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Matthew Krueger (10051 KP) rated Training Day (2001) in Movies
Jun 11, 2020
King Kong Ain't Got Shit On Ms
I love this movie, i have seen it about 5-7 times now. It is on my top ten films of all time. I love Denzel Performace, he played as a excellent villian, and he should do it more often, cause he doesnt play the villian that much, the only other film I can think of is "American Gangster" and thats it.
The plot: Police drama about a veteran officer who escorts a rookie on his first day with the LAPD's tough inner-city narcotics unit. "Training Day" is a blistering action drama that asks the audience to decide what is necessary, what is heroic and what crosses the line in the harrowing gray zone of fighting urban crime. Does law-abiding law enforcement come at the expense of justice and public safety? If so, do we demand safe streets at any cost?
In June 2003, the American Film Institute named Alonzo Harris the 50th greatest screen villain of all time in its list AFI's 100 Years...100 Heroes & Villains.
Also excellent quotes like..
"You gotta be a wolf to catch a wolf."
"You gotta control your smiles & cries because that's all you have & nobody can take that away from you."
"You wanna go to jail or you wanna go home?"
"To protect the sheep you gotta catch the wolf, and it takes a wolf to catch a wolf."
"I've been planning this all week, son. You talk that crazy shit, I'll make sure that blood gets to the lab. You wanna walk your baby nuts around the block, you won't make it to the corner, but if you're cool, if you're cool... then you're a hero. You're a virgin shooter above suspicion."
"You don't know any stories? Okay, I'll tell you a story. This is a newspaper. It's 90 per cent bullshit, but it's entertaining. That's why I read it, because it entertains me. You won't let me read it, so you entertain me with your bullshit. Tell me a story, right now."
"This shit's chess, it ain't checkers."
"You got a dick. You do have a dick, don't you? Okay, the dick lines up straight like that right? To the right of it and to the left of it are pockets, right? In those pockets are money. Look in either one of 'em, pay the bill."
And of course..
"Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me."
Its a excellent, phenomenal movie and a must watch film.
The plot: Police drama about a veteran officer who escorts a rookie on his first day with the LAPD's tough inner-city narcotics unit. "Training Day" is a blistering action drama that asks the audience to decide what is necessary, what is heroic and what crosses the line in the harrowing gray zone of fighting urban crime. Does law-abiding law enforcement come at the expense of justice and public safety? If so, do we demand safe streets at any cost?
In June 2003, the American Film Institute named Alonzo Harris the 50th greatest screen villain of all time in its list AFI's 100 Years...100 Heroes & Villains.
Also excellent quotes like..
"You gotta be a wolf to catch a wolf."
"You gotta control your smiles & cries because that's all you have & nobody can take that away from you."
"You wanna go to jail or you wanna go home?"
"To protect the sheep you gotta catch the wolf, and it takes a wolf to catch a wolf."
"I've been planning this all week, son. You talk that crazy shit, I'll make sure that blood gets to the lab. You wanna walk your baby nuts around the block, you won't make it to the corner, but if you're cool, if you're cool... then you're a hero. You're a virgin shooter above suspicion."
"You don't know any stories? Okay, I'll tell you a story. This is a newspaper. It's 90 per cent bullshit, but it's entertaining. That's why I read it, because it entertains me. You won't let me read it, so you entertain me with your bullshit. Tell me a story, right now."
"This shit's chess, it ain't checkers."
"You got a dick. You do have a dick, don't you? Okay, the dick lines up straight like that right? To the right of it and to the left of it are pockets, right? In those pockets are money. Look in either one of 'em, pay the bill."
And of course..
"Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me."
Its a excellent, phenomenal movie and a must watch film.
The Marinated Meeple (1848 KP) rated Jurassic Park (1993) in Movies
Apr 5, 2018
The CGI (2 more)
The Special Effects
The Storytelling
The all time best dinosaur movie made so far....
This move is a great one and will hold up for many many years. They way the original king Kong holds up the groundbreaking special effects for the time are solid enough to fool people nowadays in a charming old fashioned way. Yes technology is evolving faster than dinosaurs ever did, but when something is made this well, it tends to age well, not poorly. Jaws is another example of aging well, yes we can see the flaws and the seems, but it doesn't matter. Yes I understand the science is flawed, but the premise is interesting, and the pseudo science is good enough to capture the imagination. And the imagination runs wild here like a T-Rex after a Jeep. It gobbled me up like a guy on a toilet. I still love to visit Isla Sorna. And plan to go back many many more times.
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Fun Tidbit: All of the cast were given a Raptor model, signed by Steven Spielberg as a gift. It looked very frightening, and Ariana Richards has it in her house to shock anyone coming in, like a guard at the gate. Jeff Goldblum's model has a prime spot in his house and is a cherished object. Laura Dern put her Raptor model in her son's room near his crib. When he was older and saw it he screamed like never before. She had to put it in storage, but hopes one day, the two will be friends.
Here's 2 awesome movie posters:
Awix (3310 KP) rated Mothra (1961) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
You're going to need some bigger mothballs
The film that sets the standard for rampaging-giant-mystic-butterfly pictures is one of the best Toho monster movies, clearly owing a debt to King Kong but adding a lovely veneer of charming Japanese weirdness to the recipe. Evil Rosilicans (i.e., Americans) gatecrash a Japanese expedition to a mysterious island and end up kidnapping the twin fairies in charge of the place and forcing them to appear in a stage musical (this film has some banging tunes, by the way). Disgruntled natives wake up Mothra, butterfly-god protector of the island, who promptly heads for Japan to express displeasure as only a 180 metre long larva can.
Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.
Much more of a fantasy movie than the rest of the Godzilla series (with which it is in continuity; Mothra and Godzilla have been fighting together and against each other for over fifty years), and also with an unambiguously sympathetic monster, this is probably a more technically adept and simply enjoyable film than any of its immediate predecessors from Toho. The story is vaultingly peculiar in some ways, but at least it has originality on its side. The attempt to disguise where Rosilica is really supposed to be falls flat as soon as we learn one of its major cities is called New Kirk, but you can't fault one of these movies for being just a little bit odd. Perhaps the lack of another monster for Mothra to fight at the end is a weakness in the story, but if so it is less obvious than is usually the case in this sort of film. An endearing and engaging piece of entertainment.
Lee (2222 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 31, 2019 (Updated May 31, 2019)
Well, I liked it!
Before heading into Godzilla: King of the Monsters, I saw a lot of wildly mixed reviews online. People were either hating it or loving it, with nobody really feeling anything in-between. Even those cinema goers who were fully prepared for nothing more than a bunch of big monsters fighting alongside insignificant human bystanders were coming away from it fuming. Well, I’m happy to say that I’m putting myself firmly in the ‘loved it’ category, although I do understand and appreciate a lot of the issues that the haters have with it.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
Since his appearance in the 2014 movie, and his involvement in the destruction of San Francisco, Godzilla has been keeping a fairly low profile beneath the ocean. He is now closely monitored by monster organisation Monarch, who were introduced to us previously, most notably in the movie Kong: Skull Island. They have a number of outposts dotted around the globe, where they are also tracking various other ‘titans’, most of which are lying dormant. Monarch is currently involved in a conflict with the military, who would rather see the titans wiped out than try and co-exist with them in the way our ancestors did.
In a Chinese outpost, we meet Dr Emma Russell (Vera Farmiga), who is working on a device called ORCA, something which will hopefully allow us to communicate with and control the titans. She’s there with daughter Madison (Millie Bobby Brown) as they test out ORCA on newly hatched titan larva Mothra. Emma’s estranged husband Mark (Kyle Chandler), who helped develop the ORCA device with her, is currently leading a much simpler life, photographing wolves out in the wild having completely distanced himself from Monarch and the titans.
Things start to go wrong though when eco-terrorist Jonah Alan (Charles Dance) kidnaps Emma and Madison, along with the ORCA device. He wants to use ORCA to wake up the remaining titans and there’s a lot of talk about cleansing the earth, restoring balance etc, something which continues to be the motivational theme throughout the movie.
Jonah and his team, with help from Emma, break free a three-headed monster called Ghidorah from within the Antarctic ice, and that’s when things really kick off. Ghidorah assumes the position of King of the Monsters and he and the other titans begin wreaking havoc on planet Earth. When word reaches Mark that his wife and daughter are in danger, not to mention the rest of the world, he returns to work with Monarch. Meanwhile, Godzilla has resurfaced and is en route to Ghidorah, looking for a fight. At the same time Mothra takes herself off to a waterfall, cocooning herself so that she can gloriously emerge a bit later on in the movie.
Godzilla takes a bit of a pounding from Ghidorah, sustaining some serious damage and leaving the fate of the world in jeopardy. But, the fact that the title of this movie declares Godzilla to be the King of Monsters, along with the promotional material for next years ‘Godzilla Vs Kong’ movie that has begun emerging online, should give you a pretty good idea as to whether or not he makes a comeback.
Unfortunately, a lot of the action takes place in murky, rainy darkness, which is disappointing considering all of the marketing artwork that depicts the monsters and their battles in bright, vibrant colour. At times, far too many quick cuts make things difficult to follow – zipping between the action, the destruction and the humans that are in danger because of it. Cutting to the human cast does help to give us a sense of scale and panic but, at this point, they’ve all just become a little irrelevant. A lot of time is spent early on in the movie, introducing us to a lot of characters, with even more to come later on, but the majority of them just have very little to do or be concerned about when the monster fighting begins.
On the flip-side to all of that though, there are more than enough occasions where we find a downtrodden and seriously pissed off Godzilla handing out a satisfying series of beatings to the pretenders to his throne. I became fully invested in the huge scale of it all and what was at stake for the world. Overall I just found the whole thing really enjoyable.
The Phantom Atlas: The Greatest Myths, Lies and Blunders on Maps
Book
The Phantom Atlas is an atlas of the world not as it ever existed, but as it was thought to be....
Lyndsey Gollogly (2893 KP) rated Shadow Witch ( Witches of Hollow Cove book 1) in Books
May 11, 2022
Contains spoilers, click to show
!! Spoilers !!! !! Spoilers !!!
82 of 230
Kindle
Shadow Witch ( Witches of Hollow Cove book 1)
Kim Richardson
⭐️⭐️⭐️⭐️
Are you ready for your next magical adventure?
Okay, so I’m in trouble. Big trouble. I’m broke. Worse, my boyfriend of five years just dumped me.
What do I do? I move in with my three eccentric aunts in their family home, Davenport House. Sounds exciting, only this massive farmhouse likes to eat men. If I were a regular human, I would have run out screaming like a banshee. As a witch—I do absolutely nothing. Hey, maybe they deserved it?
I’m back in Hollow Cove, the flamboyant paranormal community, where nymphs, werewolves, trolls, shifters, witches, and other paranormals live comfortable lives away from prying human eyes. As I settle into my new life, I decide to accept my aunts’ proposal and join the family business—the business of protecting our town and killing anything that would want to harm it.
But I’ve been away from the paranormal world for quite some time, and my magical abilities are a little bit rusty. Heck, they’re practically invisible.
Things soon spiral down the crapper when people in our community start dropping like flies. And when demons start showing up in Hollow Cove, it’s up to me to take care of them. Permanently.
Finally!!! A Gorilla shifter! One more to knock of my list of shifters wanted. This was a fun light read! I really enjoyed it after having a few heavy books. I thought the characters were fun and easy to get along with, even the ones you weren’t supposed to like so much. Ronin was my favourite and had me laughing out loud my favourite line “Well, scratch my balls and call me Beryl,” exclaimed Ronin. “The chief’s freakin’ King Kong!”
This had me laugh so much. Like I said a fun easy light read that’s actually written quite well.
82 of 230
Kindle
Shadow Witch ( Witches of Hollow Cove book 1)
Kim Richardson
⭐️⭐️⭐️⭐️
Are you ready for your next magical adventure?
Okay, so I’m in trouble. Big trouble. I’m broke. Worse, my boyfriend of five years just dumped me.
What do I do? I move in with my three eccentric aunts in their family home, Davenport House. Sounds exciting, only this massive farmhouse likes to eat men. If I were a regular human, I would have run out screaming like a banshee. As a witch—I do absolutely nothing. Hey, maybe they deserved it?
I’m back in Hollow Cove, the flamboyant paranormal community, where nymphs, werewolves, trolls, shifters, witches, and other paranormals live comfortable lives away from prying human eyes. As I settle into my new life, I decide to accept my aunts’ proposal and join the family business—the business of protecting our town and killing anything that would want to harm it.
But I’ve been away from the paranormal world for quite some time, and my magical abilities are a little bit rusty. Heck, they’re practically invisible.
Things soon spiral down the crapper when people in our community start dropping like flies. And when demons start showing up in Hollow Cove, it’s up to me to take care of them. Permanently.
Finally!!! A Gorilla shifter! One more to knock of my list of shifters wanted. This was a fun light read! I really enjoyed it after having a few heavy books. I thought the characters were fun and easy to get along with, even the ones you weren’t supposed to like so much. Ronin was my favourite and had me laughing out loud my favourite line “Well, scratch my balls and call me Beryl,” exclaimed Ronin. “The chief’s freakin’ King Kong!”
This had me laugh so much. Like I said a fun easy light read that’s actually written quite well.
Daniel Boyd (1066 KP) created a post
Jan 16, 2018
Andy K (10821 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 3, 2019
Monsters good. Humans bad.
I just read a lot of reviews on Smashbomb for this and would have to agree with most that I enjoyed the monsters in all their various shapes and sizes, especially if you have been a fan seeing the familiar ones you have known and loved.
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
I don't feel the need to post a plot summary for a film which already has so many Smashbomb reviews.
I seemed to recall a similar feeling in watching the original Independence Day in 1996. The idea was amazing, but the dialogue and corny characters were a distraction. In the case of Godzilla King of the Monsters, the dysfunctional family dynamic was annoying and poorly written pretty much from the start and did not get any better as the film progressed. The teenage character was used way too often and the plot relied way too much on her involvement almost to the point of hilarity. Like this teenager is going to be the cause of the death of all life on Earth or its salvation. Give me a break.
When Godzilla was punishing one of its titanic foes with a menacing smack down or fiery blast of epic proportions was when the film worked best. Having said that, it would've been cooler to see more monster wars in better lighting instead of always at night, in the clouds or while it was raining. I liked the explanations of the origins of the creatures and how one of them was different than the rest which helped explain the far fetched plot.
The run time also did seem a bit long as the story dragged in the middle somewhat while everyone was waiting for the next titan brawl to occur. I was not bored while watching, but it seemed roundabout at times getting to the inevitable conclusion. I'm sure everyone knows by now the eventual goal was to set up the final confrontation between Godzilla and Kong which should be awesome as long as they don't let too many stupid humans with bad dialogue get in the way!
Movie Metropolis (309 KP) rated The Legend of Tarzan (2016) in Movies
Jun 11, 2019
CPR Needed
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
Phillip McSween (751 KP) rated Ready Player One (2018) in Movies
Apr 5, 2018
Very Good Time
It's 2045 and most of the world's population has turned to the virtual world called OASIS which has become a second home for many. When the world's creator James Halladay (Mark Rylance) passes away, he leaves behind an easter egg inside the virtual world and whoever finds that egg will inherit both his fortune and the OASIS. Wade Watts (Tye Sheridan) hopes to find that egg before Nolan Sorrento (Ben Mendelsohn) and his greedy corporation IOI can get their hands on it and forever ruin the OASIS.
Acting: 8
Beginning: 10
Characters: 2
Cinematography/Visuals: 10
Conflict: 9
A death-defying race chocked full of easter eggs (like Ryu from Street Fighter and the bike from Akira) where the participants have to deal with a shifting path, bulldozers, the T-Rex from Jurassic Park and a very angry King Kong. Yeah, that's just the first ten minutes.
In Ready Player One, it's not just about the action but about everyone and everything involved in said action. I can't go into too much detail without ruining the surprises, but I will say there is plenty of eye-candy and intense action sequences that will keep you fully engaged in the film. Just when you think you've seen it all, they surprise you with something new.
Genre: 9
Memorability: 8
Pace: 10
The epitome of a popcorn movie. Just relax. Have fun. Enjoy the ride. Don't expect substance. Just thrills on top of consistent thrills. The film arrives from one scene to the next at a speed I felt was just right.
Plot: 7
Resolution: 10
Solid ending that made me appreciate the otherwise flat characters more. There's a good message here revolving around the importance of taking full advantage of life around you. You just might call me a sap when you see it for yourself but, for this film...it fits.
Overall: 83
Was Ready Player One as good as the novel it was made after? No. Not even close. If you can keep that in mind from the jump like I was able to do, the film should still make for a very enjoyable experience. You can tell that a lot of time and love was poured into the film. See it.
Acting: 8
Beginning: 10
Characters: 2
Cinematography/Visuals: 10
Conflict: 9
A death-defying race chocked full of easter eggs (like Ryu from Street Fighter and the bike from Akira) where the participants have to deal with a shifting path, bulldozers, the T-Rex from Jurassic Park and a very angry King Kong. Yeah, that's just the first ten minutes.
In Ready Player One, it's not just about the action but about everyone and everything involved in said action. I can't go into too much detail without ruining the surprises, but I will say there is plenty of eye-candy and intense action sequences that will keep you fully engaged in the film. Just when you think you've seen it all, they surprise you with something new.
Genre: 9
Memorability: 8
Pace: 10
The epitome of a popcorn movie. Just relax. Have fun. Enjoy the ride. Don't expect substance. Just thrills on top of consistent thrills. The film arrives from one scene to the next at a speed I felt was just right.
Plot: 7
Resolution: 10
Solid ending that made me appreciate the otherwise flat characters more. There's a good message here revolving around the importance of taking full advantage of life around you. You just might call me a sap when you see it for yourself but, for this film...it fits.
Overall: 83
Was Ready Player One as good as the novel it was made after? No. Not even close. If you can keep that in mind from the jump like I was able to do, the film should still make for a very enjoyable experience. You can tell that a lot of time and love was poured into the film. See it.