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Janna of Castle Ambrose
Janna of Castle Ambrose
Jordan Elizabeth Mierek | 2019 | Science Fiction/Fantasy, Young Adult (YA)
7
7.0 (1 Ratings)
Book Rating
Inappropriate mix of Young Adult and sexual content (0 more)
Janna of Castle Ambrose is the first book in The Serpent Riders series by the versatile Jordan Elizabeth. Set in the fictional land of Hamlin, Janna, who lives in Castle Ambrose, loses her father, brother and sister when an usurper invades the kingdom and slaughters hundreds of people. From then on, Janna has vows that the new king will be destroyed, however, it is not until she is 18 and discovers two of her friends are alive and imprisoned in the capital city that Janna finds the will-power to escape her tattered home and put the world to rights.

With the aid of a secret ability to freeze people and being the only person in the country to know of the existence of sea serpents, Janna sets off to the capital where she worms her way into the castle by becoming the apothecary's apprentice. To save her friends and defeat the usurper, Janna must round up rebels across Hamlin. Yet, as she adjusts to her life in the city, Janna realises there are two sides to every story and she may not be on the right side after all. With the rebels rallying troops from across the sea, she may be too late to prevent another civil war.

The story ends with one side becoming the victors and Janna's sea serpents earning their right to come out of hiding and being accepted by human society. The narrative is fast-paced with days, weeks and months speeding past within each chapter. There is an eclectic mix of characters whose personalities pull the story in different directions.

Janna of Castle Ambrose contains some adult scenes that may be unsuitable for younger readers. Although no sex scenes occur per se, they are eluded to in heavy detail. This is a new aspect to Jordan Elizabeth's writing, however, the young adult writing style clashes with the adult material.

Being the first book in a series, it is clear the story is going to continue, however, as the main issue has been resolved, the plot of the next book is unguessable. We shall just have to wait and see.
  
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Matthew Krueger (10051 KP) rated The Brood (1979) in Movies

Sep 4, 2020 (Updated Sep 4, 2020)  
The Brood (1979)
The Brood (1979)
1979 | Horror, Sci-Fi
They're Waiting For You
Man i love David Cronenberg, his horror films are disturbing, disgusting, gory, burtal, horrorfying and terrorfying. All of those words describe this film.

The plot: follows a man and his mentally-ill ex-wife, who has been sequestered by a psychologist known for his controversial therapy techniques. A series of brutal unsolved murders serves as the backdrop for the central narrative.

Conceived by Cronenberg after his own acrimonious divorce, he intended the screenplay as a meditation on a fractured relationship between a husband and wife who share a child, and cast Eggar and Hindle as loose facsimiles of himself and his ex-wife. He would later state that, despite its incorporation of science fiction elements, he considered it his sole feature that most embodied a "classic horror film".

Written in the aftermath of writer-director Cronenberg's divorce from his wife, The Brood has been noted by critics and film scholars for its prominent themes surrounding fears of parenthood, as well as corollary preoccupations with repression and the treatment of mental illness in women.

The Brood is my version of Kramer vs. Kramer, but more realistic." —Cronenberg commenting on his concept of the film, 1979.

In retrospect, Cronenberg stated that he felt The Brood was "the most classic horror film I've done" in terms of structure.

The Brood had cuts demanded for its theatrical release in the United States, Canada, and United Kingdom. Eggar conceived of the idea of licking the new fetuses that her character Nola Carveth has spawned. "I just thought that when cats have their kittens or dogs have puppies (and I think at that time I had about 8 dogs), they lick them as soon as they’re born. Lick, lick, lick, lick, lick…," Eggar said.

However, when the climactic scene was censored, Cronenberg responded: "I had a long and loving close-up of Samantha licking the fetus […] when the censors, those animals, cut it out, the result was that a lot of people thought she was eating her baby. That's much worse than I was suggesting.

Its a distubing film but a excellent film.
  
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