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Leatherdaddy (2019)
2.0
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Movie
Leatherdaddy tells the story of a group of 20-somethings as they gather for a Parisian house party....
Kristy H (1252 KP) rated Concrete Rose in Books
Jan 28, 2021
A striking prequel to The Hate You Give
Maverick Carter feels the weight of the world on his shoulders. With his father in prison, he has to help his mother financially while still attending high school. To do so, he's secretly dealing drugs with some of his friends, and he's a member of the King Lords gang, same as his father, for protection. But when Mav finds out he's becoming a father too, everything changes. His son, Seven, alters his view on the world. He wants to stop dealing, to get a real job, maybe even leave the gang. And when a murder rocks his community, Maverick is forced to grow up quickly and figure out exactly what his future holds.
"When it comes to the streets, there’s rules. They ain’t written down, and you won’t find them in a book."
CONCRETE ROSE takes place around seventeen years before Thomas' hit THE HATE YOU GIVE, and it's absolutely riveting. Talk about the book you didn't know you needed, but once you read it, you'll never forget it. Thomas perfectly captures teen Maverick's voice and his early life, including all the pressures that come with being a young black man in his community.
Thomas deftly shows how institutionalized racism has affected Maverick's entire world--his father in prison, the gang life that surrounds him, the standards and judgements forced upon him. Maverick wants to go straight, but the pressures he faces--having to support his family as a kid, other family members who want him in a gang--are nearly overwhelming.
This book touches on friendship, family, belonging, and so much more. It's spellbinding and so well-done. The fact that it has ties to THUG is even better, giving insight into more of that world. Overall, it's incredibly engrossing and insightful. Honestly, I was sad it didn't cover more time up to THUG. 4.5 stars.
"When it comes to the streets, there’s rules. They ain’t written down, and you won’t find them in a book."
CONCRETE ROSE takes place around seventeen years before Thomas' hit THE HATE YOU GIVE, and it's absolutely riveting. Talk about the book you didn't know you needed, but once you read it, you'll never forget it. Thomas perfectly captures teen Maverick's voice and his early life, including all the pressures that come with being a young black man in his community.
Thomas deftly shows how institutionalized racism has affected Maverick's entire world--his father in prison, the gang life that surrounds him, the standards and judgements forced upon him. Maverick wants to go straight, but the pressures he faces--having to support his family as a kid, other family members who want him in a gang--are nearly overwhelming.
This book touches on friendship, family, belonging, and so much more. It's spellbinding and so well-done. The fact that it has ties to THUG is even better, giving insight into more of that world. Overall, it's incredibly engrossing and insightful. Honestly, I was sad it didn't cover more time up to THUG. 4.5 stars.
ICB Jesus Calling Bible for Children: With Devotions from Sarah Young's Jesus Calling
Book
Dive into God's Word as you enjoy heartfelt devotional time with the ICB Jesus Calling Bible for...
Certain Dark Things
10.0
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Book
Welcome to Mexico City… An Oasis In A Sea Of Vampires… Domingo, a lonely garbage-collecting...
Erika (17788 KP) rated Peter Rabbit 2: The Runaway (2021) in Movies
Jun 15, 2021
Full disclosure, I absolutely loved the first Peter Rabbit film. I found it completely hilarious and cackled numerous times. The sequel did not make me laugh.
I typically don’t watch straight-up kid movies anymore, because they’re not funny, and they are as annoying as the kids in the audience. This movie completely reminded me of that.
The film begins with the wedding of Bea and Thomas, the rabbits and other members of McGregor’s Garden are all present. The animals are mixed in with the humans, and it looked very odd. I can’t figure out why. Bea and Thomas enter married bliss (?), running a shop in town, and tending the garden. Bea’s first Peter Rabbit book has been published by Thomas himself. Bea receives an offer from a publisher, Nigel Basil-Jones, played by David Oyelowo, to have her book republished so it can reach a wider audience. Bea begins to compromise her integrity to please Nigel and make the rabbits hipper to boost sales. Meanwhile, Peter embraces his bad boy/ mischievous image and makes friends with this super creepy rabbit from the city, participating in food heists.
The two main plotlines really didn’t make sense together and seemed to only be related because they were both about family. Yawn.
James Corden, who I can tolerate most of the time, was so completely annoying. His performance killed any motivation I had to see a possible third movie. This movie was just dumb, but I guess it probably entertained children.
There were a few positives. Oyelowo was hilarious, and one of the best parts of the film. He is the only reason I’m giving this film two-stars His comedy skills are on point and his interactions with Domhnall Gleeson were the best source of adult laughs. I also loved the voice acting of Flopsy, Mopsy, and Cottontail. Though, I was a little bummed that Daisy Ridley did not return as Cottontail.
The recent marketing stated, “In Theaters. Finally”. I’m not sure this film should have been released in theaters, they should have released it on VOD at Easter-time either in 2020, or 2021.
I typically don’t watch straight-up kid movies anymore, because they’re not funny, and they are as annoying as the kids in the audience. This movie completely reminded me of that.
The film begins with the wedding of Bea and Thomas, the rabbits and other members of McGregor’s Garden are all present. The animals are mixed in with the humans, and it looked very odd. I can’t figure out why. Bea and Thomas enter married bliss (?), running a shop in town, and tending the garden. Bea’s first Peter Rabbit book has been published by Thomas himself. Bea receives an offer from a publisher, Nigel Basil-Jones, played by David Oyelowo, to have her book republished so it can reach a wider audience. Bea begins to compromise her integrity to please Nigel and make the rabbits hipper to boost sales. Meanwhile, Peter embraces his bad boy/ mischievous image and makes friends with this super creepy rabbit from the city, participating in food heists.
The two main plotlines really didn’t make sense together and seemed to only be related because they were both about family. Yawn.
James Corden, who I can tolerate most of the time, was so completely annoying. His performance killed any motivation I had to see a possible third movie. This movie was just dumb, but I guess it probably entertained children.
There were a few positives. Oyelowo was hilarious, and one of the best parts of the film. He is the only reason I’m giving this film two-stars His comedy skills are on point and his interactions with Domhnall Gleeson were the best source of adult laughs. I also loved the voice acting of Flopsy, Mopsy, and Cottontail. Though, I was a little bummed that Daisy Ridley did not return as Cottontail.
The recent marketing stated, “In Theaters. Finally”. I’m not sure this film should have been released in theaters, they should have released it on VOD at Easter-time either in 2020, or 2021.
Thorn in My Side
8.0
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Book
DI Mike Yorke is coming home. After three months in London, he’s looking forward to being back in...
LoganCrews (2861 KP) rated Road to Perdition (2002) in Movies
Jul 4, 2021
A rich sensory experience until around the third act when I began choking on soap - could this be the most beautiful looking + sounding mob movie out there? Maybe, what with its otherworldly Thomas Newman score (which I can't believe people complained about) and downright tantalizing cinematography, paired with such lush period detail that never feels overbearing for a single second. Unfortunately (though expectedly) *too* pristine for its own good - tries so unsubtly to be a ''''serious'''' movie that's above the violent pulp this so desperately needed. It would be another thing entirely if they replaced it with something to say but this is perhaps the most simple mob story ever told. Initially presents itself as subdued mafia eye candy, which I was on board with until the jarring tonal shift beginning with the bank heists where it reveals its moral fiber to be the cloying relationship between Hanks and this annoying kid who can't act for shit. And don't even get me started on that dumbass narration which just spoon feeds you what this is supposed to be 'about' as if it wasn't already blatantly obvious. But Paul Newman and Jude Law are swell, and it's got a fair amount of good scenes that handle the simple melodrama well. Dazzling aesthetic showcase meets cringe Oscar bait which has been rendered mostly useless now that we have other movies of the genre/premise that aren't afraid to have some bite.
BankofMarquis (1832 KP) rated The Predator (2018) in Movies
Sep 26, 2018
Waste of idea, talent and my time
If I was to show future generations a prototypical 1980's "Machismo, Blood and Guts Action Flick", I would pull the original 1987 PREDATOR (starring good ol' Arnold Schwarzenegger) off my dusty shelves and show this to them. It is a film so "of it's time".
In subsequent years, there have been more films that attempted to use the Predator character - PREDATOR 2 (1990), AVP: ALIENS VS. PREDATOR (2004), ALIENS VS. PREDATOR: REQUIEM (2007) and PREDATORS (2010) - all disappointing. All failing to equal the balance of machismo, action and humor that is needed.
So...it was with great anticipation that I looked forward to THE PREDATOR, a new film written and directed by Shane Black (KISS KISS BANG BANG, IRON MAN 3, THE NICE GUYS) - one of the actors in the 1987 flick!
And...I was disappointed again.
This film fails because it never really got a grip on just what type of film it wanted to be - is it a Sci-Fi film? Is it an Action film? A buddy flick? A gore fest? A look at Autism? Black's script and direction spreads all these items out on the picnic blanket that is this film and then intermittently picks each one of these up to show us - sometimes a couple of them - like a kid trying to decide whether he wants the chips or the hot dogs or the Oreo cookies and just shoves them all in his mouth together.
And that's too bad, for Black has an interesting premise - rival Predators battling on Earth - with a ragtag group of Earthlings thrown in the middle - and what a "ragtag" group they are! Trevante Rhodes (MOONLIGHTING), Thomas Jane (THE MIST), Keegan-Michael Key (KEY & PEELE), Alfie Allen (GAME OF THRONES) and Augusto Aguilera (CHASING LIFE) make an intriguing band of misfit soldiers that easily could have been an equal to Arnold's ragtag group of soldiers from the 1987 original.
Unfortunately, they are the "back-up band" to the boring Boyd Holbrook (NARCOS) and Olivia Munn (X-MEN: APOCALYPSE) as a couple thrown together to defend Holbrook's Autistic son (Jacob Tremblay - so good in ROOM and wasted here) in a by-the-book "they hate each other when they first meet, so - naturally - they'll fall in love by the end" plot contrivance that doesn't work at all.
Add on top of that Sterling K. Brown (THIS IS US) as a "mysterious" Gov't Agent who is so much of a bad guy, all he was missing was a mustache twirl and the missed opportunities of actors such as Yvonne Stahovski (THE HANDMAID'S TALE) and NIall Matter (EUREKA) who both just stand around and do nothing. They even cast Jake Busey (Gary's kid) - who would be the perfect "over-the-top" bad guy for this sort of film, but...he is just misdirection and wasted as well.
What a wasted effort, a wasted opportunity and a waste of my time.
Letter Grade C_+: The ragtag group of soldiers were at least fun to watch (give Thomas Jane and Keegan-Michael Key their own "buddy" picture)!
5 stars (out of 10) - and you can take that to the BankofMarquis
In subsequent years, there have been more films that attempted to use the Predator character - PREDATOR 2 (1990), AVP: ALIENS VS. PREDATOR (2004), ALIENS VS. PREDATOR: REQUIEM (2007) and PREDATORS (2010) - all disappointing. All failing to equal the balance of machismo, action and humor that is needed.
So...it was with great anticipation that I looked forward to THE PREDATOR, a new film written and directed by Shane Black (KISS KISS BANG BANG, IRON MAN 3, THE NICE GUYS) - one of the actors in the 1987 flick!
And...I was disappointed again.
This film fails because it never really got a grip on just what type of film it wanted to be - is it a Sci-Fi film? Is it an Action film? A buddy flick? A gore fest? A look at Autism? Black's script and direction spreads all these items out on the picnic blanket that is this film and then intermittently picks each one of these up to show us - sometimes a couple of them - like a kid trying to decide whether he wants the chips or the hot dogs or the Oreo cookies and just shoves them all in his mouth together.
And that's too bad, for Black has an interesting premise - rival Predators battling on Earth - with a ragtag group of Earthlings thrown in the middle - and what a "ragtag" group they are! Trevante Rhodes (MOONLIGHTING), Thomas Jane (THE MIST), Keegan-Michael Key (KEY & PEELE), Alfie Allen (GAME OF THRONES) and Augusto Aguilera (CHASING LIFE) make an intriguing band of misfit soldiers that easily could have been an equal to Arnold's ragtag group of soldiers from the 1987 original.
Unfortunately, they are the "back-up band" to the boring Boyd Holbrook (NARCOS) and Olivia Munn (X-MEN: APOCALYPSE) as a couple thrown together to defend Holbrook's Autistic son (Jacob Tremblay - so good in ROOM and wasted here) in a by-the-book "they hate each other when they first meet, so - naturally - they'll fall in love by the end" plot contrivance that doesn't work at all.
Add on top of that Sterling K. Brown (THIS IS US) as a "mysterious" Gov't Agent who is so much of a bad guy, all he was missing was a mustache twirl and the missed opportunities of actors such as Yvonne Stahovski (THE HANDMAID'S TALE) and NIall Matter (EUREKA) who both just stand around and do nothing. They even cast Jake Busey (Gary's kid) - who would be the perfect "over-the-top" bad guy for this sort of film, but...he is just misdirection and wasted as well.
What a wasted effort, a wasted opportunity and a waste of my time.
Letter Grade C_+: The ragtag group of soldiers were at least fun to watch (give Thomas Jane and Keegan-Michael Key their own "buddy" picture)!
5 stars (out of 10) - and you can take that to the BankofMarquis
The Black Friend
Book
The instant New York Times bestseller! Writing from the perspective of a friend, Frederick Joseph...
Grateful American: A Journey from Self to Service
Book
The moving, entertaining, never-before-told story of how one man found his calling. "The book is...