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Rainer on Leadership
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Rainer on Leadership is your online home for leadership lessons for the local church. This...
David McK (3425 KP) rated Batman: Knightfall, Vol. 1 in Books
Jan 28, 2019
In large part the inspiration behind 2012's movie 'The Dark Knight Rises', what surprised me on reading this is just how faithfully that movie actually stuck to the events of this!
Oh, sure, there are differences: no Azrael or Robin (or, at least, not in his superhero mantle) in the movie, and a larger part for Catwoman/Selina Kyle, but more than just lip service is paid to the comic on which it is based: in particular, the bit about Bane's early life.
And, talking of Bane, the movie sticks an awful lot closer to him than the 1997 'Batman and Robin' version, or even the more recent Arkham series of games do.
The plot of the movie and comic should be pretty much common knowledge by now: Bane comes to Gotham, pushes Batman/Bruce Wayne to the edge and finally breaks his back in a 1-on-1 fight between the two.
In the words of Monty Python, however, 'I got better ... ' (albeit not by the end of this particular 'Knightfall' arc)
Oh, sure, there are differences: no Azrael or Robin (or, at least, not in his superhero mantle) in the movie, and a larger part for Catwoman/Selina Kyle, but more than just lip service is paid to the comic on which it is based: in particular, the bit about Bane's early life.
And, talking of Bane, the movie sticks an awful lot closer to him than the 1997 'Batman and Robin' version, or even the more recent Arkham series of games do.
The plot of the movie and comic should be pretty much common knowledge by now: Bane comes to Gotham, pushes Batman/Bruce Wayne to the edge and finally breaks his back in a 1-on-1 fight between the two.
In the words of Monty Python, however, 'I got better ... ' (albeit not by the end of this particular 'Knightfall' arc)
Gareth von Kallenbach (980 KP) rated American Sniper (2015) in Movies
Aug 6, 2019
Every once in a while a movie just sneaks up on me. A movie that comes out of nowhere to be one of the best that I have seen in a long while. This is how American Sniper hit me. I had seen previews, and thought that it might end up being a decent flick, but I did not expect it to grab a hold of me and teach me something about myself as well.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
Gareth von Kallenbach (980 KP) rated Take Me Home Tonight (2011) in Movies
Aug 7, 2019
If you’re planning an 80’s party anytime soon, make sure to download the soundtrack to Take Me Home Tonight. The opening montage alone reminded me of everything I loved about the 80’s. It also gave us a glimpse of Matt Franklin’s high school years. Matt, played by Topher Grace, was the kid voted as “Smartest” in his class, one who existed on the outer fringes of high school popularity, who always had his eye on the most popular girl in school, Tori Fredreking, but could never muster up the courage or find that “in” to catch her attention.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
Carma (21 KP) rated A Nanny For the Reclusive Billionaire in Books
Jun 17, 2019
Mallory Worthington needs a change of scenery. She is tired of being labeled the sick kid or handle with care. What she needs is an escape from the stigma that a cancer diagnosis brings. She signs up with a temp agency and finds herself flying to Southern Florida to be a nanny to a Billionaire. It is a far cry from being a chef but it might be just what she needs.
Rhys Dalton is reclusive to say the least. Living in Flamingo Key with his son Oliver and a handful of trusted employees is just what he needs after losing his wife 3 years ago. He couldnt protect Beth but he will do whatever it takes to protect Oliver including cutting them off from civilization. Hiring a nanny to help with Olivers needs while he works seems the perfect solution, until Mallory shows up on his doorstep. Werent nannies old and wrinkled with wool dresses?
Mallory and Rhys find themselves needing each other more than they are willing to admit. Together they bring out the best of each other and can offer more live lessons and love to Oliver. But Mallory is reluctant to share her past with Rhys given his personal history with cancer. That can only mean trouble ahead, right?
A Nanny for the Reclusive Billionaire is the first book Ive read by Regina Kyle after meeting her in Cincinnati earlier this year. I am regretting now, not having known about her before because her writing style is wonderful. Believable characters with great storyline flow and humor. If you havent read anything by Ms. Kyle before make this a one click immediately. I voluntarily read an advance copy without expectation for review. Any and all opinions expressed are my own.
Rhys Dalton is reclusive to say the least. Living in Flamingo Key with his son Oliver and a handful of trusted employees is just what he needs after losing his wife 3 years ago. He couldnt protect Beth but he will do whatever it takes to protect Oliver including cutting them off from civilization. Hiring a nanny to help with Olivers needs while he works seems the perfect solution, until Mallory shows up on his doorstep. Werent nannies old and wrinkled with wool dresses?
Mallory and Rhys find themselves needing each other more than they are willing to admit. Together they bring out the best of each other and can offer more live lessons and love to Oliver. But Mallory is reluctant to share her past with Rhys given his personal history with cancer. That can only mean trouble ahead, right?
A Nanny for the Reclusive Billionaire is the first book Ive read by Regina Kyle after meeting her in Cincinnati earlier this year. I am regretting now, not having known about her before because her writing style is wonderful. Believable characters with great storyline flow and humor. If you havent read anything by Ms. Kyle before make this a one click immediately. I voluntarily read an advance copy without expectation for review. Any and all opinions expressed are my own.
Grand Opening (Kiss of Leather #4)
9.0
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Book
The men of Kiss of Leather celebrate a beginning, but will the price be another ending? The grand...
BDSM M_M Contemporary Romance
Gubbeen: The Story of a Working Farm and its Foods
Darina Allen and Giana Ferguson
Book
Gubbeen is a 250-acre, traditional farm on the most south-westerly tip of Ireland and is renowned...
Joe Goodhart (27 KP) rated New X-Men: Childhood's End, Volume 1 in Books
Nov 30, 2020
In an era where Marvel tries to oversaturate the comics market with event after event, and renumbering, along with the line between heroes and villains blurred so much it is draining (and not just my account!).
..which brings my attention backwards, to 2006's NEW X-MEN: CHILDHOOD'S END.
I skipped out when the series first launched as NEW X-MEN: ACADEMY X. It seemed generic and the stories I flipped through did nothing to grab my attention. It wasn't until the rebranding of the series as NEW X-MEN: CHILDHOOD'S END, with Craig Kyle and Christopher Yost taking over the writing as well providng a new revolving artist lineup.
While this first volume was a bit hard to follow, what with the jumping back forth with flashbacks and time rollbacks, but the second reading made more sense. I don't know that I would have written it out that way, but then again, it wasn't my book.
One of the things that really clicked for me was having Kyle and Yost on board. As the creators of Laura Kinney (X-23), I thought her introduction to the team would be handled well. Let's just say I was left feeling quite good, enough so that I will be reading the remaining volumes in the series.
The way she is written is as a lost girl. Logan wants her on the team, as it will help her to integrate, learn more about non-violent interaction. She is resistant at first mention, but then she comes around. However, despite her joining the New X-Men class, it is not an easy ride as she is withdrawn, though we do see the first sparks of interest on her part in Hellion. Unfortunately, her fellow classmates don't make it that easy for her to want to interaction, opting to go the route that most new students are treated in RL. So yeah, makes sense.
The only thing I didn't really like was Laura was referred to as either X-23 or Laura X, instead of Laura Kinney. I am not sure why that was, but as much I found it disappointing, it did not detract the story any. More often that not, when it came up in a panel, I would just read as "Laura" (minus the "X") or Laura Kinney. Easy fix, eh?
The art chores of the first volume went to Mark Brooks. I usually like his art, but sometimes (like in X-FORCE) he would give Laura a bust line not befitting a character like that. Here, though, everything was perfect, aiding in setting the darker "M-Day" and post-"M-Day" mood. I quite liked it, suited the content 100%.
Last thing I want to add is this: WOW! EMMA FROST IS A MEGA SALTY BITCH! Her treatment of Laura was totally uncalled for and way off base. Heck, she used to be the White Queen, yet she is now an X-Men. Everyone deserves a chance, even a former assassin (well, in fairness, it was how she was raised/trained, she really knew nothing else).
So, and including bitchy Emma, I give X-MEN: CHILDHOOD'S END VOL ! 5 out 5 SNIKTs! Not bad! Now, onto Volume Two...
..which brings my attention backwards, to 2006's NEW X-MEN: CHILDHOOD'S END.
I skipped out when the series first launched as NEW X-MEN: ACADEMY X. It seemed generic and the stories I flipped through did nothing to grab my attention. It wasn't until the rebranding of the series as NEW X-MEN: CHILDHOOD'S END, with Craig Kyle and Christopher Yost taking over the writing as well providng a new revolving artist lineup.
While this first volume was a bit hard to follow, what with the jumping back forth with flashbacks and time rollbacks, but the second reading made more sense. I don't know that I would have written it out that way, but then again, it wasn't my book.
One of the things that really clicked for me was having Kyle and Yost on board. As the creators of Laura Kinney (X-23), I thought her introduction to the team would be handled well. Let's just say I was left feeling quite good, enough so that I will be reading the remaining volumes in the series.
The way she is written is as a lost girl. Logan wants her on the team, as it will help her to integrate, learn more about non-violent interaction. She is resistant at first mention, but then she comes around. However, despite her joining the New X-Men class, it is not an easy ride as she is withdrawn, though we do see the first sparks of interest on her part in Hellion. Unfortunately, her fellow classmates don't make it that easy for her to want to interaction, opting to go the route that most new students are treated in RL. So yeah, makes sense.
The only thing I didn't really like was Laura was referred to as either X-23 or Laura X, instead of Laura Kinney. I am not sure why that was, but as much I found it disappointing, it did not detract the story any. More often that not, when it came up in a panel, I would just read as "Laura" (minus the "X") or Laura Kinney. Easy fix, eh?
The art chores of the first volume went to Mark Brooks. I usually like his art, but sometimes (like in X-FORCE) he would give Laura a bust line not befitting a character like that. Here, though, everything was perfect, aiding in setting the darker "M-Day" and post-"M-Day" mood. I quite liked it, suited the content 100%.
Last thing I want to add is this: WOW! EMMA FROST IS A MEGA SALTY BITCH! Her treatment of Laura was totally uncalled for and way off base. Heck, she used to be the White Queen, yet she is now an X-Men. Everyone deserves a chance, even a former assassin (well, in fairness, it was how she was raised/trained, she really knew nothing else).
So, and including bitchy Emma, I give X-MEN: CHILDHOOD'S END VOL ! 5 out 5 SNIKTs! Not bad! Now, onto Volume Two...
Joe Goodhart (27 KP) rated X-Men: Second Coming in Books
Nov 30, 2020
This was a re-read for me, as I remember reading the actual issues when when came out in 2011. I can recall liking it overall. After this return to it, I have to rephrase my opinion.
The story is about Hope Summers, but it is also about Cable, and it is about sacrifice. It is also about taking responsibility for our actions, and the consequences of those actions. And, it is about the end of Christoper Yost's and Craig Kyle's X-Force run.
There was some top writers assigned to this x-over, but it just felt inconsistent. I love Matt Fraction's HAWKEYE run (still one of my favorite Marvel series runs EVER), but here, it just was missing something, like when someone gives you a recipe, you try re-creating it, and the end result is as far from the recipe as the tool in the White House posing as the President! Even Yost and Kyle, who I have a great deal of regard, felt like they were glad to be done and having nothing more to offering.
Then there is the art. There was really great pages in the beginning. The art by David Finch (he was the only reason I gave this book three Stars) in the first chapter is brilliant and totally suits the theme(s) of the story. However, after his issue, everything goes from derpy (re: Greg Land, "Mr. Lighbox" himself) to just not-as-good-as-I-remember (re: Terry Dodson). And don't even get me started on the inconsistency of which costume Wolverine would be wearing in the issues he would be appearing!
I thought that NECROSHA was as bad as it could get, but this one definitely took care of that bad taste!
Instead of reading SECOND COMING, there are slew of older X-books out there, with better art, better stories, and better direction. Save your money!
The story is about Hope Summers, but it is also about Cable, and it is about sacrifice. It is also about taking responsibility for our actions, and the consequences of those actions. And, it is about the end of Christoper Yost's and Craig Kyle's X-Force run.
There was some top writers assigned to this x-over, but it just felt inconsistent. I love Matt Fraction's HAWKEYE run (still one of my favorite Marvel series runs EVER), but here, it just was missing something, like when someone gives you a recipe, you try re-creating it, and the end result is as far from the recipe as the tool in the White House posing as the President! Even Yost and Kyle, who I have a great deal of regard, felt like they were glad to be done and having nothing more to offering.
Then there is the art. There was really great pages in the beginning. The art by David Finch (he was the only reason I gave this book three Stars) in the first chapter is brilliant and totally suits the theme(s) of the story. However, after his issue, everything goes from derpy (re: Greg Land, "Mr. Lighbox" himself) to just not-as-good-as-I-remember (re: Terry Dodson). And don't even get me started on the inconsistency of which costume Wolverine would be wearing in the issues he would be appearing!
I thought that NECROSHA was as bad as it could get, but this one definitely took care of that bad taste!
Instead of reading SECOND COMING, there are slew of older X-books out there, with better art, better stories, and better direction. Save your money!