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Sassy Brit (97 KP) rated Pretty Ugly Lies in Books
Jun 5, 2019
In “Pretty Ugly Lies” Pamela Crane reveals the lives of four very different women in this dramatic, intimate domestic noir, of which I could not put down, especially upon opening the book to suddenly discover how someone is killing a whole family!
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
As the story unravelled I found myself really keen to find out who had murdered not just the husband but the kids in such a horrific way! We hear, through the voices of four women, Jo Trubeau, Ellie Harper, Shayla Kensington and June Merrigan, how their seemingly unconnected lives and problems eventually intertwine in this cleverly written tale of domestic bliss gone wrong.
We also hear the evil thoughts of the kidnapper and for me that made this read even more entertaining, sending chills down my spine!
Overall, Pretty Ugly Lies raises some series issues, from kidnapping a child, stalking, and infidelity, to marriage breakdowns, autism, and suicidal thoughts. There’s certainly a huge amount of problems within these girl’s lives and the neighbourhood they live in. I wouldn’t want to live there, however affluent it looked on the outside.
If you love a book full of some pretty ugly lies, then the killer secrets and domestic misery within this dark thriller will have you double checking what’s lurking in the shadows as you read! Not to mention checking where your kids are. A powerful statement of how a twisted, disfigured need for love can evolve into a terrible tragedy with disastrous consequences!
Oh, and as a side-note, I loved how, at the very end of this story, Pamela’s daughter Talia (7) wrote her own version of “The Girl Who Got Kidnapped” and why! It’s such a cute, Grimm Fairy Tale like story, (totally different to the actual book) and pretty well written for such a young age. I can safely put money on Talia definitely following in her mum’s footsteps as a writer herself! I hope I get to see that day!
My thanks to Bloodhound Books and NetGalley for an advanced readers copy of this book. All opinions are my own and not biased in any way.
Debbiereadsbook (1437 KP) rated River (Stranger In The Woods #2) in Books
Feb 9, 2018
Long bokk but good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book direct from the author.
This is book 2 in the Stranger in The Woods series, and you really MUST read Rain, book one first. I really enjoyed that one.
This one?? Not so much. Mostly because this book is LONG!!!
Rose had her baby, Rain right at the end of book one. This one is about the run up to River's birth. Ryder is River's father.
It is again written first person, present tense, multi point of view, mostly Rose and Ryder, with some Gunner and a few other, less savoury characters, but it is right that they have a say. And it bothered me more here, than in Rain, the present tense thing, and I've no idea WHY!
There is a huge chunk of the book that was kinda...trippy....for want of a better word. When Rose and Rain are kidnapped by King and are dwelling in another plane, I got lost. There are two or three names for the same body that is inhabited by King. Sometimes his speech is in italics, and sometimes not. I'm still not entirely sure about the past life thing between King and Rose!
There is, I think, a MUCH bigger picture that still isn't clear for these characters, and sometimes that's a good thing but here?? I'm thinking not so much. I have no idea, not a single clue, where this story is going, and I felt that right down to my bones as I was reading. I began to skim far far more than usual, and that is never a good thing.
I did, however, read this book in one single sitting, and it ain't no novella, let me tell ya! Not sure how many pages it is, but it took me 5 hours! So it kept me mostly engaged, except the trippy bit which was confusing to say the least!
So, because I read it in one go, because everyone who needed to has a say, and because I really do need to know where this is going...
4 stars
**same worded review will appear elsewhere**
This is book 2 in the Stranger in The Woods series, and you really MUST read Rain, book one first. I really enjoyed that one.
This one?? Not so much. Mostly because this book is LONG!!!
Rose had her baby, Rain right at the end of book one. This one is about the run up to River's birth. Ryder is River's father.
It is again written first person, present tense, multi point of view, mostly Rose and Ryder, with some Gunner and a few other, less savoury characters, but it is right that they have a say. And it bothered me more here, than in Rain, the present tense thing, and I've no idea WHY!
There is a huge chunk of the book that was kinda...trippy....for want of a better word. When Rose and Rain are kidnapped by King and are dwelling in another plane, I got lost. There are two or three names for the same body that is inhabited by King. Sometimes his speech is in italics, and sometimes not. I'm still not entirely sure about the past life thing between King and Rose!
There is, I think, a MUCH bigger picture that still isn't clear for these characters, and sometimes that's a good thing but here?? I'm thinking not so much. I have no idea, not a single clue, where this story is going, and I felt that right down to my bones as I was reading. I began to skim far far more than usual, and that is never a good thing.
I did, however, read this book in one single sitting, and it ain't no novella, let me tell ya! Not sure how many pages it is, but it took me 5 hours! So it kept me mostly engaged, except the trippy bit which was confusing to say the least!
So, because I read it in one go, because everyone who needed to has a say, and because I really do need to know where this is going...
4 stars
**same worded review will appear elsewhere**
Bookapotamus (289 KP) rated Bring Me Back in Books
May 29, 2018
Ahhhhhh... I have such mixed feelings about this book. I don't know where to start or how to properly review without giving away spoilers, but I just had such high hopes throughout the first half of this story and then... meh.
This was my first B.A. Paris book. I've heard great things about the author and this book in particular, the buzz was deafening, but for me it just fell flat.
Don't get me wrong, the premise was so intriguing and I jumped right in with all the whodunit questions. I jumped from character to character with the turn of every page, not knowing who knew what, who did what, and these are EXACTLY the style of books I love. Unfortunately, I had major suspicions about 50% through, and I was pretty much correct - but the execution just made me more or less angry. It's like those books where you're so dumbfounded, you have no idea whats going to happen, you're so excited for those super fun twisty turny clues and then everything starts falling into place. But this was not the case with Bring Me Back. It felt like a cop-out at the end. It was like - the whole story was questions, and then you get all the answers in one final chapter and you're like... ummm what? I dunno - it felt lazy at the end, unconnected a bit, and pretty unbelievable.
The basic story is that Finn meets Layla, they fall in love and then one night, as they're stopped at a gas station rest stop, Finn returns from the restroom and Layla is gone. Did she leave, was she forced or kidnapped? Ten years later, Finn is about to marry someone else, and clues begin to appear raising questions as to if Layla is alive, and if so, where is she?
Without spoiling anything, I WILL say It was a fun idea, and the writing is top notch. I loved how stories were interwoven and little clues popping up everywhere. But again, the end just fell flat for me. I'll definitely be checking out some of B.A. Paris's other books for sure though after reading this. I really enjoyed the writing style and MOST of the book!
This was my first B.A. Paris book. I've heard great things about the author and this book in particular, the buzz was deafening, but for me it just fell flat.
Don't get me wrong, the premise was so intriguing and I jumped right in with all the whodunit questions. I jumped from character to character with the turn of every page, not knowing who knew what, who did what, and these are EXACTLY the style of books I love. Unfortunately, I had major suspicions about 50% through, and I was pretty much correct - but the execution just made me more or less angry. It's like those books where you're so dumbfounded, you have no idea whats going to happen, you're so excited for those super fun twisty turny clues and then everything starts falling into place. But this was not the case with Bring Me Back. It felt like a cop-out at the end. It was like - the whole story was questions, and then you get all the answers in one final chapter and you're like... ummm what? I dunno - it felt lazy at the end, unconnected a bit, and pretty unbelievable.
The basic story is that Finn meets Layla, they fall in love and then one night, as they're stopped at a gas station rest stop, Finn returns from the restroom and Layla is gone. Did she leave, was she forced or kidnapped? Ten years later, Finn is about to marry someone else, and clues begin to appear raising questions as to if Layla is alive, and if so, where is she?
Without spoiling anything, I WILL say It was a fun idea, and the writing is top notch. I loved how stories were interwoven and little clues popping up everywhere. But again, the end just fell flat for me. I'll definitely be checking out some of B.A. Paris's other books for sure though after reading this. I really enjoyed the writing style and MOST of the book!
Goddess in the Stacks (553 KP) rated Our Endless Numbered Days in Books
Sep 26, 2018
I don't like unreliable narrators. I didn't realize, at first, that Peggy was one. Even though she mentions at the start of the book that a doctor said she had Korsakoff's syndrome - meaning malnutrition has messed with her memories - I assumed that it was just because her experiences were so unbelievable that the doctor thought she'd made things up. I also don't like unreliable narrators because the author obviously knows what truly happened. Leaving the reader in the dark about it seems rude.
Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.
In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.
I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.
This book is odd.
You can find all my reviews at http://goddessinthestacks.com
Peggy's narration does seem childlike, often. While at the beginning of the book, that can be excused because she is eight years old, by the end she is seventeen, yet still talking about things with a child's understanding. I thought that was the effect of Korsakoff's syndrome, not that she was entirely making some things up.
In our endless numbered days, Peggy is effectively kidnapped by her father when she is eight, and taken to some place deep in the German forest. She spends the next nine years alone in the forest with him, trapping squirrels, gathering roots and berries, and growing simple crops in a small vegetable patch. He tells her, repeatedly, making her repeat it back to him, that the rest of the world was destroyed in a massive storm. They are the last two people alive in their small, sheltered valley. She doesn't question it until she sees a man in their forest, and that eventually leads her to find civilization again. The book is told in two timelines, flashing back and forth from her memories of her time in the forest, and the present where she's attempting to re-acclimate to London.
I'm not really sure what to believe; Peggy's memory or what her mother thinks happened. There are just enough oddities to make either story plausible. I think I prefer Peggy's version. But that's the trouble with unreliable narrators; there's no way to actually know. I don't like ending a book frustrated. Books should make you feel things, yes, but frustration is an odd emotion to aim for.
This book is odd.
You can find all my reviews at http://goddessinthestacks.com
Darren (64 KP) rated Any Which Way You Can (1980) in Movies
Nov 1, 2019
Right Turn Clyde
Contains spoilers, click to show
This was the first film i ever rented as a kid from the video shop. I was 5 at the time and the cover just drew me to it. My mum bless her let me have this and The Snowman. That was way back in 1985 and i have never lost any love for it.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Clint stars as Philo Bedo a bare knuckle brawler who has decided after his last fight (Which he easily wins) Enough is enough and he no longer wants to fight as, He is getting to enjoy the pain a little too much. When he is offered $25,000 by Patrick Scarfe ( Michael Cavanaugh) to fight Jack Wilson played by B movie great William Smith, Philo finds the offer to tempting to resist and accepts. Meanwhile, Lynn Halsey Taylor (Sondra Locke) returns to town and plays at the local bar in an attempt to reconcile with Philo, who she betrayed in the first film. Add to this, The Black Widows, the notorious and bumbling local biker gang, plan revenge on Philo for previous misdeeds from the first film.
When circumstances lead Philo to reconcile with Lynn, She and Philo's half brother Orville (Geoffrey Lewis) find out that Jack has killed a guy in his previous fight leading no one wanting to fight him. After much pressure, Philo decides not to fight and attempts to give the money back but Scarfe and his partner James Beekman ( Harry Guardino) won't take no for an answer and have Lynn kidnapped so that Philo has no choice but to fight.
Wilson finds out about this and helps Philo get Lynn back with both of them taking down a Beekmans mob guys.. When the fight is called off again because of the under handed tactics of Scarfe and Beekman, Pride between Philo and Wilson makes them wonder who would of won the fight?
Knowing it can't end how it is, Bedo and Wilson have a wild fight through the streets of Jackson to find out, Just who is the best between them.
Gareth von Kallenbach (980 KP) rated Trolls (2016) in Movies
Jul 15, 2019
The new film ‘Trolls’ by Dreamworks opens nationwide November 4.
Trolls is an animated kids movie starring the voices of Anna Kendrick as Poppy, heir to the Trolls, and her pessimistic best friend Branch, voiced by Justin Timberlake.
Trolls opens with a quick summary of the Trolls personality– they are always happy, love to hug, party and dance. This is immediately followed up by revealing the trolls biggest predicament: the Bergens.
The Bergens don’t feel anything at all and don’t enjoy doing anything, the only amount of happiness they feel comes from eating the trolls on a holiday they deemed “Trollstis”.
I actually enjoyed this concept although it is a bit dark for children. The film however, manages to stay away from having a dark tone throughout. Instead, it’s filled with cheesy musical numbers and has a very basic plot, I.e. trolls get kidnapped and need to be rescued.
The character depth is pretty slim and the only character development we really see is with Branch (Timberlake) who goes from being pessimistic and a downer to positive and happy by the very end.
Multiple times during the movie I found myself asking “when is this going to end?”. There was maybe one moment throughout the entire movie that got a half chuckle out of me and that was absolutely it.
Despite such big names like Justin Timberlake, Anna Kendrick, Russell Brand, Zoey Deschanel and Gwen Stefani, the subtle adult jokes sprinkled throughout the movie were few and far between…. Rather than most recent films targeted at kids, that have an underlying thread aimed at drawing in adults and making it worthwhile for the adults to attend, Trolls adult aimed content seemed to be at an absolute bare minimum.
Therefore, my conclusions are this: If you’re looking for a kids movie that also has substance that reaches adults, this film doesn’t make the list. This film is simply a kids movie in every way.
However, if you want to take your kid to a movie that lights up his face and brightens his day this movie is worth sitting through.
I’d give this movie 2/5 stars as an adult, but the 8 year old boy gives it 5/5.
Trolls is an animated kids movie starring the voices of Anna Kendrick as Poppy, heir to the Trolls, and her pessimistic best friend Branch, voiced by Justin Timberlake.
Trolls opens with a quick summary of the Trolls personality– they are always happy, love to hug, party and dance. This is immediately followed up by revealing the trolls biggest predicament: the Bergens.
The Bergens don’t feel anything at all and don’t enjoy doing anything, the only amount of happiness they feel comes from eating the trolls on a holiday they deemed “Trollstis”.
I actually enjoyed this concept although it is a bit dark for children. The film however, manages to stay away from having a dark tone throughout. Instead, it’s filled with cheesy musical numbers and has a very basic plot, I.e. trolls get kidnapped and need to be rescued.
The character depth is pretty slim and the only character development we really see is with Branch (Timberlake) who goes from being pessimistic and a downer to positive and happy by the very end.
Multiple times during the movie I found myself asking “when is this going to end?”. There was maybe one moment throughout the entire movie that got a half chuckle out of me and that was absolutely it.
Despite such big names like Justin Timberlake, Anna Kendrick, Russell Brand, Zoey Deschanel and Gwen Stefani, the subtle adult jokes sprinkled throughout the movie were few and far between…. Rather than most recent films targeted at kids, that have an underlying thread aimed at drawing in adults and making it worthwhile for the adults to attend, Trolls adult aimed content seemed to be at an absolute bare minimum.
Therefore, my conclusions are this: If you’re looking for a kids movie that also has substance that reaches adults, this film doesn’t make the list. This film is simply a kids movie in every way.
However, if you want to take your kid to a movie that lights up his face and brightens his day this movie is worth sitting through.
I’d give this movie 2/5 stars as an adult, but the 8 year old boy gives it 5/5.
Mark @ Carstairs Considers (2346 KP) rated The Downtown Desperadoes in Books
Jan 19, 2020
Returning to NYC to Help a Friend
It all starts with a phone call. Ricky Kidd is confused by the strange message, and he is certain it is a prank, expect for the fact that the voice sounds familiar. It’s a couple of hours later when he recognizes it as Brother Phillip, the man who had helped him track down his younger brother when Joel was kidnapped during the class trip to New York City back in the spring. When his father tries to find out what is happening with Brother Phillip, he discovers the mission the man run has burned down, and the police believe that Brother Phillip died in the fire. The only problem is, the fire took place before the phone call. Ricky is able to convince his family and friends, Ralphy and Mike, to change their Thanksgiving plans and go to the city, but when they arrive, things only get weirder. Did they really know Brother Phillip? Is he in danger? Or is he a criminal?
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
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ClareR (5879 KP) rated The Searcher in Books
Nov 15, 2020
The Searcher is, much like the Wych Elm, a slow burner. This is always a positive where I’m concerned. It gave me the opportunity to look around the Irish village of Ardnekalty, get to know the inhabitants, what the countryside and the landscape looked like (beautiful, by the way)and above all, to build a full picture of Cal Hooper and Trey.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.