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Darren (1599 KP) rated Black Christmas (2019) in Movies
Dec 13, 2019
Verdict: All Over the Place
Story: Black Christmas starts as we meet our sorority sisters Riley (Poots), Kris (Shannon), Marty (Donoghue), Jesse (O’Grady), Helena (Adams) and Fran (Morris) who are preparing for the Christmas break, with Riley having history with the alpha sorority, which never got dealt with by the authorities.
They decide to get revenge through song and soon find themselves getting picked of by a masked killer, where they need to find themselves fighting to survive.
Thoughts on Black Christmas
Characters – Riley is previously a victim of sexual assault by one of the rich college students, 3-years-later she is still dealing with the effects, being the big sister to the rest of the sisters and is one of the few that worries about the locations of the other girls. Kris has been on a crusade to get equality, she spends most of the time preaching about how men have it easy and mostly gets annoying. Marty is another member of the sorority and like Jesse, we don’t learn much more about any of the other girls.
Performances – Imogen Poots is a talent actress when she is given something to work with, she is the strongest of a weak story, where nobody comes off like they are giving a good acting performance.
Story – The story is meant to be following a group of sorority sisters that get picked off and attacked by a masked killer over the Christmas break. Well, where do we start to break this story down, first thing, this isn’t any sort of remake or sequel to either movie seen before, it uses the location of the house and one look at a death, don’t think this is a remake. Secondly, we spend more time trying to get the message over about men thinking they can walk all over women and the only good men in life are nervous wrecks around the women. Thirdly, this is meant to be a horror and doesn’t even know what tone to stick to. Finally, the trailer gives away everything. This is a social message that uses an existing horror franchise to try and get a point over, without using any sort of subtitle approach.
Horror/Mystery – The horror in this film is almost non-excitant, it tries to use the slow slasher traits early on, which show glimpses, only to go, ‘you know what, we want to do an action horror now’ by the end. The mystery is also poor, because we get zero potential suspects and the only person it could be is revealed in the trailer.
Settings – The college location is fine, though it is the weird college I have ever seen.
Special Effects – When it comes to the effects, we get basic horror ones, sadly, the film decides to hide away from showing any actual gore, even though the injuries are designed to show it.
Scene of the Movie – Nate grabs an axe.
That Moment That Annoyed Me – The girls leave a party at what they say is midnight, we cut to one that left early and it is suddenly 10.45, seriously can people not tell the time?
Final Thoughts – This is a very bad social message horror that spends more time banging you over the head with the message, than actually giving us a coherent story or any scare.
Overall: Social Message, without a scare.
Story: Black Christmas starts as we meet our sorority sisters Riley (Poots), Kris (Shannon), Marty (Donoghue), Jesse (O’Grady), Helena (Adams) and Fran (Morris) who are preparing for the Christmas break, with Riley having history with the alpha sorority, which never got dealt with by the authorities.
They decide to get revenge through song and soon find themselves getting picked of by a masked killer, where they need to find themselves fighting to survive.
Thoughts on Black Christmas
Characters – Riley is previously a victim of sexual assault by one of the rich college students, 3-years-later she is still dealing with the effects, being the big sister to the rest of the sisters and is one of the few that worries about the locations of the other girls. Kris has been on a crusade to get equality, she spends most of the time preaching about how men have it easy and mostly gets annoying. Marty is another member of the sorority and like Jesse, we don’t learn much more about any of the other girls.
Performances – Imogen Poots is a talent actress when she is given something to work with, she is the strongest of a weak story, where nobody comes off like they are giving a good acting performance.
Story – The story is meant to be following a group of sorority sisters that get picked off and attacked by a masked killer over the Christmas break. Well, where do we start to break this story down, first thing, this isn’t any sort of remake or sequel to either movie seen before, it uses the location of the house and one look at a death, don’t think this is a remake. Secondly, we spend more time trying to get the message over about men thinking they can walk all over women and the only good men in life are nervous wrecks around the women. Thirdly, this is meant to be a horror and doesn’t even know what tone to stick to. Finally, the trailer gives away everything. This is a social message that uses an existing horror franchise to try and get a point over, without using any sort of subtitle approach.
Horror/Mystery – The horror in this film is almost non-excitant, it tries to use the slow slasher traits early on, which show glimpses, only to go, ‘you know what, we want to do an action horror now’ by the end. The mystery is also poor, because we get zero potential suspects and the only person it could be is revealed in the trailer.
Settings – The college location is fine, though it is the weird college I have ever seen.
Special Effects – When it comes to the effects, we get basic horror ones, sadly, the film decides to hide away from showing any actual gore, even though the injuries are designed to show it.
Scene of the Movie – Nate grabs an axe.
That Moment That Annoyed Me – The girls leave a party at what they say is midnight, we cut to one that left early and it is suddenly 10.45, seriously can people not tell the time?
Final Thoughts – This is a very bad social message horror that spends more time banging you over the head with the message, than actually giving us a coherent story or any scare.
Overall: Social Message, without a scare.
Kristy H (1252 KP) rated Shatter the Night in Books
Mar 19, 2020
Cedar Valley Detective Gemma Monroe takes a break from trick-or-treating on Halloween night with her young daughter Grace and fiance Brody to visit a family friend, former Cedar Valley Judge Caleb Montgomery. Caleb tells Gemma that he's been receiving haunting anonymous threats on his life. As Gemma, Brody, and Grace return to the Halloween festivities, they hear a gigantic explosion. Gemma quickly learns it was Caleb's Mercedes. The well-respected judge is dead. This kicks off a twisted and grueling case for Gemma and her partner, Detective Finn Nowlin, leading them down the dark past of Cedar Valley. There are ties to former serial killer and the more Gemma and Finn dig, the more disturbing things they find. Even worse, it appears as if Caleb's killer might not be finished.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
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KalJ95 (25 KP) rated the PlayStation 4 version of Doom Eternal in Video Games
May 6, 2020
Fast, free flowing combat is adrenaline pumping. (2 more)
One of the best FPS' of all time.
The sheer variety of Demons, Guns and Arenas is staggering.
Multiplayer is a bit...meh. (1 more)
Frequent crashes.
First person shooters have lost their touch. For a long time, the market has been utterly saturated with same annual game, like Call of Duty and Battlefield, and they play the same every time. Go back to the rise in the FPS genre, you'll see the likes of Wolfenstein 3D and DOOM revolutionise the genre forever. At the time, they were fast, weighty and satisfying to control. Fast forward to 2016, DOOM returns and ignites a brutal and bloody comeback for the FPS genre. A combination of fast paced gunplay, a killer soundtrack and over the top gore made this the best FPS to date.
Until now.
DOOM Eternal is the best FPS ever made. There, I said it. Eternal is blistering, adrenaline fuelled slingshot into your bloodstream, cranking the notches consistently to eleven, and it never let's up.
The core of Eternal is in its gameplay. The best way to describe the gunplay is a juggling of instruments that make up an orchestra, whilst you're conductor...and you're running mercilessly for your life and ammo. Its massively overwhelming to begin with, and you'll die often, but once you gather the rhythm of the dance of the Doom Slayer, it's a sight of awe, followed by psychotic grin on your face. Following in the footsteps and benchmarks that DOOM 2016 cemented, Eternal improves upon everything. The gunplay is meaty and brass, the platforming is fluid and easy to pick up, the demons and monsters all provide a challenge from the explosive beginning, to the equally as explosive finale, and when all of this is accompanied by the killer soundtrack cheering you on, Eternal is bulletproof.
Whilst DOOM 2016 feels dark in colour and tone, Eternal embraces the ridiculous and runs with it. Levels burst with bright and bonkers imagination, the effect of that first chainsaw kill where ammo flies out like confetti, and the endless ways to glory kill never gets tiresome. Add in the arsenal the Doom Slayer carries with him, it becomes a game of what gun is best for each demon. Although, the Double Barrel Shotgun is just magnificent to shoot with.
When it comes to DOOM, the narrative takes the backseat over its core idea of free movement to kill, and that's the only criticism I can give this franchise. Eternal does provide a planet hopping path of destruction through the Slayer's history, but you never feel invested in the narrative as much as you want to kill everything you see. I didn't need to know anything at all from the Slayers past, the mystery serves the narrative more not knowing. Also, I must note the amount of times my Playstation 4 has crashed due to DOOM Eternal. It really brings you out of the experience when you're almost finished on level, only to start again level all over again. I think this is however a minor fault in an otherwise superb game, and problems like this will hopefully be fixed in further patches.
I can't recommend DOOM Eternal enough. If video games were made singularly for fun, you have found the answer. I can't wait to see what id Software and Bethesda do next with this franchise.
Until now.
DOOM Eternal is the best FPS ever made. There, I said it. Eternal is blistering, adrenaline fuelled slingshot into your bloodstream, cranking the notches consistently to eleven, and it never let's up.
The core of Eternal is in its gameplay. The best way to describe the gunplay is a juggling of instruments that make up an orchestra, whilst you're conductor...and you're running mercilessly for your life and ammo. Its massively overwhelming to begin with, and you'll die often, but once you gather the rhythm of the dance of the Doom Slayer, it's a sight of awe, followed by psychotic grin on your face. Following in the footsteps and benchmarks that DOOM 2016 cemented, Eternal improves upon everything. The gunplay is meaty and brass, the platforming is fluid and easy to pick up, the demons and monsters all provide a challenge from the explosive beginning, to the equally as explosive finale, and when all of this is accompanied by the killer soundtrack cheering you on, Eternal is bulletproof.
Whilst DOOM 2016 feels dark in colour and tone, Eternal embraces the ridiculous and runs with it. Levels burst with bright and bonkers imagination, the effect of that first chainsaw kill where ammo flies out like confetti, and the endless ways to glory kill never gets tiresome. Add in the arsenal the Doom Slayer carries with him, it becomes a game of what gun is best for each demon. Although, the Double Barrel Shotgun is just magnificent to shoot with.
When it comes to DOOM, the narrative takes the backseat over its core idea of free movement to kill, and that's the only criticism I can give this franchise. Eternal does provide a planet hopping path of destruction through the Slayer's history, but you never feel invested in the narrative as much as you want to kill everything you see. I didn't need to know anything at all from the Slayers past, the mystery serves the narrative more not knowing. Also, I must note the amount of times my Playstation 4 has crashed due to DOOM Eternal. It really brings you out of the experience when you're almost finished on level, only to start again level all over again. I think this is however a minor fault in an otherwise superb game, and problems like this will hopefully be fixed in further patches.
I can't recommend DOOM Eternal enough. If video games were made singularly for fun, you have found the answer. I can't wait to see what id Software and Bethesda do next with this franchise.
Choices: Stories You Play
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Phoenix Wright: Ace Attorney – Dual Destinies
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BankofMarquis (1832 KP) rated Beast (2022) in Movies
Sep 24, 2022
More Tension Than I Anticipate
We are witnessing the after-effects of the COVID PANDEMIC shutdown in 2020 as the films that are being released at the tail end of summer/early fall of 2022 are not the most scintillating of efforts and thus, one must lower their expectations to have a good time at the Cineplex.
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Laura Doe (1350 KP) rated Inside the Mind of Jeffrey Dahmer: The Cannibal Killer in Books
Mar 12, 2022
Jeffrey Dahmer is one of the serial killers that I didn’t know too much about and this book was definitely a revelation. It takes you through from Dahmer being born right up to his death and a lot of the in between.
I’ve never read this author before but am aware of some of his other books and I think that this book was a good one to start with. I liked that we delved into Dahmer’s childhood and found some possible triggers from there but also that the author reinforced that not every child that suffers a specific trauma in their childhood becomes a serial killer, as I think it is important that the reader is reminded of this each time.
I also liked how there was a chapter for each of the victims and also in the appendix there were the charges in more detail for each victim too. Far too often when reading or watching documentaries about serial killers their victims are glossed over and forgotten while their killer’s name is remembered.
There were a few things that I disliked about this book, the main one being the whole chapter that seemed to be dedicated to slagging off psychiatrists and psychologists. While psychology is not an exact science and different people in the profession can come to different conclusions, I feel that the author spent too many pages trying to prove his point. I also felt that a lot of contempt for the profession was coming through in the writing, which, as somebody who wants to become a psychologist, is not something that I appreciated. I understand that everyone has their opinion on it, but I felt that far too much time was spent trying to get his point across.
There were also a few mistakes that made it hard to make sense of a few things, I understand that it has only just been published and there will be a few mistakes (there was a repeated word in a sentence that wasn’t needed) but when it is an obvious mistake with a date (in the Anthony Hughes chapter it says that he was last seen on 24th September 1991 and then 2 chapters below it says that his family were notified of his death on 5th July 1991) it makes for very confusing reading.
I also found that a lot of the time Christopher Berry-Dee referred to the book written by Brian Masters, I’m unsure if this was only because he hasn’t spoken to Dahmer in person while Masters did but at times I felt like I should have just picked up his book instead. I also found that sometimes the author seemed to boast about which serial killers he had met in real life when he didn’t need to.
Overall, I liked the humour in the book and found the writing style easy to get on with. It wasn’t a pleasant book (what book about a serial killer is?) but it was well written. I would pick up other books by this author in the future. Thank you to The Motherload book club on Facebook for the opportunity to win this book in a giveaway and the publisher Ad Lib for my copy!
I’ve never read this author before but am aware of some of his other books and I think that this book was a good one to start with. I liked that we delved into Dahmer’s childhood and found some possible triggers from there but also that the author reinforced that not every child that suffers a specific trauma in their childhood becomes a serial killer, as I think it is important that the reader is reminded of this each time.
I also liked how there was a chapter for each of the victims and also in the appendix there were the charges in more detail for each victim too. Far too often when reading or watching documentaries about serial killers their victims are glossed over and forgotten while their killer’s name is remembered.
There were a few things that I disliked about this book, the main one being the whole chapter that seemed to be dedicated to slagging off psychiatrists and psychologists. While psychology is not an exact science and different people in the profession can come to different conclusions, I feel that the author spent too many pages trying to prove his point. I also felt that a lot of contempt for the profession was coming through in the writing, which, as somebody who wants to become a psychologist, is not something that I appreciated. I understand that everyone has their opinion on it, but I felt that far too much time was spent trying to get his point across.
There were also a few mistakes that made it hard to make sense of a few things, I understand that it has only just been published and there will be a few mistakes (there was a repeated word in a sentence that wasn’t needed) but when it is an obvious mistake with a date (in the Anthony Hughes chapter it says that he was last seen on 24th September 1991 and then 2 chapters below it says that his family were notified of his death on 5th July 1991) it makes for very confusing reading.
I also found that a lot of the time Christopher Berry-Dee referred to the book written by Brian Masters, I’m unsure if this was only because he hasn’t spoken to Dahmer in person while Masters did but at times I felt like I should have just picked up his book instead. I also found that sometimes the author seemed to boast about which serial killers he had met in real life when he didn’t need to.
Overall, I liked the humour in the book and found the writing style easy to get on with. It wasn’t a pleasant book (what book about a serial killer is?) but it was well written. I would pick up other books by this author in the future. Thank you to The Motherload book club on Facebook for the opportunity to win this book in a giveaway and the publisher Ad Lib for my copy!
Daniel Boyd (1066 KP) rated T2 Trainspotting (2017) in Movies
Jul 19, 2017
Cast (3 more)
Script
Direction
Soundtrack
Here comes Johnny Yen again...
Choose nostalgia, choose sequels, choose another dose of high energy antics and following four reprobates as they show that although time rolls by, people don’t change. Choose betraying your mates and abandoning them for two decades until you are forced to return home and face your demons. Choose to buy the fact that Renton returns to Edinburgh the same week that Begbie decides to break out of prison after a twenty year stretch and try not to think too much about it. Choose facing the fact that we aren’t getting any younger and not everything works out the way we hope it will. Choose a killer soundtrack, a lighter tone, a witty script and phenomenal direction. Danny Boyle and the cast in this movie have came a long way in the last twenty years and this movie exhibits that awesomely, but doesn’t forget where they came from. This movie was never going to exceed the first movie but it instead functions as a companion piece to the original and actually makes the events of the first movie more meaningful. The film isn’t afraid to play on its legacy and the fact that a good amount of time has passed since the last time we saw these characters, it in fact relies on the time that has past since the original movie. This is one of the best Scottish films ever made and is right up there alongside the original and the two movies together tell a fantastic, gripping and engaging story over a significant period of time.