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Friday the 13th (1980)
Friday the 13th (1980)
1980 | Horror
Friday the 13th is great to look back on. It's full to the brim of cheesy over-the-top acting, weirdly boring sections and dodgy dialogue, but knowing how the horror and in particular slasher genre developed in the decades following, it's an easy film to love.

Following hot on the heels of Halloween, Friday the 13th is the slasher genre stripped down to it's bare bones - a group of horny teenagers isolated from the rest of the world, a relentless killer hunting them down one by one, until we're left with a lone final girl.
Tropes that have since become iconic, much like the setting of Camp Crystal Lake.
The summer camp setting has been aped and parodied for years following the films release back in 1980.

The practical effects used by the now legendary Tom Savini are still great. They may be showing their age, but I would take it over sub standard CGI any day. Throw in a frantic and memorable musical score courtesy of Harry Manfredini, a gleefully sinister performance from Betsy Palmer as Pamela Voorhees, and one of the greatest "Gotcha!" endings in horror cinema, and you have a title that's deserving of the love it gets.
  
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Joe Elliott recommended Sheer Heart Attack by Queen in Music (curated)

 
Sheer Heart Attack by Queen
Sheer Heart Attack by Queen
1974 | Metal
8.5 (2 Ratings)
Album Favorite

"This is where I came in with Queen — somehow I missed the first two albums. Our bass player always looks at me like I’ve got three heads when I say, “no, I never saw Seven Seas Of Rhye on Top of the Pops. I must have been out playing football that particular week. But when I first heard Killer Queen I thought, “wow, this is different. You could tell they were rock band, but you could also tell they were much more than a rock band. It had elements of vaudeville, which is fantastic to be able to bring on board, and when I heard the album there was even more things, like Bring Back That Leroy Brown, but at the same time you had things like Brighton Rock hammering away but with Freddie Mercury sing away in this weird falsetto that sounded like Sparks. It’s an amazing record. Now I’m Here is still one of the best rock songs ever written. It was very varied, very Queen in the sense of setting a standard that they then had to follow. It wasn’t like an AC/DC record where you get 10 songs that are very similar. This could have been four different bands on one record, with four different personalities making the music."

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Zach Galligan recommended The Exorcist (1973) in Movies (curated)

 
The Exorcist (1973)
The Exorcist (1973)
1973 | Horror

"This happens to be a Warner Bros movie [like Gremlins]. William Friedkin is one of my favorite filmmakers, I love everything that he does. I loved Killer Joe, I loved a lot of stuff that he did, he’s just great. But The Exorcist is really one of the few perfectly done movies. I also had a huge thrill because later in my career, Ellen Burstyn played my mom [in Surviving], so I got to know her. She’s magnificent. Lee J. Cobb is great in the movie, Jason Miller is incredible, Max Von Sydow is also amazing in the movie — the guy’s like 40 years old and they made him up to be a 70 year old man. Now he actually looks like Father Marin, but back then, he was 10 years younger than I am now. Everyone goes “Oh, Brando is great in The Godfather because he does the accent.” He was 47. He plays like a 66 year old man, maybe a little older, and he’s three years younger than I am now. Google “Marlon Brando Godfather makeup” and there’s a series of pictures of him sitting in the chair, this handsome late 40s guy, and when he’s done the transformation is unbelievable. It’s so trippy."

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