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ClareR (5911 KP) rated The Housekeepers in Books
Aug 4, 2023
Ok, so full disclosure: this WILL be in my top reads this year. I loved every page. Every page that I would have turned much quicker if I hadn’t been reading on The Pigeonhole!!
Mrs King, the housekeeper of a Mayfair house, is sacked when she is discovered trying to access the male servants corridor at night. She recruits a group of women to exact her revenge: a woman who runs a black market business; an actress; a seamstress; and Mrs King’s predecessor. They all have more in common than you’d think, and they all have scores to settle.
I loved everything about The Housekeepers: I felt that the historical details were spot on, and I really wanted the women to come out on top. This is a really audacious plan, and I’m sure that anyone else reading it would want them to succeed as well.
And the secrets within the walls of that house!! The women want to expose this family just as much as they want to completely clear out the house.
The night of the party is a wondrous thing: even the Princess comes along (and with a warning!). There are acrobats, gentry, amazing costumes, and the most startling way of removing artwork from a house that I’ve ever heard of!
But of course there’s much more to this than meets the eye, and Mrs King has a bone to pick with the lady of the house.
Honestly, this is a wonderfully imaginative book - you should read it!!
Mrs King, the housekeeper of a Mayfair house, is sacked when she is discovered trying to access the male servants corridor at night. She recruits a group of women to exact her revenge: a woman who runs a black market business; an actress; a seamstress; and Mrs King’s predecessor. They all have more in common than you’d think, and they all have scores to settle.
I loved everything about The Housekeepers: I felt that the historical details were spot on, and I really wanted the women to come out on top. This is a really audacious plan, and I’m sure that anyone else reading it would want them to succeed as well.
And the secrets within the walls of that house!! The women want to expose this family just as much as they want to completely clear out the house.
The night of the party is a wondrous thing: even the Princess comes along (and with a warning!). There are acrobats, gentry, amazing costumes, and the most startling way of removing artwork from a house that I’ve ever heard of!
But of course there’s much more to this than meets the eye, and Mrs King has a bone to pick with the lady of the house.
Honestly, this is a wonderfully imaginative book - you should read it!!
Lyndsey Gollogly (2893 KP) rated The Viscount Who Loved Me (Bridgertons, #2) in Books
Dec 8, 2023
189 of 235
Book
The Viscount who loved me ( Bridgertons 2)
By Julia Quinn
⭐️⭐️⭐️
1814 promises to be another eventful season, but not, This Author believes, for Anthony Bridgerton, London's most elusive bachelor, who has shown no indication that he plans to marry. And in all truth, why should he? When it comes to playing the consummate rake, nobody does it better...
-Lady Whistledown's Society Papers, April 1814
But this time the gossip columnists have it wrong. Anthony Bridgerton hasn't just decided to marry-he's even chosen a wife! The only obstacle is his intended's older sister, Kate Sheffield-the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with her determination to stop the betrothal, but when he closes his eyes at night, Kate's the woman haunting his increasingly erotic dreams...
Contrary to popular belief, Kate is quite sure that reformed rakes to not make the best husbands-and Anthony Bridgerton is the most wicked rogue of them all. Kate's determined to protect her sister-but she fears her own heart is vulnerable. And when Anthony's lips touch hers, she's suddenly afraid she might not be able to resist the reprehensible rake herself...
I love Julia Quinn and this series has become so popular. I’ve managed to avoid the tv series as I always prefer to read the book first. And this was really good I enjoyed Anthony’s story, not as much as the first book but it was exactly what I expected.
Book
The Viscount who loved me ( Bridgertons 2)
By Julia Quinn
⭐️⭐️⭐️
1814 promises to be another eventful season, but not, This Author believes, for Anthony Bridgerton, London's most elusive bachelor, who has shown no indication that he plans to marry. And in all truth, why should he? When it comes to playing the consummate rake, nobody does it better...
-Lady Whistledown's Society Papers, April 1814
But this time the gossip columnists have it wrong. Anthony Bridgerton hasn't just decided to marry-he's even chosen a wife! The only obstacle is his intended's older sister, Kate Sheffield-the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with her determination to stop the betrothal, but when he closes his eyes at night, Kate's the woman haunting his increasingly erotic dreams...
Contrary to popular belief, Kate is quite sure that reformed rakes to not make the best husbands-and Anthony Bridgerton is the most wicked rogue of them all. Kate's determined to protect her sister-but she fears her own heart is vulnerable. And when Anthony's lips touch hers, she's suddenly afraid she might not be able to resist the reprehensible rake herself...
I love Julia Quinn and this series has become so popular. I’ve managed to avoid the tv series as I always prefer to read the book first. And this was really good I enjoyed Anthony’s story, not as much as the first book but it was exactly what I expected.
Merissa (13063 KP) rated Her Scottish Rogue (The Rebels, Rakes, and Rogues Series) in Books
May 17, 2023
This is a story of mistaken identity, historical style. Wren is abducted whilst out searching for some greens for the Inn where she works. It turns out that she has been mistaken for someone called Lady Anne, and no one believes her when she denies being Anne, but Wren. Beck has come to England at the request of his father, but longs to return to Scotland. Through mishaps and mistakes alike, these two end up married, whilst Wren has to figure out how to make Beck realise that she is not Anne, play a game to restore honour to his father's name, and dodge a murderer.
This is an easy-going story that flows well and will carry you along with absolutely no problems. I actually was more intrigued by Baron, a secondary character in this book, than I was by Beck and Wren. Not because of any fault or failing in their characters, but I just liked how he kept me on my toes. I thought that we would find out who Macey Lacey was in this book, but I now realise that there is at least one other book in this series, so I will have to wait.
Definitely recommended for all fans of a historical romance, with females not afraid to stand up for what they believe in!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 7, 2016
This is an easy-going story that flows well and will carry you along with absolutely no problems. I actually was more intrigued by Baron, a secondary character in this book, than I was by Beck and Wren. Not because of any fault or failing in their characters, but I just liked how he kept me on my toes. I thought that we would find out who Macey Lacey was in this book, but I now realise that there is at least one other book in this series, so I will have to wait.
Definitely recommended for all fans of a historical romance, with females not afraid to stand up for what they believe in!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 7, 2016
A Royal Affair
8.0
Rate It
Book
More goes wrong than could be imagined when Iris Sparks and Gwendolyn Bainbridge of The Right Sort...
Tom Sharp: The Man and the Legend
Book
TOM SHARP: The Man and the Legend (A Novel) is a fast-paced, hard-hitting, and carefully-woven...
The Deception (The Secret Tales #2)
9.0
Rate It
Book
A love forged through adversity…. Daughter of an illustrious artist, Lady Charlotte Pheland...
Historical Regency Romance
Mark @ Carstairs Considers (2379 KP) rated Throne of Threats in Books
Jun 13, 2025
You Are Cordially Invited to a … Kidnapping
Jax is just days away from the event we’ve been waiting for almost as much as she has – her wedding to the youngest son of a ruler of a neighboring kingdom. With friends and family coming in a couple of days before the big event, and a couple of days before the rest of the guests, Jax is hoping for some relaxing before she has to play hostess and politics with her guests. But when Uma, her lady in waiting, goes to pick up the flowers a couple of days before, she is kidnapped. With only a cryptic clue to guide her, can Jax find Uma and rescue her? And will this latest case hurt her relationships with those she loves most?
Any fan of the series has been looking forward to the events of this book. The beginning takes a bit of time getting to the story. Part of that is set up, but some is just general updates on the characters and the realm. Once the kidnapping happens, the pace doesn’t let up. I loved how things came together. I also loved getting to spend time with these characters again. They truly are fun. Reactions to the events of the story felt realistic, and part of that is because of elements from the past books that are mentioned in passing. It feels like we’ve turned a page in the series, and I’m looking forward to seeing what comes next.
Any fan of the series has been looking forward to the events of this book. The beginning takes a bit of time getting to the story. Part of that is set up, but some is just general updates on the characters and the realm. Once the kidnapping happens, the pace doesn’t let up. I loved how things came together. I also loved getting to spend time with these characters again. They truly are fun. Reactions to the events of the story felt realistic, and part of that is because of elements from the past books that are mentioned in passing. It feels like we’ve turned a page in the series, and I’m looking forward to seeing what comes next.
Gareth von Kallenbach (980 KP) rated Flyboys (2006) in Movies
Aug 14, 2019
Prior to the sinking of the Lusitania in 1915, the U.S. was mainly a spectator during what would eventually be called World War I.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
Gareth von Kallenbach (980 KP) rated Deuce Bigalow: European Gigolo (2005) in Movies
Aug 14, 2019
Europe. The very name brings up images of rich traditions, centuries-old stunning architecture, fine cuisine, historic artwork, and of course culture and sophistication. Europe has endured wars, plagues, and hordes of unruly soccer fans and has remained intact. Perhaps its greatest challenge is about to arrive in the form of Deuce Bigalow, pool cleaner, fish lover, and male Gigolo.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
BankofMarquis (1832 KP) rated House of Gucci (2021) in Movies
May 14, 2022
Not As Bad As You Heard
“It’s Not As Bad As You Heard” is the very definition of damning with faint praise, but that phrase accurately describes one of the highest profile film failures of 2021 - HOUSE OF GUCCI.
Directed by Ridley Scott with a screenplay by Becky Johnson and Roberto Bentivegna (based on the book by Sara Gay Forden), HOUSE OF GUCCI tells the tale of the Gucci family and their fashion empire as the family sees a transition from the older generation to the new - and the outsider who stirred the pot.
This film is filled with stars - Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons and Jared Leto - and is Directed by the great Ridley Scott, so why didn’t this film work?
Ultimately, films rise and fall with the script and the direction thereof, and unfortunately, both of these fall well short of good…but above bad.
Ridley Scott seemed to direct this film with the attitude of “the actors will fill out the thinness of the script, so I’ll just leave them to their own devices”, and this approach just doesn’t work.
Lady Gaga, so good in A STAR IS BORN, is just a little lost as Patricia Reggiani - the outsider (some would say Gold Digger) who digs her claws into a hapless Maurizio Gucci (Adam Driver). The first part of this film is mostly interesting as we watch Patricia manipulate Maurizio into marrying her - much to the dismay of his unapproving father, Rodolfo Gucci (Jeremy Irons, in the only characterization of this film that works from beginning to end). Driver is mostly good as the milquetoast heir who grows into a Business Mogul, but his character is mostly dealing with internal turmoil that turns into blank expressions on screen - NOT a good move for a movie.
And then the film takes a turn into burlesque with the introduction of Rodolfo’s brother and business partner, Aldo Gucci (Al Pacino) and his “idiot son”, Paolo Gucci (Jared Leto, unrecognizable under his make-up). It’s not often that you can say that Pacino is “out-over-acted” by another performer, but Leto mops the floor with him. While Pacino, actually, dials back his usual tendency to over-act, Leto goes all in on the over-acting front - so much so that one has to wonder what type of film that Leto thought he was acting in.
Ultimately, the film falls short because of a lack of focus. The movie (kind of) tries to tell the story from every characters’ point of view and in that attempt, fails, and ends up telling the story from no one’s point of view. The film starts with Gaga’s character being the entry point into the story for the viewer, but then we kareem off into Driver’s story, somewhat, and them (maybe) Pacino and Leto’s before coming back to Gaga (for a small bit) and then jumping over to Driver’s…
Well, you get the point. House of Gucci loses it’s focus along the way so you are left wishing you could get more from these characters - except for Leto’s - you wish there was a lot less.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed by Ridley Scott with a screenplay by Becky Johnson and Roberto Bentivegna (based on the book by Sara Gay Forden), HOUSE OF GUCCI tells the tale of the Gucci family and their fashion empire as the family sees a transition from the older generation to the new - and the outsider who stirred the pot.
This film is filled with stars - Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons and Jared Leto - and is Directed by the great Ridley Scott, so why didn’t this film work?
Ultimately, films rise and fall with the script and the direction thereof, and unfortunately, both of these fall well short of good…but above bad.
Ridley Scott seemed to direct this film with the attitude of “the actors will fill out the thinness of the script, so I’ll just leave them to their own devices”, and this approach just doesn’t work.
Lady Gaga, so good in A STAR IS BORN, is just a little lost as Patricia Reggiani - the outsider (some would say Gold Digger) who digs her claws into a hapless Maurizio Gucci (Adam Driver). The first part of this film is mostly interesting as we watch Patricia manipulate Maurizio into marrying her - much to the dismay of his unapproving father, Rodolfo Gucci (Jeremy Irons, in the only characterization of this film that works from beginning to end). Driver is mostly good as the milquetoast heir who grows into a Business Mogul, but his character is mostly dealing with internal turmoil that turns into blank expressions on screen - NOT a good move for a movie.
And then the film takes a turn into burlesque with the introduction of Rodolfo’s brother and business partner, Aldo Gucci (Al Pacino) and his “idiot son”, Paolo Gucci (Jared Leto, unrecognizable under his make-up). It’s not often that you can say that Pacino is “out-over-acted” by another performer, but Leto mops the floor with him. While Pacino, actually, dials back his usual tendency to over-act, Leto goes all in on the over-acting front - so much so that one has to wonder what type of film that Leto thought he was acting in.
Ultimately, the film falls short because of a lack of focus. The movie (kind of) tries to tell the story from every characters’ point of view and in that attempt, fails, and ends up telling the story from no one’s point of view. The film starts with Gaga’s character being the entry point into the story for the viewer, but then we kareem off into Driver’s story, somewhat, and them (maybe) Pacino and Leto’s before coming back to Gaga (for a small bit) and then jumping over to Driver’s…
Well, you get the point. House of Gucci loses it’s focus along the way so you are left wishing you could get more from these characters - except for Leto’s - you wish there was a lot less.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)