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Mark @ Carstairs Considers (2346 KP) rated Final Fondue in Books
Nov 15, 2020
Fatal Festival
The town of Bayport, Maryland is holding a festival to celebrate their tri-centennial. Val Deniston is participating with a booth featuring food from her café, while her grandfather is hoping to win one of the contests with his chocolate fondue. And Val has talked Grandfather into renting out some rooms in the house they share to visitors in town for the weekend. These particular guests are there to start work on planning a wedding to take place in the area the next spring. When one of them turns up dead in the backyard, Val begins to question if the killer got their intended victim, or if someone else was the target. Can she figure out what happened?
This book has a solid mystery with great clues sprinkled throughout. Even so, I only began to piece it together about the time that Val started figuring it out. Val’s former life in New York City pops up in a big way in this book, and, while I enjoyed the way this cozy trope played out in this book, I did feel it slowed things down a little. The more I read this series, the more I’ve come to love the characters, especially Val’s grandfather, who is a lot of fun. The suspects are distinct and kept me guessing. At the back of the book are six recipes, including a couple of chocolate fondue recipes, all of which have five or fewer ingredients. This is another fun entry in a tasty series.
This book has a solid mystery with great clues sprinkled throughout. Even so, I only began to piece it together about the time that Val started figuring it out. Val’s former life in New York City pops up in a big way in this book, and, while I enjoyed the way this cozy trope played out in this book, I did feel it slowed things down a little. The more I read this series, the more I’ve come to love the characters, especially Val’s grandfather, who is a lot of fun. The suspects are distinct and kept me guessing. At the back of the book are six recipes, including a couple of chocolate fondue recipes, all of which have five or fewer ingredients. This is another fun entry in a tasty series.
Absolute Power (1997)
7.0
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Academy Award winner Clint Eastwood directs and stars as a notorious master thief who stumbles upon...
LeftSideCut (3776 KP) rated Fear Street Part One: 1994 (2021) in Movies
Jul 3, 2021
From it's very Scream-esque cold open, to it's Intruder style finale, Fear Street: 1994 is an unabashed love letter to the slasher genre that benefits from a cast of likable characters, and doesn't shy away from the gory stuff.
The group of friends that the narrative revolves around share some decent chemistry. The vibe that surrounds them isn't to dissimilar to the characters in Scary Stories or even Stranger Things. They're written to be rooted for, which makes all the more impact when the final third comes knocking and the body count piles up. The various killers on the loose are clearly inspired by other slasher icons, but the multiple-killer aspect makes them interesting enough, even if it's just surface level, and the overarching narrative to do with witchcraft is intriguing.
Unfortunately, the pacing is a bit off. 1994 really takes it's time to get to where it wants to be, and the first half drags in places. It also falls into the Suicide Squad trap of spaffing out well known songs, one after another, without any reprieve. One of my absolute pet peeves in modern movies by the way, but thankfully, this doesn't last for the whole runtime.
Overall, 1994 is a fun, if flawed horror ride, with some solid gore to boot, that will surely offer something for any slasher fans out there. Genuinely looking forward to the next two installments over the coming weeks, and it's always a bonus when horror in general gets a big push from the likes of Netflix.
The group of friends that the narrative revolves around share some decent chemistry. The vibe that surrounds them isn't to dissimilar to the characters in Scary Stories or even Stranger Things. They're written to be rooted for, which makes all the more impact when the final third comes knocking and the body count piles up. The various killers on the loose are clearly inspired by other slasher icons, but the multiple-killer aspect makes them interesting enough, even if it's just surface level, and the overarching narrative to do with witchcraft is intriguing.
Unfortunately, the pacing is a bit off. 1994 really takes it's time to get to where it wants to be, and the first half drags in places. It also falls into the Suicide Squad trap of spaffing out well known songs, one after another, without any reprieve. One of my absolute pet peeves in modern movies by the way, but thankfully, this doesn't last for the whole runtime.
Overall, 1994 is a fun, if flawed horror ride, with some solid gore to boot, that will surely offer something for any slasher fans out there. Genuinely looking forward to the next two installments over the coming weeks, and it's always a bonus when horror in general gets a big push from the likes of Netflix.
Eleanor Luhar (47 KP) rated Batman: Gotham After Midnight in Books
Jun 24, 2019
This novel contains 12 episodes of Batman stories, each full of action and crime and excitement. It includes Man-Bat, Axe-Man, Clayface, The Joker, Killer Croc, Catwoman, Scarecrow and the new villain, Midnight. At first, Batman is trying to figure out why his villains are suddenly changing their patterns. But then Midnight comes into the scene...
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Gareth von Kallenbach (980 KP) rated Split (2016) in Movies
Jul 12, 2019
M. Night Shyamalan once again has audiences very excited for absolutely no reason. The trailer portrays an interesting psychological thriller of a man (James McAvoy) subjected to many different forms of consciousness, as the plot tells he is one of the first to openly portray over twenty different personalities.
He even takes on different physical characteristics down to a metabolic level as he switches from persona to persona. This combined with the character of a doctor (Betty Buckley) who is thrilled to perhaps have discovered the missing link to understanding the unused portion of the human mind, sounds like it makes for a great sci-fi thriller.
Unfortunately rather quickly the plot devolves after the disturbed man’s abduction of three teenage girls turns over the top hokey and stereotypical. Nothing can be said that will make up for the impending disappointment of viewers as yet again Mr. Shyamalan has an idea that sounds quite intriguing, yet falls completely flat and leaves viewers feeling as if they are the brunt of the joke.
As the psychotic killer develops into a character audiences could really be scared of, a turn for the worst happens when he is transformed by his own mind into an animal. Reaching beyond anything physically possible in a much staged way, he becomes a superhuman creature who rampages until he is caught.
Even with skilled acting at his disposal Shyamalan has managed to make another very poor quality film. At each step of the way, the suspense almost grabs you but is completely predictable. It’s too bad but this one earns
He even takes on different physical characteristics down to a metabolic level as he switches from persona to persona. This combined with the character of a doctor (Betty Buckley) who is thrilled to perhaps have discovered the missing link to understanding the unused portion of the human mind, sounds like it makes for a great sci-fi thriller.
Unfortunately rather quickly the plot devolves after the disturbed man’s abduction of three teenage girls turns over the top hokey and stereotypical. Nothing can be said that will make up for the impending disappointment of viewers as yet again Mr. Shyamalan has an idea that sounds quite intriguing, yet falls completely flat and leaves viewers feeling as if they are the brunt of the joke.
As the psychotic killer develops into a character audiences could really be scared of, a turn for the worst happens when he is transformed by his own mind into an animal. Reaching beyond anything physically possible in a much staged way, he becomes a superhuman creature who rampages until he is caught.
Even with skilled acting at his disposal Shyamalan has managed to make another very poor quality film. At each step of the way, the suspense almost grabs you but is completely predictable. It’s too bad but this one earns
Jesters_folly (230 KP) rated Tea for God in Video Games
Sep 21, 2019
Tea for God is rouguelite, dungeon crawling shooter for PC VR that uses procedural generation and impossible spaces to create the game map as you play.
In ‘Tea for God’ you are on a quest to pay respects to the late ‘God Emperor’ who was killed by robots. To get to him you must travel through his high-tech palace which is, unfortunately still infested with the killer robots
The game uses VR room mapping and does not come with a ‘teleport’ option like a lot of other VR games which means that you physically have to walk around to move in game. This is where the Procedural generation comes in to play, the game knows the size of your play area and will generate the game map to fit. The use of impossible spaces means that a corridor can spiral around and you can find yourself in an area that couldn’t exist in normal reality which means that the game is easily playable in a small area. I only have a small area myself and have never walked into anything (except maybe the odd cat).
The controls are simple, to move you walk and you use the controls to shoot and pick up items. The game play is entering, there are a number of different robots of different sizes and weapon capabilities and they could be hiding around any corner.
The game is currently listed as being pre Alfa so should only get better. Tea for God is currently only available from the creators site ( https://void-room.itch.io/tea-for-god).
In ‘Tea for God’ you are on a quest to pay respects to the late ‘God Emperor’ who was killed by robots. To get to him you must travel through his high-tech palace which is, unfortunately still infested with the killer robots
The game uses VR room mapping and does not come with a ‘teleport’ option like a lot of other VR games which means that you physically have to walk around to move in game. This is where the Procedural generation comes in to play, the game knows the size of your play area and will generate the game map to fit. The use of impossible spaces means that a corridor can spiral around and you can find yourself in an area that couldn’t exist in normal reality which means that the game is easily playable in a small area. I only have a small area myself and have never walked into anything (except maybe the odd cat).
The controls are simple, to move you walk and you use the controls to shoot and pick up items. The game play is entering, there are a number of different robots of different sizes and weapon capabilities and they could be hiding around any corner.
The game is currently listed as being pre Alfa so should only get better. Tea for God is currently only available from the creators site ( https://void-room.itch.io/tea-for-god).
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