson, Jack Black, Karen Gillan and Kevin Hart work well together and bring the characters to light. It didn’t hurt that Danny DeVito, Danny Glover and Rory McCann make appearances and bring their own elements of performance to add to the mix.
It was light and funny, my 10 year old most certainly enjoyed the humorous elements, but it was a sequel that could have been a remake of a remake.
Don’t get me wrong, it was enjoyable enough, and i definitely did not hate it. But i found myself rolling my eyes as the same jokes and gags were repeated and rehashed.
With a great cast, you couldn’t help but wish for something more. As before Dwayne Johnson, Jack Black, Karen Gillan and Kevin Hart work well together and bring the characters to light. It didn’t hurt that Danny DeVito, Danny Glover and Rory McCann make appearances and bring their own elements of performance to add to the mix.
It was light and funny, my 10 year old most certainly enjoyed the humorous elements, but it was a sequel that could have been a remake of a remake.
Bob Mann (459 KP) rated Central Intelligence (2016) in Movies
Sep 29, 2021
Great poster. So-so film.
“Saving the World Takes a Little Hart and a Big Johnson”. I doubt I have ever passed a film poster before and dissolved into paroxysms of mirth, so this film at least wins one award with me.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
The story is pretty inconsequential, and used as a framework to build set pieces around. Kevin Hart (“Ride Along”) plays Calvin Joyner – the life and soul of his high school and the guy voted ‘Most likely to succeed’. He’s also a nice guy, sensitively covering the modesty of overweight loser Robbie Wheirdicht (a good Dwayne Johnson lookalike actually played by internet wedding-dance sensation Sione Kelepi) after he’s been ridiculed by bullies in front of the whole school.
But sometimes life doesn’t go to plan and twenty year’s later Calvin may have married his high school sweetheart Maggie (Danielle Nicolet) but has ended up in a low-level forensic accountancy job and not where he wants to be.
Robbie on the other hand has transformed his life and physique to become Bob Stone (Dwayne Johnson), a man with a ‘certain set of skills’ and, as it turns out, a rogue CIA operative. Bob is on the trail of financial codes to help identify the location of the traitorous ‘Black Badger’ who killed his long-term partner Stanton (Aaron Paul). But the Black Badger could be anyone, and the CIA lead (Amy Ryan) suspects it might actually be Stone. With the stakes rising the inept Joyner needs to make a decision on who to trust and who to fear.
The comedy lead Kevin Hart previously impressed with “Get Hard” and raises a few laughs in this one, notably with his attempt at his signature flip twenty years later than he should have attempted it! Johnson’s character is written to be just plain weird and with Johnson’s limited acting range (think Arnie in “Jingle All The Way”) it’s a performance that is on the outlandish side of bizarre. Together the duo make for a likeable pair but this is a very lightweight comedy and is generally a smile-along rather than a laugh-along. It is also uneven in tone, occasionally straying into highly un-comedic territory: a throat-ripping out scene anyone?
The director is Rawson Marshall Thurber who previously directed the better comedy “Dodgeball” and the far worse “We’re the Millers”. So that should set your expectations.
A fairly ho-hum comedy which might entertain you on a long plane flight but is not worth forking out much cash to rent.
BankofMarquis (1832 KP) rated Night School (2018) in Movies
Oct 15, 2018
Funny...enough - especially the classmates
Both Kevin Hart and Tiffany Hadish are comedic performers that can wear their welcome out if they are not reigned in properly. They both serve best as the comic "2nd banana" of a film, rather than the lead, so it was with some trepidation that I checked out the Hart/Haddish starring comedy NIGHT SCHOOL and when the first meeting of the two was the both of them running their very fast mouths at each other, I thought - for sure - that they would wear their welcome out with me.
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis
Tim McGuire (301 KP) rated Jumanji: The Next Level (2019) in Movies
Apr 20, 2020
More of The Rock in a jungle.
412. Jumanji: The Next Level. There's actors out there that say they will never do sequels. And there's the ones that do nothing but. Dwayne Johnson, is back, again, in another sequel to Jumanji. This time around, one of the gang, Spencer is depressed and goes back home on school break and disappears into the game, when the rest of em all come looking for him, they get sucked into the game, but this time, there's old people!! Danny DeVito and 'I'm too old for this shit' Danny Glover play old people in this that also get sucked into the game. There's really no logic behind any of this. They become The Rock and Kevin Hart and they say all the old person in young body jokes that you've seen in the trailers, don't worry they are all there. They set off on a safe, family friendly adventure to find Spencer, which leads to a rather boring and predictable ending. Filmbufftim on FB
Gareth von Kallenbach (965 KP) rated Night School (2018) in Movies
Jul 2, 2019
Teddy Walker (Kevin Hart) appears to be living a great life. He is successful BBQ grill salesman, he has a Porsche, a nice apartment and a loving and successful girlfriend, Lisa (Megalyn Echikunwoke). Appearances can be deceiving however. The between the Porsche and rent payments he is barely getting by pay check to pay check. Plus he refuses to let his girlfriend pay for any of their dates. Teddy thinks he is turning a corner when his boss tells him that the BBQ grill store will be turned over to him once he retires. Finally he feels like he will have some stability and decides to propose Lisa. During the proposal, at the store that will one day will be his, there is an explosion and the entire store is destroyed. Now Teddy finds himself is out of a job and with no diploma there is little hope of him getting one. Teddy’s friend Marvin (Ben Schwartz) tells him that he can get him a job as a financial assistant but only if he can get his GED. So he heads back to his old high school to take a GED prep course at night school. Thinking he can use his salesman skill to talk his way into cruising to getting his diploma. Unfortunately for him two things stand in his way. One is the principle is his high school nemesis, Stewart (Taran Killam). The second, the night school teacher, Carrie (Tiffany Haddish), will only help those who put in the work and his smooth talk won’t work on this teacher. Now for the first time in his life, Teddy can’t talk his way out of a tough situation and must put in the work to stay with Lisa.
This film surprised me in that not only does it bring the laughs but also has a really positive message. It has a recurring theme of second chances throughout the film. It also tackles learning disabilities in a really interesting and thoughtful way. I thought that yes at times it was cheesy but really stuck to the message of it’s never too late to realize your potential.
This Malcolm D Lee (Girls Trip, The Best Man) directed film definitely has it funny moments. Kevin Hart and Tiffany Haddish really know how to play off each other, even though I think the back and forth gets a little old by the end. To me the supporting cast (Al Madrigal, Rob Riggle, Romany Malco, Mary Lynn Rajskub, Anne Winters, to name a few) really do a good job and all have really funny moments. The best parts of the movie are when the Hart, Haddish and company are in school playing off each other. The film does repeat some jokes a little too much for me but overall laughed and like the positive message. I liked the originality of the story, even if its themes felt familiar. This may not win any awards but it was an enjoyable and entertaining comedy.
This film surprised me in that not only does it bring the laughs but also has a really positive message. It has a recurring theme of second chances throughout the film. It also tackles learning disabilities in a really interesting and thoughtful way. I thought that yes at times it was cheesy but really stuck to the message of it’s never too late to realize your potential.
This Malcolm D Lee (Girls Trip, The Best Man) directed film definitely has it funny moments. Kevin Hart and Tiffany Haddish really know how to play off each other, even though I think the back and forth gets a little old by the end. To me the supporting cast (Al Madrigal, Rob Riggle, Romany Malco, Mary Lynn Rajskub, Anne Winters, to name a few) really do a good job and all have really funny moments. The best parts of the movie are when the Hart, Haddish and company are in school playing off each other. The film does repeat some jokes a little too much for me but overall laughed and like the positive message. I liked the originality of the story, even if its themes felt familiar. This may not win any awards but it was an enjoyable and entertaining comedy.
Gareth von Kallenbach (965 KP) rated Get Hard (2015) in Movies
Jun 19, 2019
For high rolling stock trader James King (Will Ferrell), life is pretty amazing. Not only does he live in a lavish house in an exclusive Los Angeles community, but he is engaged to the lovely Alissa (Allison Brie). James is oblivious to many of those around him save for his future father in law Martin (Craig T. Nelson), who has recently rewarded him with a partnership at his brokerage.
Life has not been as sunny for Darnelll (Kevin Hart), a devoted family man who runs his car detailing place and looks to find a way to get the $30,000 he needs to purchase a better home in a better neighborhood for his family.
Fate steps in when James is charged with several trading violations and is sentenced to ten years in San Quentin. For the self-absorbed and highly-sheltered James this is equivalent to a death sentence and he is eager to find a way out of his mess.
With his world in chaos, James hires Darnell to be his prison consultant, as he is convinced Darnell must have done time due to his color and station in life. Although offended, Darnell hides this and agrees to spend the next few weeks before James has to report to jail training him to survive.
Although motivated to earn the money he needs, Darnell soon gains sympathy for James and in time, begins to believe he may be innocent of the charges levied upon him. In between the crude but often very funny training segments James endures, the two bond and work with one another to overcome the challenges presented to them before time runs out.
Ferell and Hart have a very good chemistry with one another and there are some very funny moments in the film. One moment had Hart portraying various prison yard characters at the same time and his frantic way of moving between characters at the same time was something to behold.
The film does tread on some racial stereotypes often but they at least mix it up and do not focus entirely upon one race or group.
While at times slow and requiring some leaps of faith from the audience, the two leads make the film a funny and enjoyable distraction that will keep you laughing enough to make it worth your while.
http://sknr.net/2015/03/27/get-hard/
Life has not been as sunny for Darnelll (Kevin Hart), a devoted family man who runs his car detailing place and looks to find a way to get the $30,000 he needs to purchase a better home in a better neighborhood for his family.
Fate steps in when James is charged with several trading violations and is sentenced to ten years in San Quentin. For the self-absorbed and highly-sheltered James this is equivalent to a death sentence and he is eager to find a way out of his mess.
With his world in chaos, James hires Darnell to be his prison consultant, as he is convinced Darnell must have done time due to his color and station in life. Although offended, Darnell hides this and agrees to spend the next few weeks before James has to report to jail training him to survive.
Although motivated to earn the money he needs, Darnell soon gains sympathy for James and in time, begins to believe he may be innocent of the charges levied upon him. In between the crude but often very funny training segments James endures, the two bond and work with one another to overcome the challenges presented to them before time runs out.
Ferell and Hart have a very good chemistry with one another and there are some very funny moments in the film. One moment had Hart portraying various prison yard characters at the same time and his frantic way of moving between characters at the same time was something to behold.
The film does tread on some racial stereotypes often but they at least mix it up and do not focus entirely upon one race or group.
While at times slow and requiring some leaps of faith from the audience, the two leads make the film a funny and enjoyable distraction that will keep you laughing enough to make it worth your while.
http://sknr.net/2015/03/27/get-hard/
Bob Mann (459 KP) rated The Upside (2019) in Movies
Sep 28, 2021
Not the 5* French classic, but a fun and moving movie nonetheless.
So, the movie-going audience for this film will divide into two categories:
Category A: those that have seen the original 2011 French classic “The Intouchables” that this is based on, and;
Category B: those that haven’t.
2011 is just before I started “One Mann’s Movies”, but “The Intouchables” would have got 5* from me, no problem.
This movie joins a list of standout European movies – for example, “The Girl with the Dragon Tattoo”; “Let The Right One In”; “Sleepless Night”; etc. – that have had Hollywood “makeovers” that don’t match up to the originals. And this is no exception. However, it’s still been well made and deserves respect as a standalone piece of movie-making.
The Plot
Based on a true story, Phillip Lacasse (Bryan Cranston) is left both paraplegic and widowed by a string of bad luck. Not that money can buy you everything, but his care arrangements are substantially helped by him being a multi-millionaire (“Not rich enough to buy The Yankees; Rich enough to buy The Mets”). This is from success in investments and writing about such investments.
Depressed, cranky and with a “DNR” that his diligent PA Yvonne (Nicole Kidman) seems unable to comply with, Phillip lashes out at anyone and everyone and so dispatches his carers with monotonous regularity. Dell Scott (Kevin Hart) is on parole, with the requirement to seek work. Due to a mix-up, he finds himself in the employ of Phillip: with the suspicion that he’s been hired because he is the very worst candidate imaginable, and thus the most likely to let Phillip shuffle off this mortal coil. But the two men’s antipathy to each other slowly thaws as they teach each other new tricks.
Pin left in the grenade
Those who have seen “The Intouchables” will fondly remember the first 5 minutes of that film: a flash-forward to a manic police car-chase featuring our protagonists (there played by François Cluzet and Omar Sy). It drops like a comedy hand-grenade to open the film. Unfortunately, you can’t help but feel a bit let down by the same re-creation in “The Upside”. It has all the same content but none of the heart.
After that rocky start, the film continues to rather stutter along. Part of the reason for this I think is Kevin Hart. It’s not that he’s particularly bad in the role: it’s just that he IS Kevin Hart, and I was constantly thinking “there’s that comedian playing that role”.
However, once the story gets into its swing, giving Cranston more of a chance to shine (which he does), then the film started to motor and my reservations about Hart started to wane. Some of these story set pieces – such as the one about the art work – are punch-the-air funny in their own right. Cranston’s timing in delivering his punchlines is immaculate.
This IS what actors do
There seems to have been some furore about the casting of Bryan Cranston as the role of the disabled millionaire instead of a disabled actor. Lord save us! He’s an actor! That’s what actors do for a living: pretend to be people they’re not! It’s also worth pointing out that François Cluzet was an able-bodied actor as well.
As already mentioned, Bryan Cranston excels in the role. Phillip goes through such a wide range of emotions from despair to pure joy and back again that you can’t help but be impressed by the performance.
On the female side of the cast, it’s really nice to see Nicole Kidman in such a quiet and understated role and it’s nicely done; Aja Naomi King does a nice job as Dell’s protective ex-girlfriend Latrice; and there’s a nice female cameo as well, which I won’t spoil since I wasn’t expecting to see her in the film.
Final Thoughts
As a standalone film it has some laugh-out-loud moments, some feelgood highs and some moments of real pathos. The audience I saw this with was small, but there was still a buzz in the room and sporadic applause as the end titles came up: God only knows that’s unusual for a film!
The director is “Limitless” and “Divergent” director Neil Burger, and it’s a perfectly fun and innocent night out at the flicks that I commend to the house in this month of celluloid awards heavyweights.
Category A: those that have seen the original 2011 French classic “The Intouchables” that this is based on, and;
Category B: those that haven’t.
2011 is just before I started “One Mann’s Movies”, but “The Intouchables” would have got 5* from me, no problem.
This movie joins a list of standout European movies – for example, “The Girl with the Dragon Tattoo”; “Let The Right One In”; “Sleepless Night”; etc. – that have had Hollywood “makeovers” that don’t match up to the originals. And this is no exception. However, it’s still been well made and deserves respect as a standalone piece of movie-making.
The Plot
Based on a true story, Phillip Lacasse (Bryan Cranston) is left both paraplegic and widowed by a string of bad luck. Not that money can buy you everything, but his care arrangements are substantially helped by him being a multi-millionaire (“Not rich enough to buy The Yankees; Rich enough to buy The Mets”). This is from success in investments and writing about such investments.
Depressed, cranky and with a “DNR” that his diligent PA Yvonne (Nicole Kidman) seems unable to comply with, Phillip lashes out at anyone and everyone and so dispatches his carers with monotonous regularity. Dell Scott (Kevin Hart) is on parole, with the requirement to seek work. Due to a mix-up, he finds himself in the employ of Phillip: with the suspicion that he’s been hired because he is the very worst candidate imaginable, and thus the most likely to let Phillip shuffle off this mortal coil. But the two men’s antipathy to each other slowly thaws as they teach each other new tricks.
Pin left in the grenade
Those who have seen “The Intouchables” will fondly remember the first 5 minutes of that film: a flash-forward to a manic police car-chase featuring our protagonists (there played by François Cluzet and Omar Sy). It drops like a comedy hand-grenade to open the film. Unfortunately, you can’t help but feel a bit let down by the same re-creation in “The Upside”. It has all the same content but none of the heart.
After that rocky start, the film continues to rather stutter along. Part of the reason for this I think is Kevin Hart. It’s not that he’s particularly bad in the role: it’s just that he IS Kevin Hart, and I was constantly thinking “there’s that comedian playing that role”.
However, once the story gets into its swing, giving Cranston more of a chance to shine (which he does), then the film started to motor and my reservations about Hart started to wane. Some of these story set pieces – such as the one about the art work – are punch-the-air funny in their own right. Cranston’s timing in delivering his punchlines is immaculate.
This IS what actors do
There seems to have been some furore about the casting of Bryan Cranston as the role of the disabled millionaire instead of a disabled actor. Lord save us! He’s an actor! That’s what actors do for a living: pretend to be people they’re not! It’s also worth pointing out that François Cluzet was an able-bodied actor as well.
As already mentioned, Bryan Cranston excels in the role. Phillip goes through such a wide range of emotions from despair to pure joy and back again that you can’t help but be impressed by the performance.
On the female side of the cast, it’s really nice to see Nicole Kidman in such a quiet and understated role and it’s nicely done; Aja Naomi King does a nice job as Dell’s protective ex-girlfriend Latrice; and there’s a nice female cameo as well, which I won’t spoil since I wasn’t expecting to see her in the film.
Final Thoughts
As a standalone film it has some laugh-out-loud moments, some feelgood highs and some moments of real pathos. The audience I saw this with was small, but there was still a buzz in the room and sporadic applause as the end titles came up: God only knows that’s unusual for a film!
The director is “Limitless” and “Divergent” director Neil Burger, and it’s a perfectly fun and innocent night out at the flicks that I commend to the house in this month of celluloid awards heavyweights.
Bob Mann (459 KP) rated The Front Runner (2018) in Movies
Sep 28, 2021
Candidate for a downfall.
We can all probably rattle off some of the classics movies with US politics as their backdrop. For me, “All the President’s Men”; “Primary Colors”; and “Frost/Nixon” might make that list. In the next tier down there are many great drama/thrillers – “Miss Sloane“; “The Post“; “The Ides of March”; “The American President”; “JFK” – and even some pretty funny comedies – “Dave” and “My Fellow Americans” for example. It’s actually quite difficult to think of many films on the subject that are outright dire, proving it remains a fertile ground for film-makers.
“The Front Runner” fortunately avoids this last category, but it’s certainly not good enough to make it into the ‘classics’ list either.
A true story.
The film is based on the true-story of US presidential hopeful Gary Hart (Hugh Jackman) and if you are NOT aware of the historical background then you might want to skip the rest of this review – and indeed all others – so you can see the film first and let the history come as a surprise to you.
Hart was younger than most candidates: good-looking, floppy-haired and refreshingly matter of fact in his dealings with the public and the press. Any interviews had to be about his politics: not about his family life with wife Lee (Vera Farmiga) and teenage daughter Andrea (Kaitlyn Dever).
Unfortunately, Hart has a weakness for a pretty face (or ten) and his marriage is rocky as a result: “Just don’t embarrass me” is Lee’s one requirement. His “nothing to hide” line to an intelligent Washington Post reporter – AJ Parker (a well cast Mamoudou Athie) – leads to a half-arsed stake-out by Miami Herald reporters and incriminating pictures linking Hart to a Miami pharmaceutical saleswoman Donna Rice (Sara Paxton). As the growing press tsunami rises, and his campaign manager (J.K. Simmons) gets more and more frustrated with him, can his candidacy survive and will his (now very much embarrassed) wife stick by him?
The turns.
Hugh Jackman is perfectly cast here; very believable as the self-centred, self-righteous and stubborn politician. But this central performance is surrounded by a strong team of supporting players. Vera Farmiga is superb as the wounded wife. Sara Paxton is heartbreaking as the intelligent college girl unfairly portrayed as a “slapper” by the media. The scenes between her and Hart-staffer Irene (Molly Ephraim), trying desperately to support her as best she can, are very nicely done. J.K Simmons as campaign manager Bill Dixon is as reliable as ever. And Alfred Molina turns up as the latest film incarnation of The Post’s Ben Bradlee – surely one of the most oft portrayed real-life journalists in film history.
“What did they just say”?
The biggest cause of dissatisfaction I have with the film is with the sound mixing. Was this a deliberate act by director Jason Reitman, to reflect the chaotic nature of political campaigning? Whether it was deliberate or not, much of the film’s dialogue – particularly in the first 30 minutes of the film – is drowned out by background noise. Sometimes I just longed for subtitles!
Just a little bit dull.
The screenplay, by Matt Bai (from his source book), Jay Carson (a Clinton staffer) and director Jason Reitman might align with the history, but the big problem is that the story’s just a little bit dull, particularly by today’s levels of scandal. This suffers the same fate as “House of Cards” (even before the Kevin Spacey allegations) in that the shocking realities of the Trump-era have progressively neutered the shock-factor of the fiction: to the point where it starts to become boring. Here, only once or twice does the screenplay hit a winning beat: for me, it was the scenes between Donna Rice and Irene Kelly and the dramatic press conference towards the end of the film. The rest of the time, the screenplay was perfectly serviceable but nothing spectacular.
When is a politician’s personal life private?
A core tenet of the film is Hart’s view that politics should be about the policies and not about the personality. Looking at the subject nowadays, it’s clearly a ridiculously idealistic viewpoint. Of course it matters. Politicians need to be trusted by their constituents (yeah, like that’s the case in the UK and the US at the moment!) and whether or not they slap their wives around or sleep with farm animals is clearly a material factor in that relationship. But this was clearly not as much the case in the 70’s as it is today, and the suggestion is that the Hart case was a turning point and a wake-up call to politicians around the world. (An interesting article by the Washington Post itself points out that this is also a simplistic view: that Hart should have been well aware of the dangerous game he was playing.)
Fidelity in politics.
Do you think that powerful politicos are driven to infidelity because they are powerful? Or that it is a characteristic of men who have the charisma to become political leaders in the first place? Such was the discussion my wife and I had in the car home after this film. Nature or political nurture? I’m still not sure.
It’s worth pointing out that to this day both Hart and Rice (interestingly, an alleged ex-girlfriend of Eagles front-man Don Henley) stick to their story that they never had sex.
Final thoughts.
The film’s perfectly watchable, has great acting, but is a little bit of a non-event. The end titles came and I thought “OK, that’s that then”…. nothing more. If you’re a fan of this style of historical political film then you probably won’t be disappointed by it; if not, probably best to wait and catch this on the TV.
“The Front Runner” fortunately avoids this last category, but it’s certainly not good enough to make it into the ‘classics’ list either.
A true story.
The film is based on the true-story of US presidential hopeful Gary Hart (Hugh Jackman) and if you are NOT aware of the historical background then you might want to skip the rest of this review – and indeed all others – so you can see the film first and let the history come as a surprise to you.
Hart was younger than most candidates: good-looking, floppy-haired and refreshingly matter of fact in his dealings with the public and the press. Any interviews had to be about his politics: not about his family life with wife Lee (Vera Farmiga) and teenage daughter Andrea (Kaitlyn Dever).
Unfortunately, Hart has a weakness for a pretty face (or ten) and his marriage is rocky as a result: “Just don’t embarrass me” is Lee’s one requirement. His “nothing to hide” line to an intelligent Washington Post reporter – AJ Parker (a well cast Mamoudou Athie) – leads to a half-arsed stake-out by Miami Herald reporters and incriminating pictures linking Hart to a Miami pharmaceutical saleswoman Donna Rice (Sara Paxton). As the growing press tsunami rises, and his campaign manager (J.K. Simmons) gets more and more frustrated with him, can his candidacy survive and will his (now very much embarrassed) wife stick by him?
The turns.
Hugh Jackman is perfectly cast here; very believable as the self-centred, self-righteous and stubborn politician. But this central performance is surrounded by a strong team of supporting players. Vera Farmiga is superb as the wounded wife. Sara Paxton is heartbreaking as the intelligent college girl unfairly portrayed as a “slapper” by the media. The scenes between her and Hart-staffer Irene (Molly Ephraim), trying desperately to support her as best she can, are very nicely done. J.K Simmons as campaign manager Bill Dixon is as reliable as ever. And Alfred Molina turns up as the latest film incarnation of The Post’s Ben Bradlee – surely one of the most oft portrayed real-life journalists in film history.
“What did they just say”?
The biggest cause of dissatisfaction I have with the film is with the sound mixing. Was this a deliberate act by director Jason Reitman, to reflect the chaotic nature of political campaigning? Whether it was deliberate or not, much of the film’s dialogue – particularly in the first 30 minutes of the film – is drowned out by background noise. Sometimes I just longed for subtitles!
Just a little bit dull.
The screenplay, by Matt Bai (from his source book), Jay Carson (a Clinton staffer) and director Jason Reitman might align with the history, but the big problem is that the story’s just a little bit dull, particularly by today’s levels of scandal. This suffers the same fate as “House of Cards” (even before the Kevin Spacey allegations) in that the shocking realities of the Trump-era have progressively neutered the shock-factor of the fiction: to the point where it starts to become boring. Here, only once or twice does the screenplay hit a winning beat: for me, it was the scenes between Donna Rice and Irene Kelly and the dramatic press conference towards the end of the film. The rest of the time, the screenplay was perfectly serviceable but nothing spectacular.
When is a politician’s personal life private?
A core tenet of the film is Hart’s view that politics should be about the policies and not about the personality. Looking at the subject nowadays, it’s clearly a ridiculously idealistic viewpoint. Of course it matters. Politicians need to be trusted by their constituents (yeah, like that’s the case in the UK and the US at the moment!) and whether or not they slap their wives around or sleep with farm animals is clearly a material factor in that relationship. But this was clearly not as much the case in the 70’s as it is today, and the suggestion is that the Hart case was a turning point and a wake-up call to politicians around the world. (An interesting article by the Washington Post itself points out that this is also a simplistic view: that Hart should have been well aware of the dangerous game he was playing.)
Fidelity in politics.
Do you think that powerful politicos are driven to infidelity because they are powerful? Or that it is a characteristic of men who have the charisma to become political leaders in the first place? Such was the discussion my wife and I had in the car home after this film. Nature or political nurture? I’m still not sure.
It’s worth pointing out that to this day both Hart and Rice (interestingly, an alleged ex-girlfriend of Eagles front-man Don Henley) stick to their story that they never had sex.
Final thoughts.
The film’s perfectly watchable, has great acting, but is a little bit of a non-event. The end titles came and I thought “OK, that’s that then”…. nothing more. If you’re a fan of this style of historical political film then you probably won’t be disappointed by it; if not, probably best to wait and catch this on the TV.
BankofMarquis (1832 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 14, 2019
A "Game" Cast makes this fun film as good as the last one
Did you enjoy the previous JUMANJI film where Dwayne "The Rock" Johnson, Kevin Hart, Jack Black and Karen Gillan were video game avatars of 4 teens sucked into a video game? It was alot of fun, an unexpected big hit and, inevitably, spun a sequel.
Well...if you liked the last one, then you'll like this one, for JUMANJI: THE NEXT LEVEL pretty much delivers the same type of fun film, but avoids the cliches and lack of energy that a "quickie" sequel inevitably delivers.
Credit for this should go to returning Director Jake Kasdan and a "game" cast that are ALL back from the previous film. While the plot is fairly similar (4 teens are sucked into a real-life video game where they can be trapped forever if they cannot "win" the game), the twist of adding 2 old folks (played in the real world by Danny Glover and Danny DeVito) almost derails the fun, but this winning cast and passably exciting action sequences steers this film into an enjoyable entertainment activity.
I am a big Kevin Hart fan - and he does a great job of channeling Danny Glover in his character. He really brought the charm - and the funny - from the get go. He is ably assisted by Karen Gillan, who doesn't really have anything new to do, but brings the same "kick-butt action with a wink in the eye" characterization and energy as the first film. The surprise for me was Jack Black who I thought was very, very funny and energized. If anything, I thought his characterization was BETTER than the previous film. Only "The Rock" fails to equal his previous efforts - and he is just fine (he is "The Rock" after all). When you are talking about a team of actors playing against each other in an action/comedy and "The Rock" is the weak link, then you are in good shape.
A fine addition to the proceedings is the always watchable Awkwafina as another character in the game while Nick Jonas returns as the avatar Alex and Rory McCann (the Hound in GAME OF THRONES) is very fun as the "big bad" in this film.
The action scenes are fun, the characters are enjoyable to spend 2 hours with and the puzzle that they are trying to solve is clever (enough) that you will be able to pass a few enjoyable hours with your family this Holiday season.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Well...if you liked the last one, then you'll like this one, for JUMANJI: THE NEXT LEVEL pretty much delivers the same type of fun film, but avoids the cliches and lack of energy that a "quickie" sequel inevitably delivers.
Credit for this should go to returning Director Jake Kasdan and a "game" cast that are ALL back from the previous film. While the plot is fairly similar (4 teens are sucked into a real-life video game where they can be trapped forever if they cannot "win" the game), the twist of adding 2 old folks (played in the real world by Danny Glover and Danny DeVito) almost derails the fun, but this winning cast and passably exciting action sequences steers this film into an enjoyable entertainment activity.
I am a big Kevin Hart fan - and he does a great job of channeling Danny Glover in his character. He really brought the charm - and the funny - from the get go. He is ably assisted by Karen Gillan, who doesn't really have anything new to do, but brings the same "kick-butt action with a wink in the eye" characterization and energy as the first film. The surprise for me was Jack Black who I thought was very, very funny and energized. If anything, I thought his characterization was BETTER than the previous film. Only "The Rock" fails to equal his previous efforts - and he is just fine (he is "The Rock" after all). When you are talking about a team of actors playing against each other in an action/comedy and "The Rock" is the weak link, then you are in good shape.
A fine addition to the proceedings is the always watchable Awkwafina as another character in the game while Nick Jonas returns as the avatar Alex and Rory McCann (the Hound in GAME OF THRONES) is very fun as the "big bad" in this film.
The action scenes are fun, the characters are enjoyable to spend 2 hours with and the puzzle that they are trying to solve is clever (enough) that you will be able to pass a few enjoyable hours with your family this Holiday season.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)