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Bob Mann (459 KP) rated Star Trek III - The Search for Spock (1984) in Movies
Sep 28, 2021
Why mess with a winning formula? Most of the original cast return for this next outing – with Robin Curtis stepping in for Kirstie Alley who “didn’t want to get typecast”. And the story continues from where we left off. But it all feels more forced this time. There are various absurdities in the story that make things very convenient! There are also things that make you say “hang on a minute” from Star Trek II. (For example, McCoy just stands there without objection in the funeral scene! Wouldn’t a “wait a minute” at that point have saved an AWFUL lot of grief??!).
Christopher Lloyd is wonderfully over the top as the Klingon commander, making a very believable baddie. And he really is a villain, allowing Shatner the opportunity to test his acting range (unfortunately, he singularly fails): “You Klingon bastard, you killed my son…. You Klingon bastard, you killed my son”.
Overall, it’s not a total disaster, but it all feels lacklustre and lazy after the glory of the Wrath of Khan. It makes you wonder what might have been if Nicholas Meyer had stayed at the helm to direct it instead of Nimoy.
Christopher Lloyd is wonderfully over the top as the Klingon commander, making a very believable baddie. And he really is a villain, allowing Shatner the opportunity to test his acting range (unfortunately, he singularly fails): “You Klingon bastard, you killed my son…. You Klingon bastard, you killed my son”.
Overall, it’s not a total disaster, but it all feels lacklustre and lazy after the glory of the Wrath of Khan. It makes you wonder what might have been if Nicholas Meyer had stayed at the helm to direct it instead of Nimoy.
Bob Mann (459 KP) rated Star Trek II: The Wrath of Khan (1982) in Movies
Sep 28, 2021
Wowee! From the ridiculous to the sublime. This is how to make a Star Trek movie! If you were trying to bring back the action and fun of the original TV series, then what better than to bring back one of the original villains in a sequel to that story? And being able to cast the original actor (Ricardo Montalban) is just perfect.
Nicholas Meyer also clearly had the same frustrations about that first movie. The film barely pauses for breath. Interestingly, it clearly reuses footage from the original movie in travelling to the Enterprise in space dock, but cuts that 6 minute special-effects-porn-fest to about 20 seconds! It’s a striking comparison!
The movie “introduces” Kirstie (“Cheers”) Alley as Vulcan officer Saavik (although she was in a student-made feature the year before). She makes quite an impression. Also new to the series is Merritt Buttrick, playing Kirk’s son David. Sadly, like Khambatta from the last film, his Trek-voyage was to be short lived. Although he appeared in Star Trek III, he died of Aids just three years later.
The movie is also notable for launching the late James Horner onto the world stage as a leading film composer. Horner cleverly associates the “ship” in starship with a roistering seafaring motif that would be equally at home in a Hornblower movie as it is here. I remember leaving the cinema when this was released and heading STRAIGHT into HMV to buy the vinyl soundtrack!
There are very few things I can find to critique in this movie. It all holds up pretty well, even after nearly 40 years (MAN, I FEEL OLD NOW!) The only scene that perhaps grates with modern sensitivities is in the (supposedly comic) “lady driver” reactions from Kirk.
Nicholas Meyer also clearly had the same frustrations about that first movie. The film barely pauses for breath. Interestingly, it clearly reuses footage from the original movie in travelling to the Enterprise in space dock, but cuts that 6 minute special-effects-porn-fest to about 20 seconds! It’s a striking comparison!
The movie “introduces” Kirstie (“Cheers”) Alley as Vulcan officer Saavik (although she was in a student-made feature the year before). She makes quite an impression. Also new to the series is Merritt Buttrick, playing Kirk’s son David. Sadly, like Khambatta from the last film, his Trek-voyage was to be short lived. Although he appeared in Star Trek III, he died of Aids just three years later.
The movie is also notable for launching the late James Horner onto the world stage as a leading film composer. Horner cleverly associates the “ship” in starship with a roistering seafaring motif that would be equally at home in a Hornblower movie as it is here. I remember leaving the cinema when this was released and heading STRAIGHT into HMV to buy the vinyl soundtrack!
There are very few things I can find to critique in this movie. It all holds up pretty well, even after nearly 40 years (MAN, I FEEL OLD NOW!) The only scene that perhaps grates with modern sensitivities is in the (supposedly comic) “lady driver” reactions from Kirk.