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Emma @ The Movies (1786 KP) rated Tone-Deaf (2019) in Movies
Feb 11, 2021
As a proud owner of yet another subscription service, the first thing I did was scroll through every movie to create a watchlist. Killer Instinct popped up, and seeing Robert Patrick... *presses play*.
Olive's life has taken an unexpected turn and she decides that a trip out of the city is just what she needs. Peace and tranquillity awaits in the odd home she finds online, but the even odder owner and goings on aren't entirely what she'd hoped for.
I seem to be picking films recently that remind me of other films, and Killer Instinct (also known as Tone Deaf) reminds me heavily of The Intruder from 2019 starring Dennis Quaid... with the slight difference that The Intruder was kind of watchable.
For a film under 90 minutes it feels significantly longer with nothing much happening. The whole idea that Harvey (Robert Patrick) is hatching this plan is poorly set up and once underway I didn't fully understand what the motivation was behind his character. As well as Intruder vibes, I was getting heavy Home Alone vibes too... you'll see.
There felt like two distinct sides to the cast, "serious" and "comedy". But the serious weren't, and neither were the comedy. The way everything was laced together felt like a sloppy attempt to merge Happy Death Day with a serious thriller.
As a lead character, Olive (Amanda Crew), doesn't feel massively likeable, and there seemed like there wasn't really any way to bring that to life as she was. Unengaging characters are also something that's happening more to me in recent film choices, and here, as with others, I found myself getting pulled out of the events of the film because of it.
I had hoped that Robert Patrick would offer some respite, but Harvey is equally... blah. There's no real explanation about why he is the way he is and it's introduced in such a strange way that his motivations are almost entirely obscured by it.
Killer Instinct tries very hard to be relevant and be a commentary on generational divides, but it's done by breaking the fourth wall and talking to the camera in a way that wasn't at all palatable. Each time it happened I frowned and instantly felt disengaged from the film. Combine that with the oddly comedic mother storyline and you get a film with a constant identity crisis.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/killer-instinct-movie-review.html
Olive's life has taken an unexpected turn and she decides that a trip out of the city is just what she needs. Peace and tranquillity awaits in the odd home she finds online, but the even odder owner and goings on aren't entirely what she'd hoped for.
I seem to be picking films recently that remind me of other films, and Killer Instinct (also known as Tone Deaf) reminds me heavily of The Intruder from 2019 starring Dennis Quaid... with the slight difference that The Intruder was kind of watchable.
For a film under 90 minutes it feels significantly longer with nothing much happening. The whole idea that Harvey (Robert Patrick) is hatching this plan is poorly set up and once underway I didn't fully understand what the motivation was behind his character. As well as Intruder vibes, I was getting heavy Home Alone vibes too... you'll see.
There felt like two distinct sides to the cast, "serious" and "comedy". But the serious weren't, and neither were the comedy. The way everything was laced together felt like a sloppy attempt to merge Happy Death Day with a serious thriller.
As a lead character, Olive (Amanda Crew), doesn't feel massively likeable, and there seemed like there wasn't really any way to bring that to life as she was. Unengaging characters are also something that's happening more to me in recent film choices, and here, as with others, I found myself getting pulled out of the events of the film because of it.
I had hoped that Robert Patrick would offer some respite, but Harvey is equally... blah. There's no real explanation about why he is the way he is and it's introduced in such a strange way that his motivations are almost entirely obscured by it.
Killer Instinct tries very hard to be relevant and be a commentary on generational divides, but it's done by breaking the fourth wall and talking to the camera in a way that wasn't at all palatable. Each time it happened I frowned and instantly felt disengaged from the film. Combine that with the oddly comedic mother storyline and you get a film with a constant identity crisis.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/killer-instinct-movie-review.html
Jesters_folly (230 KP) rated Deep Red (Profondo rosso) (1975) in Movies
Jul 19, 2021
Contains spoilers, click to show
Deep Red (aka Profondo rosso) is a thriller/slasher from Italian writer/director Dario Argento.
When Marcus Daly (David Hemmings) witnesses the murder of the women living in the flat below him he finds himself in a race to find the murderer before he becomes their next victim. The films killer follows a lot of what would become familiar tropes in slasher films, the killer is rarely seen and when they are seen they are covered u, they use a number of different ways to kill their victims and they have a habit of sneaking around. There isn't necessarily a a lot of blood from the kills, that is to say blood is sprayed around but when there is blood it is filmed in such a way that you can't miss it, in fact they eye is drawn to it.
Speaking of eyes there are a lot of them, Dario Argento has his own style of filming, he uses filters and strange camera angles and, in Deep Red a lot of closeups on eyes, sometimes just for scene transitions.
As well as being a Slasher, Deep Red is a mystery, as the film progresses Marcus the protagonist find clues as to the identity of the killer giving the viewer the chance to work out who it is as well. But there are red herrings and a lot of things that don't necessarily make sense. There is a clockwork boy, used only one by the killer, there is a creepy girl with a possibly mad farther, two facts that really don't affect the story.
As I said, Deep Red contains a lot of the Slasher tropes but it predates most of them, even beating Halloween by three years and so you can see that it has a big influence on the modern (well 80's so not so modern now) slashers.
The down side is that Deep Red is slow, there is a lot of talking, although contained in this are some clues as to the killers identity and the level of violence isn't quite as much as some of the more modern films, it does however beat some of it's slasher predecessors such as Psycho.
Over all Deep Red is a good film, slightly more mystery than slasher but with enough kills to keep a slasher fan happy. The story does plod along at is own pace but over all an enjoyable film.
When Marcus Daly (David Hemmings) witnesses the murder of the women living in the flat below him he finds himself in a race to find the murderer before he becomes their next victim. The films killer follows a lot of what would become familiar tropes in slasher films, the killer is rarely seen and when they are seen they are covered u, they use a number of different ways to kill their victims and they have a habit of sneaking around. There isn't necessarily a a lot of blood from the kills, that is to say blood is sprayed around but when there is blood it is filmed in such a way that you can't miss it, in fact they eye is drawn to it.
Speaking of eyes there are a lot of them, Dario Argento has his own style of filming, he uses filters and strange camera angles and, in Deep Red a lot of closeups on eyes, sometimes just for scene transitions.
As well as being a Slasher, Deep Red is a mystery, as the film progresses Marcus the protagonist find clues as to the identity of the killer giving the viewer the chance to work out who it is as well. But there are red herrings and a lot of things that don't necessarily make sense. There is a clockwork boy, used only one by the killer, there is a creepy girl with a possibly mad farther, two facts that really don't affect the story.
As I said, Deep Red contains a lot of the Slasher tropes but it predates most of them, even beating Halloween by three years and so you can see that it has a big influence on the modern (well 80's so not so modern now) slashers.
The down side is that Deep Red is slow, there is a lot of talking, although contained in this are some clues as to the killers identity and the level of violence isn't quite as much as some of the more modern films, it does however beat some of it's slasher predecessors such as Psycho.
Over all Deep Red is a good film, slightly more mystery than slasher but with enough kills to keep a slasher fan happy. The story does plod along at is own pace but over all an enjoyable film.
Festive Fugitive (Murder and Mistletoe #3)
8.0
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Book
I didn’t expect my Christmas gift to be six-foot-two, a trained killer, and obsessed with me. Eli...
Contemporary Dark MM Romance Seasonal
Whatchareadin (174 KP) rated The Girl in the Ice (Erika Foster book 1) in Books
Apr 9, 2019
DCI Erika Foster has just transferred to the Lewisham Row Station in London from Manchester. As soon as she is on the job, she has a case. A socialite is found frozen in the ice in the park. No one knows what happened or where she was prior to her death, but DCI Foster is determined to get to the bottom of the case. When another woman is found dead via the same means, the pressure increases to find the killer. Catching flack from her superiors on her methods of investigations, puts delays in finding the culprit. Will DCI Foster be able to solve the case? Does she have too much going on in her personal life to focus the way she should? Will she fall victim to the killer before she is able to find him?
I read this book as part of a buddy read. It has been on my TBR for a while and I was very interested to read it. For the most part I enjoyed the book, but it wasn't the first thing I grabbed. I got through it and the ending helped that along. I had no clue who the killer was and that helped to keep my interest. In my opinion DCI Foster was the kind of woman we all strive to be like, but at times it seemed like she tried to hard. Maybe that had to do with the what she had going on in her personal life. I would like to read the next book in the series to see if the character is in that same mindset or if after some time she is more focused on her job. This is also the first book I have read by Robert Bryndza and I look forward to more books from this author.
I read this book as part of a buddy read. It has been on my TBR for a while and I was very interested to read it. For the most part I enjoyed the book, but it wasn't the first thing I grabbed. I got through it and the ending helped that along. I had no clue who the killer was and that helped to keep my interest. In my opinion DCI Foster was the kind of woman we all strive to be like, but at times it seemed like she tried to hard. Maybe that had to do with the what she had going on in her personal life. I would like to read the next book in the series to see if the character is in that same mindset or if after some time she is more focused on her job. This is also the first book I have read by Robert Bryndza and I look forward to more books from this author.
Kristin (149 KP) rated Vengeance is Mine (Benjamin Tucker, #1) in Books
Dec 7, 2018
Disclaimer: I received an e-copy in exchange for an honest review.
Ben is a reporter, and he's been brought in to shed light on a new case that's baffling local law enforcement. With his keen investigative knowledge and sharp eyes, they're hoping he can tell them how this killer is managing to get into women's homes, considering all the doors and windows are locked except the front one as he leaves the grisly scene behind. Aside from this, Ben has a few of his own issues: He's supposed to be writing a mystery novel, but his brain's stuck in reverse, and he doesn't feel like it would be anywhere near as good as his first book, a true-crime novel. He's also having to deal with his ex, who's determined to take half the royalties from that first book, seeing as how he worked on it while they were still together (divorces are grand, aren't they?). Even beyond all that, it turns out this current killer has more than just a passing fancy with Ben, and poor Ben gets dragged along for the ride as this story heats up.
I definitely enjoyed this novel, as I always love a good mystery/thriller. The main characters were very personable, and I like how Ben tries to use his skills as a journalist to not only do what he's been asked by law enforcement, but also to try and figure out just why this killer is obsessed with him. There are certainly some shocking twists all throughout the story, and I can say that I was on the edge of my seat more than once, trying to speed-read so I could get to the next jump.
4 1/2 stars
Ben is a reporter, and he's been brought in to shed light on a new case that's baffling local law enforcement. With his keen investigative knowledge and sharp eyes, they're hoping he can tell them how this killer is managing to get into women's homes, considering all the doors and windows are locked except the front one as he leaves the grisly scene behind. Aside from this, Ben has a few of his own issues: He's supposed to be writing a mystery novel, but his brain's stuck in reverse, and he doesn't feel like it would be anywhere near as good as his first book, a true-crime novel. He's also having to deal with his ex, who's determined to take half the royalties from that first book, seeing as how he worked on it while they were still together (divorces are grand, aren't they?). Even beyond all that, it turns out this current killer has more than just a passing fancy with Ben, and poor Ben gets dragged along for the ride as this story heats up.
I definitely enjoyed this novel, as I always love a good mystery/thriller. The main characters were very personable, and I like how Ben tries to use his skills as a journalist to not only do what he's been asked by law enforcement, but also to try and figure out just why this killer is obsessed with him. There are certainly some shocking twists all throughout the story, and I can say that I was on the edge of my seat more than once, trying to speed-read so I could get to the next jump.
4 1/2 stars
BankofMarquis (1832 KP) rated Hunter Killer (2018) in Movies
Nov 3, 2018
Surpisingly Good
Ever since he uttered the immortal line "We Are Sparta" as King Leonidas in the 2006 surprise hit 300, Gerard Butler has filled the screen with unadulterated machismo and virility. So I was expecting just more of the same when I went to check out the submarine flick HUNTER KILLER, figuring it was just a "B" action flick with Butler throwing up macho line after macho line and punching anyone who was in his way.
But...HUNTER KILLER is, surprisingly, much, much more.
Telling the story of a "Hunter Killer" submarine under a new captain that must go into enemy territory to check out the sinking of another American submarine, this adept action-thriller by South African Director Donovan Marsh is a pleasant surprise for only 1/2 of the film is about the action aboard the submarine, or the action back at HQ where a screaming Gary Oldman insists on less diplomacy and more aggressive action. The other part of the film is a very gripping, tense and exciting "behind enemy lines" war flick following the exploits of 4 Special Ops members (led by Toby Stephens) who must grab a person and then unite with the submarine.
Color me shocked by this. While Butler and Oldman gave me exactly what I wanted, the Special Ops soldiers, the stakes and the action sequences are a notch above your every day effort. If you are looking for a fun action flick, that can easily pass a few hours on a rainy and cold Saturday afternoon, you could do much, much worse than this one.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
But...HUNTER KILLER is, surprisingly, much, much more.
Telling the story of a "Hunter Killer" submarine under a new captain that must go into enemy territory to check out the sinking of another American submarine, this adept action-thriller by South African Director Donovan Marsh is a pleasant surprise for only 1/2 of the film is about the action aboard the submarine, or the action back at HQ where a screaming Gary Oldman insists on less diplomacy and more aggressive action. The other part of the film is a very gripping, tense and exciting "behind enemy lines" war flick following the exploits of 4 Special Ops members (led by Toby Stephens) who must grab a person and then unite with the submarine.
Color me shocked by this. While Butler and Oldman gave me exactly what I wanted, the Special Ops soldiers, the stakes and the action sequences are a notch above your every day effort. If you are looking for a fun action flick, that can easily pass a few hours on a rainy and cold Saturday afternoon, you could do much, much worse than this one.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Mark @ Carstairs Considers (2464 KP) rated Owl Be Home for Christmas in Books
Dec 21, 2019
White Christmas? Check! But Will Snow and a Killer Keep Meg from Being Home for Christmas?
It’s a few days before Christmas and Meg Langslow and much of her family are at the Caerphilly Inn for Owl Fest 2019, a conference being put on by Meg’s grandfather. Unfortunately, the worst winter storm in decades has also decided to visit, trapping the attendees in the hotel and possibly keeping them from going home for Christmas. As the snow continues to fall, tempers continue to rise. Owls are not without their controversy, but Dr. Frogmore seems to be at the center of much of the arguments breaking out. No one much likes him, but for some, the problems with him go much deeper. However, when Dr. Frogmore drops dead, Meg’s father suspects that it wasn’t natural causes. Are they trapped at the inn with a killer? Can Meg figure out what is really happening before the snow ends so the conference attendees fly home?
This novel uses a classic mystery trope – everyone trapped someplace with a killer. I’m a little disappointed since it’s been used twice in a row in the series now, and the result was me beginning to feel a bit claustrophobic while I was reading. The mystery itself was solid. It’s obvious early on who the victim will be, and we learn about motives and suspects even before he drops dead. The further complications after the murder takes place kept me guessing until the end. As much as I enjoy spending time with Meg’s family, they aren’t as funny as they used to be. The new characters do provide some laughs, but there are some serious issues in the book that dampen some of the humor. All told, this is still a fun entry to the series that will please Meg’s many fans.
This novel uses a classic mystery trope – everyone trapped someplace with a killer. I’m a little disappointed since it’s been used twice in a row in the series now, and the result was me beginning to feel a bit claustrophobic while I was reading. The mystery itself was solid. It’s obvious early on who the victim will be, and we learn about motives and suspects even before he drops dead. The further complications after the murder takes place kept me guessing until the end. As much as I enjoy spending time with Meg’s family, they aren’t as funny as they used to be. The new characters do provide some laughs, but there are some serious issues in the book that dampen some of the humor. All told, this is still a fun entry to the series that will please Meg’s many fans.
LeftSideCut (3776 KP) rated Friday the 13th Part V: A New Beginning (1985) in Movies
Nov 29, 2020
Part V of the Friday the 13th franchise is an absolute blast, and no one can tell me otherwise. Is it silly? Definitely. Does it go overboard with its goofy characters a little too often? Damn right it does (pretty sure someone gets called "a dildo" at one point) Are there better Friday films out there? Yes sir, but none of this stops the fact that Part V is a decent, entertaining, smack bang middle of the 80s slasher.
The killer this time around isn't Jason Voorhees, even if it is only by name, and this "mystery" surrounding the killers identity achieves two things - 1. It adds a whodunnit element to the series, otherwise only ever seen in the original and 2. It keeps the killer offscreen for most of the runtime, saving budget costs by not showing much in terms of kills (although that belt against the tree death is a doozy). This results in a less gory sequel, especially after the more brutal Part IV, but it's not a big issue. The whole thing almost feels like an R-Rated episode of Scooby-Doo. The reveal of the killer is definitely weak though. Not enough set up means and underwhelming payoff.
There are soooooooo many characters in this. I swear there are still new ones being introduced up until the last 20 minutes, and they're all just body count fodder for "Jason". Not necessarily a bad thing, pretty standard practice by now. I did like little Reckless Reggie. That dude is awesome. Way more awesome than Tommy Jarvis, who is just a whiny bitch for the whole runtime. Thankfully Thom Mathews is just around the corner.
It's not the best Friday movie, but far from being the worst. As far as 80s slashers go, it's damn good time.
The killer this time around isn't Jason Voorhees, even if it is only by name, and this "mystery" surrounding the killers identity achieves two things - 1. It adds a whodunnit element to the series, otherwise only ever seen in the original and 2. It keeps the killer offscreen for most of the runtime, saving budget costs by not showing much in terms of kills (although that belt against the tree death is a doozy). This results in a less gory sequel, especially after the more brutal Part IV, but it's not a big issue. The whole thing almost feels like an R-Rated episode of Scooby-Doo. The reveal of the killer is definitely weak though. Not enough set up means and underwhelming payoff.
There are soooooooo many characters in this. I swear there are still new ones being introduced up until the last 20 minutes, and they're all just body count fodder for "Jason". Not necessarily a bad thing, pretty standard practice by now. I did like little Reckless Reggie. That dude is awesome. Way more awesome than Tommy Jarvis, who is just a whiny bitch for the whole runtime. Thankfully Thom Mathews is just around the corner.
It's not the best Friday movie, but far from being the worst. As far as 80s slashers go, it's damn good time.
Chain of Iron
7.0
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The Collector's First Edition features ten black-and-white character silhouettes by celebrated...
Eight Perfect Murders (Rules for Perfect Murders - UK)
8.0
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A chilling tale of psychological suspense and an homage to the thriller genre tailor-made for fans:...