Search

Search only in certain items:

Scary Stories to Tell in the Dark (2019)
Scary Stories to Tell in the Dark (2019)
2019 | Horror
Contains spoilers, click to show
The movie starts Halloween in the 1960s, and a group of teens are planning a trick or treat prank on the jocks in their school. It's just the classic poo in a bag but the jocks get mad and chase them in to a drive in movie, where the teens jump into a young lads car to hide. This lad tells the jocks to basically do one and saves the teens from being pulverised.
As a thank you, the teens invite the young lad to a haunted house with them. They have a look around and start to see strange things, such as an old lady and a dog. After a terrifying ordeal the teens escape and go home. One of them, Stella, had found a book of scary stories in the house which she takes home with her. Stella begins to read the book, and as she reads the scene moves to Tommy (one of jocks) and shows that what she is reading is coming true. When Stella realises this, she takes the book back to the haunted House, however it is not that easy as the book reappears in her bedroom and begins writing another story, only this time it's about her friend August.
The teens decide they must find a way to stop it before the book takes the rest of the group.
I found the start of the movie very slow paced, but once the book comes into it, it moves at a more decent pace and I started to enjoy it, I even looked forward to sei g who the book took next and how.
Word of warning, if you don't like spiders you won't like Ruth's story, I had to look away a lot during that scene. Chucks story started creepy until it showed what was after him, and it just looked ridiculous, I honestly couldn't help but laugh! And Ramones story was also pretty laughable, it made me wonder if it was meant to be a comedy. Sadly from that point I couldn't take it seriously any more.
  
Destiny (The Academy #1)
Destiny (The Academy #1)
D.D. Larsen | 2021 | Paranormal, Romance
6
8.0 (2 Ratings)
Book Rating
DESTINY is the first book in The Academy series, and we start off with Jamie leaving her job and life in the city to return to the town she left so abruptly several years earlier. You find out about her feeling trapped and the circumstances behind that, as well as about the situation with her job and boss. Upon her return to town, she tries to mend fences with her ex-boyfriend and ex-best-friend, and there is also Wren to contend with.

Whilst I enjoyed the story, I can't say as I was enthralled by it. Jamie seems like she runs on something other than logic or feelings. I don't even know what. She makes major, life-changing, decisions without thinking them through, as well as ghosting people because she can't deal. Then she swings like a pendulum from Liam, the ex-boss/boyfriend, to Wren. She sleeps with both and yet says she is taking things slowly.

Apart from Jamie (which admittedly is a big part of the book!) I enjoyed the story. I liked the back story of the Lady in the Woods and the Wolf Spirits. I want to know more about the prophecy, about Wren, even more about Jamie's mum and Edward. But most of all, what I really want, is for Jamie to choose Wren and leave Liam behind. Although he's done 'nothing' wrong, the author has written this to make you have doubts about him. He's simply too good, considering how he was before. I don't like him, so there! LOL

As the first book in a series, I expect to have questions left unanswered, and I am looking forward to continuing with this series to find them out. I really hope Jamie makes her mind up soon. I do recommend this book but will also give a love-triangle warning if that's not your thing.

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

 Merissa
Archaeolibrarian - I Dig Good Books!
  
TG
The Good Kind of Bad
6
6.0 (1 Ratings)
Book Rating
Firstly I’d like to thank Netgalley and Rita Brassington for the opportunity to read this in exchange for an honest review.

<b>3.5 stars!

<i>Secrets don't stay secret for long.</i></b>

This was definitely slow to start. After getting into my last read almost instantly <a href="https://www.goodreads.com/review/show/1637742966">;(All The Ugly and Wonderful Things)</a> this one didn’t seem like it was going to be my cup of tea, but after I got to around the 20% mark things started getting a little more interesting. I did enjoy reading this book, it was a much lighter read than my previous so it was nice to not really feel anything… <b>I really do mean that in the nicest way possible btw!</b> For me, this book was an easy & quick read that was entertaining but just a little bit OTT. I think this book has a lot of cliches, all very predictable, things I guessed rather easily and so if it hadn’t been for that, this would have probably been rated higher, but I prefer books that challenge and shock me.

Another problem I had with this book was that I felt like there are whole chunks of time missing from the story that either really could have helped with character and plot development or could have been explained better so we realised it had disappeared before our eyes... <spoiler>eg. she runs to Nina’s apartment (which she says is only a short distance), see’s Nina die, then runs away to the police station, stays outside for a little bit pondering what she should do (and obviously she doesn’t choose the right thing) then ends up a cafe, only for Evan to walk in a claim she’s been gone hours? Like where the <i>heck</i> did all those hours go?</spoiler>

Everything in this book was <i>massively</i> over the top. I’ve said before in a review that books are supposed to take you away from everything and land you into something fictional and exciting. But there does get a point where things become too fictional. The crazy storyline wouldn’t have mattered so much if it wasn’t for the fact that all the characters were completely unrealistic people.

However the biggest downfall for this book was the characters. To love a book, you’ve got to love the characters, and I didn’t.

Our main lady (we never find out her first name) of the book was beyond irritating. I felt like every single little thing she did was the wrong thing. She faced some really awful stuff throughout the book and then went about sorting it out in all the wrongs ways! She wanted you to think she was a high class, intelligent, independant lady, but in actual fact she was airheaded, weak and damn right ridiculous. What annoyed me most about her was the fact that she was ready to believe <i>anyone.</i> She knew all the people in this book for 3 months tops and she always just believed what they said, no questions asked. <spoiler>Also no questions asked as to why Evan was calling her “honey” & “baby” all of a sudden!</spoiler>

As for Joe, it’s pretty obvious why you wouldn’t like him. He’s a cock from the start of the relationship, I don’t understand what she saw in him to begin with to be honest.

Then there’s Evan, the good guy cop who comes to save the damsel in distress… how predictable he is. He’s the easiest character to work out in the world of fictional characters. I mean c’mon, there was no mystery to him at all.

After all my complaining, this was still an enjoyable read for me. It wasn't one of those books I try and force myself to read just to finish it, I actually wanted to find out what was happening. I will say that I <b>hadn’t</b> predicted the <i>ending</i> ending. I had predicted most of what was going to happen but there were elements I hadn’t been expecting. That’s definitely what gave it the extra point 5 of a star, otherwise it would have just remained a mediocre 3 stars. I would recommend this to people who like fast paced thrillers. I think this is the perfect holiday book!
  
Ziggy Played Guitar...
Say what you want about David Bowie, whether you love him or hate him, it’s impossible to deny that there was no one else quite like him. A few have tried to emulate his genius over the years, such as Lady Gaga and Robert Smith, but no one will ever be as effortlessly unique and groundbreaking as Bowie. This album influenced so much that came after and while it wasn’t the first glam rock concept album, it is one of the best. It works as a concept album, as an overall complete piece of art and yet the songs also work on their own on an individual basis. This album truly sounds as if it was recorded in a technologically advanced studio in another solar system on the other side of a black hole by a higher being. If Stanley Kubrick ever made a glam rock record, this would be it. Yet it still has that air of raw emotion, as every vocal recording was completed in one take. There is a constant ominous atmosphere all through this album, even during the record’s more upbeat, joyous moments such as Starman. This threat is never clearly defined, rather it is felt through Bowie’s vocal performance and gives us a sense of some kind of upcoming impending doom, without clearly stating it, which in and of itself is a stroke of genius. There is also a juxtaposition present in the album, in that although the majority of the musical arrangements are odd and out of place for a rock ‘n roll album, giving a deliberate ‘alien,’ feel to the compositions present on the album, there is also an undeniable sense of humanity that is felt through Bowie’s voice and this oxymoron garnishes an already awesome sounding album with yet another emotion that is thrust at the listener. Although it is widely debated whether this record was intended to be a concept album, if you follow the narrative and fill in the blanks somewhat you can piece together the tale of a band that reached their prime and eventually blew up and committed rock ‘n roll suicide. This album was the genesis of so much genius to follow and it was all born from one man’s zany imagination.
  
The Siege of Abythos
The Siege of Abythos
Phil Tucker | 2017 | Science Fiction/Fantasy
8
9.0 (2 Ratings)
Book Rating
Poetry battle (2 more)
Poetry battle
Poetry battle
The third instalment in the Chronicles of the Black Gate series is the biggest yet, in terms of page count. The story follows the same PoV characters as previous books but their adventures are now covering so much more of the world and the storyline is becoming quite entangled.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.


That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)


At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.


Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.


All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.
  
The Waking Land (The Waking Land, #1)
The Waking Land (The Waking Land, #1)
Callie Bates | 2017 | Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (5 Ratings)
Book Rating
Looking for a delightful, magical read? Callie Bates’s The Waking Land may sate your hunger. With several strong, female leads (like Rhia Knoll), the practice of forbidden arts, war, and just a taste of romance, this book easily lands as one of my most enjoyable reads so far this year.

I can honestly say this is one of the few books where the main character begins as the weakest. When we meet Lady Elanna Valtai, she appears weak and, quite honestly, brainwashed by her Ereni up-bringing. Throughout the first two-thirds of the novel, El proves to be unreliable. She is clueless as to where her loyalties truly lie, even as the truth rams itself down her throat. Fortunately, those she counts among her friends know what they’re doing and don’t have to rely on her for quite a while.

Loyce, the new Queen of Eren, on the other hand is an awful brat. Unfaithful to her husband (who readers never meet), she colludes with an equally disgusting noble boy, Denis Falconier. Their command over the Butcher of Novarre strikes fear into the hearts of those that dare to rebel. And the Butcher? He’s an altogether interesting figure on his own. Trust me on that one.

Eren and Caeris, the lands where this tale takes place, on beautifully rendered, proving Bates’s strength with the written word. Her command of language coupled with her love of nature come together seamlessly, visualizing a truly fantastic world. The story Bates weaves into this battle-worn land offers readers a faint taste of epic fantasy, in a style pleasing for fans of young adult literature. For some, The Waking Land may be the gateway to delving into high fantasy – Bates’s concept of magic is that wonderful.

The Waking Land is a fantastic ride through a world that fears magic. It is the timeless tale of how war erodes nations. Because of El’s wishy-washy portrayal and the sheer fact that we don’t see a lot of action until the last fifteen percent of the book, I cannot give this one five stars. A four though, certainly.

I would like to thank NetGalley, the publisher, and the author for providing me with a free copy of this book for the purpose of unbiased review.
  
TB
The Bronze and the Brimstone
6
6.0 (1 Ratings)
Book Rating
This book is the sequel to The Lens and the Looker: Book #1 of the Verona Series (History Camp: the Verona Trilogy) and opens with the main character, Hansum, in a dream. This is actually rather confusing, as I don't realize he is dreaming until afterwards, and it seems like a poorly-timed ploy to re-introduce the reader to what has occurred so far in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.