"Jason and the Argonauts is the very first movie that I ever remember watching. My parents were living in New York and I was a very young kid. And I remember being in front of my TV all alone watching skeletons fighting with swords. For me it was magic. I guess the emotion was so strong that the memory of the room and the TV still piques my mind because maybe at that age you don’t really know what a skeleton is. But watching skeletons fighting was like, “Wooh-wooh, what the f— is this?” And I have a memory of that movie that sticks in my mind of the giant — there’s a boat that goes through the legs of a big giant. I have a lot of respect for those movies, like the old King Kong, which create a grand world with the tricks. I’ve always been respectful to all the people who do visual effects and special effects, because making movies is also making magic. You can also admire a man who pretends to cut a woman to pieces in a theater because he makes these images of horror that, again, don’t hurt. That was my very first memory of this film. And I was always going to see movies since then."

"You feel from the first moments that this movie will make no mistakes. I remember those claustrophobic rented rooms and the host family always laughing and cooking and playing mah-jongg. Compositions are boxed in on the left and right, which ups the energy of each scene, igniting these characters because they’re given so little space. Wong Kar-wai designs this past world meticulously, then casts it with messy realness and makes it turn . . . Messy realness saves his two leads. Maggie Cheung Man-yuk and Tony Leung Chiu-wai float on air. They are as gorgeously put together as any two humans out there, and here give a clinic on the power of performance restraint. Cinematographer Chris Doyle adores Cheung: captured by his slow motion, her beauty is written into the record books. This is a love story that crawls. Every breath taken by these two characters is counted. You’ve got to get into the masochistic pleasure of dying for something to happen that may not. What does happen? Torrential downpours soaking 1960s Hong Kong, Nat King Cole haunting the background of an incredible score, and a parade of the most gorgeous dresses ever zipped up the back of an actress."