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Wildlife Habitat Conservation: Concepts, Challenges, and Solutions
Michael L. Morrison and Heather A. Mathewson
8.0
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"Habitat" is probably the most common term in ecological research. Elementary school students are...
JT (287 KP) rated Frost/Nixon (2008) in Movies
Mar 10, 2020
"Hello, Good Evening and Welcome”, David Frost’s suave and debonair talk show host, up against Richard Nixon a President draped in controversy while all the while standing firm in his beliefs.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
Gareth von Kallenbach (971 KP) rated Molly's Game (2017) in Movies
Jul 8, 2019
Perfectionism, pressure, drive, success – “Molly’s Game” tells the story of a woman pushed to achieve these qualities by her father (Kevin Costner) throughout her childhood and adolescence. The pressure to become perfect went far with Molly (Jessica Chastain), who grows up to become an Olympic-class skier and scores astronomically on the law school entrance exam.
But Molly doesn’t go to law school, and she doesn’t win the gold medal. She comes in fourth and slides into the seedy world of high stakes gambling, where her clever mind and charming appearance take her far. She becomes a leader of an underground world, filled with money, greed, and glamour.
Her gambling ring included players that were famous, wealthy, and in some cases criminal. She became the target of an FBI investigation, that revealed how little she was actually in the know about her own game.
Chastain does a great job in her role as Molly. Her striking features and strong demeanor exude a woman in charge. Particularly enjoyable is the performance by Michael Cera as Player X, a celebrity poker player who always plays in the big leagues. Cera, does a great job of making you wonder which celebrity Player X was, and why he was so heavily involved in the high stakes gaming world. It is a nice switch u for Cera into a more serious kind of role.
The consequences of Molly’s choices unfold rapidly. Making it fast paced and suspenseful, without a dull moment.
The style of the film paints a pretty picture of an ugly scene, with each shot appearing beautifully smooth and gliding transitions that grab a viewer’s focus.
“Molly’s Game” is a must see for anyone who loves a good crime-thriller, especially one based on a tell all of a real human experience in a wild reality.
But Molly doesn’t go to law school, and she doesn’t win the gold medal. She comes in fourth and slides into the seedy world of high stakes gambling, where her clever mind and charming appearance take her far. She becomes a leader of an underground world, filled with money, greed, and glamour.
Her gambling ring included players that were famous, wealthy, and in some cases criminal. She became the target of an FBI investigation, that revealed how little she was actually in the know about her own game.
Chastain does a great job in her role as Molly. Her striking features and strong demeanor exude a woman in charge. Particularly enjoyable is the performance by Michael Cera as Player X, a celebrity poker player who always plays in the big leagues. Cera, does a great job of making you wonder which celebrity Player X was, and why he was so heavily involved in the high stakes gaming world. It is a nice switch u for Cera into a more serious kind of role.
The consequences of Molly’s choices unfold rapidly. Making it fast paced and suspenseful, without a dull moment.
The style of the film paints a pretty picture of an ugly scene, with each shot appearing beautifully smooth and gliding transitions that grab a viewer’s focus.
“Molly’s Game” is a must see for anyone who loves a good crime-thriller, especially one based on a tell all of a real human experience in a wild reality.
Darwin
Charles Darwin and Philip Appleman
Book
The impact of Charles Darwin's work on Western civilization has been broad and deep. As much as...
Jesters_folly (230 KP) rated Tron Legacy (2010) in Movies
Nov 20, 2020
Contains spoilers, click to show
Ok this was actually good which is a bit surprising as there have been a few sequels to older films released over the past few years and they haven't all be great, not that they haven't necessarily been bad but, depending on how they continuing they have been a bit problematic. Either by using now outdated concepts or trying to to match modern political standards and missing the mark, Ghostbusters I'm looking at you. Tron: Legacy goes down the path of of handing the franchise over to the next generation in a similar manner to Bill and Ted Face the Music and I think Tron does it better.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.
Chambers Dictionary of Great Quotations
Book
With over 25,000 quotations from over 4,000 sources, The Chambers Dictionary of Great Quotations is...
LeftSideCut (3778 KP) rated X-Men: First Class (2011) in Movies
Jul 28, 2019
Back on form
Fox made a smart move with First Class. After just four movies, the X-Men movie franchise had already started to feel a bit stale. The solution? Take the story way back for a 60s adventure.
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
Sarah (7798 KP) rated Dolittle (2020) in Movies
Feb 26, 2020 (Updated Feb 26, 2020)
Perfect... for kids
The trailer for this didn't fill me with much confidence, and I was even more concerned after hearing about the troubles even getting it to the screen, and I'm afraid to say it lived up to my rather low expectations.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
Right from the opening scene, its obvious this film has been made solely for children. The plot is basic and predictable and a lot of the action and gags are very childish and puerile. Even Emma Thompson's narration made me feel like I was watching a kids educational show. I appreciate it's difficult to make a film suitable for kids and adults alike, but Disney and Pixar have proved it's possible without being infantile - sadly Dolittle doesn't. There are a few moments that I did have a small giggle at, but most of the gags I found either too obvious or childish to be funny. Weirdly enough I found Kevin the squirrel and his logs hilarious.
The cast themselves I found underused, or rather odd choices - some of the voice actors of the animals to me seemed a little out of place. That probably wasn't helped by how distractingly odd the animals looked when they were talking, and with the CGI ranging from pretty good to decidedly dodgy. Antonio Banderas was wasted as King Rassouli and Michael Sheen was hamming it up to the extremes, but it's Robert Downey Jnr that deserves a notable mention... for how terrible his accent is. I love RDJ, but his Welsh accent ranges from ok to downright horrendous. I couldn't even tell from the trailer what sort of accent he was doing it was that bad. And the problem with this is the accent took away all of the fun and charisma you'd expect from his performance.
The one benefit of this film is that it's fairly short, so it doesnt drag too much. Your kids will love it, but as an adult I wouldn't expect much.
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BankofMarquis (1832 KP) rated A Fish Called Wanda (1988) in Movies
Jul 2, 2020
A Jolly Good Time
A member of my family mentioned when discussing the 1988 John Cleese comedy A FISH CALLED WANDA that you can tell much about a person over what part of this film that you like the most. Do you like:
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)