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Hadley (567 KP) rated The Institute in Books
Oct 24, 2019
Likable characters (1 more)
Paranormal
Sexualizing children (1 more)
Not a regular King story
At around 95 novels, Stephen King, who is one of the most well-known authors of our time, debuts a possible new novel series about psychic children. 'The Institute' mostly takes place in a hidden facility located in a wooded area of Maine,where readers follow a kidnapped child prodigy named Luke Ellis, and the government experiments that are inflicted on him to heighten his psychic powers.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
Haley Mathiot (9 KP) rated Tyger Tyger (Goblin Wars, #1) in Books
Apr 27, 2018
Teagan is sure she’s just your average girl… until a horrible twist of events convinces her that she is being hunted by goblins, for a reason she doesn’t understand, and her father is kidnapped by them. She and her quirky brother, Aiden, and her cousin-by-adoption Finn set off into the world she never knew existed to try and solve the mysteries of her past.
And it would be a whole lot easier if Finn wasn’t so darn distracting. Because it’s really hard to concentrate on hiding and finding food and running from hell hounds when you’re head over heels in love.
I tore through Tyger Tyger as fast as Finn swept Teagan off her feet (very fast). The story is fast-paced, exciting, and irresistible, with a great combination of mystery, suspense, and romance.
Finn is the bad boy we all want… rough, tough, and willing to do anything from skipping a meal to breaking an arm for the girl he loves. His rough exterior and his cold demeanor only make his love for Teagan more special. He was certainly my favorite character, followed closely by Teagan’s little brother, Aiden. He’s a funny quirky sort of kid who seems to be able to cause problems and solve them at the same time.
The plot and the pacing were fantastic! There were so many secrets and questions, and the way they were revealed was perfect.
The things that weren’t perfect about the book were these: The writing was clear and descriptive, though a little hard to understand at times. The only thing that felt lacking was Teagan and Finn’s relationship. It felt like it just barely got started… and the book ended. But on the other hand, it was definitely real, and not any of that sappy love based solely on attraction stuff. Lastly, I don’t really think the title describes the book, and the cover—though breathtakingly artistic—doesn’t say much about the book either. But none of this really took away from the enjoyment and the satisfaction at the end—the end was really cute, by the way!
I adored Tyger Tyger and can’t wait for the next book in the series!
And it would be a whole lot easier if Finn wasn’t so darn distracting. Because it’s really hard to concentrate on hiding and finding food and running from hell hounds when you’re head over heels in love.
I tore through Tyger Tyger as fast as Finn swept Teagan off her feet (very fast). The story is fast-paced, exciting, and irresistible, with a great combination of mystery, suspense, and romance.
Finn is the bad boy we all want… rough, tough, and willing to do anything from skipping a meal to breaking an arm for the girl he loves. His rough exterior and his cold demeanor only make his love for Teagan more special. He was certainly my favorite character, followed closely by Teagan’s little brother, Aiden. He’s a funny quirky sort of kid who seems to be able to cause problems and solve them at the same time.
The plot and the pacing were fantastic! There were so many secrets and questions, and the way they were revealed was perfect.
The things that weren’t perfect about the book were these: The writing was clear and descriptive, though a little hard to understand at times. The only thing that felt lacking was Teagan and Finn’s relationship. It felt like it just barely got started… and the book ended. But on the other hand, it was definitely real, and not any of that sappy love based solely on attraction stuff. Lastly, I don’t really think the title describes the book, and the cover—though breathtakingly artistic—doesn’t say much about the book either. But none of this really took away from the enjoyment and the satisfaction at the end—the end was really cute, by the way!
I adored Tyger Tyger and can’t wait for the next book in the series!
Acanthea Grimscythe (300 KP) rated Where Dead Men Meet in Books
May 16, 2018
Originality is key. In this regard, Where Dead Men Meet by Mark Mills is so predictable that you already know the outcome from the first page. Kidnapped at a young age and taken to another country, Luke Hamilton grows up believing that his family is dead. After Sister Agnes, a key character in Luke’s life, turns up dead, Luke quickly finds himself caught up in a situation that spins out of control. His very existence is unfinished business to the Karaman brothers, a pair of crime lords whose reach is impossibly long. Brushing close with death, Luke Hamilton soon flees across several countries. Along the way, he meets Pippi. Can he trust her?
Well, the answer there is clear as day, but I’ll leave it at that. There’s nothing original about the plot in this book. Absolutely nothing, which makes it a rather dull read for me. Luke Hamilton is a misfit. An orphan of a wealthy family, too. What should be a major plot twist in Where Dead Men Meet becomes obvious before its actual reveal, too. This is a serious no-go for me. If I’ve read it once, I don’t want to read it again. If I’ve watched it once, I don’t typically want to read it again either.
The characters are alright. Luke Hamilton seems a bit soft, Pippi is roguish, and the others, which are largely minor in comparison, are fairly standard in their actions. I never felt any connection to any of them. If you’ve been reading my blog for a while, then you know that my emotional connection to a character is a must.
Despite these major flaws, Mark Mills can write. Though I don’t care much for Where Dead Men Meet‘s plot, Mills’s style of writing is nice. I haven’t had the opportunity to read more of his work, but, provided it is more original in its concept, I’d definitely give it a try. This book is probably better suited to readers that prefer more cinematic thrillers.
I would like to thank the publisher for providing me with an advanced copy via NetGalley for unbiased review.
Well, the answer there is clear as day, but I’ll leave it at that. There’s nothing original about the plot in this book. Absolutely nothing, which makes it a rather dull read for me. Luke Hamilton is a misfit. An orphan of a wealthy family, too. What should be a major plot twist in Where Dead Men Meet becomes obvious before its actual reveal, too. This is a serious no-go for me. If I’ve read it once, I don’t want to read it again. If I’ve watched it once, I don’t typically want to read it again either.
The characters are alright. Luke Hamilton seems a bit soft, Pippi is roguish, and the others, which are largely minor in comparison, are fairly standard in their actions. I never felt any connection to any of them. If you’ve been reading my blog for a while, then you know that my emotional connection to a character is a must.
Despite these major flaws, Mark Mills can write. Though I don’t care much for Where Dead Men Meet‘s plot, Mills’s style of writing is nice. I haven’t had the opportunity to read more of his work, but, provided it is more original in its concept, I’d definitely give it a try. This book is probably better suited to readers that prefer more cinematic thrillers.
I would like to thank the publisher for providing me with an advanced copy via NetGalley for unbiased review.
Sassy Brit (97 KP) rated Pretty Ugly Lies in Books
Jun 5, 2019
In “Pretty Ugly Lies” Pamela Crane reveals the lives of four very different women in this dramatic, intimate domestic noir, of which I could not put down, especially upon opening the book to suddenly discover how someone is killing a whole family!
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
Debbiereadsbook (1166 KP) rated River (Stranger In The Woods #2) in Books
Feb 9, 2018
Long bokk but good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book direct from the author.
This is book 2 in the Stranger in The Woods series, and you really MUST read Rain, book one first. I really enjoyed that one.
This one?? Not so much. Mostly because this book is LONG!!!
Rose had her baby, Rain right at the end of book one. This one is about the run up to River's birth. Ryder is River's father.
It is again written first person, present tense, multi point of view, mostly Rose and Ryder, with some Gunner and a few other, less savoury characters, but it is right that they have a say. And it bothered me more here, than in Rain, the present tense thing, and I've no idea WHY!
There is a huge chunk of the book that was kinda...trippy....for want of a better word. When Rose and Rain are kidnapped by King and are dwelling in another plane, I got lost. There are two or three names for the same body that is inhabited by King. Sometimes his speech is in italics, and sometimes not. I'm still not entirely sure about the past life thing between King and Rose!
There is, I think, a MUCH bigger picture that still isn't clear for these characters, and sometimes that's a good thing but here?? I'm thinking not so much. I have no idea, not a single clue, where this story is going, and I felt that right down to my bones as I was reading. I began to skim far far more than usual, and that is never a good thing.
I did, however, read this book in one single sitting, and it ain't no novella, let me tell ya! Not sure how many pages it is, but it took me 5 hours! So it kept me mostly engaged, except the trippy bit which was confusing to say the least!
So, because I read it in one go, because everyone who needed to has a say, and because I really do need to know where this is going...
4 stars
**same worded review will appear elsewhere**
This is book 2 in the Stranger in The Woods series, and you really MUST read Rain, book one first. I really enjoyed that one.
This one?? Not so much. Mostly because this book is LONG!!!
Rose had her baby, Rain right at the end of book one. This one is about the run up to River's birth. Ryder is River's father.
It is again written first person, present tense, multi point of view, mostly Rose and Ryder, with some Gunner and a few other, less savoury characters, but it is right that they have a say. And it bothered me more here, than in Rain, the present tense thing, and I've no idea WHY!
There is a huge chunk of the book that was kinda...trippy....for want of a better word. When Rose and Rain are kidnapped by King and are dwelling in another plane, I got lost. There are two or three names for the same body that is inhabited by King. Sometimes his speech is in italics, and sometimes not. I'm still not entirely sure about the past life thing between King and Rose!
There is, I think, a MUCH bigger picture that still isn't clear for these characters, and sometimes that's a good thing but here?? I'm thinking not so much. I have no idea, not a single clue, where this story is going, and I felt that right down to my bones as I was reading. I began to skim far far more than usual, and that is never a good thing.
I did, however, read this book in one single sitting, and it ain't no novella, let me tell ya! Not sure how many pages it is, but it took me 5 hours! So it kept me mostly engaged, except the trippy bit which was confusing to say the least!
So, because I read it in one go, because everyone who needed to has a say, and because I really do need to know where this is going...
4 stars
**same worded review will appear elsewhere**
Bookapotamus (289 KP) rated Bring Me Back in Books
May 29, 2018
Ahhhhhh... I have such mixed feelings about this book. I don't know where to start or how to properly review without giving away spoilers, but I just had such high hopes throughout the first half of this story and then... meh.
This was my first B.A. Paris book. I've heard great things about the author and this book in particular, the buzz was deafening, but for me it just fell flat.
Don't get me wrong, the premise was so intriguing and I jumped right in with all the whodunit questions. I jumped from character to character with the turn of every page, not knowing who knew what, who did what, and these are EXACTLY the style of books I love. Unfortunately, I had major suspicions about 50% through, and I was pretty much correct - but the execution just made me more or less angry. It's like those books where you're so dumbfounded, you have no idea whats going to happen, you're so excited for those super fun twisty turny clues and then everything starts falling into place. But this was not the case with Bring Me Back. It felt like a cop-out at the end. It was like - the whole story was questions, and then you get all the answers in one final chapter and you're like... ummm what? I dunno - it felt lazy at the end, unconnected a bit, and pretty unbelievable.
The basic story is that Finn meets Layla, they fall in love and then one night, as they're stopped at a gas station rest stop, Finn returns from the restroom and Layla is gone. Did she leave, was she forced or kidnapped? Ten years later, Finn is about to marry someone else, and clues begin to appear raising questions as to if Layla is alive, and if so, where is she?
Without spoiling anything, I WILL say It was a fun idea, and the writing is top notch. I loved how stories were interwoven and little clues popping up everywhere. But again, the end just fell flat for me. I'll definitely be checking out some of B.A. Paris's other books for sure though after reading this. I really enjoyed the writing style and MOST of the book!
This was my first B.A. Paris book. I've heard great things about the author and this book in particular, the buzz was deafening, but for me it just fell flat.
Don't get me wrong, the premise was so intriguing and I jumped right in with all the whodunit questions. I jumped from character to character with the turn of every page, not knowing who knew what, who did what, and these are EXACTLY the style of books I love. Unfortunately, I had major suspicions about 50% through, and I was pretty much correct - but the execution just made me more or less angry. It's like those books where you're so dumbfounded, you have no idea whats going to happen, you're so excited for those super fun twisty turny clues and then everything starts falling into place. But this was not the case with Bring Me Back. It felt like a cop-out at the end. It was like - the whole story was questions, and then you get all the answers in one final chapter and you're like... ummm what? I dunno - it felt lazy at the end, unconnected a bit, and pretty unbelievable.
The basic story is that Finn meets Layla, they fall in love and then one night, as they're stopped at a gas station rest stop, Finn returns from the restroom and Layla is gone. Did she leave, was she forced or kidnapped? Ten years later, Finn is about to marry someone else, and clues begin to appear raising questions as to if Layla is alive, and if so, where is she?
Without spoiling anything, I WILL say It was a fun idea, and the writing is top notch. I loved how stories were interwoven and little clues popping up everywhere. But again, the end just fell flat for me. I'll definitely be checking out some of B.A. Paris's other books for sure though after reading this. I really enjoyed the writing style and MOST of the book!
Goddess in the Stacks (553 KP) rated Our Endless Numbered Days in Books
Sep 26, 2018
I don't like unreliable narrators. I didn't realize, at first, that Peggy was one. Even though she mentions at the start of the book that a doctor said she had Korsakoff's syndrome - meaning malnutrition has messed with her memories - I assumed that it was just because her experiences were so unbelievable that the doctor thought she'd made things up. I also don't like unreliable narrators because the author obviously knows what truly happened. Leaving the reader in the dark about it seems rude.
Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.
In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.
I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.
This book is odd.
You can find all my reviews at http://goddessinthestacks.com
Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.
In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.
I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.
This book is odd.
You can find all my reviews at http://goddessinthestacks.com
Darren (64 KP) rated Any Which Way You Can (1980) in Movies
Nov 1, 2019
Right Turn Clyde
Contains spoilers, click to show
This was the first film i ever rented as a kid from the video shop. I was 5 at the time and the cover just drew me to it. My mum bless her let me have this and The Snowman. That was way back in 1985 and i have never lost any love for it.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Gareth von Kallenbach (974 KP) rated Trolls (2016) in Movies
Jul 15, 2019
The new film ‘Trolls’ by Dreamworks opens nationwide November 4.
Trolls is an animated kids movie starring the voices of Anna Kendrick as Poppy, heir to the Trolls, and her pessimistic best friend Branch, voiced by Justin Timberlake.
Trolls opens with a quick summary of the Trolls personality– they are always happy, love to hug, party and dance. This is immediately followed up by revealing the trolls biggest predicament: the Bergens.
The Bergens don’t feel anything at all and don’t enjoy doing anything, the only amount of happiness they feel comes from eating the trolls on a holiday they deemed “Trollstis”.
I actually enjoyed this concept although it is a bit dark for children. The film however, manages to stay away from having a dark tone throughout. Instead, it’s filled with cheesy musical numbers and has a very basic plot, I.e. trolls get kidnapped and need to be rescued.
The character depth is pretty slim and the only character development we really see is with Branch (Timberlake) who goes from being pessimistic and a downer to positive and happy by the very end.
Multiple times during the movie I found myself asking “when is this going to end?”. There was maybe one moment throughout the entire movie that got a half chuckle out of me and that was absolutely it.
Despite such big names like Justin Timberlake, Anna Kendrick, Russell Brand, Zoey Deschanel and Gwen Stefani, the subtle adult jokes sprinkled throughout the movie were few and far between…. Rather than most recent films targeted at kids, that have an underlying thread aimed at drawing in adults and making it worthwhile for the adults to attend, Trolls adult aimed content seemed to be at an absolute bare minimum.
Therefore, my conclusions are this: If you’re looking for a kids movie that also has substance that reaches adults, this film doesn’t make the list. This film is simply a kids movie in every way.
However, if you want to take your kid to a movie that lights up his face and brightens his day this movie is worth sitting through.
I’d give this movie 2/5 stars as an adult, but the 8 year old boy gives it 5/5.
Trolls is an animated kids movie starring the voices of Anna Kendrick as Poppy, heir to the Trolls, and her pessimistic best friend Branch, voiced by Justin Timberlake.
Trolls opens with a quick summary of the Trolls personality– they are always happy, love to hug, party and dance. This is immediately followed up by revealing the trolls biggest predicament: the Bergens.
The Bergens don’t feel anything at all and don’t enjoy doing anything, the only amount of happiness they feel comes from eating the trolls on a holiday they deemed “Trollstis”.
I actually enjoyed this concept although it is a bit dark for children. The film however, manages to stay away from having a dark tone throughout. Instead, it’s filled with cheesy musical numbers and has a very basic plot, I.e. trolls get kidnapped and need to be rescued.
The character depth is pretty slim and the only character development we really see is with Branch (Timberlake) who goes from being pessimistic and a downer to positive and happy by the very end.
Multiple times during the movie I found myself asking “when is this going to end?”. There was maybe one moment throughout the entire movie that got a half chuckle out of me and that was absolutely it.
Despite such big names like Justin Timberlake, Anna Kendrick, Russell Brand, Zoey Deschanel and Gwen Stefani, the subtle adult jokes sprinkled throughout the movie were few and far between…. Rather than most recent films targeted at kids, that have an underlying thread aimed at drawing in adults and making it worthwhile for the adults to attend, Trolls adult aimed content seemed to be at an absolute bare minimum.
Therefore, my conclusions are this: If you’re looking for a kids movie that also has substance that reaches adults, this film doesn’t make the list. This film is simply a kids movie in every way.
However, if you want to take your kid to a movie that lights up his face and brightens his day this movie is worth sitting through.
I’d give this movie 2/5 stars as an adult, but the 8 year old boy gives it 5/5.
Mark @ Carstairs Considers (2163 KP) rated The Downtown Desperadoes in Books
Jan 19, 2020
Returning to NYC to Help a Friend
It all starts with a phone call. Ricky Kidd is confused by the strange message, and he is certain it is a prank, expect for the fact that the voice sounds familiar. It’s a couple of hours later when he recognizes it as Brother Phillip, the man who had helped him track down his younger brother when Joel was kidnapped during the class trip to New York City back in the spring. When his father tries to find out what is happening with Brother Phillip, he discovers the mission the man run has burned down, and the police believe that Brother Phillip died in the fire. The only problem is, the fire took place before the phone call. Ricky is able to convince his family and friends, Ralphy and Mike, to change their Thanksgiving plans and go to the city, but when they arrive, things only get weirder. Did they really know Brother Phillip? Is he in danger? Or is he a criminal?
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.