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LeftSideCut (3778 KP) rated House of Gucci (2021) in Movies
Dec 7, 2021
If there was ever the perfect example of an incredible cast stuck inside a lackluster finished product, then House of Gucci is surely it.
The pacing is the main culprit. The first 45 minutes or so feel relatively breezy. The narrative unfolding is a fun and interesting one. The characters are all introduced well enough. But something happens around the midpoint that makes HoG feel like a slog, and it never quite recovers. For a story that has a very specific final destination, it manages to feel direction-less for quite a bit of the runtime. By the time the credits rolled, I felt like I'd run a marathon through thick mud.
The saving grace then, is the aforementioned cast. Lady Gaga turns in a magnificent performance, further cementing that she belongs in cinema. I've said before, and I'll say it again, I fucking love Adam Driver in pretty much everything he touches, and here is no different. The two leads together go a long way to ensure that HoG remains watchable. Al Pacino and Jeremy Irons could play these kind of roles in their sleep by now but their presence here is a welcome one. There's a specific scene somewhere within the first hour (I think) where it's just the two of them talking to eachother about their respective offspring, and it's like screen crack for me. Two masters at work. Then there's Jared Leto, who's portrayal of Paolo Gucci could definitely be deemed as excessive, full on Mario-esque accent and all, but he actually provides a huge dash of charisma in the duller moments so I can't complain too much.
All of the characters in this story are bad people to varying levels of degree, but they also command a certain level of sympathy, and to HoG's credit, this aspect is executed well, and 100% sold by it's great talent.
House of Gucci is nice to look at, boasts a top drawer ensemble cast, and has some genuine moments of excellence, but it's also overblown and overstuffed with hot air. I saw another review on here saying that it felt like it was made with the sole and transparent purpose of winning Oscars, and I can completely agree with that statement. Ridley Scott has made some of my absolute favourite films over the years, and while it does have its merits and is fun in parts, this one sadly feels a little self indulgent to really hit the mark.
The pacing is the main culprit. The first 45 minutes or so feel relatively breezy. The narrative unfolding is a fun and interesting one. The characters are all introduced well enough. But something happens around the midpoint that makes HoG feel like a slog, and it never quite recovers. For a story that has a very specific final destination, it manages to feel direction-less for quite a bit of the runtime. By the time the credits rolled, I felt like I'd run a marathon through thick mud.
The saving grace then, is the aforementioned cast. Lady Gaga turns in a magnificent performance, further cementing that she belongs in cinema. I've said before, and I'll say it again, I fucking love Adam Driver in pretty much everything he touches, and here is no different. The two leads together go a long way to ensure that HoG remains watchable. Al Pacino and Jeremy Irons could play these kind of roles in their sleep by now but their presence here is a welcome one. There's a specific scene somewhere within the first hour (I think) where it's just the two of them talking to eachother about their respective offspring, and it's like screen crack for me. Two masters at work. Then there's Jared Leto, who's portrayal of Paolo Gucci could definitely be deemed as excessive, full on Mario-esque accent and all, but he actually provides a huge dash of charisma in the duller moments so I can't complain too much.
All of the characters in this story are bad people to varying levels of degree, but they also command a certain level of sympathy, and to HoG's credit, this aspect is executed well, and 100% sold by it's great talent.
House of Gucci is nice to look at, boasts a top drawer ensemble cast, and has some genuine moments of excellence, but it's also overblown and overstuffed with hot air. I saw another review on here saying that it felt like it was made with the sole and transparent purpose of winning Oscars, and I can completely agree with that statement. Ridley Scott has made some of my absolute favourite films over the years, and while it does have its merits and is fun in parts, this one sadly feels a little self indulgent to really hit the mark.
Lyndsey Gollogly (2893 KP) rated Steel ( Bracken Ridge Rebels MC book 1) in Books
Jul 13, 2022
120 of 230
Kindle
Steel ( Bracken Ridge Rebels MC book 1)
By Mackenzy Fox
⭐️⭐️⭐️⭐️
🌶🌶🌶🌶
Bracken Ridge Arizona, where the Rebels M.C. rule and the only thing they ride or die for more than their club is their women, this is Steel’s story
Steel: I’m not meaning to get involved, really it’s not my fault. I’m the Sergeant at Arms of Bracken Ridge Rebels M.C. and it’s my job to look out for the club, ensure ongoing safety and above all else refrain from violence, where absolutely necessary. I don’t do anything by halves. But that’s before Sienna Morgan waltzed into town acting like she owns the place, and now she does, well the clubhouse at least. One minute I’m sent to extract an offer to give us back what’s rightfully ours, the next she’s on the back of my sled and I’m about to lose my mind. I don’t do romance and I’m not looking for an ol’ lady, but that’s all about to change. I don’t mean to make her mine, but then again, rules are meant to be broken and I’m on the right side of wrong.
Sienna: He’s bad. He’s mean. He’s kind of hot in a 'don’t mess with me' kind of way. But I’m no fool, I know this town’s run by bikers and I have something they want, something they need. I just never thought it would come to this and I’d be in the middle of a mess I may not be able to get out of. The more I try to run the closer he gets. I don’t know if I can keep resisting but my own haunted past lurks in the shadows, ready to pounce if I let it. I fear Steel may become an addiction but I can’t let that happen, I can’t let him get too close because if I do, he may just break me in half for good.
I really enjoyed this it’s exactly as you expect it too be! I did fall in love with Steel from the start he’s definitely a character you’d want to find down a dark alley. The balance of story and spice was well written and you actually got brought into the world. I’m not used to MC books that don’t involve a supernatural element so this was a new one for me and I wasn’t disappointed. I’m already looking forward to finding out more about these men.
Kindle
Steel ( Bracken Ridge Rebels MC book 1)
By Mackenzy Fox
⭐️⭐️⭐️⭐️
🌶🌶🌶🌶
Bracken Ridge Arizona, where the Rebels M.C. rule and the only thing they ride or die for more than their club is their women, this is Steel’s story
Steel: I’m not meaning to get involved, really it’s not my fault. I’m the Sergeant at Arms of Bracken Ridge Rebels M.C. and it’s my job to look out for the club, ensure ongoing safety and above all else refrain from violence, where absolutely necessary. I don’t do anything by halves. But that’s before Sienna Morgan waltzed into town acting like she owns the place, and now she does, well the clubhouse at least. One minute I’m sent to extract an offer to give us back what’s rightfully ours, the next she’s on the back of my sled and I’m about to lose my mind. I don’t do romance and I’m not looking for an ol’ lady, but that’s all about to change. I don’t mean to make her mine, but then again, rules are meant to be broken and I’m on the right side of wrong.
Sienna: He’s bad. He’s mean. He’s kind of hot in a 'don’t mess with me' kind of way. But I’m no fool, I know this town’s run by bikers and I have something they want, something they need. I just never thought it would come to this and I’d be in the middle of a mess I may not be able to get out of. The more I try to run the closer he gets. I don’t know if I can keep resisting but my own haunted past lurks in the shadows, ready to pounce if I let it. I fear Steel may become an addiction but I can’t let that happen, I can’t let him get too close because if I do, he may just break me in half for good.
I really enjoyed this it’s exactly as you expect it too be! I did fall in love with Steel from the start he’s definitely a character you’d want to find down a dark alley. The balance of story and spice was well written and you actually got brought into the world. I’m not used to MC books that don’t involve a supernatural element so this was a new one for me and I wasn’t disappointed. I’m already looking forward to finding out more about these men.
Merissa (11646 KP) rated Half a Soul (Regency Faerie Tales #1) by Olivia Atwater in Books
May 26, 2022 (Updated Jun 13, 2023)
HALF A SOUL is the first book in the Regency Faerie Tales and I honestly can't wait to read more. This was a gentle story with some harsh life lessons for our main character when she learns what war and workhouses are really like in a world where magic exists.
She -- Dora -- sees life through a slightly skewed lens as it is, being a Faerie Lord stole half her soul when she was only a child. Since then, she struggles to feel emotions, apart from "long-tailed ones". Her cousin, Vanessa, is the only warmth in her life and she will do all she can to please her. This includes going to London, although Dora isn't sure if she is going to help Vanessa's chances of finding a husband, or if she is going because of Vanessa's scheme to cure Dora. Either way, they end up in London, with the ton, and Dora has her own adventures whilst Vanessa is at the mercy of the matchmaking mothers.
I found Dora to be a heart-warming character who is aware of her own 'strangeness' but tries her best to fit in to please her cousin. I loved how she was truthful and direct, at a time when it was not fashionable to be so. Elias was the perfect foil for her. She didn't accept his rudeness or be put off by his temper, simply because she wasn't affected by it. Albert, and his mother, Lady Caraway, were jewels in this book and I loved every scene they were in. I was so happy for him!
Rightly or wrongly, I enjoy historical fiction as it is written. I have no idea if the dip of the neckline or the length of the hem is one hundred per cent accurate, and I don't really care. And if it is historically incorrect, so what? So long as the story fits together, and the inconsistencies remain the same throughout (now there's an oxymoron for you), that's all that concerns me.
I loved this story as it guided me along, all coming together nicely at the end. The epilogue was perfect. I sincerely hope to see more of this couple in future books. A fantastic start to a new series by a new-to-me author and absolutely recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 26, 2022
She -- Dora -- sees life through a slightly skewed lens as it is, being a Faerie Lord stole half her soul when she was only a child. Since then, she struggles to feel emotions, apart from "long-tailed ones". Her cousin, Vanessa, is the only warmth in her life and she will do all she can to please her. This includes going to London, although Dora isn't sure if she is going to help Vanessa's chances of finding a husband, or if she is going because of Vanessa's scheme to cure Dora. Either way, they end up in London, with the ton, and Dora has her own adventures whilst Vanessa is at the mercy of the matchmaking mothers.
I found Dora to be a heart-warming character who is aware of her own 'strangeness' but tries her best to fit in to please her cousin. I loved how she was truthful and direct, at a time when it was not fashionable to be so. Elias was the perfect foil for her. She didn't accept his rudeness or be put off by his temper, simply because she wasn't affected by it. Albert, and his mother, Lady Caraway, were jewels in this book and I loved every scene they were in. I was so happy for him!
Rightly or wrongly, I enjoy historical fiction as it is written. I have no idea if the dip of the neckline or the length of the hem is one hundred per cent accurate, and I don't really care. And if it is historically incorrect, so what? So long as the story fits together, and the inconsistencies remain the same throughout (now there's an oxymoron for you), that's all that concerns me.
I loved this story as it guided me along, all coming together nicely at the end. The epilogue was perfect. I sincerely hope to see more of this couple in future books. A fantastic start to a new series by a new-to-me author and absolutely recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 26, 2022
Chris Sawin (602 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Aug 11, 2019 (Updated Aug 11, 2019)
The monsters. (1 more)
Special effects - blend of CG and practical.
The Pale Lady. (2 more)
Basic rinse and repeat horror formula.
No emotional attachment to characters.
Fishing for Turds
Scary Stories to Tell in the Dark is probably considered the introduction to horror fiction for anyone who was in middle school in the mid to late 1990s. I distinctly remember checking out at least one of the books before I was a teenager, but the story that has stuck with me multiple decades later has and always will be, “The Red Spot.” The thing about the Scary Stories books is that they were just these random collections of creepy tales meant to make the reader anxious, uneasy, or even frightened, so the fact that somebody attempted to make a coherent film out of a jumbled mix of stories from all three books is kind of incredible.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
The horror film directed by André Øvredal (Trollhunter, The Autopsy of Jane Doe) follows a group of teenagers in the small town of Mill Valley, Pennsylvania during Halloween in 1968. Stella (Zoe Colletti) is a die-hard fan of the horror genre, Auggie (Gabriel Rush) is a bit too infatuated with girls for his own good, and Chuck (Austin Zajur) lives on candy and pranks when he’s not driving his older sister Ruth (Natalie Ganzhorn) insane. They cross paths with a mysterious drifter named Ramon (Michael Garza) who joins the group seemingly out of boredom.
They initially use trick or treating as a front for revenge against local jock and full-time bully Tommy (Austin Abrams), which leads them to a condemned and rumored to be haunted house of the Bellows family. Sarah Bellows lived in isolation and dramatically killed herself because of her family. Sarah turned her devastating life into inspiration for a series of terrifying stories. After Stella discovers the book Sarah wrote her stories in, strange things begin happening in Mill Valley and everyone in the Bellows house from that night becomes a target.
The monsters of the film attempt to be as explicitly accurate as possible to Stephen Gammell’s original illustrations from the Scary Stories books. This typically pays off, especially with Harold the Scarecrow and The Toe Monster but it seems to backfire with The Pale Lady. While she does still look like a living incarnation of Gammell’s artwork, the story has the weakest conclusion of the entire film. Scary Stories makes up for this by introducing The Jangly Man, who is seriously worth the price of admission alone even if you typically can’t understand a word that he says. The Jangly Man contorts his body in the most inhuman of ways, can separate all of his limbs from his torso, and has this bloodcurdling voice that rattles your insides.
There’s been an emphasis on the lack of a narrative in Scary Stories to Tell in the Dark. That may be true, but the film is based on a trilogy of books that is close to thirty years old and is supposed to be aimed at younger readers. The film adapts the stories in a way that isn’t totally successful, but it is surprisingly great at times. Despite some recognizable names in the supporting cast such as Dean Norris (Breaking Bad), Gil Bellows (The Shawshank Redemption), and Lorraine Toussaint (Orange is the New Black), the main cast is mostly filled with unknowns. Some reviews claim that the acting isn’t up to par, but I was pleasantly surprised. Austin Zajur can be annoying as the mischievous Chuck, but he was also rather humorous the majority of the time. Zoe Colletti goes a little overboard when she cries, but she’s also solid when she gushes over horror. Austin Abrams is seriously nasty as Tommy. He is always sweaty and has no remorse for anyone. He takes bullying to frightening heights.
I guess I expected the film to be corny (pun intended) with lame PG-13 kills and a cast that had no idea what they were doing. The film managed to make me a fan during the Harold segment. That surround sound in the cornfield is masterful with the wind blowing through corn stalks in every direction and the rusty creaking of the scarecrow as he tries to walk. How these teenagers are terrorized manages to transcend what movie ratings typically mean for a given film; this would be unsettling regardless of what it’s rated or how old the viewer is.
Scary Stories to Tell in the Dark is not a perfect horror anthology since it’s extremely simple in concept. A monster shows up, a kid disappears, and then it’s rinse and repeat for an hour and 47 minutes. At the same time though, it’s probably the scariest film of the summer and could potentially become the next big horror franchise. Scary Stories to Tell in the Dark could easily take over where the Final Destination films left off or even be this generation’s answer to that. The practical effects mixed with just the right amount of CGI for the monsters are what really sell the film. Despite being as disjointed and unnatural as The Jangly Man, Scary Stories to Tell in the Dark is way more amusing and eerie than it has any right to be.
Bob Mann (459 KP) rated Spencer (2021) in Movies
Nov 11, 2021
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.
For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.
Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).
Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.
Certification:
US: R. UK: 12A.
Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.
Directed by: Pablo Larraín.
Written by: Steven Knight.
“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.
Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.
Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?
I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.
I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.
Haley Mathiot (9 KP) rated Beauvallet in Books
Apr 27, 2018
When Dona Dominica sets sail on the Santa Maria, she wonders if she will ever meet the infamous El Beauvallet, the English pirate with a reputation of being able to do anything because of witchcraft. But she does not expect her ship to be taken by him, Nor does she expect to be kidnapped by him and taken abord his ship the Venture.
Sir Nicholas Beauvallet captures Dominica and her father and proclaims that he will take them home to Spain, as Dominica has demanded. But falling head over heels in love with her was never part of his plan. In order to please her, he agrees to returning her to her country, but also announces that he will wed her before the year is up. How is Sir Nicholas supposed to come back to Spain to claim fair lady as his bride if all of Spain wants his head? The answer is easily—because Beauvallet can do anything, of course.
This was such a sweet story! I cannot think of words enough to describe how much I adored Beauvallet. The romance was fast-paced, the adventure was exciting, and the language was eloquent. I absolutely loved it. It was a pretty fast read and I read it in a few days. Georgette has many little surprises spread all through the story and tells amazing creative adventures of Beauvallet’s wits, fights, and escapes. It was a perfect blend of a sweeping romance and a gripping adventure.
The story is told in third-person omniscient, so you don’t always have all the details. It was a little hard to get inside the character’s heads at first, but once I learned who they were It was very easy to relate to them.
A wonderful thing about Beauvallet is that when El Beauvallet falls in love with Dominica, he does not claim her as his “love” or as his “mistress” or, in our culture, his “girlfriend,” he claims her as his bride. Which is really the most romantic aspect of it all.
The end was so sweet I won’t tell what happened but rest assured it was wonderful.
I loved this story so much! I have already run out to pick up more books by Georgette Heyer, I am officially a new fan! I cannot wait to read other books by her.
Content: Gloriously clean: no language, no sex.
Recommendation: Boys and girls (it’s such an adventure that boys would like it too!) Ages 13-Adult. It’s not aimed specifically to teens or young people, and would be perfect for an adult as well.
(Beauvallet was first published first in 1929. Reprint copyright to Sourcebooks: 2010)
~Haleyknitz
Sir Nicholas Beauvallet captures Dominica and her father and proclaims that he will take them home to Spain, as Dominica has demanded. But falling head over heels in love with her was never part of his plan. In order to please her, he agrees to returning her to her country, but also announces that he will wed her before the year is up. How is Sir Nicholas supposed to come back to Spain to claim fair lady as his bride if all of Spain wants his head? The answer is easily—because Beauvallet can do anything, of course.
This was such a sweet story! I cannot think of words enough to describe how much I adored Beauvallet. The romance was fast-paced, the adventure was exciting, and the language was eloquent. I absolutely loved it. It was a pretty fast read and I read it in a few days. Georgette has many little surprises spread all through the story and tells amazing creative adventures of Beauvallet’s wits, fights, and escapes. It was a perfect blend of a sweeping romance and a gripping adventure.
The story is told in third-person omniscient, so you don’t always have all the details. It was a little hard to get inside the character’s heads at first, but once I learned who they were It was very easy to relate to them.
A wonderful thing about Beauvallet is that when El Beauvallet falls in love with Dominica, he does not claim her as his “love” or as his “mistress” or, in our culture, his “girlfriend,” he claims her as his bride. Which is really the most romantic aspect of it all.
The end was so sweet I won’t tell what happened but rest assured it was wonderful.
I loved this story so much! I have already run out to pick up more books by Georgette Heyer, I am officially a new fan! I cannot wait to read other books by her.
Content: Gloriously clean: no language, no sex.
Recommendation: Boys and girls (it’s such an adventure that boys would like it too!) Ages 13-Adult. It’s not aimed specifically to teens or young people, and would be perfect for an adult as well.
(Beauvallet was first published first in 1929. Reprint copyright to Sourcebooks: 2010)
~Haleyknitz
Rachel King (13 KP) rated Shalador's Lady (The Black Jewels, #8) in Books
Feb 11, 2019
I found this book to be a very satisfying continuation of Lady Cassidy's story from The Shadow Queen (Black Jewels, Book 7). Even though a Bishop wields a substantial cast of characters between the pages of this book, each character is given his or her time in the spotlight, from my series favorites, such as Surreal and Daemon, to newer characters like Gray and Ranon. Each one has a subplot to work through, yet all loose ends are resolved quite neatly. I enjoyed how the plot would switch seamlessly between the story arcs of Cassidy's realm and Jaenelle's realm without taking away from either.
This book seemed to give the reader a glimpse into how the tainting of the Blood occurred by how good men could become bound to bad Queens. Kermilla played the role perfectly by how naive and self-centered she behaved, making her completely oblivious to the trouble she was creating. It is easy to see what Theran sees in her, because it is clear to me that were she to ever learn to use her strengths for the good of others instead of herself, she could become a very powerful force. Though I could not stand Kermilla from the very beginning, I think her character has too much potential not to use her in further books in the Black Jewels series.
The Kindred of the Blood continue to take a vital role in the progression of the plot, which I find both ingenious and quite humorous, as they are unpredictable in many ways. With the Kindred involved, there is guaranteed to be surprises - both good and bad. I could easily see a Kindred-centered novella come out of this book.
My favorite part of this book was watching the transformation of Gray into Jared Blaed as him and Cassidy fall in love. The progression is slow without feeling dragged out, and each stage has its rewards, with his casual relationship with Jaenelle's inner circle, as well as his introduction into Cassidy's circle. I'm a bit disappointed that Bishop did not create a way for Gray to gain the power he missed out on the first time, simply because it feels like he was punished for what he had no control over in his past.
I also love the humor that Bishop interjects so effortlessly into the plot, such as the interactions between Ranon and Gray and the rest of Jaenelle's court. The same old chemistry is still there with all of the "former court," and I have to wonder if the references to her court don't indicate a coming change in future books. I greatly look forward to the next installment in the Black Jewels series, Twilight's Dawn: A Black Jewels Book.
This book seemed to give the reader a glimpse into how the tainting of the Blood occurred by how good men could become bound to bad Queens. Kermilla played the role perfectly by how naive and self-centered she behaved, making her completely oblivious to the trouble she was creating. It is easy to see what Theran sees in her, because it is clear to me that were she to ever learn to use her strengths for the good of others instead of herself, she could become a very powerful force. Though I could not stand Kermilla from the very beginning, I think her character has too much potential not to use her in further books in the Black Jewels series.
The Kindred of the Blood continue to take a vital role in the progression of the plot, which I find both ingenious and quite humorous, as they are unpredictable in many ways. With the Kindred involved, there is guaranteed to be surprises - both good and bad. I could easily see a Kindred-centered novella come out of this book.
My favorite part of this book was watching the transformation of Gray into Jared Blaed as him and Cassidy fall in love. The progression is slow without feeling dragged out, and each stage has its rewards, with his casual relationship with Jaenelle's inner circle, as well as his introduction into Cassidy's circle. I'm a bit disappointed that Bishop did not create a way for Gray to gain the power he missed out on the first time, simply because it feels like he was punished for what he had no control over in his past.
I also love the humor that Bishop interjects so effortlessly into the plot, such as the interactions between Ranon and Gray and the rest of Jaenelle's court. The same old chemistry is still there with all of the "former court," and I have to wonder if the references to her court don't indicate a coming change in future books. I greatly look forward to the next installment in the Black Jewels series, Twilight's Dawn: A Black Jewels Book.
Rachel King (13 KP) rated Shalador's Lady (The Black Jewels #8) in Books
Feb 11, 2019
I found this book to be a very satisfying continuation of Lady Cassidy's story from The Shadow Queen (Black Jewels, Book 7). Even though a Bishop wields a substantial cast of characters between the pages of this book, each character is given his or her time in the spotlight, from my series favorites, such as Surreal and Daemon, to newer characters like Gray and Ranon. Each one has a subplot to work through, yet all loose ends are resolved quite neatly. I enjoyed how the plot would switch seamlessly between the story arcs of Cassidy's realm and Jaenelle's realm without taking away from either.
This book seemed to give the reader a glimpse into how the tainting of the Blood occurred by how good men could become bound to bad Queens. Kermilla played the role perfectly by how naive and self-centered she behaved, making her completely oblivious to the trouble she was creating. It is easy to see what Theran sees in her, because it is clear to me that were she to ever learn to use her strengths for the good of others instead of herself, she could become a very powerful force. Though I could not stand Kermilla from the very beginning, I think her character has too much potential not to use her in further books in the Black Jewels series.
The Kindred of the Blood continue to take a vital role in the progression of the plot, which I find both ingenious and quite humorous, as they are unpredictable in many ways. With the Kindred involved, there is guaranteed to be surprises - both good and bad. I could easily see a Kindred-centered novella come out of this book.
My favorite part of this book was watching the transformation of Gray into Jared Blaed as him and Cassidy fall in love. The progression is slow without feeling dragged out, and each stage has its rewards, with his casual relationship with Jaenelle's inner circle, as well as his introduction into Cassidy's circle. I'm a bit disappointed that Bishop did not create a way for Gray to gain the power he missed out on the first time, simply because it feels like he was punished for what he had no control over in his past.
I also love the humor that Bishop interjects so effortlessly into the plot, such as the interactions between Ranon and Gray and the rest of Jaenelle's court. The same old chemistry is still there with all of the "former court," and I have to wonder if the references to her court don't indicate a coming change in future books. I greatly look forward to the next installment in the Black Jewels series, Twilight's Dawn: A Black Jewels Book.
This book seemed to give the reader a glimpse into how the tainting of the Blood occurred by how good men could become bound to bad Queens. Kermilla played the role perfectly by how naive and self-centered she behaved, making her completely oblivious to the trouble she was creating. It is easy to see what Theran sees in her, because it is clear to me that were she to ever learn to use her strengths for the good of others instead of herself, she could become a very powerful force. Though I could not stand Kermilla from the very beginning, I think her character has too much potential not to use her in further books in the Black Jewels series.
The Kindred of the Blood continue to take a vital role in the progression of the plot, which I find both ingenious and quite humorous, as they are unpredictable in many ways. With the Kindred involved, there is guaranteed to be surprises - both good and bad. I could easily see a Kindred-centered novella come out of this book.
My favorite part of this book was watching the transformation of Gray into Jared Blaed as him and Cassidy fall in love. The progression is slow without feeling dragged out, and each stage has its rewards, with his casual relationship with Jaenelle's inner circle, as well as his introduction into Cassidy's circle. I'm a bit disappointed that Bishop did not create a way for Gray to gain the power he missed out on the first time, simply because it feels like he was punished for what he had no control over in his past.
I also love the humor that Bishop interjects so effortlessly into the plot, such as the interactions between Ranon and Gray and the rest of Jaenelle's court. The same old chemistry is still there with all of the "former court," and I have to wonder if the references to her court don't indicate a coming change in future books. I greatly look forward to the next installment in the Black Jewels series, Twilight's Dawn: A Black Jewels Book.
Rachel King (13 KP) rated Veiled Rose (Tales of Goldstone Wood, #2) in Books
Feb 11, 2019
I am always a fan of fairy re-tellings, even if it is for a fairy tale I am not actually familiar with, as that of Rose Red. It took me awhile, but I also gathered that the book is a kind of Christian allegory, and parts remind me of Pilgrim's Progress by John Bunyan.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
Maddi Zoe (6 KP) rated Pitch Perfect 3 (2017) in Movies
Feb 8, 2018
Comedy classic with mediocre music
Pitch Perfect is back! Expect nothing but jaw-dropping harmonies, startling costumes and classic comedy. The third and final instalment of the Barden Bellas story finishes in aca-style!
The comedy follows the reunification of the Bellas as they embark on a USO tour, entertaining the troops in Europe. In classic Bella-style, the tour is also a competition between the acts to open the show for DJ Khaled during the final show in France.
From the get-go, we are bombarded with endless classic comedy moments. Take for instance, the awe-inspiring yacht opening and the explosive escape.
Despite a confusing start to the film, questions are later answered. Why are they on a boat? Why did it explode? It eventually makes sense. The story then makes a swift flashback to a few weeks before the story began.
Beca (Anna Kendrick) follows her dreams as a music producer. The rest of the Bellas, bar Emily (Hailee Steinfield) continue to pursue their careers
The cast is flawless. Its predecessors clearly proved this. Each and every film is underpinned by the cast's chemistry. Thankfully, Fat Amy (Rebel Wilson) is still as funny as ever. Amy also meets her match as Lily (Hana Mae Lee) proves to be quite the comedic character.
We also see new appearances. The likes of Ruby Rose (Calamity) stars as the front lady of the band 'Evermoist' (arguably the best and worst band name ever).
We couldn't miss the soundtrack (it is a musical). It is fantastic. However, it has to be the weakest of the three.
The Bellas are almost the only artists on the tour who are acapella. The majority of the other groups play instruments, except in another classic riff-off. The music couldn't have ended a more 'perfect' way. A beautiful rendition of George Michael's Freedom bought a tear to the eye.
The cinematography was equally as good as other films. We even get to see numerous surprises from Fat Amy (explosive scenes).
We even see a montage of sorts during a performance on tour. The camera shots also seemed to fit together, making the film flow and avoiding a yawn.
There are also some great side plots. From comical to the dramatic likes of explosions, the action does at points seem unnecessary.
We were also treated moments of pure comedy gold! A classic but predictable scene occurred in DJ Khaled's hotel suite.
Pitch Perfect 3 is a great finale to the end of the series. It roads the trilogy off in the 'perfect' way. Have you seen the first two? If so, we urge you to watch the third instalment. Have you not seen either? We advise you to binge watch them all!
The comedy follows the reunification of the Bellas as they embark on a USO tour, entertaining the troops in Europe. In classic Bella-style, the tour is also a competition between the acts to open the show for DJ Khaled during the final show in France.
From the get-go, we are bombarded with endless classic comedy moments. Take for instance, the awe-inspiring yacht opening and the explosive escape.
Despite a confusing start to the film, questions are later answered. Why are they on a boat? Why did it explode? It eventually makes sense. The story then makes a swift flashback to a few weeks before the story began.
Beca (Anna Kendrick) follows her dreams as a music producer. The rest of the Bellas, bar Emily (Hailee Steinfield) continue to pursue their careers
The cast is flawless. Its predecessors clearly proved this. Each and every film is underpinned by the cast's chemistry. Thankfully, Fat Amy (Rebel Wilson) is still as funny as ever. Amy also meets her match as Lily (Hana Mae Lee) proves to be quite the comedic character.
We also see new appearances. The likes of Ruby Rose (Calamity) stars as the front lady of the band 'Evermoist' (arguably the best and worst band name ever).
We couldn't miss the soundtrack (it is a musical). It is fantastic. However, it has to be the weakest of the three.
The Bellas are almost the only artists on the tour who are acapella. The majority of the other groups play instruments, except in another classic riff-off. The music couldn't have ended a more 'perfect' way. A beautiful rendition of George Michael's Freedom bought a tear to the eye.
The cinematography was equally as good as other films. We even get to see numerous surprises from Fat Amy (explosive scenes).
We even see a montage of sorts during a performance on tour. The camera shots also seemed to fit together, making the film flow and avoiding a yawn.
There are also some great side plots. From comical to the dramatic likes of explosions, the action does at points seem unnecessary.
We were also treated moments of pure comedy gold! A classic but predictable scene occurred in DJ Khaled's hotel suite.
Pitch Perfect 3 is a great finale to the end of the series. It roads the trilogy off in the 'perfect' way. Have you seen the first two? If so, we urge you to watch the third instalment. Have you not seen either? We advise you to binge watch them all!