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LeftSideCut (3778 KP) rated Suicide Squad (2016) in Movies
Sep 1, 2019 (Updated Sep 2, 2019)
Yikes
I, like many of you, really like comic books. So in this day and age, where films like Elektra, The Spirit, Catwoman, Daredevil etc, are just a horrible joyless memory, it takes something truly special to make you nearly hate comic book movies forevermore.
Suicide Squad is that something truly special.
After being saddened by the underwhelming Batman vs Superman, I had my hopes set high for SS. The trailers looked fantastic. I couldn't wait to see characters such as Katana, Enchantress, Harley Quinn, Deadshot etc, finally have their moment in the spotlight. I couldn't wait to see what Jared Leto brought to the table as The Joker. I was ready to be shown that BvS was a one off misstep, and that the DCEU properties were ready to take their place amongst comic book film royalty.
I'm almost cross at myself for being so very silly.
Where to begin - I guess characters.
I have no problem with Margot Robbie as Harley Quinn. I thought she was fine. The script is terrible in places but that's not her fault.
Another character that suffers from the script is Deadshot. Again, I have no problem with Will Smith (except that the movie threatens to become the Will Smith show on occasion), but the script turns him into a tool to spout one liners and name check the movies title.
Enchantress is just a weird gyrating CGI embarrassment that is given little room to do anything else.
Everyone else is a waste - Katana, Killer Croc, Diablo - all so boring.
Same goes for Boomerang (although I get the feeling that Jai Courtney genuinely tried his best with what he was given)
And then there's The Joker. I can't honestly tell whether I liked him or not - he was hardly in it! Although his brief appearance was more interesting than the rest of the film for sure.
The whole film is set to a soundtrack of 'cool' rock songs that I would have put on a mixtape when I was 12, and they're relentless. It feels like every two minutes another song is obnoxiously blasted into my poor eyes and ears.
The film feels like one huge trailer. It's edited and chopped up jarringly, and it's a film that evidently has suffered from re shoots and studio meddling.
I refuse to believe that the same man who directed the damn good 'Fury' is solely responsible for this car crash.
Hopefully, James Gunn can keep the suits at bay and deliver a home run with the next attempt...
Suicide Squad is that something truly special.
After being saddened by the underwhelming Batman vs Superman, I had my hopes set high for SS. The trailers looked fantastic. I couldn't wait to see characters such as Katana, Enchantress, Harley Quinn, Deadshot etc, finally have their moment in the spotlight. I couldn't wait to see what Jared Leto brought to the table as The Joker. I was ready to be shown that BvS was a one off misstep, and that the DCEU properties were ready to take their place amongst comic book film royalty.
I'm almost cross at myself for being so very silly.
Where to begin - I guess characters.
I have no problem with Margot Robbie as Harley Quinn. I thought she was fine. The script is terrible in places but that's not her fault.
Another character that suffers from the script is Deadshot. Again, I have no problem with Will Smith (except that the movie threatens to become the Will Smith show on occasion), but the script turns him into a tool to spout one liners and name check the movies title.
Enchantress is just a weird gyrating CGI embarrassment that is given little room to do anything else.
Everyone else is a waste - Katana, Killer Croc, Diablo - all so boring.
Same goes for Boomerang (although I get the feeling that Jai Courtney genuinely tried his best with what he was given)
And then there's The Joker. I can't honestly tell whether I liked him or not - he was hardly in it! Although his brief appearance was more interesting than the rest of the film for sure.
The whole film is set to a soundtrack of 'cool' rock songs that I would have put on a mixtape when I was 12, and they're relentless. It feels like every two minutes another song is obnoxiously blasted into my poor eyes and ears.
The film feels like one huge trailer. It's edited and chopped up jarringly, and it's a film that evidently has suffered from re shoots and studio meddling.
I refuse to believe that the same man who directed the damn good 'Fury' is solely responsible for this car crash.
Hopefully, James Gunn can keep the suits at bay and deliver a home run with the next attempt...
Style: Formal, serious.
Point of View: Third person – each chapter is either Nick Dunne or Amy Dunne, never both.
Difficulty Reading: I struggled with the first half of the book. Don’t get me wrong, I was excited to read it because the movie was bomb as f*ck. The movie had me sitting on my toes the entire time, but this book was such a drag. Once you get about halfway through, that’s when it gets good.
Promise: The book promises a thrilling crime mystery and it does deliver it. But it delivers it in a way that makes the book almost seem repetitive as he said, she said.
Quality: It was a well-written book, I’ll give the author that. But there was a lot of swearing – and I cuss like a sailor. That kind of took the appeal of the book down quite a few notches.
Insights: If I could change anything about the book: take some of the cuss words out – it’s way too much, make the first half of the book more gripping – you lose readers because it’s boring.
Ah-Ha Moment: When Nick Dunne realized that Amy Dunne was just f*cking with him, he knew it but couldn’t tell anyone because then it would seem like he was the one who set the whole thing up.
Another moment was when Amy Dunne killed her old friend. I was like ‘what are you doing woman’ the entire time I read it.
Favorite Quote: “A lot of people lacked that gift: knowing when to fuck off.” – I feel this is the best representation of who I am as a person and of people nowadays.
“Sleep is like a cat: It only comes to you if you ignore it.” – Any quote that talks about cats are always great.
What will you gain: An interesting but hard read. If you don’t have the time or patience, put this book down.
Aesthetics: The copy I bought had the cover poster for the movie and it was nice to imagine Nick Dunne as the man on the cover. The first page of the book was what drew me in, the whole staring at the back of Amy’s head and thinking of breaking it open to mush your hands with her brain just appeals to me in a way that’s hard to describe. (I promise I’m not a serial killer. Yet…) Then as I read more, I struggled until I hit the point of the plot doing a massive U-turn and actually becoming interesting.
“There’s a difference between really loving someone and loving the idea of her.”
Point of View: Third person – each chapter is either Nick Dunne or Amy Dunne, never both.
Difficulty Reading: I struggled with the first half of the book. Don’t get me wrong, I was excited to read it because the movie was bomb as f*ck. The movie had me sitting on my toes the entire time, but this book was such a drag. Once you get about halfway through, that’s when it gets good.
Promise: The book promises a thrilling crime mystery and it does deliver it. But it delivers it in a way that makes the book almost seem repetitive as he said, she said.
Quality: It was a well-written book, I’ll give the author that. But there was a lot of swearing – and I cuss like a sailor. That kind of took the appeal of the book down quite a few notches.
Insights: If I could change anything about the book: take some of the cuss words out – it’s way too much, make the first half of the book more gripping – you lose readers because it’s boring.
Ah-Ha Moment: When Nick Dunne realized that Amy Dunne was just f*cking with him, he knew it but couldn’t tell anyone because then it would seem like he was the one who set the whole thing up.
Another moment was when Amy Dunne killed her old friend. I was like ‘what are you doing woman’ the entire time I read it.
Favorite Quote: “A lot of people lacked that gift: knowing when to fuck off.” – I feel this is the best representation of who I am as a person and of people nowadays.
“Sleep is like a cat: It only comes to you if you ignore it.” – Any quote that talks about cats are always great.
What will you gain: An interesting but hard read. If you don’t have the time or patience, put this book down.
Aesthetics: The copy I bought had the cover poster for the movie and it was nice to imagine Nick Dunne as the man on the cover. The first page of the book was what drew me in, the whole staring at the back of Amy’s head and thinking of breaking it open to mush your hands with her brain just appeals to me in a way that’s hard to describe. (I promise I’m not a serial killer. Yet…) Then as I read more, I struggled until I hit the point of the plot doing a massive U-turn and actually becoming interesting.
“There’s a difference between really loving someone and loving the idea of her.”
Darren (1599 KP) rated Art of Deception (2019) in Movies
Oct 2, 2019
Characters – Joseph Markham has been working for the CIA on a top-secret mind control project, it has reached the final stages with the final test being a success. He along with his wife soon become targets for the CIA who don’t want loose ends, which means Joseph will show his skills and training that his boss never knew he had, he will uses his training to stay alive and plan to expose the truth to the world. Valentina is the wife of Joseph, she is just as deadly, despite being held captive, she knows how the stay alive. Roland Smith is the project leader that wants to tie up any loose ends involved in the project, he doesn’t want anybody being able to spill the plans and puts all his effort into killing the Markham’s.
Performances – Richard Ryan in the leading role and on directing duties handles everything very well, with he combat scenes, showing his character’s deadly ability along with using the brains to stay ahead of the game. Jackie Nova brings us the feisty character that is the highlight of her screen time. Leon van Waas makes for the fun over the top villain through the film.
Story – The story here follows a couple that become targets of the CIA after their work for them, where they show their skills to survive and expose the truth about the project. This does follow everything we know from a late night action story, we have a skilled killer that must come out of his retired decision to protect himself, his wife and the world, when the moment comes for him to shine. We do have a villain that does following everything we are expecting to see with his evil plan that does need to be stopped. We can easily sit back and relax through this film, with the feisty dialogue being used through the film too.
Action – The action in the film is easy to watch, we deal with different fight scenes, with different fighting techniques being used to show skills behind the characters.
Settings – The film does keep the settings simple, we do have the CIA offices which sees the tight corridors when it comes to dealing with the fights and the secret locations where kidnapped people will be held.
Scene of the Movie – The plan to save the day.
That Moment That Annoyed Me – We could have had more combat sequences from Valentina.
Final Thoughts – This is a fun late night action film that could be enjoyed by all the action junkies, it keeps most things simple, without being down as plain.
Overall: Fun Action Film.
Performances – Richard Ryan in the leading role and on directing duties handles everything very well, with he combat scenes, showing his character’s deadly ability along with using the brains to stay ahead of the game. Jackie Nova brings us the feisty character that is the highlight of her screen time. Leon van Waas makes for the fun over the top villain through the film.
Story – The story here follows a couple that become targets of the CIA after their work for them, where they show their skills to survive and expose the truth about the project. This does follow everything we know from a late night action story, we have a skilled killer that must come out of his retired decision to protect himself, his wife and the world, when the moment comes for him to shine. We do have a villain that does following everything we are expecting to see with his evil plan that does need to be stopped. We can easily sit back and relax through this film, with the feisty dialogue being used through the film too.
Action – The action in the film is easy to watch, we deal with different fight scenes, with different fighting techniques being used to show skills behind the characters.
Settings – The film does keep the settings simple, we do have the CIA offices which sees the tight corridors when it comes to dealing with the fights and the secret locations where kidnapped people will be held.
Scene of the Movie – The plan to save the day.
That Moment That Annoyed Me – We could have had more combat sequences from Valentina.
Final Thoughts – This is a fun late night action film that could be enjoyed by all the action junkies, it keeps most things simple, without being down as plain.
Overall: Fun Action Film.
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BankofMarquis (1832 KP) rated The Kitchen (2019) in Movies
May 17, 2020
Thinly written and directed
A rainy weekend is the perfect time to catch up with films that I meant to see in the Cineplex, but just didn't get around to it. So it was with some excitement that I flipped on the "Women Run The Mafia" movie THE KITCHEN from 2019.
I should have watched 21 BRIDGES.
Based on the DC/VERTIGO graphic novel, THE KITCHEN is set in the late 1970's in NYC and offers up the "what if" scenario of 3 women that take over the Mafia. A pretty interesting premise that could have been the GODFATHER or GOODFELLA's of the day (or...at least...another WIDOWS from 2018), but instead THE KITCHEN falls flat like the all female GHOSTBUSTERS from a few year's ago.
A star of that Ghostbuster's film, Melissa McCarthy leads the cast as Kathy Brennan, the wife of a mobster who was sent to jail and becomes the leader of the group. McCarthy has shown that she has the "chops" as an actress to tackle this role, but she never really gets there. There is no real depth or emotional stakes to her character throughout the course of the film. The screenplay (and McCarthy's performance) does pick up at the end, but by then, it is too little, too late. Also not fairing well is comedienne Tiffany Hadish as Ruby O'Carroll - an African-American female trying to dominate in a predominately white male world. Again...this character had potential, but the writing and, quite frankly, Hadish's performance just didn't quite succeed.
What did succeed is the always excellent Elisabeth Moss as the 3rd part of this triumvirate. Her "mousy, abused housewife turned stone cold killer" was interesting to watch - especially when paired with Domhnall Gleeson's assassin about 1/2 way through the movie. I wanted to watch a movie with these 2 criminals on the run.
I've mentioned the weak writing as part the issue here, so I'll have to mention first time Veteran Writer and first-time Director Andrea Berloff as the main culprit here. She wrote STRAIGHT OUTTA COMPTON so she has it in her, but here, the screenplay and characterizations are "thin". Perhaps, a good Director could have made something out of this, but she also made her Directing debut with this film, so it just didn't work well enough.
This isn't a bad film, it just isn't a very good - or very interesting - one.
Letter Grade B- (for the Moss/Gleeson portion of this film)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
I should have watched 21 BRIDGES.
Based on the DC/VERTIGO graphic novel, THE KITCHEN is set in the late 1970's in NYC and offers up the "what if" scenario of 3 women that take over the Mafia. A pretty interesting premise that could have been the GODFATHER or GOODFELLA's of the day (or...at least...another WIDOWS from 2018), but instead THE KITCHEN falls flat like the all female GHOSTBUSTERS from a few year's ago.
A star of that Ghostbuster's film, Melissa McCarthy leads the cast as Kathy Brennan, the wife of a mobster who was sent to jail and becomes the leader of the group. McCarthy has shown that she has the "chops" as an actress to tackle this role, but she never really gets there. There is no real depth or emotional stakes to her character throughout the course of the film. The screenplay (and McCarthy's performance) does pick up at the end, but by then, it is too little, too late. Also not fairing well is comedienne Tiffany Hadish as Ruby O'Carroll - an African-American female trying to dominate in a predominately white male world. Again...this character had potential, but the writing and, quite frankly, Hadish's performance just didn't quite succeed.
What did succeed is the always excellent Elisabeth Moss as the 3rd part of this triumvirate. Her "mousy, abused housewife turned stone cold killer" was interesting to watch - especially when paired with Domhnall Gleeson's assassin about 1/2 way through the movie. I wanted to watch a movie with these 2 criminals on the run.
I've mentioned the weak writing as part the issue here, so I'll have to mention first time Veteran Writer and first-time Director Andrea Berloff as the main culprit here. She wrote STRAIGHT OUTTA COMPTON so she has it in her, but here, the screenplay and characterizations are "thin". Perhaps, a good Director could have made something out of this, but she also made her Directing debut with this film, so it just didn't work well enough.
This isn't a bad film, it just isn't a very good - or very interesting - one.
Letter Grade B- (for the Moss/Gleeson portion of this film)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
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