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Ryan Hill (152 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 29, 2019
"We opened Pandora's box. And there's no closing it now."
With Godzilla (2014) Legendary Pictures was the first American studio to get it right. No idiotic US edits of the latest Japanese films. No remakes that went out of it's way to be anything but Godzilla. It was GODZILLA! Now from what I understand from an interview with Shinji Higuchi is that Legendary only has the rights to Godzilla until 2020. So what do you do in that case? Well since you only have time to make one more Godzilla film before Godzilla vs. Kong, you do the obvious; You remake Destroy All Monsters!
There is some Michael Bay level stupidity going on in some moments of this film, but I don't care. I loved it. Some of the great Toho Godzilla films have goofy science combined with forgettable human characters. This one isn't even close to being the greatest offender of this in the franchise. Besides, when it comes to Vera Farmiga and Kyle Chandler I'm going to care about their characters at least a little no matter how they're written.
The film makers really went out of their way with tons of references from Godzilla's history. They even find a way to do a subtle nod to the Shobijin which I didn't think they'd ever touch with a 10 foot pole. I don't want to spoil anything, but it's just things that are used in the film that aren't part of American pop culture like the character itself of Godzilla. There's a lot of shit that only people who have seen the original films will pick up on.
The score is great, but even greater is that they actually used Gozilla's theme which is god damn iconic and shockingly even Mothra's theme. How can you not love that? I dunno. Maybe I'm just a geek, but seeing Ghidorah, Mothra, Rodan and Godzilla in a big budget Hollywood movie just blows my mind. I loved it. It's basically the American remake of Destroy All Monsters. Don't bother telling me how dumb the movie is either. I fully realize how dumb it is.
There is some Michael Bay level stupidity going on in some moments of this film, but I don't care. I loved it. Some of the great Toho Godzilla films have goofy science combined with forgettable human characters. This one isn't even close to being the greatest offender of this in the franchise. Besides, when it comes to Vera Farmiga and Kyle Chandler I'm going to care about their characters at least a little no matter how they're written.
The film makers really went out of their way with tons of references from Godzilla's history. They even find a way to do a subtle nod to the Shobijin which I didn't think they'd ever touch with a 10 foot pole. I don't want to spoil anything, but it's just things that are used in the film that aren't part of American pop culture like the character itself of Godzilla. There's a lot of shit that only people who have seen the original films will pick up on.
The score is great, but even greater is that they actually used Gozilla's theme which is god damn iconic and shockingly even Mothra's theme. How can you not love that? I dunno. Maybe I'm just a geek, but seeing Ghidorah, Mothra, Rodan and Godzilla in a big budget Hollywood movie just blows my mind. I loved it. It's basically the American remake of Destroy All Monsters. Don't bother telling me how dumb the movie is either. I fully realize how dumb it is.
Charlie Cobra Reviews (1840 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jul 7, 2020
Hail To The King Baby
Godzilla: King of The Monsters is a 2019 monster movie directed by Michael Dougherty and written by Dougherty, Zach Shields, and Max Borenstein. It was produced by Legendary Pictures and distributed by Warner Bros. Pictures. The film was dedicated to the original Godzilla suit performer Haruo Nakajima and executive producer Yoshimitsu Banno. The movie stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe and Zhang Ziyi.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Awix (3310 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 30, 2019 (Updated May 30, 2019)
Japan's biggest movie star returns to the screen in a solid, entertaining sequel (and I'm not talking about Ken Watanabe). Eco-terrorists steal a new gadget that allows people to communicate with and control giant monsters, intending to use it to save the environment by getting the world's monsters to destroy industrial civilisation: possibly not the most thought-through plan in history, but it has originality on its side.
I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
I am not the best person to be objective about a new Godzilla movie, but I had a good time with this film. Even so, it does have obvious flaws: Kyle Chandler is kind of useless as the supposed protagonist, and the story does have a very 1990s vibe to it which I expect some people may have an issue with. However, the tone of the film is just about perfect: the Toho monsters look and behave exactly as you'd hope, and the film incorporates lots of little details from the original movies, most obviously the classic musical themes for Godzilla and Mothra. If you like Japanese monster movies, I think you will enjoy this movie a lot - if not, well, it's about a dinosaur, a dragon, a moth and a pterodactyl doing all-in wrestling together; whether you think that is an outrageously cool idea or unbelievably stupid is a matter of personal taste, but the movie itself is unlikely to change your opinion. Bring on the big ape!
JT (287 KP) rated Godzilla: King of the Monsters (2019) in Movies
Mar 5, 2020 (Updated Mar 10, 2020)
Godzilla rises from the deep once again, this time to stand side by side with part of the human race to fend off monsters summoned by the crypto-zoological agency Monarch. Monarch has been able to devise a way to control the giant creatures using a sonar device called the Orca, in the hope that they will be able to live together in perfect harmony.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
Gareth von Kallenbach (965 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 19, 2019
Picking up after the events of the previous film; “Godzilla: King of the Monsters” deals with a world trying to assess what to do with the presence of the giant Titans. The Monarch Corporation wants the creatures studied and has established locales to study the ones they have found currently hibernating. The U.S. Government wants them destroyed as they do not want repeats of the destruction that was previously caused by Godzilla.
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.
After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.
When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.
While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.
The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.
The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.
While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.
http://sknr.net/2019/05/29/godzilla-king-of-the-monsters/
Bob Mann (459 KP) rated Game Night (2018) in Movies
Sep 29, 2021 (Updated Sep 29, 2021)
Miss Scarlett at the Airport with the Jet Engine.
“Game Night” is an American comedy film starring Jason Bateman (“Horrible Bosses”, “Central Intelligence“) as Max and Rachel McAdams (“Spotlight“, “Doctor Strange“) as Annie: two hyper-competitive professionals who invite other couples around to their house for a weekly night of charades and board games. The regulars are long-term couple Kevin and Michelle (Lamorne Morris and Kylie Bunbury) and complete buffoon Ryan (Billy Magnussen, “The Big Short“) and his revolving door of generally vacant girlfriends. Estranged from the group, after his divorce, is the creepy police officer Gary (Jesse Plemons, “The Post“, “American Made“) who lives next door.
Auditions for the next Spiderman movie were not going well.
But Max is not content (affecting the mobility of his fishes!) as he has a severe inferiority complex about his enormously successful and cocky older brother Brooks (Kyle Chandler, “Manchester by the Sea“) who beats him at EVERYTHING. When Brooks barges into their game night things get heated and after he organises the next game night as “something different” things take a sharp left into The Twilight Zone.
Bateman, McAdams and Chandler, with game night about to go in an odd direction.
As befits the quality of most modern American comedy films, its all complete nonsense of course. But actually, this is quite good nonsense. The script by Mark Perez (his first movie script in 12 years!) while following a fairly predictable path early in the film is littered with some good one-liners and funny scenes (a bullet-removal is a high-spot) and includes a memorable twist in the final real that I didn’t see coming.
Ryan and Sarah (Billy Magnussen and Sharon Horgan) about to get egged on. (There is a certain lack of logic in the action that follows).
Much of this is powered by the chemistry between Bateman and McAdams. McAdams in particular should do more comedy, as she is very adept at it. Playing the one bright spark in a parade of vacuousness, English comedienne Sharon Horgan also adds a butt to Magnussen’s one-tone joke very effectively. The surprising comedy player though is Jesse Plemons who I thought was just uncomfortably hilarious.
Jesse Plemons and his very white hairy friend.
It is normally unusual to find special effects in a film like this, but here the team (headed up by Dean Tyrrell) should be congratulated for some very subtle but effective effects. Most of the long shots in the film of the neighbourhood/streets etc. are of models which only fade to live action as you zoom in. In the opening drone-fly-over of Max and Annie driving home I thought all the housing looked model-like but as we zoomed into them arriving home I thought I must have imagined in. Only in the subsequent scenes did I realise I was right after all! But it’s so very subtle. I suspect many of the audience were similarly fooled (and many who’ve seen the film and are reading this will be still going “what??”)! There’s a kind of explanation for the randomness of these effects during the (very entertaining) end-titles.
Bullet removal with squeaky toy gag… very funny.
It’s unusual for me to laugh at a comedy so much, but this one I really did. Every comedy film is allowed a little latitude to get the odd strand wrong, and this one is no exception (I didn’t think the spat between Kevin and Michelle really worked)… so it’s not perfect, but novice directors John Francis Daley and Jonathan Goldstein (who’s only previous film project was 2015’s clearly missable “Vacation”) have pulled off a really entertaining watch here.
Auditions for the next Spiderman movie were not going well.
But Max is not content (affecting the mobility of his fishes!) as he has a severe inferiority complex about his enormously successful and cocky older brother Brooks (Kyle Chandler, “Manchester by the Sea“) who beats him at EVERYTHING. When Brooks barges into their game night things get heated and after he organises the next game night as “something different” things take a sharp left into The Twilight Zone.
Bateman, McAdams and Chandler, with game night about to go in an odd direction.
As befits the quality of most modern American comedy films, its all complete nonsense of course. But actually, this is quite good nonsense. The script by Mark Perez (his first movie script in 12 years!) while following a fairly predictable path early in the film is littered with some good one-liners and funny scenes (a bullet-removal is a high-spot) and includes a memorable twist in the final real that I didn’t see coming.
Ryan and Sarah (Billy Magnussen and Sharon Horgan) about to get egged on. (There is a certain lack of logic in the action that follows).
Much of this is powered by the chemistry between Bateman and McAdams. McAdams in particular should do more comedy, as she is very adept at it. Playing the one bright spark in a parade of vacuousness, English comedienne Sharon Horgan also adds a butt to Magnussen’s one-tone joke very effectively. The surprising comedy player though is Jesse Plemons who I thought was just uncomfortably hilarious.
Jesse Plemons and his very white hairy friend.
It is normally unusual to find special effects in a film like this, but here the team (headed up by Dean Tyrrell) should be congratulated for some very subtle but effective effects. Most of the long shots in the film of the neighbourhood/streets etc. are of models which only fade to live action as you zoom in. In the opening drone-fly-over of Max and Annie driving home I thought all the housing looked model-like but as we zoomed into them arriving home I thought I must have imagined in. Only in the subsequent scenes did I realise I was right after all! But it’s so very subtle. I suspect many of the audience were similarly fooled (and many who’ve seen the film and are reading this will be still going “what??”)! There’s a kind of explanation for the randomness of these effects during the (very entertaining) end-titles.
Bullet removal with squeaky toy gag… very funny.
It’s unusual for me to laugh at a comedy so much, but this one I really did. Every comedy film is allowed a little latitude to get the odd strand wrong, and this one is no exception (I didn’t think the spat between Kevin and Michelle really worked)… so it’s not perfect, but novice directors John Francis Daley and Jonathan Goldstein (who’s only previous film project was 2015’s clearly missable “Vacation”) have pulled off a really entertaining watch here.
BankofMarquis (1832 KP) rated Game Night (2018) in Movies
Feb 28, 2018
Funny film with Intelligent humor
Heading into GAME NIGHT, I was trying to remember the last time I saw a good, funny film that did not rely on Gross-Out Humor or Sex & Fart jokes to mine it's laughs.
No need to try to remember now, for GAME NIGHT is a very funny, mostly clean, good old-fashioned comedy where the comedy comes out of how the characters react and interact with each other as an increasingly complex and out-of-control series of events batter them from every possible angle.
Co-Directed by John Francis Daley & Jonathan Goldstein (the duo previously co-Directed the remake of VACATION in 2015), GAME NIGHT tells the story of an ultra-competitive couple, Max & Annie (Jason Bateman & Rachel McAdams) who's weekly GAME NIGHT is upended by Max' much more successful older brother, Brooks (Kyle Chandler) who promises to "up the ante" on game night by providing a "murder-mystery" type kidnapping. When real kidnappers show up and kidnap Brooks, the clueless couple - and their friends - try to solve what they think is a make believe mystery.
As Directed by Daley & Goldstein and with the subtle comedic stylings of Bateman & McAdams, this film succeeds very well in a calm, funny manner. The humorous parts of this film are viewed with kind of a sideways glance vs. the usual temptation to bash the audience over the head with it. It's as if the filmmakers and actors are relying on the intelligence of the audience to mine their humor. It was quite refreshing for me, as an audience member, to be treated with this respect. And...it was darned funny.
Joining Bateman and McAdams are Sharon Horgan, Billy Magnussen, Lamorne Morris & Kylie Bunbury as the other 2 couples competing to solve the mystery. All are funny in their own way, but Magnussen rises slightly above the rest for his take on "the dumb blonde." But, surprisingly, the person who steals the film is Jessie Plemons as Max & Annie's strange neighbor. Plemons, heretofore known to me only as a dramatic actor, plays his character with such a deadpan earnestness, that I started chuckling whenever he just showed up on the screen - a very good sign, indeed.
If you are looking for a good, funny, film (one where you would be comfortable sitting through with your spouse), then run, don't walk to GAME NIGHT, it will be well worth your time.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
P.S.: Stay through the end of the credits, it will be worth it.
No need to try to remember now, for GAME NIGHT is a very funny, mostly clean, good old-fashioned comedy where the comedy comes out of how the characters react and interact with each other as an increasingly complex and out-of-control series of events batter them from every possible angle.
Co-Directed by John Francis Daley & Jonathan Goldstein (the duo previously co-Directed the remake of VACATION in 2015), GAME NIGHT tells the story of an ultra-competitive couple, Max & Annie (Jason Bateman & Rachel McAdams) who's weekly GAME NIGHT is upended by Max' much more successful older brother, Brooks (Kyle Chandler) who promises to "up the ante" on game night by providing a "murder-mystery" type kidnapping. When real kidnappers show up and kidnap Brooks, the clueless couple - and their friends - try to solve what they think is a make believe mystery.
As Directed by Daley & Goldstein and with the subtle comedic stylings of Bateman & McAdams, this film succeeds very well in a calm, funny manner. The humorous parts of this film are viewed with kind of a sideways glance vs. the usual temptation to bash the audience over the head with it. It's as if the filmmakers and actors are relying on the intelligence of the audience to mine their humor. It was quite refreshing for me, as an audience member, to be treated with this respect. And...it was darned funny.
Joining Bateman and McAdams are Sharon Horgan, Billy Magnussen, Lamorne Morris & Kylie Bunbury as the other 2 couples competing to solve the mystery. All are funny in their own way, but Magnussen rises slightly above the rest for his take on "the dumb blonde." But, surprisingly, the person who steals the film is Jessie Plemons as Max & Annie's strange neighbor. Plemons, heretofore known to me only as a dramatic actor, plays his character with such a deadpan earnestness, that I started chuckling whenever he just showed up on the screen - a very good sign, indeed.
If you are looking for a good, funny, film (one where you would be comfortable sitting through with your spouse), then run, don't walk to GAME NIGHT, it will be well worth your time.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
P.S.: Stay through the end of the credits, it will be worth it.
Gareth von Kallenbach (965 KP) rated Game Night (2018) in Movies
Jun 19, 2019
Max (Jason Bateman), and his wife Annie (Rachel McAdams),are a loving
couple who met during a trivia night at a bar. Gaming has been a regular
part of their lives, and they are often involved with hosting game nights
for their friends.
Max and Annie seems have it all save for a family and
when it is determined that stress may be leading to the problem Max
attempts to resolve the issue. Max has issues with his older brother
Brooks (Kyle Chandler), who he sees as ultra-successful and rubbing his
success in his face.
The fact that Max has not seen his brother in a while
is not an issue, the fact that the brother who seems to beat him in
everything has returned is enough to set the mild-mannered Max on edge.
After an enjoyable game night, Brooks offers to host the next one and
although Max knows this is just Brooks looking for a way to show off his
house, he accepts the invitation.
Upon arrival,Brooks tells Max, Annie, and their friends that they will be
playing a mystery night where a group of actors will stage a kidnapping
and they must unravel clues to solve the mystery. The fact that Brooks is
offering a prized car that Max has long coveted is all the motivation he
needs to win the competition.
The game starts and a group of goons arrive and rough up Brooks and kidnap
him in front of the guests who all think this is part of the show. They
soon come to realize that Brooks may not be the person he claims to bend
that the kidnapping may indeed be real and not part of a scripted game.
What follows is a mix of comedy and dramatic mystery that while unfolding
slowly at times, is filled with some funny moments and great characters.
Bateman has his likable everyman persona down well in the film and the
supporting cast does a great job playing in the wacky adventure without
every getting to madcap.
The breakout star of the film is Jesse Plemons
who plays Max and Annie's creepy police neighbor who is deeply disturbed
following the breakup of his marriage and has taken things to a new level.
You will want to stay through the credits as there are some extra scenes
which round out the film nicely. "Game Night", is a pleasant enoughfilm
that cannot quite determine if it is a comedy or dramedy, but it does
enough good things to make it an enjoyable outing.
http://sknr.net/2018/02/22/game-night/
couple who met during a trivia night at a bar. Gaming has been a regular
part of their lives, and they are often involved with hosting game nights
for their friends.
Max and Annie seems have it all save for a family and
when it is determined that stress may be leading to the problem Max
attempts to resolve the issue. Max has issues with his older brother
Brooks (Kyle Chandler), who he sees as ultra-successful and rubbing his
success in his face.
The fact that Max has not seen his brother in a while
is not an issue, the fact that the brother who seems to beat him in
everything has returned is enough to set the mild-mannered Max on edge.
After an enjoyable game night, Brooks offers to host the next one and
although Max knows this is just Brooks looking for a way to show off his
house, he accepts the invitation.
Upon arrival,Brooks tells Max, Annie, and their friends that they will be
playing a mystery night where a group of actors will stage a kidnapping
and they must unravel clues to solve the mystery. The fact that Brooks is
offering a prized car that Max has long coveted is all the motivation he
needs to win the competition.
The game starts and a group of goons arrive and rough up Brooks and kidnap
him in front of the guests who all think this is part of the show. They
soon come to realize that Brooks may not be the person he claims to bend
that the kidnapping may indeed be real and not part of a scripted game.
What follows is a mix of comedy and dramatic mystery that while unfolding
slowly at times, is filled with some funny moments and great characters.
Bateman has his likable everyman persona down well in the film and the
supporting cast does a great job playing in the wacky adventure without
every getting to madcap.
The breakout star of the film is Jesse Plemons
who plays Max and Annie's creepy police neighbor who is deeply disturbed
following the breakup of his marriage and has taken things to a new level.
You will want to stay through the credits as there are some extra scenes
which round out the film nicely. "Game Night", is a pleasant enoughfilm
that cannot quite determine if it is a comedy or dramedy, but it does
enough good things to make it an enjoyable outing.
http://sknr.net/2018/02/22/game-night/
Bob Mann (459 KP) rated Manchester by the Sea (2016) in Movies
Sep 29, 2021
Wow! I’d heard all about the Oscar hype surrounding this film but to be honest, while I thought I would be seeing a solid and well-made indie film, I went into it without great expectations of having an ‘enjoyable’ time: the trailer had “angst” written all over it. And – sure – it is emotional and harrowing in places. However, I was completely knocked out by the depth, the intelligence and the humour of this masterpiece.
‘Family troubles’ is a common trope for the movies, and I was strongly reminded at times in watching this movie of a multi-Oscar winning classic of my youth: Robert Redford’s “Ordinary People” back in 1980. In that film the relationship between parents (Mary Tyler-Moore and Donald Sutherland) and their teenage son (Timothy Hutton) is rocked by the accidental death of another family member. Similarly, in “Manchester by the Sea” a drifting handyman Lee Chandler (Casey Affleck, “Triple 9“, “Interstellar“) gets the shocking news that his only brother Joe (Kyle Chandler, “The Wolf of Wall Street“) has suddenly passed away, leaving behind a mid-teens son Patrick (Lucas Hedges) with no-one to look after him.
With the other option being an unstable and ex-alcoholic mother Elise (Gretchen Mol) – now divorced and living in a strictly pious household with new husband Jeffrey (Matthew Broderick) – Joe has legally plumped for naming Lee as the boy’s guardian. This is much to Lee’s surprise and annoyance. For Lee is a man-adrift: an antisocial loner with a very short fuse. Having any sort of responsibility is not in his game plan.
With the ground too frozen to bury his brother, Lee is forced to remain in Manchester-by-the-Sea for a few weeks: a town he can’t stand and a town that, for some reason, can’t stand him. Can Lee’s attitude be softened by his lively and over-sexed nephew? Or will he just continue his emotional and social decline towards a gutter and a brown-bag?
Where this film surprises – with a strong kick to the gut – is that while I have described the high-level story in the paragraphs above that the trailer depicts, there is a whole other dimension to the tale that is hidden and truly astonishing. No spoilers, but if you are not shocked and moved by it, then you need your humanity chip reset.
Casey Affleck is Oscar-nominated now for Best Actor and I would love to see him win for this. I had a real go at his brother, Ben, for a lack of facial variation in his performance in “Live By Night“. Here, while Casey has a similar dour and pretty rigid demeanour, his performance is chalk-and-cheese compared to Ben. He channels a shut-down rage in his eyes that is both haunting and disturbing in equal measure.
Young Lucas Hedges – overlooked by the BAFTAs (he is in the “Rising Star” category) but yesterday nominated for a Best Supporting Actor Oscar – is equally strong, burying his teenage grief in guitars, sex and smart phones in a highly believable way.
Supporting roles are equally strong, with Michelle Williams – albeit only having limited screen time – delivering truly memorable scenes, notably the street encounter with Lee (as featured on the poster) which is electrifying. She is also Oscar nominated for the role.
What really makes these performances shine is the elegant directing by Kenneth Lonergan, better known for his screenplays on films like “Analyze This” and “Gangs of New York”. He gives the actors time… lots of time. A typical example is when young Patrick walks into Lee’s bedroom and stares at some photos on his bedside table before walking on. It must be a good 20 to 30 seconds used, but time really well spent. The film spectacularly uses flash-backs to great effect, with the only visual notification that you are in a different time-zone being the living and breathing appearance of Joe in the shot.
Lonergan also writes the screenplay, and I mentioned in my introduction the humour used. There are some outright belly laughs in this film, which feels incongruous with the morbid subject matter but which also feels guiltily appropriate (we’ve all surely had an experience where a tense funeral mood is lightened by an uncle loudly farting at the back of the church, or similar!).
Manchester-by-the-Sea is a picturesque place in Massachusetts, and the camera work by Jody Lee Lipes (“Martha Marcy May Marlene”, “Trainwreck”) lovingly makes use of that. There is incredibly crisp focus, with the opening boat scene looks like it is hyper-HD.
This is a truly stunning film, and one that will live with me for many years to come. For that reason it receives my highest accolade together with my best wishes for success at the forthcoming Oscars. If you haven’t yet, go see it.
‘Family troubles’ is a common trope for the movies, and I was strongly reminded at times in watching this movie of a multi-Oscar winning classic of my youth: Robert Redford’s “Ordinary People” back in 1980. In that film the relationship between parents (Mary Tyler-Moore and Donald Sutherland) and their teenage son (Timothy Hutton) is rocked by the accidental death of another family member. Similarly, in “Manchester by the Sea” a drifting handyman Lee Chandler (Casey Affleck, “Triple 9“, “Interstellar“) gets the shocking news that his only brother Joe (Kyle Chandler, “The Wolf of Wall Street“) has suddenly passed away, leaving behind a mid-teens son Patrick (Lucas Hedges) with no-one to look after him.
With the other option being an unstable and ex-alcoholic mother Elise (Gretchen Mol) – now divorced and living in a strictly pious household with new husband Jeffrey (Matthew Broderick) – Joe has legally plumped for naming Lee as the boy’s guardian. This is much to Lee’s surprise and annoyance. For Lee is a man-adrift: an antisocial loner with a very short fuse. Having any sort of responsibility is not in his game plan.
With the ground too frozen to bury his brother, Lee is forced to remain in Manchester-by-the-Sea for a few weeks: a town he can’t stand and a town that, for some reason, can’t stand him. Can Lee’s attitude be softened by his lively and over-sexed nephew? Or will he just continue his emotional and social decline towards a gutter and a brown-bag?
Where this film surprises – with a strong kick to the gut – is that while I have described the high-level story in the paragraphs above that the trailer depicts, there is a whole other dimension to the tale that is hidden and truly astonishing. No spoilers, but if you are not shocked and moved by it, then you need your humanity chip reset.
Casey Affleck is Oscar-nominated now for Best Actor and I would love to see him win for this. I had a real go at his brother, Ben, for a lack of facial variation in his performance in “Live By Night“. Here, while Casey has a similar dour and pretty rigid demeanour, his performance is chalk-and-cheese compared to Ben. He channels a shut-down rage in his eyes that is both haunting and disturbing in equal measure.
Young Lucas Hedges – overlooked by the BAFTAs (he is in the “Rising Star” category) but yesterday nominated for a Best Supporting Actor Oscar – is equally strong, burying his teenage grief in guitars, sex and smart phones in a highly believable way.
Supporting roles are equally strong, with Michelle Williams – albeit only having limited screen time – delivering truly memorable scenes, notably the street encounter with Lee (as featured on the poster) which is electrifying. She is also Oscar nominated for the role.
What really makes these performances shine is the elegant directing by Kenneth Lonergan, better known for his screenplays on films like “Analyze This” and “Gangs of New York”. He gives the actors time… lots of time. A typical example is when young Patrick walks into Lee’s bedroom and stares at some photos on his bedside table before walking on. It must be a good 20 to 30 seconds used, but time really well spent. The film spectacularly uses flash-backs to great effect, with the only visual notification that you are in a different time-zone being the living and breathing appearance of Joe in the shot.
Lonergan also writes the screenplay, and I mentioned in my introduction the humour used. There are some outright belly laughs in this film, which feels incongruous with the morbid subject matter but which also feels guiltily appropriate (we’ve all surely had an experience where a tense funeral mood is lightened by an uncle loudly farting at the back of the church, or similar!).
Manchester-by-the-Sea is a picturesque place in Massachusetts, and the camera work by Jody Lee Lipes (“Martha Marcy May Marlene”, “Trainwreck”) lovingly makes use of that. There is incredibly crisp focus, with the opening boat scene looks like it is hyper-HD.
This is a truly stunning film, and one that will live with me for many years to come. For that reason it receives my highest accolade together with my best wishes for success at the forthcoming Oscars. If you haven’t yet, go see it.
BankofMarquis (1832 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 5, 2019
Good Enough - Monsters Fighting Each Other
I grew up in the 1960's watching old monster movies on Saturday afternoons on an old black and white TV in the home I grew up in. A staple of these Saturday afternoon movies was the Godzilla monster movies from Japan, featuring such great monsters as Godzilla, Mothra, Rodan and Ghidorah. So, imagine my excitement when I realized that they all would be in the same film.
And...that film...GODZILLA - KING OF THE MONSTERS...delivers the goods just fine. Sometimes you go to the movie theater looking for laughs, sometimes you are looking to cry, sometimes you are looking to have your mind stimulated with interesting thoughts and ideas and sometimes you just want to watch giant monsters battling it out over the remnants of Fenway Park in Boston.
The 3rd in the "Monarch Series" of films from Warner Brothers (following the surprisingly good 2014 GODZILLA film and the fun KONG: SKULL ISLAND movie of 2017), GODZILLA - KING OF THE MONSTERS follows Monarch as they find (and in some instances, re-awaken) giant monsters - TITANS as they are called - the Titans attempt to take over the planet from the humans (there's a "save the planet" message that is being used as the excuse)...but here comes good ol' Godzilla to save the day.
Besides the monsters, there are quite a few humans along for the ride...Kyle Chandler and Vera Famiga as a dysfunctional couple (who also happen to be experts in Monsters) who are trying to keep in check their daughter, Millie Bobbie Brown (STRANGER THINGS). Ken Watanbe, Sally Hawkins and Jason Strahairn reprise their roles as members of MONARCH from the 2014 GODZILLA film, 2 veritable "that person" actors, Thomas Middleditch & Aisha Hinds as other members of Monarch along with Ziya Zhang and O'Shea Jackson, Jr. - all of these actors are "serviceable" to the plot and machinations, reacting appropriately to the green screen carnage and monsters that they are pretending to react to. Only Bradley Whitford (as a Monarch Scientist) rises above things with a goofy, "almost too over the top" performance that captures the spirit of the proceedings. Add into this good ol' Tywin Lannister himself (Charles Dance) as a shadowy, non-feeling bad guy that seems to have an inexhaustible supply of men and material - kind of like Tywinn Lannister - and the "human side" of this movie is fun...enough.
But, make no mistake about it, this film - and the reason I came to see it - is to watch giant monsters fighting each other and destroying everything in their wake and this film delivers the goods. Director Micheal Dougherty ( KRAMPUS) does a "serviceable" job keeping the action moving and coherent while avoiding (for the most part) the headache-inducing "quick-cut" editing sequence. There's nothing much new or innovative in his approach to showing us monsters fighting and creating massive destruction, but he doesn't take away from the spectacle of the action on the screen so that's a good thing..
There are 2 more Godzilla films currently "on the books" to be produced - including next year's KONG vs. GODZILLA - which will keep me coming back to the IMAX in the multiplex for years to come...and that's just fine with me.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
And...that film...GODZILLA - KING OF THE MONSTERS...delivers the goods just fine. Sometimes you go to the movie theater looking for laughs, sometimes you are looking to cry, sometimes you are looking to have your mind stimulated with interesting thoughts and ideas and sometimes you just want to watch giant monsters battling it out over the remnants of Fenway Park in Boston.
The 3rd in the "Monarch Series" of films from Warner Brothers (following the surprisingly good 2014 GODZILLA film and the fun KONG: SKULL ISLAND movie of 2017), GODZILLA - KING OF THE MONSTERS follows Monarch as they find (and in some instances, re-awaken) giant monsters - TITANS as they are called - the Titans attempt to take over the planet from the humans (there's a "save the planet" message that is being used as the excuse)...but here comes good ol' Godzilla to save the day.
Besides the monsters, there are quite a few humans along for the ride...Kyle Chandler and Vera Famiga as a dysfunctional couple (who also happen to be experts in Monsters) who are trying to keep in check their daughter, Millie Bobbie Brown (STRANGER THINGS). Ken Watanbe, Sally Hawkins and Jason Strahairn reprise their roles as members of MONARCH from the 2014 GODZILLA film, 2 veritable "that person" actors, Thomas Middleditch & Aisha Hinds as other members of Monarch along with Ziya Zhang and O'Shea Jackson, Jr. - all of these actors are "serviceable" to the plot and machinations, reacting appropriately to the green screen carnage and monsters that they are pretending to react to. Only Bradley Whitford (as a Monarch Scientist) rises above things with a goofy, "almost too over the top" performance that captures the spirit of the proceedings. Add into this good ol' Tywin Lannister himself (Charles Dance) as a shadowy, non-feeling bad guy that seems to have an inexhaustible supply of men and material - kind of like Tywinn Lannister - and the "human side" of this movie is fun...enough.
But, make no mistake about it, this film - and the reason I came to see it - is to watch giant monsters fighting each other and destroying everything in their wake and this film delivers the goods. Director Micheal Dougherty ( KRAMPUS) does a "serviceable" job keeping the action moving and coherent while avoiding (for the most part) the headache-inducing "quick-cut" editing sequence. There's nothing much new or innovative in his approach to showing us monsters fighting and creating massive destruction, but he doesn't take away from the spectacle of the action on the screen so that's a good thing..
There are 2 more Godzilla films currently "on the books" to be produced - including next year's KONG vs. GODZILLA - which will keep me coming back to the IMAX in the multiplex for years to come...and that's just fine with me.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)