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Gareth von Kallenbach (965 KP) rated Zoolander 2 (2016) in Movies
Aug 6, 2019
Zoolander 2” picks up just a couple days after the first film left off. Staying true to the story line, Zoolander and Hansel are as vapid as ever and have retreated to lives in exile after the school for children who couldn’t read good (or whatever) collapsed due to shoddy construction. With their dreams dashed, both models are licking their wounds when they are summoned back into the world of fashion by a disgustingly beautiful fashionista with the Botox of the gods, Alexanya Ato (Kristen Wiig). With a face that can hardly move Ato is unsettlingly inviting.
For Zoolander and Hansel, the world they once knew has been taken over by today’s most annoying pop stars and what is now known as – “mainstream hipster society.”
Reminiscent of the “Austin Powers” series, Penelope Cruz leads a high speed action-spy adventure (cheesy as it may sound, it’s pretty great) as Melanie Valentina, working for Interpol “fashion division.” Cruz sets out to discover who has been killing Hollywood’s famous faces following Bieber’s tragic, and very graphic, death.
Inadvertently, due to Zoolander’s irresistible good looks, Cruz embarks on a mission to help him reunite with his estranged son and defeat Mugatu (Will Ferrell). The film is exactly what you would expect following the first “Zoolander.” It’s short, funny, ridiculous, and yet the sequel is surprisingly relevant.
The incorporation of an androgynous character named All played by Benedict Cumberbatch steps dangerously close to the edge of what is acceptable amongst the film’s own likely audience of hipster pc’rs.
Surprise appearances are actually part of what makes this sequel pretty great, yet they don’t take over and the ridiculous storyline somehow remains a coherent.
The best appearance of all, and most out of place, is that of Neil deGrasse Tyson himself. Of course, as a beautiful person, Zoolander’s journey is one of epic spiritual proportions in his own mind, so somehow a physicist fits in quite nicely.
Delivering exactly what it advertises, I give “Zoolander 2” 3.5 out of 5 stars.
For Zoolander and Hansel, the world they once knew has been taken over by today’s most annoying pop stars and what is now known as – “mainstream hipster society.”
Reminiscent of the “Austin Powers” series, Penelope Cruz leads a high speed action-spy adventure (cheesy as it may sound, it’s pretty great) as Melanie Valentina, working for Interpol “fashion division.” Cruz sets out to discover who has been killing Hollywood’s famous faces following Bieber’s tragic, and very graphic, death.
Inadvertently, due to Zoolander’s irresistible good looks, Cruz embarks on a mission to help him reunite with his estranged son and defeat Mugatu (Will Ferrell). The film is exactly what you would expect following the first “Zoolander.” It’s short, funny, ridiculous, and yet the sequel is surprisingly relevant.
The incorporation of an androgynous character named All played by Benedict Cumberbatch steps dangerously close to the edge of what is acceptable amongst the film’s own likely audience of hipster pc’rs.
Surprise appearances are actually part of what makes this sequel pretty great, yet they don’t take over and the ridiculous storyline somehow remains a coherent.
The best appearance of all, and most out of place, is that of Neil deGrasse Tyson himself. Of course, as a beautiful person, Zoolander’s journey is one of epic spiritual proportions in his own mind, so somehow a physicist fits in quite nicely.
Delivering exactly what it advertises, I give “Zoolander 2” 3.5 out of 5 stars.
Richard Curtis recommended Knocked Up (2007) in Movies (curated)
Erika (17788 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 29, 2020 (Updated Dec 29, 2020)
I was lucky enough to see this in theaters with my 'rents. I do not agree with Warner Bros decision to release same day on HBO Max, so I initially wasn't going to see it, but my dad bought the tickets.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
LeftSideCut (3778 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 22, 2020 (Updated Jul 5, 2021)
In this sequel to the so far best film of the DCEU, Patty Jenkins dares to ask, what if Wishmaster was a family friendly superhero movie?
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Wonder Woman 1984 is an overall mixed experience, but let's begin with some positives. For a start, Gal Gadot is Wonder Woman through and through. She shined in the first movie, and is just as bright the second time around. What ever plans are afoot for the future of the DCEU, she should rightly be at the forefront.
Another cast highlight is Kristen Wiig. Her character is designed to be the sympathetic good guy who yearns for more acceptance and influence on the people around her, the relatable type, who inevitably turns into the tragic antagonist. Her arc is handled so-so, and is plagued with cliché "nerdy-girl-becomes-attractive" moments, but Wiig is clearly having a blast in this role, and the movie is better for having her around.
Pedro Pascal is also here as classic DC villain Maxwell Lord. He camps it up to the max, and does well in the seedy businessman type role, but again, his arc is handled in a so-so manner.
It has some genuinely decent set pieces. Highlights include a fun (if a little drawn out) opening scene, and then the big desert car chase glimpsed in the trailers. The CGI is also pretty good (for the most part, I'll get to that in a second) and a few more out-there details (no spoilers here) lifted straight from the comics that add that extra sweet spot of nerdy delight.
This all being said, WW84 does unfortunately suffer from a few pitfalls. The big glaring problem is the pacing. This film is 2.5 hours long, and boy does it drag in places. It could have easily lost 30 minutes without impacting the story, and the end results feels bloated and a bit directionless.
As mentioned above, the effects are great for the most part, but as the trailers show, Cheetah looks a little...off when she eventually turns up. She sort of looks like a colourless CGI blob when engaged in battle, and it's a shame, because some of the close ups look great, as is the overall design of her character.
Some of the narrative beats are a bit choppy, I get the feeling that some parts were cut that could have better explained some things, and then there are some plot beats that just straight up don't make a lick of sense.
And then there's Steve Trevor... Chris Pine is enjoyable enough as per usual, but honestly, his inclusion just feels a little forced. There's an obvious morally tearing plot point as to why he's here, but I felt that overall he just added to the bloatedness. And that's without addressing weird, kind of rapey body possession thing that's going on.
I had an ok time with WW84, but it's held back by a shit tonne of unnecessary clutter that seals it's status as an inferior sequel.
Gareth von Kallenbach (965 KP) rated The Secret Life Of Walter Mitty (2013) in Movies
Aug 6, 2019
To say that I was blown away by this movie might be a bit of an understatement. To be honest, this movie snuck under my radar, slid into a Christmas release, and absolutely amazed me.
The Secret Life of Walter MItty is about a man who daydreams. But that doesn’t quite cut it. He is constantly thinking out, imagining, scenarios in his head of how things could play out. Often ludicrous, but sometimes realistic, he imagines what things would be like if he were a different man in the situation he’s in. From handling a jerk boss, to the girl he likes, he plays out a scenario in his head that he wishes would happen.
Mitty is a negative assets manager for Life magazine. Life is getting ready to close down the physical publication and are about to publish the last issue. Their best reporter, Sean O’Connell (Sean Penn), sent in his final roll of film indicating that frame 25 was his best shot ever and should be used for the final cover. The only problem is that frame 25 is missing. After a frantic search he is unable to find it in the lab, and with some urging from Cheryl Melhoff (Kristen Wiig) in Accounts at Life, and Mitty’s love interest, Mitty stops living in his head and sets out on a journey to find the frame, and himself.
Directed and starring Ben Stiller, The Secret Life of Walter Mitty was a delight every step of the way. The humor in the film was very well blended so as not to distract from this incredible journey, and the visuals were absolutely amazing. I am not sure that I would change much about this movie. Casting was excellent, the score was great, and the cinematography was superb. There was a whole side bit about eHarmony.com was a bit annoying at first, but it paid off in the end.
I would definitely recommend seeing this movie to any of my friends. So go check it out on opening day (Christmas Day) if you are looking for something to do that day.
The Secret Life of Walter MItty is about a man who daydreams. But that doesn’t quite cut it. He is constantly thinking out, imagining, scenarios in his head of how things could play out. Often ludicrous, but sometimes realistic, he imagines what things would be like if he were a different man in the situation he’s in. From handling a jerk boss, to the girl he likes, he plays out a scenario in his head that he wishes would happen.
Mitty is a negative assets manager for Life magazine. Life is getting ready to close down the physical publication and are about to publish the last issue. Their best reporter, Sean O’Connell (Sean Penn), sent in his final roll of film indicating that frame 25 was his best shot ever and should be used for the final cover. The only problem is that frame 25 is missing. After a frantic search he is unable to find it in the lab, and with some urging from Cheryl Melhoff (Kristen Wiig) in Accounts at Life, and Mitty’s love interest, Mitty stops living in his head and sets out on a journey to find the frame, and himself.
Directed and starring Ben Stiller, The Secret Life of Walter Mitty was a delight every step of the way. The humor in the film was very well blended so as not to distract from this incredible journey, and the visuals were absolutely amazing. I am not sure that I would change much about this movie. Casting was excellent, the score was great, and the cinematography was superb. There was a whole side bit about eHarmony.com was a bit annoying at first, but it paid off in the end.
I would definitely recommend seeing this movie to any of my friends. So go check it out on opening day (Christmas Day) if you are looking for something to do that day.
Bob Mann (459 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 16, 2020
Gal Gadot: stunning (2 more)
Movie with real heart
Excellent cinematography
WW dot Well Worth Waiting for Gadot
The long delayed release of the Wonder Woman sequel has finally happened, and it is well worth waiting for.
Gal Gadot is fabulous as the Amazonian beauty (and then some) with Chris Pine reprising his role from the first thing. (Of all the WTF moments of 2020 trailers, this was top of the list.... just HOW? A McGuffin is involved, but no spoilers here!).
In brief, Patty Jenkins delivers a popcorn blockbuster than has legs (over and above Gadot's perfect specimens!): the Goblet-of-Fire-Potteresque pre-title sequence is thrilling and engaging. And the story builds cleverly through the first half of the movie. Above all, there is a heap of HEART involved here.... this is not your run of the mill supervillain showdown flick. In fact, it's a movie with TWO villain (normally a doom-laden premise for this reviewer... "Spider Man 3".... shudder), but here it really works well.
Sure, there is a requirement for a suspension of belief, but - hey - it's a DC movie. On a slight downside, the second half of the movie - for me -unfortunately doesn't quite live up to the promise of first half, blending "Bruce Almighty" with "Superman 2" and rather over-egging the pudding.
But in a morass of B-pics, this sequel is one that is gorgeous to look at (Matthew Jensen's cinematography is superb), gorgeous to listen to (an epic score by Hans Zimmer) and is genuinely engaging. There's also a nice vein of humour running through it... when Kristen Wiig is in a park, a rough sleeper on a bench is reading "Waiting for Godot".... or is it "Waiting for Gadot"??
It's such a brief scene, I wasn't sure!
Although I DEPLORE the Warner Brother's decision to release their material in parallel to streaming, here is a movie that is WELL WORTH you getting out to the cinema to see... assuming that you can find a UK cinema open (I saw this in the excellent Showcase De Luxe in Southampton).
Oh, and if you are someone who dives for the exit at the first title... resist... there is an excellent mid-title sequence featuring a wonderful cameo for us older folks!
(Please check out the full graphical review on bob-the-movie-man, which will be going live shortly. Thanks).
Gal Gadot is fabulous as the Amazonian beauty (and then some) with Chris Pine reprising his role from the first thing. (Of all the WTF moments of 2020 trailers, this was top of the list.... just HOW? A McGuffin is involved, but no spoilers here!).
In brief, Patty Jenkins delivers a popcorn blockbuster than has legs (over and above Gadot's perfect specimens!): the Goblet-of-Fire-Potteresque pre-title sequence is thrilling and engaging. And the story builds cleverly through the first half of the movie. Above all, there is a heap of HEART involved here.... this is not your run of the mill supervillain showdown flick. In fact, it's a movie with TWO villain (normally a doom-laden premise for this reviewer... "Spider Man 3".... shudder), but here it really works well.
Sure, there is a requirement for a suspension of belief, but - hey - it's a DC movie. On a slight downside, the second half of the movie - for me -unfortunately doesn't quite live up to the promise of first half, blending "Bruce Almighty" with "Superman 2" and rather over-egging the pudding.
But in a morass of B-pics, this sequel is one that is gorgeous to look at (Matthew Jensen's cinematography is superb), gorgeous to listen to (an epic score by Hans Zimmer) and is genuinely engaging. There's also a nice vein of humour running through it... when Kristen Wiig is in a park, a rough sleeper on a bench is reading "Waiting for Godot".... or is it "Waiting for Gadot"??
It's such a brief scene, I wasn't sure!
Although I DEPLORE the Warner Brother's decision to release their material in parallel to streaming, here is a movie that is WELL WORTH you getting out to the cinema to see... assuming that you can find a UK cinema open (I saw this in the excellent Showcase De Luxe in Southampton).
Oh, and if you are someone who dives for the exit at the first title... resist... there is an excellent mid-title sequence featuring a wonderful cameo for us older folks!
(Please check out the full graphical review on bob-the-movie-man, which will be going live shortly. Thanks).
BankofMarquis (1832 KP) rated Wonder Woman 1984 (2020) in Movies
Jan 10, 2021
Misses more than it hits
The first Gal Gadot-led WONDER WOMAN film (2017) is generally regarded by most (myself included) as the finest film in the DCEU and Gal Gadot’s portrayal of Diana Prince/Wonder Woman is the highlight of any DCEU film that she appears in, so it was with much (delayed) anticipation that a viewing of WONDER WOMAN 1984 (finally) took place.
It’s too bad that the filmmakers couldn’t take the time in the delay of this movie’s release to craft a better film.
WONDER WOMAN 1984 takes the titular character and places this ageless Supehero in the titular timeframe. What Director Patty Jenkins (who so wonderfully brought us the first Wonder Woman film) and the her co-script writer Geoff Johns and all of the others who crafted this film failed to do was to capitalize on their hero and this timeline.
After an opening scene that flashbacks to Diana Prince’s youth on her isolated island of Themyscira (a scene who’s sole purpose, it seems, is to shoehorn favorites Robin Wright and Connie Nielsen from the first film into this one). We then go to a fight in a 1980’s mall (in a clear homage to such fights as the ones in COMMANDO and TRUE LIES - action sequences, that I might add, that were done better by Arnold Schwarzenegger and James Cameron). So back-to-back, this film starts off on unsure footing.
Enter Pedro Pascal’s main villain Maxwell Lord with the ability of a truly wonderful, memorable, villain to elevate the proceedings.
He does not.
Plain and simple, Pascal’s Maxwell Lord just doesn’t work as as a villain. He would have been a nice “secondary villain”.
Which is how I would recommend that Jenkins and Johns approach this character and film, for the secondary villain, Barbara Minerva/Cheetah worked better for me.
As portrayed by Kristen Wiig, we first encounter Minerva as a mousey, insecure co-worker of Diana Prince but slowly - over the course of the film - Minerva becomes stronger and more self-assured and when her transformation into Cheetah is complete, she is a viable opponent for Wonder Woman. And with Gadot’s strong (expected) portrayal of Diana/Wonder Woman the scenes of these 2 playing off each other - both physically and verbally - elevates this film above mediocrity.
As does the chemistry between Gadot and Chris Pine as Steve Trevor (from the first film). This relationship was one of the best parts of the first film, so the filmmakers had to figure out how to bring him back - and how they decided to do it was “fine” (with one issue I have that I can’t reveal but I also think a simple “tweak” in the storyline would have fixed). Because these 2 have such tremendous character - and because Pascal’s villain character is weak - this movie spends way too much time on Diana and Steve and this film loses it’s focus multiple times.
But…a few good action scenes would have saved things - but there aren’t really any. Certainly none that are as visually interesting, and emotionally satisfying, as the “no man’s land” scene in the first film.
This movie is “fine” and with the performances of Gadot, Pine and Wiig, they elevate the needle a little above “fine”. So I will give this movie about a point more than I (probably) should - which puts this film as one of the better films of the DCEU - which says more about the state of the DCEU than it does about this movie.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
It’s too bad that the filmmakers couldn’t take the time in the delay of this movie’s release to craft a better film.
WONDER WOMAN 1984 takes the titular character and places this ageless Supehero in the titular timeframe. What Director Patty Jenkins (who so wonderfully brought us the first Wonder Woman film) and the her co-script writer Geoff Johns and all of the others who crafted this film failed to do was to capitalize on their hero and this timeline.
After an opening scene that flashbacks to Diana Prince’s youth on her isolated island of Themyscira (a scene who’s sole purpose, it seems, is to shoehorn favorites Robin Wright and Connie Nielsen from the first film into this one). We then go to a fight in a 1980’s mall (in a clear homage to such fights as the ones in COMMANDO and TRUE LIES - action sequences, that I might add, that were done better by Arnold Schwarzenegger and James Cameron). So back-to-back, this film starts off on unsure footing.
Enter Pedro Pascal’s main villain Maxwell Lord with the ability of a truly wonderful, memorable, villain to elevate the proceedings.
He does not.
Plain and simple, Pascal’s Maxwell Lord just doesn’t work as as a villain. He would have been a nice “secondary villain”.
Which is how I would recommend that Jenkins and Johns approach this character and film, for the secondary villain, Barbara Minerva/Cheetah worked better for me.
As portrayed by Kristen Wiig, we first encounter Minerva as a mousey, insecure co-worker of Diana Prince but slowly - over the course of the film - Minerva becomes stronger and more self-assured and when her transformation into Cheetah is complete, she is a viable opponent for Wonder Woman. And with Gadot’s strong (expected) portrayal of Diana/Wonder Woman the scenes of these 2 playing off each other - both physically and verbally - elevates this film above mediocrity.
As does the chemistry between Gadot and Chris Pine as Steve Trevor (from the first film). This relationship was one of the best parts of the first film, so the filmmakers had to figure out how to bring him back - and how they decided to do it was “fine” (with one issue I have that I can’t reveal but I also think a simple “tweak” in the storyline would have fixed). Because these 2 have such tremendous character - and because Pascal’s villain character is weak - this movie spends way too much time on Diana and Steve and this film loses it’s focus multiple times.
But…a few good action scenes would have saved things - but there aren’t really any. Certainly none that are as visually interesting, and emotionally satisfying, as the “no man’s land” scene in the first film.
This movie is “fine” and with the performances of Gadot, Pine and Wiig, they elevate the needle a little above “fine”. So I will give this movie about a point more than I (probably) should - which puts this film as one of the better films of the DCEU - which says more about the state of the DCEU than it does about this movie.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated How to Train Your Dragon 2 (2014) in Movies
Aug 6, 2019
In 2010, the most unlikely Viking proved that dragons and humans can co-exist in the first How To Train Your Dragon film. Set five years after the original movie, How to Train Your Dragon 2 opens up on the Village of Berk where Vikings and dragons have developed a fond relationship. Hiccup (Jay Baruchel), the nerdy chieftain’s son, is now a few years older and has made himself a winged suit and spends his days soaring the skies with his beloved dragon, Toothless. This film brings together the original gang of friends, Astrid (America Ferrera), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill), and twins Ruffnut and Tuffnut (Kristen Wiig and TJ Miller). Still at odds with his expectations, Hiccup’s father Stoick (Gerard Butler) demands that he begins the preparations and training to follow in his footsteps and become chief of their Village. This is not the future Hiccup sees for himself, he and Toothless flee the Village and explore the world and stumble upon a cave full of dragons and encounter a Mysterious Dragon Rider (Cate Blanchett), with a similar affinity for dragons. Hiccup has realized that war still exists between dragons and men beyond the borders of his Village. He attempts to negotiate peace with dragon-hunter Drago (Djimon Hounsou), who is threatening to invade the village with his army.
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Gareth von Kallenbach (965 KP) rated Paul (2011) in Movies
Aug 7, 2019
Can you think of a better vacation than going to the San Diego Comic-Con, then hopping into an RV with your best friend to travel around America checking out various UFO hot spots? If you answered “Heck No!” then you would get along just fine with Klingon-speaking best friends from the UK, Graeme Willy (Simon Pegg) and Clive Gollings (Nick Frost).
That’s how the movie Paul begins, at one of the greatest conventions, San Diego Comic Con. Then Graeme and Clive are off on their cross country adventure during which they meet all sorts of interesting people including Paul (voiced by Seth Rogen), an alien whose ship crash landed on Earth 60 years ago and, until his recent escape, had been a “guest” at a secret military base. After some fainting, wetting pants and fears about probing have been addressed, Graeme and Clive agree to help Paul get to where he can meet his mothership and go home.
At this point the movie goes from funny to really funny and as the three of them get to know each other better, Graeme and Clive soon realize that Paul is just a everyday guy like them (well except for the whole alien thing). They also meet Bible-thumper Ruth (Kristen Wiig) whom they accidentally kidnap, causing her shotgun-toting father to chase after them. Of course there are government agents also looking for them and the movie even throws in a few high speed chases. To round out the road trip there’s even a fight at a biker bar (Star Wars fans will love the band playing inside). Will they achieve their goal and send Paul home? Will there be probing? Klaatu barada nikto?
The special effects that went into creating Paul and his realistic interactions with the human cast were amazing, however the humorous soul that Seth Rogen breathed into Paul made the character truly out of this world. Not since Mork and Gordon Shumway (ALF) has an alien made me laugh so hard. Simon Pegg and Nick Frost were their usual extremely funny dynamic-duo selves. The movie is loaded with well-placed humorous references to sci-fi movies and shows, a well-balanced amount of action and great character interactions with an unbelievable supporting cast that includes Jason Bateman, Jane Lynch and Bill Hader just to name a few. This movie is not only one that I want to see again in the theatre but one that I also want to own.
That’s how the movie Paul begins, at one of the greatest conventions, San Diego Comic Con. Then Graeme and Clive are off on their cross country adventure during which they meet all sorts of interesting people including Paul (voiced by Seth Rogen), an alien whose ship crash landed on Earth 60 years ago and, until his recent escape, had been a “guest” at a secret military base. After some fainting, wetting pants and fears about probing have been addressed, Graeme and Clive agree to help Paul get to where he can meet his mothership and go home.
At this point the movie goes from funny to really funny and as the three of them get to know each other better, Graeme and Clive soon realize that Paul is just a everyday guy like them (well except for the whole alien thing). They also meet Bible-thumper Ruth (Kristen Wiig) whom they accidentally kidnap, causing her shotgun-toting father to chase after them. Of course there are government agents also looking for them and the movie even throws in a few high speed chases. To round out the road trip there’s even a fight at a biker bar (Star Wars fans will love the band playing inside). Will they achieve their goal and send Paul home? Will there be probing? Klaatu barada nikto?
The special effects that went into creating Paul and his realistic interactions with the human cast were amazing, however the humorous soul that Seth Rogen breathed into Paul made the character truly out of this world. Not since Mork and Gordon Shumway (ALF) has an alien made me laugh so hard. Simon Pegg and Nick Frost were their usual extremely funny dynamic-duo selves. The movie is loaded with well-placed humorous references to sci-fi movies and shows, a well-balanced amount of action and great character interactions with an unbelievable supporting cast that includes Jason Bateman, Jane Lynch and Bill Hader just to name a few. This movie is not only one that I want to see again in the theatre but one that I also want to own.
Movie Metropolis (309 KP) rated Despicable Me 3 (2017) in Movies
Jun 10, 2019
A disjointed third outing
They’re back. After the ridiculous success of Minions in 2015, Universal pressed ahead with a sequel to their other ridiculously successful animated franchise, Despicable Me.
The first two films were a delightful, if uneven adventure with everybody’s favourite yellow tic-tacs getting their standalone movie that grossed over $1billion. I know, I can’t believe it either.
Now, supervillain turned doting dad Gru is back for another round of animated mayhem. But is this third outing as enjoyable as its predecessors? Or are we starting to feel franchise fatigue?
The mischievous yet hopelessly adorable Minions hope that boss Gru (Steve Carell) will return to a life of crime after the Anti-Villain League fires him. Instead, he travels to Freedonia to meet his long-lost twin brother for the very first time. The siblings soon find themselves in a bickering alliance to take down supervillain Balthazar Bratt (Trey Parker), a child star from the 1980s who seeks revenge against the people who ended his career.
Universal have, rightly or wrongly, not messed with the formula that made the first two films such smash hits. That means you get the same uniquely animated world and characters with a reasonably engaging story that doesn’t ask too much of its audience. There is one difference however, the Minions. After the success of their own film, their presence here is notably jacked up – they’re given their own side quest and that is where we run into some problems.
The sacrifice made to accommodate this extra plot is a disjointed film that switches quite jarringly between each particular story point. One minute we’re tracking unicorns with Agnes, Margot and Edith, the next we’re joining the Minions and five minutes later we’re watching Gru strut his stuff against Balthazar Bratt.
Kids will love it, there’s no doubt about it and it’s sure to bring in the big bucks for Universal, but children’s films have become so much more than just bright colours, fart jokes and fragmented story points. Take 2015’s Inside Out for example or How to Train Your Dragon 2, the very pinnacle of animation.
There’s nothing fundamentally wrong with Despicable Me 3, the voice cast are all on point, Kristen Wiig is a joy as Lucy, and the animation is slick and colourful, but the bar has been set extraordinarily high.
Nevertheless, Trey Parker’s turn as villain Balthazar Bratt is great fun and he’s a brilliant antagonist throughout. See Marvel, it can be done.
There are moments of excellence here. Mature themes about growing up creep in to genuinely sweet moments, but they’re few and far between as the film steamrolls into a fun if generic final act.
Overall, there’s no doubt that Despicable Me 3 is going to be one of the biggest hits of the year. Packed with lovely animation, a great retro soundtrack, Minions and wonderful voice acting, it’s got all the ingredients for success; I just wish it had the guts to change the formula a little.
Cue the Minion memes in 3, 2, 1…
https://moviemetropolis.net/2017/07/01/despicable-me-3-review/
The first two films were a delightful, if uneven adventure with everybody’s favourite yellow tic-tacs getting their standalone movie that grossed over $1billion. I know, I can’t believe it either.
Now, supervillain turned doting dad Gru is back for another round of animated mayhem. But is this third outing as enjoyable as its predecessors? Or are we starting to feel franchise fatigue?
The mischievous yet hopelessly adorable Minions hope that boss Gru (Steve Carell) will return to a life of crime after the Anti-Villain League fires him. Instead, he travels to Freedonia to meet his long-lost twin brother for the very first time. The siblings soon find themselves in a bickering alliance to take down supervillain Balthazar Bratt (Trey Parker), a child star from the 1980s who seeks revenge against the people who ended his career.
Universal have, rightly or wrongly, not messed with the formula that made the first two films such smash hits. That means you get the same uniquely animated world and characters with a reasonably engaging story that doesn’t ask too much of its audience. There is one difference however, the Minions. After the success of their own film, their presence here is notably jacked up – they’re given their own side quest and that is where we run into some problems.
The sacrifice made to accommodate this extra plot is a disjointed film that switches quite jarringly between each particular story point. One minute we’re tracking unicorns with Agnes, Margot and Edith, the next we’re joining the Minions and five minutes later we’re watching Gru strut his stuff against Balthazar Bratt.
Kids will love it, there’s no doubt about it and it’s sure to bring in the big bucks for Universal, but children’s films have become so much more than just bright colours, fart jokes and fragmented story points. Take 2015’s Inside Out for example or How to Train Your Dragon 2, the very pinnacle of animation.
There’s nothing fundamentally wrong with Despicable Me 3, the voice cast are all on point, Kristen Wiig is a joy as Lucy, and the animation is slick and colourful, but the bar has been set extraordinarily high.
Nevertheless, Trey Parker’s turn as villain Balthazar Bratt is great fun and he’s a brilliant antagonist throughout. See Marvel, it can be done.
There are moments of excellence here. Mature themes about growing up creep in to genuinely sweet moments, but they’re few and far between as the film steamrolls into a fun if generic final act.
Overall, there’s no doubt that Despicable Me 3 is going to be one of the biggest hits of the year. Packed with lovely animation, a great retro soundtrack, Minions and wonderful voice acting, it’s got all the ingredients for success; I just wish it had the guts to change the formula a little.
Cue the Minion memes in 3, 2, 1…
https://moviemetropolis.net/2017/07/01/despicable-me-3-review/