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Merissa (12934 KP) rated This Is Where It Ends in Books
May 17, 2023
This book is controversial, there is no doubt about that. You will either love it or hate it, I don't see any space for middle ground. As for me, I loved it. It's a dark book, full of terror, anguish, courage and incredible heartbreak. Told from four different perspectives, you are with the characters as they try to survive and learn from a series of flashbacks just what might have happened to start this.
This story isn't "perfect", there are things that I would change. For a start, you never hear from Tyler himself. Do you need to? Not really, because things are explained. Would it be necessary? No, because you have enough information given. Would it benefit the story? Possibly. The tweets as well - some of them I could identify and place the characters involved, but some of them, I had no idea who they were. They had an impact on the story, for sure, but just who were they? Jay and Kevin are the ones I'm thinking of here specifically.
That being said, this book gripped me from start to finish. I had to re-read the last 25% because I was ugly-crying and kept missing what was happening.
I don't know if this book is a fair description of what has actually happened at too many schools to mention. I didn't start this book thinking that. I started this book thinking it was a work of fiction, based on events that MIGHT have happened. As a fictional story, it packed a punch for me. I loved it but I can see how it won't be for everyone. I can honestly say that I haven't read anything like it before.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 10, 2016
This story isn't "perfect", there are things that I would change. For a start, you never hear from Tyler himself. Do you need to? Not really, because things are explained. Would it be necessary? No, because you have enough information given. Would it benefit the story? Possibly. The tweets as well - some of them I could identify and place the characters involved, but some of them, I had no idea who they were. They had an impact on the story, for sure, but just who were they? Jay and Kevin are the ones I'm thinking of here specifically.
That being said, this book gripped me from start to finish. I had to re-read the last 25% because I was ugly-crying and kept missing what was happening.
I don't know if this book is a fair description of what has actually happened at too many schools to mention. I didn't start this book thinking that. I started this book thinking it was a work of fiction, based on events that MIGHT have happened. As a fictional story, it packed a punch for me. I loved it but I can see how it won't be for everyone. I can honestly say that I haven't read anything like it before.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 10, 2016
Gareth von Kallenbach (980 KP) rated Hitch (2005) in Movies
Aug 14, 2019
February is the time of year when thoughts turn to romance and the coming spring. It is also the time of year when Hollywood brings new romantic themed films to the theaters in an effort to open big, thanks to the date movie crowd.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Some of the efforts, such as last weekend’s The Wedding Date, never take off, while others, such as Hitch provide a nice mix of romance and comedy which, for the most part, work very well.
The film follows the exploits of urban legend Alex Hitch Hitchens (Will Smith), a self-styled date doctor who specializes in helping men romance the lady of their dreams. Hitch does not provide a dating service but rather helps his clients with their confidence and instructs them on the true way to win and keep and ladies heart.
With his proven results and good rapport with his clients, Hitch is a man in demand, yet due to his policy of privacy and secrecy, to many, the so-called love doctor is little more than an urban myth which is just fine with Hitch. He would rather work in the shadows than bask in the limelight. The adoration of his clients is all he needs. Well, that and a steady supply of ladies to charm at the days end.
Hitch is about to face his toughest case yet in a kind but portly accountant named Albert (Kevin James) who is desperate to win the heart of his wealthy socialite client Allegra (Amber Valletta). When Albert and Allegra start to be seen with one another in public, they catch the eye of celebrity snoop Sara (Eve Mendes), who becomes determined to see what is behind this unexpected couple, which in turn leads her to believe that the so-called Date Doctor is a reality.
If matters were not complicated enough, Hitch starts to see Sara on a social basis with each of them unaware of what the other really does. Sparks fly despite the unflappable and smooth Hitch having one thing after another go awry. Sara really seems to be effecting him, and the more pathetic and hopeless he seems, the more they are drawn to one another.
Instead of turning the film into a whimsical lark, Director Andy Tennant, who helmed the recent Sweet Home Alabama manages to balance comedy with romance, all the while keeping a little bit of drama involved.
Mendes and Smith have good chemistry with one another, as do Smith and James. Smith is very solid and likeable as the charming Hitch. He plays him as a smooth and confident guy, who is actually more reserved and cautious on the inside. The duality of his character is clear without being overwhelming, leaving him not only likeable, but as a character that is easy to root for. The biggest surprise of the film would be Kevin James. His portrayal of Albert is a solid mix of humor and decency. James gets many laughs with Albert’s attempt at being suave, as he portrays a very realistic and believable character who is struggling to find his inner confidence and let his body and voice convey what he has in his heart.
The film does lose momentum during the final twenty minutes when it becomes lazy, resorting to many standard situations that have been done many times before. That being said Hitch as a whole works, and if you are willing to overlook a few blemishes, you may find yourself enjoying the warmth, humor and charm.
Emma @ The Movies (1786 KP) rated Becky (2020) in Movies
Jan 1, 2021
Mindless violence and Kevin James in a dramatic role? Colour me intrigued.
Becky's life hasn't been the smoothest ride, but when her dad brings her up to their cabin things start to look up... briefly. The excitement is short-lived when his girlfriend turns up with her son and they reveal they have some wonderful news to share. Unfortunately that's not the worst thing that's going to happen this trip.
I don't want to say that Becky deserved everything that happened to her in the film... but I wasn't mad when it did happen. It was an interesting film, I felt little to nothing for her as a character and I had a real desire for the bad guys to win (to some degree).
This desire built quite quickly in the beginning, I was having serious misgivings about choosing to buy it. The whole lead up was a challenge, Becky was obnoxious and nothing seemed to be happening. But thankfully it did pick up.
Becky has a relatively small cast and they're well selected. Kevin James is a pleasant surprise in this dramatic role. I love seeing people take on something out of character, and I thought his performance as Dominick was impressive. There may have been a couple of points that seemed a little out of place, but on the whole the part was well scripted and James' depiction was very convincing. There was a slightly odd dynamic between Dominick and his minions, I liked the variety of personalities though, and Robert Maillet was definitely my favourite as Apex.
Lulu Wilson as Becky kept causing me problems. As I mentioned above, I didn't really like her as a character... I'm not sure quite where I fell out with her along the way. The beginning felt insanely unrealistic with regards to her behaviour, and while I found her to be less frustrating when the action started there was still something missing. I wonder if that might be to do with age. She's a 13-year-old girl, just a nudge into the higher teens might have made it more engaging.
I had to tap some expert knowledge when it came to the cinematography (thank you, Clare), after some investigation I'm going to say that there are a lot of transitions that lay somewhere between a match cut and an invisible cut. At the beginning of the film it's used to show the comparison of Becky at school and the convicts in prison, and that worked, I liked it. But it happens more, and that novelty value wore off quickly and I was expecting more of it, which became distracting.
There's a lot of gore on-screen throughout, with the accompaniment of some slightly dubious effects on occasions. On the whole the gratuitous violence amused me for its sheer outrageousness. One scene will get you a bit (well, it did me), you'll know it when you see it. Was all this violence needed? Probably not. Was it entertaining in the action of it all? Yes... probably.
Even with my conflicted feelings at the beginning of the film, I did come out enjoying myself. There are hints of a spicy Home Alone at work, somewhere just shy of Better Watch Out.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/becky-movie-review.html
Becky's life hasn't been the smoothest ride, but when her dad brings her up to their cabin things start to look up... briefly. The excitement is short-lived when his girlfriend turns up with her son and they reveal they have some wonderful news to share. Unfortunately that's not the worst thing that's going to happen this trip.
I don't want to say that Becky deserved everything that happened to her in the film... but I wasn't mad when it did happen. It was an interesting film, I felt little to nothing for her as a character and I had a real desire for the bad guys to win (to some degree).
This desire built quite quickly in the beginning, I was having serious misgivings about choosing to buy it. The whole lead up was a challenge, Becky was obnoxious and nothing seemed to be happening. But thankfully it did pick up.
Becky has a relatively small cast and they're well selected. Kevin James is a pleasant surprise in this dramatic role. I love seeing people take on something out of character, and I thought his performance as Dominick was impressive. There may have been a couple of points that seemed a little out of place, but on the whole the part was well scripted and James' depiction was very convincing. There was a slightly odd dynamic between Dominick and his minions, I liked the variety of personalities though, and Robert Maillet was definitely my favourite as Apex.
Lulu Wilson as Becky kept causing me problems. As I mentioned above, I didn't really like her as a character... I'm not sure quite where I fell out with her along the way. The beginning felt insanely unrealistic with regards to her behaviour, and while I found her to be less frustrating when the action started there was still something missing. I wonder if that might be to do with age. She's a 13-year-old girl, just a nudge into the higher teens might have made it more engaging.
I had to tap some expert knowledge when it came to the cinematography (thank you, Clare), after some investigation I'm going to say that there are a lot of transitions that lay somewhere between a match cut and an invisible cut. At the beginning of the film it's used to show the comparison of Becky at school and the convicts in prison, and that worked, I liked it. But it happens more, and that novelty value wore off quickly and I was expecting more of it, which became distracting.
There's a lot of gore on-screen throughout, with the accompaniment of some slightly dubious effects on occasions. On the whole the gratuitous violence amused me for its sheer outrageousness. One scene will get you a bit (well, it did me), you'll know it when you see it. Was all this violence needed? Probably not. Was it entertaining in the action of it all? Yes... probably.
Even with my conflicted feelings at the beginning of the film, I did come out enjoying myself. There are hints of a spicy Home Alone at work, somewhere just shy of Better Watch Out.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/01/becky-movie-review.html
Gareth von Kallenbach (980 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 15, 2019
I said this when I reviewed Jumanji: Welcome to the Jungle, but Jumanji was one of my favorite movies going up. I was extremely reluctant to see the 2017 film. However, I walked out of the theater happy as can be. The movie wasn’t perfect, but it was charming and entertaining, and I felt it was a good modernization of the Jumanji experience.
Then they announced the sequel, and all that fear and panic (not much, but you know… melodrama) kicked back in. Given the state of some sequels these days, I couldn’t imagine how they would be able to do this, and do this well. But I had hopes considering how good the previous entry in the franchise was. Could it be just as good?
The Jumanji: The Next Level releases 2 years after Welcome to the Jungle, and just as much time has passed for our four heroes: Spencer (Alex Wolff), Fridge (Ser’Darius Blain), Bethany (Madison Iseman), and Martha (Morgan Turner). We see the four friends leading their different lives and getting excited to reunite over the holidays.
Everyone, except for Spencer that is. Spencer missed the feeling he had as Doctor Smolder Bravestone (Dwayne Johnson) in Jumanji, so he decides to try and fix the game and re-enter to recapture that feeling. The game was smashed to pieces in the last movie, but Spencer retrieved it and it’s been sitting his basement ever since.
The next day, when the four adventurers are supposed to be meeting for brunch, the remaining three get worried when Spencer doesn’t show. So they head over to Spencer’s place to find Spencer’s Grandfather, Eddie (Danny Devito), and an old friend, Milo (Danny Glover), who also don’t know where he is. Soon they discover the broken remnants of the game and that they’ve been fixed (sorta) and eventually they realize that Spencer has gone into the game again.
They decide to head back in, but somethings a little different this time around, as both Eddie and Milo get pulled into the game as well. All our game characters return: Bravestone, Professor Sheldon “Shelly” Oberon (Jack Black), Franklin “Mouse” Finbar (Kevin Hart), and Ruby Roundhouse (Karen Gillan). But will our young adventurers be controlling the same characters, and what of Eddie and Milo? I can’t say without spoiling so much more.
Now that we have the description out of the way, I will say that I loved this film. Not quite as much as the previous entry, though. I didn’t have high hopes for The Next Level as the trailers and commercials just seemed to be overselling certain aspects of the film, but the film was great.
A good follow up story, excellent acting from our four mains, and enough changeup to allow it to not be essentially the same movie as the first. The acting is great. The plot, while a little predictable, was good as well. The music and score really set the tone and pace of the new Jumanji movies, and in such a good way.
One of the only real criticism I had was that Johnson became a little annoying with his characterization for most of the movie in this film, but that could be intended. A good pallet cleanser, though, was Kevin Hart as he literally played the polar opposite and it was a good balance. The other issue I had was that the finale of the third act seemed a little cheated. It was so rushed, relied heavily on the video game trope and never explained why what happened did happen.
Overall, though, this film is a worthy successor to Welcome to the Jungle and you should definitely check it out. Good for the family, just like the first. I personally cannot wait to see what happens in the next film. There is an obvious set up for third in the reboot, or it could be just left as is. Such is the way of Jumanji.
4 out of 5 stars.
Then they announced the sequel, and all that fear and panic (not much, but you know… melodrama) kicked back in. Given the state of some sequels these days, I couldn’t imagine how they would be able to do this, and do this well. But I had hopes considering how good the previous entry in the franchise was. Could it be just as good?
The Jumanji: The Next Level releases 2 years after Welcome to the Jungle, and just as much time has passed for our four heroes: Spencer (Alex Wolff), Fridge (Ser’Darius Blain), Bethany (Madison Iseman), and Martha (Morgan Turner). We see the four friends leading their different lives and getting excited to reunite over the holidays.
Everyone, except for Spencer that is. Spencer missed the feeling he had as Doctor Smolder Bravestone (Dwayne Johnson) in Jumanji, so he decides to try and fix the game and re-enter to recapture that feeling. The game was smashed to pieces in the last movie, but Spencer retrieved it and it’s been sitting his basement ever since.
The next day, when the four adventurers are supposed to be meeting for brunch, the remaining three get worried when Spencer doesn’t show. So they head over to Spencer’s place to find Spencer’s Grandfather, Eddie (Danny Devito), and an old friend, Milo (Danny Glover), who also don’t know where he is. Soon they discover the broken remnants of the game and that they’ve been fixed (sorta) and eventually they realize that Spencer has gone into the game again.
They decide to head back in, but somethings a little different this time around, as both Eddie and Milo get pulled into the game as well. All our game characters return: Bravestone, Professor Sheldon “Shelly” Oberon (Jack Black), Franklin “Mouse” Finbar (Kevin Hart), and Ruby Roundhouse (Karen Gillan). But will our young adventurers be controlling the same characters, and what of Eddie and Milo? I can’t say without spoiling so much more.
Now that we have the description out of the way, I will say that I loved this film. Not quite as much as the previous entry, though. I didn’t have high hopes for The Next Level as the trailers and commercials just seemed to be overselling certain aspects of the film, but the film was great.
A good follow up story, excellent acting from our four mains, and enough changeup to allow it to not be essentially the same movie as the first. The acting is great. The plot, while a little predictable, was good as well. The music and score really set the tone and pace of the new Jumanji movies, and in such a good way.
One of the only real criticism I had was that Johnson became a little annoying with his characterization for most of the movie in this film, but that could be intended. A good pallet cleanser, though, was Kevin Hart as he literally played the polar opposite and it was a good balance. The other issue I had was that the finale of the third act seemed a little cheated. It was so rushed, relied heavily on the video game trope and never explained why what happened did happen.
Overall, though, this film is a worthy successor to Welcome to the Jungle and you should definitely check it out. Good for the family, just like the first. I personally cannot wait to see what happens in the next film. There is an obvious set up for third in the reboot, or it could be just left as is. Such is the way of Jumanji.
4 out of 5 stars.
Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
MaryAnn (14 KP) rated CSB Worldview Study Bible in Books
Nov 4, 2019
The CSB Worldview Study Bible features extensive worldview study notes and articles by notable Christian scholars to help Christians better understand the grand narrative and flow of Scripture within the biblical framework from which we are called to view reality and make sense of life and the world. Guided by general editors David S. Dockery and Trevin K. Wax, this Bible is an invaluable resource and study tool that will help you to discuss, defend, and clearly share with others the truth, hope, and practical compatibility of Christianity in everyday life.
Features include:
Extensive worldview study notes
Over 130 articles by notable Christian scholars
Center-column references
Smyth-sewn binding
Presentation page
Two ribbon markers
Two-piece gift box, and more
General Editors: David S. Dockery and Trevin Wax
Associate Editors: Constantine R. Campbell, E. Ray Clendenen, Eric J. Tully
Contributors include: David S. Dockery, Trevin K. Wax, Ray Van Neste, John Stonestreet, Ted Cabal, Darrell L. Bock, Mary J. Sharp, Carl R. Trueman, Bruce Riley Ashford, R. Albert Mohler Jr., William A. Dembski, Preben Vang, David K. Naugle, Jennifer A. Marshall, Aida Besancon Spencer, Paul Copan, Robert Smith Jr., Douglas Groothuis, Russell D. Moore, Mark A. Noll, Timothy George, Carla D. Sanderson, Kevin Smith, Gregory B. Forster, Choon Sam Fong, and more.
The CSB Worldview Study Bible features the highly readable, highly reliable text of the Christian Standard Bible (CSB). The CSB stays as literal as possible to the Bibles original meaning without sacrificing clarity, making it easier to engage with Scriptures life-transforming message and to share it with others.
This is a wonderful Bible that not only gives us God's word but teaches through credible editors about the Christians view of the world. There are articles that show us the Biblical view of that issue; such a: the Biblical view of music, Personal Finances. Ther is an article on how Christians should relate to the government along with various other interesting articles.
This is a great study Bible for new believers, for discipling, for those interested in how God's word relates to issues around us today. How we as Christians should respond to a world that is turning against Christians.
This is a beautiful Bible, that is easy to read and has full-color maps. This will be a great addition to anyone's library.
CSB Worldview Study Bible
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commissions 16 CFR, Part 255 : Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Features include:
Extensive worldview study notes
Over 130 articles by notable Christian scholars
Center-column references
Smyth-sewn binding
Presentation page
Two ribbon markers
Two-piece gift box, and more
General Editors: David S. Dockery and Trevin Wax
Associate Editors: Constantine R. Campbell, E. Ray Clendenen, Eric J. Tully
Contributors include: David S. Dockery, Trevin K. Wax, Ray Van Neste, John Stonestreet, Ted Cabal, Darrell L. Bock, Mary J. Sharp, Carl R. Trueman, Bruce Riley Ashford, R. Albert Mohler Jr., William A. Dembski, Preben Vang, David K. Naugle, Jennifer A. Marshall, Aida Besancon Spencer, Paul Copan, Robert Smith Jr., Douglas Groothuis, Russell D. Moore, Mark A. Noll, Timothy George, Carla D. Sanderson, Kevin Smith, Gregory B. Forster, Choon Sam Fong, and more.
The CSB Worldview Study Bible features the highly readable, highly reliable text of the Christian Standard Bible (CSB). The CSB stays as literal as possible to the Bibles original meaning without sacrificing clarity, making it easier to engage with Scriptures life-transforming message and to share it with others.
This is a wonderful Bible that not only gives us God's word but teaches through credible editors about the Christians view of the world. There are articles that show us the Biblical view of that issue; such a: the Biblical view of music, Personal Finances. Ther is an article on how Christians should relate to the government along with various other interesting articles.
This is a great study Bible for new believers, for discipling, for those interested in how God's word relates to issues around us today. How we as Christians should respond to a world that is turning against Christians.
This is a beautiful Bible, that is easy to read and has full-color maps. This will be a great addition to anyone's library.
CSB Worldview Study Bible
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commissions 16 CFR, Part 255 : Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Gareth von Kallenbach (980 KP) rated Mortal Kombat Legends: Scorpion's Revenge (2020) in Movies
Apr 14, 2020
The hugely popular Mortal Kombat franchise has a new cinematic entry with the release of Mortal Kombat Legends: Scorpion’s Revenge. The film is based on the very popular game series which began in the arcades and grew to dominate home gaming systems.
The franchise has also included theatrical films, toys, and scores of merchandise and the recent Mortal Kombat XI game was a massive success as well.
With news of a new live-action film in the works; Warner Bros has given fans something that truly fits the franchise well in the form of an R-Rated animated film.
While the prior films had a PG-13 rating, this one relishes the gore and violence and gives fans plenty of what they have come to expect.
The plot follows elements of the game and early film in that the evil Shao Khan has called forth the champions from the various realms to fight in a generational tournament where the realm who wins 10 strait events will have control over all the realms.
With 9 consecutive wins in place for Shao Khan and his champion Goro (Kevin Michael Richardson), the God Raiden (Dave B. Mitchell), has assembled a team of champions to save Earth.
There is Liu Kang (Jordan Rodrigues), Sonya Blade (Jennifer Carpenter), and the ego maniac Johnny Cage (Joel McHale).
The team must battle all manner of enemies which includes a very impressive list from the game series and it was great to see so many of them appear even if their roles were small.
The main story focuses on Scorpion (Patrick Seitz) and his attempt to regain what was taken from him and it is his backstory which sets the tone and frames much of the events.
Action wise the film delivers as there are the moves, graphic internal close ups, and gore that fans will expect. There are also a few surprises along the way that I do not want to spoil. I did wonder why every creature in the film had red blood as I do remember there being a bit of variety amongst the non-human creatures but this is a minor fact in what is otherwise an enjoyable film that fans should like.
While the plot does not hold much in the way of surprises; it does give fans the action and characters they love and does bring some interesting new elements to the franchise as well as the basis for some character growth in future films.
The animation and voice work is first-rate and really captures the look and tone of the series while having a visual style of its own.
The ending clearly seems to be setting up a sequel and I for one cannot wait to see what they have in store next.
4 stars out of 5
The franchise has also included theatrical films, toys, and scores of merchandise and the recent Mortal Kombat XI game was a massive success as well.
With news of a new live-action film in the works; Warner Bros has given fans something that truly fits the franchise well in the form of an R-Rated animated film.
While the prior films had a PG-13 rating, this one relishes the gore and violence and gives fans plenty of what they have come to expect.
The plot follows elements of the game and early film in that the evil Shao Khan has called forth the champions from the various realms to fight in a generational tournament where the realm who wins 10 strait events will have control over all the realms.
With 9 consecutive wins in place for Shao Khan and his champion Goro (Kevin Michael Richardson), the God Raiden (Dave B. Mitchell), has assembled a team of champions to save Earth.
There is Liu Kang (Jordan Rodrigues), Sonya Blade (Jennifer Carpenter), and the ego maniac Johnny Cage (Joel McHale).
The team must battle all manner of enemies which includes a very impressive list from the game series and it was great to see so many of them appear even if their roles were small.
The main story focuses on Scorpion (Patrick Seitz) and his attempt to regain what was taken from him and it is his backstory which sets the tone and frames much of the events.
Action wise the film delivers as there are the moves, graphic internal close ups, and gore that fans will expect. There are also a few surprises along the way that I do not want to spoil. I did wonder why every creature in the film had red blood as I do remember there being a bit of variety amongst the non-human creatures but this is a minor fact in what is otherwise an enjoyable film that fans should like.
While the plot does not hold much in the way of surprises; it does give fans the action and characters they love and does bring some interesting new elements to the franchise as well as the basis for some character growth in future films.
The animation and voice work is first-rate and really captures the look and tone of the series while having a visual style of its own.
The ending clearly seems to be setting up a sequel and I for one cannot wait to see what they have in store next.
4 stars out of 5
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
Bob Mann (459 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Sep 29, 2021
The most fun you can have with Jack Black’s penis.
In 1995, Joe Johnston (“The Rocketeer”, “Captain America: The First Avenger”) directed “Jumanji” – a quirky, fantastical and dark film starring the late, great Robin Williams that got a rough critical reception at the time of release, but was embraced by the public and has gone on to be a modern classic. So when it was announced that a sequel was in the works 22 years later, my first reaction was “Oh no… is nothing sacred?”. It’s fair to say that I went into this flick with extremely low expectations.
But I have to say that – given this low base – I was pleasantly surprised. It’s actually quite a fun fantasy film that I predict that older kids will adore.
Seriously kick-ass. Karen Gillan – or rather one of her stunt doubles – gets hands… er… feet on with an aggressive level-character.
Initially set (neatly) in 1995, a teen – Alex (Nick Jonas, of the Jonas Brothers) unearths the board game Jumanji where it ended up buried in beach-sand at the end of the last film. “Who plays board games any more?” he scoffs, which the game hears and morphs into a game cartridge. Cheesy? Yes, but no more crazy than the goings on of the first film. Back in 2017, four high-school teens – geeky Spencer (Alex Wolff, “Patriot’s Day“); sports-jock Fridge (Ser’Darius Blain); self-obsessed beauty Bethany (Madison Iseman); and self-conscious, nerdy and shy Martha (Morgan Turner) – find the game and are sucked into it, having to complete all the game levels before they can escape.
Bethany (Madison Iseman) wishing she had her phone out for a selfie of this.
But they are not themselves in the game; they adopt the Avatars they chose to play: Dr Bravestone (Dwayne Johnson, “San Andreas“); Moose Finbar (Kevin Hart, “Get Hard“); Ruby Roundhouse (Karen Gillan, “Dr Who”, “The Circle“; “Guardians of the Galaxy“); and Professor Shelly Oberon (Jack Black, “Sex Tape“, “Kong”). Can they combine their respective game talents – and suppress the human mental baggage they brought with them – to escape the game?
Avatars all. Kevin Hart, Dwayne Johnson, Karen Gillan and Jack Black.
There was a really dark time-travelling angle to the storyline of the original film – the traumatic start of Disney’s “Flight of the Navigator” was perhaps also borrowed from the concept in the book by Chris Van Allsburg. An attempt is made to recreate this in the sequel. I felt the first film rather pulled its punches though in favour of a Hollywood happy ending: will this be the case this time?
The film delivers laughs, but in a rather inconsistent fashion – it is mostly smile-worthy rather than laugh-out-loud funny. Much fun is had with the sex change of Bethany’s character, with Jack Black’s member featuring – erm – prominently. The characters all have strengths and weaknesses, like a game of Top Trumps, and this also entertains. But the most humour derives from the “three lives and it’s game over” device giving the opportunity for various grisly ends, often relating to the above referenced weaknesses.
A weakness for cake… something many of us have, but not quite to this extent.
Given the cast that’s been signed up, the acting is not exactly first rate although Karen Gillan shines as the brightest star. But “it’s not bloody Shakespeare” so ham-acting is not that much of a problem and the cast all have fun with their roles. Dwayne Johnson in particular gets to play out of character as the ‘nerd within the hunk’, and his “smouldering look” skill – arched eyebrow and all – is hilarious. Rhys Darby, looking so much like Hugh Jackman that I had to do several double takes, also turns up as an English game-guide in a Land Rover, and Bobby Cannavale (“Ant Man“) is Van Pelt, the villain of the piece.
There has been much controversy over Karen Gillan’s child-sized outfit. But she is clearly a parallel to the well-endowed Lara Croft, and young male teens didn’t play that game for the jungle scenery! She is meant to be a hot and sexy video game character, and man – does she deliver! Gillan is not just hot in the film: she is #lavahot. This makes her comic attempts at flirting lessons (as the internally conflicted Martha) especially funny. Hats off to her stunt doubles as well, for some awe-inspiring martial arts fight scenes.
Seeing treble. Karen Gillan (centre) with her talented stunt doubles Joanna Bennett and Jahnel Curfman.
Fans of “Lost” will delight in the Jumanji scenery, surely one of the most over-used film locations in Hawaii if not the world!
Where the film gets bogged down is in too much cod-faced philosophizing over the teenager’s “journeys”. This is laid on in such a clunky manner in the early (slow!) scenes that the script could have been significantly tightened up. And as I said above the script, written (rather obviously) by a raft of writers, could have been so much funnier. Most of the humour comes from visually seeing what’s happening: not from the dialogue.
Directed by Jake Kasdan (son of director and Star Wars/Raiders screenwriter Lawrence Kasdan) it’s really not half as bad as it could have been and certainly not as bad as I feared: I would gladly watch it again. For it’s target audience, which is probably kids aged 10 to 14, I think they will love it. And, unlike many holiday films, the parents won’t be totally bored either (especially the Dads, for the obvious misogynistic reasons outlined above!).
But I have to say that – given this low base – I was pleasantly surprised. It’s actually quite a fun fantasy film that I predict that older kids will adore.
Seriously kick-ass. Karen Gillan – or rather one of her stunt doubles – gets hands… er… feet on with an aggressive level-character.
Initially set (neatly) in 1995, a teen – Alex (Nick Jonas, of the Jonas Brothers) unearths the board game Jumanji where it ended up buried in beach-sand at the end of the last film. “Who plays board games any more?” he scoffs, which the game hears and morphs into a game cartridge. Cheesy? Yes, but no more crazy than the goings on of the first film. Back in 2017, four high-school teens – geeky Spencer (Alex Wolff, “Patriot’s Day“); sports-jock Fridge (Ser’Darius Blain); self-obsessed beauty Bethany (Madison Iseman); and self-conscious, nerdy and shy Martha (Morgan Turner) – find the game and are sucked into it, having to complete all the game levels before they can escape.
Bethany (Madison Iseman) wishing she had her phone out for a selfie of this.
But they are not themselves in the game; they adopt the Avatars they chose to play: Dr Bravestone (Dwayne Johnson, “San Andreas“); Moose Finbar (Kevin Hart, “Get Hard“); Ruby Roundhouse (Karen Gillan, “Dr Who”, “The Circle“; “Guardians of the Galaxy“); and Professor Shelly Oberon (Jack Black, “Sex Tape“, “Kong”). Can they combine their respective game talents – and suppress the human mental baggage they brought with them – to escape the game?
Avatars all. Kevin Hart, Dwayne Johnson, Karen Gillan and Jack Black.
There was a really dark time-travelling angle to the storyline of the original film – the traumatic start of Disney’s “Flight of the Navigator” was perhaps also borrowed from the concept in the book by Chris Van Allsburg. An attempt is made to recreate this in the sequel. I felt the first film rather pulled its punches though in favour of a Hollywood happy ending: will this be the case this time?
The film delivers laughs, but in a rather inconsistent fashion – it is mostly smile-worthy rather than laugh-out-loud funny. Much fun is had with the sex change of Bethany’s character, with Jack Black’s member featuring – erm – prominently. The characters all have strengths and weaknesses, like a game of Top Trumps, and this also entertains. But the most humour derives from the “three lives and it’s game over” device giving the opportunity for various grisly ends, often relating to the above referenced weaknesses.
A weakness for cake… something many of us have, but not quite to this extent.
Given the cast that’s been signed up, the acting is not exactly first rate although Karen Gillan shines as the brightest star. But “it’s not bloody Shakespeare” so ham-acting is not that much of a problem and the cast all have fun with their roles. Dwayne Johnson in particular gets to play out of character as the ‘nerd within the hunk’, and his “smouldering look” skill – arched eyebrow and all – is hilarious. Rhys Darby, looking so much like Hugh Jackman that I had to do several double takes, also turns up as an English game-guide in a Land Rover, and Bobby Cannavale (“Ant Man“) is Van Pelt, the villain of the piece.
There has been much controversy over Karen Gillan’s child-sized outfit. But she is clearly a parallel to the well-endowed Lara Croft, and young male teens didn’t play that game for the jungle scenery! She is meant to be a hot and sexy video game character, and man – does she deliver! Gillan is not just hot in the film: she is #lavahot. This makes her comic attempts at flirting lessons (as the internally conflicted Martha) especially funny. Hats off to her stunt doubles as well, for some awe-inspiring martial arts fight scenes.
Seeing treble. Karen Gillan (centre) with her talented stunt doubles Joanna Bennett and Jahnel Curfman.
Fans of “Lost” will delight in the Jumanji scenery, surely one of the most over-used film locations in Hawaii if not the world!
Where the film gets bogged down is in too much cod-faced philosophizing over the teenager’s “journeys”. This is laid on in such a clunky manner in the early (slow!) scenes that the script could have been significantly tightened up. And as I said above the script, written (rather obviously) by a raft of writers, could have been so much funnier. Most of the humour comes from visually seeing what’s happening: not from the dialogue.
Directed by Jake Kasdan (son of director and Star Wars/Raiders screenwriter Lawrence Kasdan) it’s really not half as bad as it could have been and certainly not as bad as I feared: I would gladly watch it again. For it’s target audience, which is probably kids aged 10 to 14, I think they will love it. And, unlike many holiday films, the parents won’t be totally bored either (especially the Dads, for the obvious misogynistic reasons outlined above!).
BankofMarquis (1832 KP) rated Night School (2018) in Movies
Oct 15, 2018
Funny...enough - especially the classmates
Both Kevin Hart and Tiffany Hadish are comedic performers that can wear their welcome out if they are not reigned in properly. They both serve best as the comic "2nd banana" of a film, rather than the lead, so it was with some trepidation that I checked out the Hart/Haddish starring comedy NIGHT SCHOOL and when the first meeting of the two was the both of them running their very fast mouths at each other, I thought - for sure - that they would wear their welcome out with me.
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis