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graveyardgremlin (7194 KP) rated The Sleeping Beauty (Five Hundred Kingdoms, #5) in Books
Feb 15, 2019
The title implies that the story told within the pages is about Sleeping Beauty, it's not. While that fairy tale plays a small part, it's not really what the book is about. Featuring many fairy tales and mythical references, a tournament with diverse quests, and of course, magic, THE SLEEPING BEAUTY's main characters are Lily, the Godmother of the kingdom of Eltaria, Rosamund, the princess, and Siegfried, the Norse-like warrior "prince". Of all the characters, Siegfried is the one I got to know the best, who I liked the most, and was fully fleshed out, while Rosamund was flat with no personality; I honestly didn't care what happened to her. Lily was a promising character at the beginning, then she was almost abandoned, her personality lost, and thrown in here and there until the end, which is a shame.
The story was okay, it had its ups and downs. Sometimes it dragged, other times it kept at a brisk pace. Often the humor fell flat but there were a few smile-worthy moments. The "evil" was never fully explained and I never understood why the bad guy did what he did. As for the final confrontation, there didn't seem much to be overcome and it was over in almost an instant. I would have hoped for more of a bang instead of a whimper. The ending itself was pretty much how many people would expect a fairy tale to end, but it was too hurried and too confusing for me. The book is an enjoyable, light afternoon read, but one I'm likely to forget about. Not my favorite of the series by far.
The story was okay, it had its ups and downs. Sometimes it dragged, other times it kept at a brisk pace. Often the humor fell flat but there were a few smile-worthy moments. The "evil" was never fully explained and I never understood why the bad guy did what he did. As for the final confrontation, there didn't seem much to be overcome and it was over in almost an instant. I would have hoped for more of a bang instead of a whimper. The ending itself was pretty much how many people would expect a fairy tale to end, but it was too hurried and too confusing for me. The book is an enjoyable, light afternoon read, but one I'm likely to forget about. Not my favorite of the series by far.
Awix (3310 KP) rated Gods Of Egypt (2016) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Set Piece Defence
Not-quite-as-bad-as-its-reputation knockabout fantasy that does a serious number on the wonders of Egyptian mythology. Evil god Set (Gerard Butler in shouty mode) takes over the kingdom and sets about harvesting the signature body-parts of his fellow immortals; hapless mortal Brenton Thwaites must persuade wronged heir-to-the-throne Horus (Nicolaj Coster-Waldau) to help get rid of him.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
Well, the plot is nothing special and the film often seems to be on the verge of sending itself up, but on the other hand it's visually interesting and the choice to treat the weirder bits of Egyptian mythology as being literally true (boss-god Ra is obliged to drag the sun around the Earth every day, on a length of chain attached to the back of his flying boat) means the story is at least a bit different.
You can, I suppose, complain that none of the people playing Egyptians in this film are actually Egyptian; many did, and I suppose I must have missed them complaining in a similar vein when Japanese and coloured actors were cast as inhabitants of Scandinavian fantasyland in the Thor movies. But c'mon, guys, it's a film about Gerard Butler in a flying space chariot pulled by giant beetles - it is possible to take this sort of thing a bit too seriously. (I look forward to retiring to my bunker and listening to the flaming-torch-wielding mob as they mill around outside.)
Anyway, not a great movie by any stretch of the imagination, but hardly terrible, either, and at least it is pleasing to the eye and has a certain novelty.
Phillip McSween (751 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jul 26, 2018
Fun Summer Blockbuster
Taking place three years after Jurassic World, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) find themselves back on Isla Nublar where a dormant volcano is on the verge of erupting. Their mission is to safely rescue as many dinosaurs as they can, but there are others who have more sinister plans.
Acting: 10
Beginning: 10
Characters: 9
Cinematography/Visuals: 9
The Jurassic Park series has set the standard for visuals and this new installment is no exception. From the opening scene to the film's conclusion, you are treated to the beautiful dino goodness that keeps viewers coming back for more. I appreciated the consistent attention to detail and the constant refining of the traditional dinos like the t-rex and pesky raptor. I left as I always do, thinking this is how these creatures must have moved and acted when they were alive.
Conflict: 9
Genre: 5
Memorability: 5
Pace: 8
Plot: 1
Resolution: 10
Overall: 76
It's funny how critics rag on films like these saying, "Where is the heart? This film is all over the place, big on action, lacking on script." Is that accurate of Jurassic World: Fallen Kingdom? Absolutely. However, sometimes we also have to remember why we came to the see the film in the first place. You came for the action. You came for the dinosaurs. In that sense, the film delivers. You want an enriching story? Go see Lady Bird. Meanwhile, I'll keep munching on my Raisinets and enjoying films the way they were meant to be enjoyed.
P.S.--Lady Bird is actually a phenomenal film.
Acting: 10
Beginning: 10
Characters: 9
Cinematography/Visuals: 9
The Jurassic Park series has set the standard for visuals and this new installment is no exception. From the opening scene to the film's conclusion, you are treated to the beautiful dino goodness that keeps viewers coming back for more. I appreciated the consistent attention to detail and the constant refining of the traditional dinos like the t-rex and pesky raptor. I left as I always do, thinking this is how these creatures must have moved and acted when they were alive.
Conflict: 9
Genre: 5
Memorability: 5
Pace: 8
Plot: 1
Resolution: 10
Overall: 76
It's funny how critics rag on films like these saying, "Where is the heart? This film is all over the place, big on action, lacking on script." Is that accurate of Jurassic World: Fallen Kingdom? Absolutely. However, sometimes we also have to remember why we came to the see the film in the first place. You came for the action. You came for the dinosaurs. In that sense, the film delivers. You want an enriching story? Go see Lady Bird. Meanwhile, I'll keep munching on my Raisinets and enjoying films the way they were meant to be enjoyed.
P.S.--Lady Bird is actually a phenomenal film.
Gareth von Kallenbach (980 KP) rated Shrek Forever After (2010) in Movies
Aug 8, 2019
After spending years scaring villagers with his evil roar, then rescuing princess Fiona (Cameron Diaz) from a dragon, and saving his in-laws’ kingdom, Shrek (Mike Meyers) feels his adventuresome days are over. This doesn’t sit well with him and he finds himself growing somewhat weary of his day-to-day life of a loving husband and father of three. He longs to be a “real” ogre again.
Enter Rumpelstiltskin (Walt Dohrn), who tricks Shrek into signing a contract with him, giving up a day of his life to be a real ogre again. Shrek finds himself back in Far Far Away, but this time it’s an alternate universe, one where ogres are hunted. In this alternate world, Shrek soon learns after meeting up with Donkey (Eddie Murphy), Puss in Boots (Antonio Banderas) and Fiona, that they have never met before.
Shrek realizes that the only way to fix things is to make Princess Fiona fall in love with him, and recruits Donkey and Puss in Boots to help him. Along the way Shrek faces many challenges in the world where Rumpelstiltskin rules and witches thwart his every effort, but in the end (as all fairy tales should, of course) love conquers all.
With nonstop laughs from the get go, this movie will not disappoint. The 3D effects were impressive, added a great depth to the movie, and really brought it to life. Although this is the fourth movie in the franchise, I was impressed with this one most of all. It has a heartfelt storyline that can capture an audience of all ages, making it a wonderful conclusion to the Shrek series.
4.5 out of 5
Enter Rumpelstiltskin (Walt Dohrn), who tricks Shrek into signing a contract with him, giving up a day of his life to be a real ogre again. Shrek finds himself back in Far Far Away, but this time it’s an alternate universe, one where ogres are hunted. In this alternate world, Shrek soon learns after meeting up with Donkey (Eddie Murphy), Puss in Boots (Antonio Banderas) and Fiona, that they have never met before.
Shrek realizes that the only way to fix things is to make Princess Fiona fall in love with him, and recruits Donkey and Puss in Boots to help him. Along the way Shrek faces many challenges in the world where Rumpelstiltskin rules and witches thwart his every effort, but in the end (as all fairy tales should, of course) love conquers all.
With nonstop laughs from the get go, this movie will not disappoint. The 3D effects were impressive, added a great depth to the movie, and really brought it to life. Although this is the fourth movie in the franchise, I was impressed with this one most of all. It has a heartfelt storyline that can capture an audience of all ages, making it a wonderful conclusion to the Shrek series.
4.5 out of 5
Phil Leader (619 KP) rated Silverthorn in Books
Nov 25, 2019
When Princess Anita is poisoned, Prince Arutha needs to find the antidote but to avoid suspicion must do so secretly. Assembling a small band of his most trusted companions he heads off to search out Silverthorn, the only known cure for the poison.
Magician was a sprawling epic fantasy tale, spun out of role playing sessions with its own self contained story. In itself it is impressive but in coming up with the sequal (and the third book to make them a trilogy) Feist really shows his flair for story telling. This book is a self-contained quest in its own right but also part of a bigger whole, a feature that would result in a very long series of books.
And what a story it is. Again influenced by the Friday night role playing sessions our heroes are a varied band, each with their own strengths, who must use all their skill and abilities to discover and return the antidote. But what they discover on the way reveals a much more powerful threat to the Kingdom of the Isles.
The characters are strong and likeable, the set pieces enthralling and well written. Okay so it's not stunningly original relying on a lot fantasy tropes and owing a huge debt to Tolkien but it is rarely derivative, always taking its own path so this doesn't detract from it in the end.
This trilogy of Magician, Silverthorn and A Darkness At Sethanon form an almost perfect epic fantasy trilogy that for my money is just as essential as The Lord Of The Rings for fantasy buffs.
Magician was a sprawling epic fantasy tale, spun out of role playing sessions with its own self contained story. In itself it is impressive but in coming up with the sequal (and the third book to make them a trilogy) Feist really shows his flair for story telling. This book is a self-contained quest in its own right but also part of a bigger whole, a feature that would result in a very long series of books.
And what a story it is. Again influenced by the Friday night role playing sessions our heroes are a varied band, each with their own strengths, who must use all their skill and abilities to discover and return the antidote. But what they discover on the way reveals a much more powerful threat to the Kingdom of the Isles.
The characters are strong and likeable, the set pieces enthralling and well written. Okay so it's not stunningly original relying on a lot fantasy tropes and owing a huge debt to Tolkien but it is rarely derivative, always taking its own path so this doesn't detract from it in the end.
This trilogy of Magician, Silverthorn and A Darkness At Sethanon form an almost perfect epic fantasy trilogy that for my money is just as essential as The Lord Of The Rings for fantasy buffs.
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