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Blindspot  - Season 1
Blindspot - Season 1
2015 | Drama
Ashley Johnson as Patterson (0 more)
Intriguing premise, overly serious with itself
There is only one person on this show worth watching and it's the scientist behind the scenes, with less machismo and more brains:


Episode 11: "Can you land this plane?"
Patterson, to Jane and Kurt: “You can for sure maintain enough airspeed. I did the math.”
Fisher: “How? Where?”
Patterson: “In my head, where math is done. Please don’t interrupt.”

    I can literally drop a dun dun dun dramatic drop every other sentence. Everything is the most important thing they have ever done and nothing is light or inconsequential. there is very little humor except when it's unintended. it got frustrating after time. After the first season ended I didn't feel compelled to watch another episode.
  
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The Marinated Meeple (1848 KP) May 23, 2018

https://pin.it/eynda5mjlmea4e

The Fate of the Furious (2017)
The Fate of the Furious (2017)
2017 | Action
Blood is thicker than Diesel.
All work and no play makes bob-the-movie-man a tardy reviewer. Still, what better way to break the fast than with “Fast and Furious 8” (aka “The Fate of the Furious”)?

Well, quite a lot of things actually!

Now, I have a confession to make (and I know for some this will be the equivalent of an appalling statement like “I’ve never seen Star Wars”). I have actually never ever seen Fast and Furious 1 through 7! (If it’s any mitigation to this cinematic crime, I did see the F-and-F wannabe “Need for Speed“).

So I was going to be completely lost with the “plot” right? Well actually, no. It was pretty easy to jump in and follow as a piece of popcorn nonsense.


The M25 water main burst was a real bitch for the Monday morning rush-hour.

For nonsense it is (hence the “rabbit ears” round the word “plot” above). The story isn’t just a bit far-fetched. It’s bat-shit crazy where the bat in question has downed a questionable vindaloo two hours earlier!
Dom (Vin Diesel) has turned on his “family”, including his squeeze, the lovely Letty (Michelle Rodriguez), and Hobbs (Dwayne Johnson, “San Andreas“), to team with the above-the-law (and above the clouds) cyber-super-terrorist Cipher (Charlize Theron, “Mad Max: Fury Road“). They have teamed up, apparently, for no other reason than to allow Cipher to ‘kick some global ass’ with a nuclear threat. But given his caring and sharing side, why the sudden betrayal of his nearest and dearest by Dom?


Ice Queen Metallica fan Theron, showing off her hardware.

Where do you begin with the nonsensical story? Jumping from Cuba (with some admittedly fun scenes, but shamelessly objectifying scantily-clad women) via Berlin and New York to the icy wastes of Siberia, it’s just an excuse to show fast cars doing ludicrously unlikely things. There is zero logic within any of the script. Here are just a handful of examples:

the team know (through enormous jumps of speculation) to be present at a particular location in the world and at exactly the time that Dom is there (arrive, look through binoculars, “Oh, there he is”!);
all cars can be automatically hijacked and remotely driven (who knew), but NOT those of the team (obviously);
fast cars/tanks/etc can be magicked from New York to Siberia (wot, no Hertz Siberia available?);
Russian nuclear codes are stolen, so obviously they can’t be changed?
a nuclear submarine is out of the water on wooden blocks, but spin the propeller really REALLY fast and it can suddenly be sailing away.

Muscle for muscle it never looked like being a fair fight.

I appreciate I am being enormously po-faced about this, and this is designed as pure escapism. But is there REALLY any need for this to be such mindless escapism? The director (Gary Gray, “The Italian Job”) and writer (Chris Morgan, responsible for parts 6 and 7) should credit their audience with rather more in the way of intelligence.

Diesel and Johnson are never going to set the acting ablaze, but Rodriquez (“Lost”) is as watchable as ever. Theron has fun with her villainy and the supporting turns by Tyrese Gibson and Ludacris are enjoyable. Nathalie Emmanuel though as Ramsey seems as uncomfortable with her “sexy English” stereotype as she should be.


A long way from Brookside. Nathalie Emmanuel uncomfortable as “the sexy one”.

Luke Evans (“The Hobbit“), Kurt Russell (“Deepwater Horizon“) and Helen Mirren (“Eye in the Sky“) turn up in entertaining but underused cameos, but it is Jason Statham as Deckard that has the most fun in the whole film, and his scenes – done largely for comic effect – are the best part of the movie. (But “math” Jason? “MATH”?? I hope your old maths teacher back in London doesn’t get to see this film).


Parking enforcement by the City Council was getting more and more stringent.

If you’re willing to park your brain at the door for two hours then it has some fun moments. But I felt the damage to my IQ might not have been worth the risk, and this really didn’t fill my cinematic tank.
  
Fast & Furious 9 (2021)
Fast & Furious 9 (2021)
2021 | Action, Adventure, Crime
Enjoyable...enough
If you have any interest in checking out F9:THE FAST SAGA, then you have seen at least 1 (if not more) of the other 9 films in this series - and you pretty much know what to expect.

And this film delivers on that expectation - no more, no less.

Director Justin Lin - a veteran of these films - knows what needs to happen in this series. So we get fast cars, macho men, kick-ass women, super villains and over-the-top stunts and situations. All brought to us with a wink and a shrug. Unapologetic about the absurdities that we are viewing (not to spoil, but I don’t think magnets really work the way they work in this film) and “upping the ante” at every turn.

This film largely delivers…if not spectacularly. The action sequences (which is really why we watch these films) are “good enough”. Nothing really new here, but I caught myself cackling at the events on the screen from time to time.

The “family” is back together and Vin Diesel & Michelle Rodriguez are the pseudo Mom and Dad of this ragtag group of heroes that include the smart one (Game Of Thrones’ Nathalie Emanuel) and the wise guys (Chris “Ludicrous” Bridges and Tyrese Gibson) - who know exactly what type of film they are making and what their roles in this film are as well as the “emotional center”, Jordana Brewster. All of these deliver their wooden lines with gritty resolve while clenching their jaws during their close-ups during the action scenes.

There also is a boatload of cameos from veterans of previous Fast and Furious films from the likes of Kurt Russell, Helen Mirren, Lucas Black, Shea Wigham and Charlize Theron as well as brief appearances by “newcomers” like Michael Rooker and Cardi B. They all join in on the fun at the appropriate level and look like they are having a good time.

The biggest disappointment for me was John Cena as the main villain in this piece. He just wasn’t “villainous” enough and came off pretty generic and “meh” - never a good thing for a bad guy in these types of films.

Oh…and there is a “surprise return” by a presumably thought dead character, that is no surprise at all, since his face is shown prominently in the advertisements for this film. I won’t spoil it for you here, but he does bring some needed energy to this film. Which leads me to speculate that Gal Gadot will probably show up in the next film (her character was killed off many Fast and Furious films ago when she started becoming a SuperStar).

Ultimately, what is missing from F9 is some “fun energy”. Something that…oh…a good villain…or someone like…Dwayne “The Rock” Johnson would bring. But, alas, “The Rock” and Vin Diesel did not get along in their previous outings together, so we will need to limp along with what we have.

Which is what the 10th film in this Universe ultimately does - limp along just good enough to be enjoyable, but not more than that, which makes F9 neither Fast nor Furious.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank(ofMarquis)