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Lee (2222 KP) rated Black Christmas (2019) in Movies
Dec 13, 2019
Back in 1974, a low-budget Canadian horror movie by the name of Black Christmas was released and was one of the first to define the slasher movie template that we've now become so heavily accustomed to. Black Christmas already got a remake back in 2006 and now we have another, coming this time from powerhouse movie studio Blumhouse and directed/co-written by Sophia Takal.
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
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Jamie (131 KP) rated Dangerous Behavior in Books
May 24, 2017
Extremely slow start (1 more)
Heavy focus on the romance can be off-putting
Killer Couples
I could almost tag this book as a straight up romance given how much time is dedicated to Sam and Julesâ love story. While the romance could be a good hook for some I personally just found it distracting and kind of eye roll worthy. Sam and Jules were high school sweethearts, Sam cheats, and after getting dumped Jules finds her way into the arms of his brother, who took care of her through her family troubles. The book spends an inordinate amount of time on Samâs miserable love life and how he never got over his first love despite a plethora of women throwing themselves at him. This made the earlier parts of the novel slow down to a crawl as the narrative focus was more about the romance than the actual murder.
It got worse when Jules started getting her memory back and remembers nothing of the love she shared with her husband and instead keeps thinking about Sam and all the great sex they had. Days after her husband is murdered. I groaned. I guess I shouldnât be surprised and itâs predictable, itâs just so distasteful and was just sort of a big middle finger to Samâs brother Joe. I couldnât get behind the romance in the story at all and it really decreased my enjoyment. So much that I actually was really struggling to like the book and had been thinking about rating it lower until I got to the second half of the book.
Thank goodness for the second half, when the mystery really started to come together. The thrill killers were an interesting pair that bring to mind several serial killer couples. It was a confusing twist on an otherwise average murder mystery and at first I had been wondering why they were even in the story at all. As I dug deeper into the story, however, things pulled together nicely and I actually found these characters to be pretty interesting.
This was the part of the book that was actually good, and the ending alone convinced me to push my rating just a little bit higher. It was worth slogging through the romance to get to the good stuff. While I found certain parts predictable and had figured out the dastardly duo immediately when they were introduced I still enjoyed unraveling the mystery and finding a few surprises along the way.
It got worse when Jules started getting her memory back and remembers nothing of the love she shared with her husband and instead keeps thinking about Sam and all the great sex they had. Days after her husband is murdered. I groaned. I guess I shouldnât be surprised and itâs predictable, itâs just so distasteful and was just sort of a big middle finger to Samâs brother Joe. I couldnât get behind the romance in the story at all and it really decreased my enjoyment. So much that I actually was really struggling to like the book and had been thinking about rating it lower until I got to the second half of the book.
Thank goodness for the second half, when the mystery really started to come together. The thrill killers were an interesting pair that bring to mind several serial killer couples. It was a confusing twist on an otherwise average murder mystery and at first I had been wondering why they were even in the story at all. As I dug deeper into the story, however, things pulled together nicely and I actually found these characters to be pretty interesting.
This was the part of the book that was actually good, and the ending alone convinced me to push my rating just a little bit higher. It was worth slogging through the romance to get to the good stuff. While I found certain parts predictable and had figured out the dastardly duo immediately when they were introduced I still enjoyed unraveling the mystery and finding a few surprises along the way.
Billie Wichkan (118 KP) rated On My Life in Books
Mar 15, 2019
Framed. Imprisoned. Pregnant.
Jenna thought she had the perfect life: a loving fiancĂŠ, a great job, a beautiful home. Then she finds her stepdaughter murdered; her partner missing.
And the police think she did it...
Locked up to await trial, surrounded by prisoners who'd hurt her if they knew what she's accused of, certain someone close to her has framed her, Jenna knows what she needs to do:
Clear her name
Save her baby
Find the killer
But can she do it in time?
This is the first time I have read any novels by this author and I really loved this book.
I could not put this novel down. I read it from cover to cover in the space of a day. It was gripping, compulsive and a truly engaging and absorbing read!
This book is beautifully written, full of red herrings and her description of prison life for a Nonce was well researched. All the way through this book I had to stop reading as it was very distressing at times.
The novel opens with Jenna under arrest for the murder of Emily, her partnerÂs 14-year old daughter, after being found covered in blood cradling her dead body. Her partner, Robert, is missing, presumed also murdered and shocking images have been found on her laptop.
She is placed on remand and locked up in HMP Fallenbrook surrounded by prisoners who would certainly harm her if they learn of the crimes that she is accused of. Fearing that she has been framed by someone close to her, she then discovers that she is pregnant. Jenna is determined to clear her name and find the killer. An almost impossible task from inside prison with almost no resources. The cards certainly seem stacked against her.
Along with JennaÂs harrowing experiences in the prison, there are also flashbacks to her developing relationship with Robert and Emily.
What made this novel different from other novels in the thriller genre is the engagement with social issues associated with inmates, including new and expectant mothers, incarcerated in the U.K. prison system. In her AuthorÂs Note Clarke cites her sources and influences. In addition, she visits and teaches in prisons and was provided with firsthand accounts so that she can depict authentically the day-to-day life in a U.K. prison.
I would like to thank the author, Hodder and Stoughton and Netgalley for the advanced copy in return for giving an honest review.
Jenna thought she had the perfect life: a loving fiancĂŠ, a great job, a beautiful home. Then she finds her stepdaughter murdered; her partner missing.
And the police think she did it...
Locked up to await trial, surrounded by prisoners who'd hurt her if they knew what she's accused of, certain someone close to her has framed her, Jenna knows what she needs to do:
Clear her name
Save her baby
Find the killer
But can she do it in time?
This is the first time I have read any novels by this author and I really loved this book.
I could not put this novel down. I read it from cover to cover in the space of a day. It was gripping, compulsive and a truly engaging and absorbing read!
This book is beautifully written, full of red herrings and her description of prison life for a Nonce was well researched. All the way through this book I had to stop reading as it was very distressing at times.
The novel opens with Jenna under arrest for the murder of Emily, her partnerÂs 14-year old daughter, after being found covered in blood cradling her dead body. Her partner, Robert, is missing, presumed also murdered and shocking images have been found on her laptop.
She is placed on remand and locked up in HMP Fallenbrook surrounded by prisoners who would certainly harm her if they learn of the crimes that she is accused of. Fearing that she has been framed by someone close to her, she then discovers that she is pregnant. Jenna is determined to clear her name and find the killer. An almost impossible task from inside prison with almost no resources. The cards certainly seem stacked against her.
Along with JennaÂs harrowing experiences in the prison, there are also flashbacks to her developing relationship with Robert and Emily.
What made this novel different from other novels in the thriller genre is the engagement with social issues associated with inmates, including new and expectant mothers, incarcerated in the U.K. prison system. In her AuthorÂs Note Clarke cites her sources and influences. In addition, she visits and teaches in prisons and was provided with firsthand accounts so that she can depict authentically the day-to-day life in a U.K. prison.
I would like to thank the author, Hodder and Stoughton and Netgalley for the advanced copy in return for giving an honest review.
Billie Wichkan (118 KP) rated Final Betrayal (Detective Lottie Parker, #6) in Books
May 22, 2019
ÂShe lifted the flap of the envelope and pulled out the single white page. As she opened it up she stared, open mouthed. Four words were typed on the page. I am watching you.Â
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and donÂt arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
The case is given to Detective Lottie Parker, when the girls blood-soaked bodies are found, days later, in a derelict squat. Chillingly, both girls are clutching silver coins in their hands  what message is this killer leaving behind? All the signs point to Conor but his alibi is water tight.
As Lottie examines Penny and AmyÂs final days alive in a desperate search for clues, two more girls are found stabbed to death in a luxury apartment complex. Caught up in what is fast becoming her toughest case yet, Lottie is unaware that somebody is watching her every move.
Then LottieÂs two daughters, Katie and Chloe suddenly disappear from the town centre. Terrified that the killer has her girls, the stakes have never been higher for Lottie.
But as Lottie puts everything on the line to find her daughters and solve the case, sheÂs about to find herself in terrible danger  someone has a personal axe to grind with her and they know the best way to get to her is to hurt the ones she loves the most.
This is book #6 of the D.I. Lottie Parker series. It can be read as a standalone novel.
This book is fast paced and full of action. The story line twists and turns and kept me hooked from the very first page.
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and donÂt arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
Full of red herrings, thrilling circumstances, and dark and devious characters; 'Final Betrayal' is an atmospheric, twisted read and I LOVED every second of it
Looking forward to the next one already.
Highly recommend reading.
I would like to thank Netgalley and Bookouture for an advance copy of Final Betrayal.
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and donÂt arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
The case is given to Detective Lottie Parker, when the girls blood-soaked bodies are found, days later, in a derelict squat. Chillingly, both girls are clutching silver coins in their hands  what message is this killer leaving behind? All the signs point to Conor but his alibi is water tight.
As Lottie examines Penny and AmyÂs final days alive in a desperate search for clues, two more girls are found stabbed to death in a luxury apartment complex. Caught up in what is fast becoming her toughest case yet, Lottie is unaware that somebody is watching her every move.
Then LottieÂs two daughters, Katie and Chloe suddenly disappear from the town centre. Terrified that the killer has her girls, the stakes have never been higher for Lottie.
But as Lottie puts everything on the line to find her daughters and solve the case, sheÂs about to find herself in terrible danger  someone has a personal axe to grind with her and they know the best way to get to her is to hurt the ones she loves the most.
This is book #6 of the D.I. Lottie Parker series. It can be read as a standalone novel.
This book is fast paced and full of action. The story line twists and turns and kept me hooked from the very first page.
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and donÂt arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
Full of red herrings, thrilling circumstances, and dark and devious characters; 'Final Betrayal' is an atmospheric, twisted read and I LOVED every second of it
Looking forward to the next one already.
Highly recommend reading.
I would like to thank Netgalley and Bookouture for an advance copy of Final Betrayal.
Sassy Brit (97 KP) rated In The Silence in Books
Jun 5, 2019
In The Silence has a blurb so enticing, I just had to read it, and author M. R. Mackenzie did not disappoint.
Anna Scovalini has finally come home; a place she avoided for several years only to find herself involved in a murder case, up close and personal. At first she doesnât mean to get involved, but when she feels the police arenât taking things seriously enough curiosity gets the better of her and once she has a poke around for answers she uncovers much more than she bargained for, and inadvertently puts herself into trouble, too.
Throughout this story I found myself intrigued by some of the serious issues discussed, from femicide, rape to gang mentality, and this was all played out by some great characterisation and an exciting plot, where the more I read the quicker the pace sped up until it reached the final reveal of who the killer actually was!
I found the unravelling of the secret surrounding the reason why people were getting killed really enjoyable. Mix this with those paragraphs where thereâs a hooded figure tracking people down that literally sent shivers down my spine and made my blood run cold. Is that corny? Maybe. But true!
A word on the dialect. For an East Anglian, born and bred, I thought the Scottish dialect was actually quite fun to read. When I tried the words out loud I actually could do a very good impression of a Glaswegian! On one hand I always find this a little distracting as it does take you out of the story as youâre experimenting with how the words sound on your tongue, but on the other hand it was not full-on throughout the book, and I quickly got used to it.
Returning to characterisation, I loved how Anna (now a criminology lecturer living in Rome) and her best friend Zoe, (who like me has never left her home county) seem to have lives which are worlds apart, and when they get back together theyâre instantly best pals again. But under the stress of the investigation even Anna has to think twice about Zoe.
What happened back in the past, that caused so many people in one town to have so many secrets? For me, uncovering the truth made this story for me. For a debut book, Iâm exited to see what this author writes next!
An intriguing, fast read that had me guessing who the killer was throughout, with a satisfying, final conclusion.
Anna Scovalini has finally come home; a place she avoided for several years only to find herself involved in a murder case, up close and personal. At first she doesnât mean to get involved, but when she feels the police arenât taking things seriously enough curiosity gets the better of her and once she has a poke around for answers she uncovers much more than she bargained for, and inadvertently puts herself into trouble, too.
Throughout this story I found myself intrigued by some of the serious issues discussed, from femicide, rape to gang mentality, and this was all played out by some great characterisation and an exciting plot, where the more I read the quicker the pace sped up until it reached the final reveal of who the killer actually was!
I found the unravelling of the secret surrounding the reason why people were getting killed really enjoyable. Mix this with those paragraphs where thereâs a hooded figure tracking people down that literally sent shivers down my spine and made my blood run cold. Is that corny? Maybe. But true!
A word on the dialect. For an East Anglian, born and bred, I thought the Scottish dialect was actually quite fun to read. When I tried the words out loud I actually could do a very good impression of a Glaswegian! On one hand I always find this a little distracting as it does take you out of the story as youâre experimenting with how the words sound on your tongue, but on the other hand it was not full-on throughout the book, and I quickly got used to it.
Returning to characterisation, I loved how Anna (now a criminology lecturer living in Rome) and her best friend Zoe, (who like me has never left her home county) seem to have lives which are worlds apart, and when they get back together theyâre instantly best pals again. But under the stress of the investigation even Anna has to think twice about Zoe.
What happened back in the past, that caused so many people in one town to have so many secrets? For me, uncovering the truth made this story for me. For a debut book, Iâm exited to see what this author writes next!
An intriguing, fast read that had me guessing who the killer was throughout, with a satisfying, final conclusion.
Sassy Brit (97 KP) rated Manchester Vice in Books
Jun 6, 2019
^^ Imagine youâre able to make contact with a serial killer, and before he dies he passes on his diary, which reveals the secret location of his murderous lair; all set up and ready to go. Then imagine, before you know what to do with this information, you discover your wife is having an affair with your annoying brother of whom youâve never been close to. Of course, your wifeâs not to blame, as lately youâve not been a very attentive husband, but that could change with your brother out of the way, right? In fact, itâs the perfect solution. What could possibly go wrong with such a rock solid plan?
^^ This is what happens to the main character, Brad Sharpe, in Jack Strangeâs Manchester Vice. Brad is often portrayed as a guy who contemplates whatâs going on in his life, and seems to discover the answers to his own problems as he is telling us the story, yet, he fails to understand the blantly obvious staring at him in the face. As an example, in one scene he thinks there is a strong possibility his wife is having an affair with someone who lives in the same block of flats as his brotherâŚ. (At this point Iâm throwing my hands up in the air and going, âWell, doh?â). Yep, see what I mean? So, when he finally cottons on (hallelujah) heâs on to his next get even scheme. I guess, Sharpeâs not as sharp as he likes to think!
^^ And what of the diary? This is a great addition to the story as it acts like a step-by-step manual to extract (or should I say extinguish?) anything he doesnât like from his life. Yet thereâs an even bigger twist in this story of revenge, and thatâs how he keeps in close proximity with the police as a journalist reporting on the crime of this elusive serial killer. Himself.
^^ The ending did not disappoint, in fact, I kind of regretted that it ended at all and throughly enjoyed reading about Bradâs escapades, especially his reign of power and journalistic fame.
Overall: Manchester Vice is a story of betrayal, comeuppance, and rash decisions made from a rookie murderer bungling his way through one mistake after another. Jack Strangeâs character Brad Sharpe has a fresh voice and his antics are both gruesome and downright comedic. I love the way he maintains a sense of right and wrong throughout, even though his morals are very different to most of ours. A fun, dark and fabulously disturbing, âBrit Gritâ read.
^^ This is what happens to the main character, Brad Sharpe, in Jack Strangeâs Manchester Vice. Brad is often portrayed as a guy who contemplates whatâs going on in his life, and seems to discover the answers to his own problems as he is telling us the story, yet, he fails to understand the blantly obvious staring at him in the face. As an example, in one scene he thinks there is a strong possibility his wife is having an affair with someone who lives in the same block of flats as his brotherâŚ. (At this point Iâm throwing my hands up in the air and going, âWell, doh?â). Yep, see what I mean? So, when he finally cottons on (hallelujah) heâs on to his next get even scheme. I guess, Sharpeâs not as sharp as he likes to think!
^^ And what of the diary? This is a great addition to the story as it acts like a step-by-step manual to extract (or should I say extinguish?) anything he doesnât like from his life. Yet thereâs an even bigger twist in this story of revenge, and thatâs how he keeps in close proximity with the police as a journalist reporting on the crime of this elusive serial killer. Himself.
^^ The ending did not disappoint, in fact, I kind of regretted that it ended at all and throughly enjoyed reading about Bradâs escapades, especially his reign of power and journalistic fame.
Overall: Manchester Vice is a story of betrayal, comeuppance, and rash decisions made from a rookie murderer bungling his way through one mistake after another. Jack Strangeâs character Brad Sharpe has a fresh voice and his antics are both gruesome and downright comedic. I love the way he maintains a sense of right and wrong throughout, even though his morals are very different to most of ours. A fun, dark and fabulously disturbing, âBrit Gritâ read.
JT (287 KP) rated Insidious (2010) in Movies
Mar 10, 2020
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date havenât quite lived up to the expectations we know he can and should be able to deliver on.
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old âheâs behind youâ and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point youâd have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line âItâs not the house thatâs hauntedâ.
The film moves through the gears well, but itâs that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannelâs other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old âheâs behind youâ and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point youâd have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line âItâs not the house thatâs hauntedâ.
The film moves through the gears well, but itâs that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannelâs other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Gareth von Kallenbach (977 KP) rated Riddick (2013) in Movies
Aug 6, 2019
Vin Diesel hits the silver screen in the third installment of the Chronicles of Riddick series. As you would expect, Diesel delivers on a role crafted solely for him.
Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a âshine job,â which allowed him to see effectively in the dark. He was a convict â a killer â but he possessed enough of a conscience to be endearing and for the audience to identify with him.
In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.
The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story â which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.
The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.
I found the transition from the second film to the third adequate, but unsatisfying.
The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didnât feel cheap or cheesy at all; the effects seemed believable.
I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.
There were a few plot holes, and a couple of inconsistencies, but overall itâs a great film.
One of the greatest parts of the film is Katee Sackhoff (âStarbuckâ of Battlestar Galactica fame), and her bare breast. (Iâm a hetero dude â sue me!) The other gratuitous nudity (including one shot of a womanâs shaved groin area) was appropriate and served as great icing on the filmography cake.
My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.
This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.
Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a âshine job,â which allowed him to see effectively in the dark. He was a convict â a killer â but he possessed enough of a conscience to be endearing and for the audience to identify with him.
In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.
The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story â which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.
The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.
I found the transition from the second film to the third adequate, but unsatisfying.
The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didnât feel cheap or cheesy at all; the effects seemed believable.
I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.
There were a few plot holes, and a couple of inconsistencies, but overall itâs a great film.
One of the greatest parts of the film is Katee Sackhoff (âStarbuckâ of Battlestar Galactica fame), and her bare breast. (Iâm a hetero dude â sue me!) The other gratuitous nudity (including one shot of a womanâs shaved groin area) was appropriate and served as great icing on the filmography cake.
My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.
This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.
Lee (2222 KP) Dec 13, 2019
Sarah (7798 KP) Dec 13, 2019