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The Godmother's Secret
Book
What if you knew what happened to the Princes in the Tower. Would you tell? Or would you forever...
Biographical Historical Fiction Historical Mystery
City of Shadows
9.0
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Book
In this all-new Counterfeit Lady Novel from USA Today bestselling author Victoria Thompson newlywed...
Lyndsey Gollogly (2893 KP) rated The Frangitelli Mirror in Books
May 30, 2023
69 off 235
Kindle
The Frangitelli Mirror
By G.R. Thomas
⭐️⭐️⭐️⭐️⭐️
In 1915 a book was stolen, a crow appeared, and fate dealt its hand.
Rose Carbonelli sees ghosts.
She doesn’t sleep.
She watches every corner, studies every shadow, listens to the screams that no one else hears.
Rose Carbonelli is terrified.
Her father hasn’t been heard from since he volunteered to go to war in 1915.
The money ran out a year ago, her mother, Edith, is fading away.
Rose needs a job to save them both, and an excuse to flee the ghosts of her home.
When Rutherford House advertises for a lady’s maid, Rose seizes the opportunity.
A wage to save her mother, food to fill her belly, and an escape from the dead that occupy the shadows…
It seems just so perfect.
But is it the escape Rose has been dreaming of?
Is there truth to the rumours about Rutherford House? What lurks within the bones of it? Why has the Lady Mary Rutherford not been seen in over a decade?
Is this the perfect escape, or is it another nightmare Rose could never have imagined?
I was so lucky and so thankful to receive this ARC!
See I had a feeling I would like it as I loved her last gothic horror but this was something else it was brilliant and I loved it.
I read this at night and it just added to the creepiness I have to keep checking my dark corners. The story was compelling it kept you wanting more. The characters were so well written you became invested especially in Rose. I just can’t praise it enough!!
Amazing!
Kindle
The Frangitelli Mirror
By G.R. Thomas
⭐️⭐️⭐️⭐️⭐️
In 1915 a book was stolen, a crow appeared, and fate dealt its hand.
Rose Carbonelli sees ghosts.
She doesn’t sleep.
She watches every corner, studies every shadow, listens to the screams that no one else hears.
Rose Carbonelli is terrified.
Her father hasn’t been heard from since he volunteered to go to war in 1915.
The money ran out a year ago, her mother, Edith, is fading away.
Rose needs a job to save them both, and an excuse to flee the ghosts of her home.
When Rutherford House advertises for a lady’s maid, Rose seizes the opportunity.
A wage to save her mother, food to fill her belly, and an escape from the dead that occupy the shadows…
It seems just so perfect.
But is it the escape Rose has been dreaming of?
Is there truth to the rumours about Rutherford House? What lurks within the bones of it? Why has the Lady Mary Rutherford not been seen in over a decade?
Is this the perfect escape, or is it another nightmare Rose could never have imagined?
I was so lucky and so thankful to receive this ARC!
See I had a feeling I would like it as I loved her last gothic horror but this was something else it was brilliant and I loved it.
I read this at night and it just added to the creepiness I have to keep checking my dark corners. The story was compelling it kept you wanting more. The characters were so well written you became invested especially in Rose. I just can’t praise it enough!!
Amazing!
Merissa (12827 KP) rated Never Again in Books
Jun 8, 2023
This book is simply amazing and it should be read by everybody. I can't put it any plainer than that!
We start of with Clara, an old lady in her garden, feeling all the aches and pains of being over 80-years-old. Then she starts to tell a story, which will quickly enfold you and have you completely entranced, hanging onto every word. She has a tale to tell and she won't finish until she has.
This book raises some important issues, gives you questions, also gives you answers that I personally would love to be true, and makes you ponder. All of this is a good thing as far as I am concerned. I loved how she wasn't comfortable with her 'old-fashioned' values, inside the body of a younger woman. I thought Zachary was a jerk, and refused to admit that I was the same generation as him! I adored Lenny and his eyebrows.
I will not give out anymore to do with the story, except to say that this book blindsided me. I honestly thought I'd just be getting a 'normal, run-of-the-mill' science fiction. What I got was a biographical account, a fascinating story that tore at my heartstrings and emotions. I loved every moment of reading this and certainly didn't want it to end, especially not once it became clear what would happen at the end.
A fascinating concept, executed with perfection, and definitely one to keep. Absolutely recommended. (ps, don't forget the Kleenex)
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 5, 2016
We start of with Clara, an old lady in her garden, feeling all the aches and pains of being over 80-years-old. Then she starts to tell a story, which will quickly enfold you and have you completely entranced, hanging onto every word. She has a tale to tell and she won't finish until she has.
This book raises some important issues, gives you questions, also gives you answers that I personally would love to be true, and makes you ponder. All of this is a good thing as far as I am concerned. I loved how she wasn't comfortable with her 'old-fashioned' values, inside the body of a younger woman. I thought Zachary was a jerk, and refused to admit that I was the same generation as him! I adored Lenny and his eyebrows.
I will not give out anymore to do with the story, except to say that this book blindsided me. I honestly thought I'd just be getting a 'normal, run-of-the-mill' science fiction. What I got was a biographical account, a fascinating story that tore at my heartstrings and emotions. I loved every moment of reading this and certainly didn't want it to end, especially not once it became clear what would happen at the end.
A fascinating concept, executed with perfection, and definitely one to keep. Absolutely recommended. (ps, don't forget the Kleenex)
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 5, 2016
Merissa (12827 KP) rated The Lady Who Left in Books
Apr 4, 2025
THE LADY WHO LEFT is a heartwarming and heartbreaking historical romance that deals with emotional abuse on page. If this is a trigger then please be warned!
Marigold has put up with her abusive older husband for years and nothing she does is ever good enough. She copes with it though, for her own sake, but Mama Bear comes to the forefront when he threatens her son, Reggie. She threatens him with divorce, with every intention of following it through, but because he is a Peer of the Realm, no one will touch her with a barge pole. That is until she meets Archie. They have a history between them that neither expected, which only serves to confuse the issue. Archie does take on her case though, and it is make-or-break for both of them.
The connection between Archie and Marigold shone on the page and I loved every scene with them in it. Marigold will do whatever it takes to protect her boys, but that also means she doesn't see them at their full potential sometimes. Archie has had a different life from Marigold, harder in some ways, but that allows him to see possibilities that Marigold can't.
The abuse Marigold goes through is hard reading, especially for someone who has been through it. Remember that trigger warning! And to have Archie's fear become a real possibility was horrifying. I imagine the research into this subject was in-depth and not at all pleasant, but it did make for a great read.
Thoroughly enjoyable and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 3, 2025
Marigold has put up with her abusive older husband for years and nothing she does is ever good enough. She copes with it though, for her own sake, but Mama Bear comes to the forefront when he threatens her son, Reggie. She threatens him with divorce, with every intention of following it through, but because he is a Peer of the Realm, no one will touch her with a barge pole. That is until she meets Archie. They have a history between them that neither expected, which only serves to confuse the issue. Archie does take on her case though, and it is make-or-break for both of them.
The connection between Archie and Marigold shone on the page and I loved every scene with them in it. Marigold will do whatever it takes to protect her boys, but that also means she doesn't see them at their full potential sometimes. Archie has had a different life from Marigold, harder in some ways, but that allows him to see possibilities that Marigold can't.
The abuse Marigold goes through is hard reading, especially for someone who has been through it. Remember that trigger warning! And to have Archie's fear become a real possibility was horrifying. I imagine the research into this subject was in-depth and not at all pleasant, but it did make for a great read.
Thoroughly enjoyable and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Apr 3, 2025
The Ballad of Mary Kearney
Book
"I am dead, my Mary; the man who loved you body and soul lies in some dishonorable grave." In...
Historical Fiction Irish History Women's Fiction
Great, inspiring memoir
I'm not going to do my usual paragraph of description for Becoming, Michelle Obama's memoir, because, well, we all know who Michelle Obama is. This memoir is Mrs. Obama's reflection on her life to date, from her childhood in the South Side of Chicago, her time at Princeton, her work as a lawyer and executive, meeting Barack Obama and being introduced to politics through him, and their historic road to the White House.
"Your story is what you have, what you will always have. It is something to own."
I almost do not want to review this book, because I feel like I cannot do justice to the woman that is Michelle Obama. This is a really beautiful book, and it's also really informative. I learned so much about Mrs. Obama and her life, which I very much enjoyed.
First of all, she's a great storyteller. This is a big book, and it's a bit of an undertaking, but it's an easy read, and a really interesting one. I found myself completely immersed--I really loved learning about her childhood and her family. And, of course, it's fun to hear about how she met Barack (his marriage proposal is pretty amazing). Learning about both of their origins is fascinating, honestly. I mean, I knew that the Obamas weren't from the old-school political establishment, but it wasn't until I was reading about her life--and hearing more about the former President's--that it really hit home to me. It's amazing how much they have accomplished for our country.
Ms. Obama does a wonderful job of weaving her themes throughout her story--the power of education, of having an advocate, the importance of diversity and women's rights, and how vital children are in her life. She is honest about the realities of working motherhood: both for her life and for those of working Americans. It's also great to get little asides about her daughters (e.g., families at their schools sending in cupcakes for the Secret Service agents on birthdays); funny stories about meeting the Queen; and her mom sounds like a real trip.
"Kids made me feel like myself again. To them, I wasn't a spectacle. I was just a nice, kinda-tall lady."
She also talks about serious matters: race, education, and her reluctance about getting her family into politics. We see how importance her daughters are to her and how hard it was, knowing what they were sacrificing when her husband ran for President. We hear about her struggles being the first African American First Lady--the stings she felt from the racial insults aimed at both her and her husband, the fear she felt for her family's safety, and the attempts she made to find her place in Washington. I found myself copying quotes right and left, because she is so intelligent and profound and because, truly, as we all learned over eight years, she's such a relatable person.
"Kids wake up each day believing in the goodness of things, in the magic of what be. They're uncynical, believers at their core. We owe it to them to stay strong and keep working to create a more fair and humane world. For them, we need to remain both tough and hopeful, to acknowledge that there's more growing to be done."
Overall, this was a great memoir. It was informative, educational, and also inspiring and funny. It made me miss the Obama family all over again and appreciate so much their time in the Oval Office. It also gave me even more insight into Mrs. Obama, her life, and her feelings. I highly recommend it.
"Your story is what you have, what you will always have. It is something to own."
I almost do not want to review this book, because I feel like I cannot do justice to the woman that is Michelle Obama. This is a really beautiful book, and it's also really informative. I learned so much about Mrs. Obama and her life, which I very much enjoyed.
First of all, she's a great storyteller. This is a big book, and it's a bit of an undertaking, but it's an easy read, and a really interesting one. I found myself completely immersed--I really loved learning about her childhood and her family. And, of course, it's fun to hear about how she met Barack (his marriage proposal is pretty amazing). Learning about both of their origins is fascinating, honestly. I mean, I knew that the Obamas weren't from the old-school political establishment, but it wasn't until I was reading about her life--and hearing more about the former President's--that it really hit home to me. It's amazing how much they have accomplished for our country.
Ms. Obama does a wonderful job of weaving her themes throughout her story--the power of education, of having an advocate, the importance of diversity and women's rights, and how vital children are in her life. She is honest about the realities of working motherhood: both for her life and for those of working Americans. It's also great to get little asides about her daughters (e.g., families at their schools sending in cupcakes for the Secret Service agents on birthdays); funny stories about meeting the Queen; and her mom sounds like a real trip.
"Kids made me feel like myself again. To them, I wasn't a spectacle. I was just a nice, kinda-tall lady."
She also talks about serious matters: race, education, and her reluctance about getting her family into politics. We see how importance her daughters are to her and how hard it was, knowing what they were sacrificing when her husband ran for President. We hear about her struggles being the first African American First Lady--the stings she felt from the racial insults aimed at both her and her husband, the fear she felt for her family's safety, and the attempts she made to find her place in Washington. I found myself copying quotes right and left, because she is so intelligent and profound and because, truly, as we all learned over eight years, she's such a relatable person.
"Kids wake up each day believing in the goodness of things, in the magic of what be. They're uncynical, believers at their core. We owe it to them to stay strong and keep working to create a more fair and humane world. For them, we need to remain both tough and hopeful, to acknowledge that there's more growing to be done."
Overall, this was a great memoir. It was informative, educational, and also inspiring and funny. It made me miss the Obama family all over again and appreciate so much their time in the Oval Office. It also gave me even more insight into Mrs. Obama, her life, and her feelings. I highly recommend it.
Ivana A. | Diary of Difference (1171 KP) rated Piasa in Books
Aug 21, 2018
My full review can also be found on my blog:
https://diaryofdifference.com/2018/04/11/piasa-michael-kott-book-review/
The author - Mr. Michael Kott sent me this book for an honest review! I honestly enjoyed reading every single page, and I couldn't put the book down, which deprived me from some sleep a few nights. This is what I thought about PIASA:
This is a very warm story that covers the life of Sara, a young little girl (don’t call her that, she’ll get angry!). My apologies - a young fifteen-year-old lady that survives a car accident while her whole family dies. In times when destiny is hard to accept, she will get involved into resolving the mystery behind the legend of the Piasa, and this adventure might actually mean a new start in life for her!
For a lady of this age, this destiny is extremely hard to accept, and on top of that, she has a few scars that will mark that experience probably for the rest of her life.
Her life is not easy - she lost her family, and all of her belongings, and here she is now, at her Aunt Claire’s hotel, still unsure whether she is ready to move forward with life.
Sara is a very unusual character. I have to admit that at times, she would made me cringe. Some of the things she says and does doesn’t comply with my opinion, but there are things that I really loved about her. I loved the way she is coping with all the challenges she has, after everything that she’s been through, her ability to admire someone the way she admires Mike, to start believing again, even despite everything that happens around her, to seize the day and enjoy the moments that life can offer. I love how she would find hope even in the darkest of places.
Even though I really liked the character of Sara, my favourite character has to be Mike. The way he thinks, acts and motivates everyone around him is unique. Mike is one of the characters that will make you realise and question some of your decisions in life.
The only character I couldn’t connect to at all was Pamela. I honestly am not sure why - it might be that there weren’t too many situations involving her that would make me care.
The story hooks you onto it and it is hard to put it down. I have never heard about the legend of the Piasa before, and one part of me wanted to find out before reading the book. I am glad that I didn’t, as I found out slowly about it, page by page, and that is an experience that will stay with me.
I love how it is presented that life is so unpredictable in so many ways, that mysteries are all around us, and that we are able to move forward and win - only if we wish to believe that we can do it. And sometimes, we are in doubt, and that is when precious people come into our lives - it all happens with a reason.
The only thing I wish was different about ‘’Piasa’’ is that I could’ve read this amazing book way, way sooner, when I was fifteen. I can’t wait to read the second book of this series - Cryptid.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
https://diaryofdifference.com/2018/04/11/piasa-michael-kott-book-review/
The author - Mr. Michael Kott sent me this book for an honest review! I honestly enjoyed reading every single page, and I couldn't put the book down, which deprived me from some sleep a few nights. This is what I thought about PIASA:
This is a very warm story that covers the life of Sara, a young little girl (don’t call her that, she’ll get angry!). My apologies - a young fifteen-year-old lady that survives a car accident while her whole family dies. In times when destiny is hard to accept, she will get involved into resolving the mystery behind the legend of the Piasa, and this adventure might actually mean a new start in life for her!
For a lady of this age, this destiny is extremely hard to accept, and on top of that, she has a few scars that will mark that experience probably for the rest of her life.
Her life is not easy - she lost her family, and all of her belongings, and here she is now, at her Aunt Claire’s hotel, still unsure whether she is ready to move forward with life.
Sara is a very unusual character. I have to admit that at times, she would made me cringe. Some of the things she says and does doesn’t comply with my opinion, but there are things that I really loved about her. I loved the way she is coping with all the challenges she has, after everything that she’s been through, her ability to admire someone the way she admires Mike, to start believing again, even despite everything that happens around her, to seize the day and enjoy the moments that life can offer. I love how she would find hope even in the darkest of places.
Even though I really liked the character of Sara, my favourite character has to be Mike. The way he thinks, acts and motivates everyone around him is unique. Mike is one of the characters that will make you realise and question some of your decisions in life.
The only character I couldn’t connect to at all was Pamela. I honestly am not sure why - it might be that there weren’t too many situations involving her that would make me care.
The story hooks you onto it and it is hard to put it down. I have never heard about the legend of the Piasa before, and one part of me wanted to find out before reading the book. I am glad that I didn’t, as I found out slowly about it, page by page, and that is an experience that will stay with me.
I love how it is presented that life is so unpredictable in so many ways, that mysteries are all around us, and that we are able to move forward and win - only if we wish to believe that we can do it. And sometimes, we are in doubt, and that is when precious people come into our lives - it all happens with a reason.
The only thing I wish was different about ‘’Piasa’’ is that I could’ve read this amazing book way, way sooner, when I was fifteen. I can’t wait to read the second book of this series - Cryptid.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Bob Mann (459 KP) rated Lady Bird (2017) in Movies
Sep 29, 2021
“What if this is the best version”.
When did you grow up? I am now 57, and I’m still “working towards”! I remember distinctly though at the age of 16 thinking “I’ve got there”. And then again at 18. And then again at 21. And then again at 25…. There is something sweet about the certainty of youth that only life’s ultimate experiences can roughen the edges of.
“Lady Bird”, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really can’t pull off in “I, Tonya”) Saoirse Ronan plays Christine McPherson who has the given name (“I gave the name to myself”) of ‘Lady Bird’. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read ‘perfectly reasonably but firm’) mother (Laurie Metcalf, “Roseanne”); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (“the mid-west of California” – LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, “Three Billboards Outside Ebbing, Missouri”, “Manchester By The Sea”) and the aloof and enigmatic Kyle (Timothée Chalamet, “Call Me By Your Name”).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (“The Post“) is magnificent in the less showy role as the “good cop” dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her money… a drive away from an airport conveys just perfectly every college-age parent’s emotional low-point.
Where perhaps the film overplays its hand a bit is in the “wrong side of the tracks” line. The household while struggling is by no means trailer-park poor (compare and contrast with “I, Tonya”): perhaps this is the depths of financial desperation found in Sacremento? But I doubt it… there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in “Playgirl” (I want to say “it’s a penis, get over it”, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with “Phantom Thread” – here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales I’ve ever seen. On the basis that it looks like I will never get to see “Call Me By Your Name” – the only major one I’ve missed – before this Sunday’s Oscar ceremony, what a great way to round off my Oscar-viewing season.
“Lady Bird”, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really can’t pull off in “I, Tonya”) Saoirse Ronan plays Christine McPherson who has the given name (“I gave the name to myself”) of ‘Lady Bird’. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read ‘perfectly reasonably but firm’) mother (Laurie Metcalf, “Roseanne”); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (“the mid-west of California” – LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, “Three Billboards Outside Ebbing, Missouri”, “Manchester By The Sea”) and the aloof and enigmatic Kyle (Timothée Chalamet, “Call Me By Your Name”).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (“The Post“) is magnificent in the less showy role as the “good cop” dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her money… a drive away from an airport conveys just perfectly every college-age parent’s emotional low-point.
Where perhaps the film overplays its hand a bit is in the “wrong side of the tracks” line. The household while struggling is by no means trailer-park poor (compare and contrast with “I, Tonya”): perhaps this is the depths of financial desperation found in Sacremento? But I doubt it… there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in “Playgirl” (I want to say “it’s a penis, get over it”, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with “Phantom Thread” – here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales I’ve ever seen. On the basis that it looks like I will never get to see “Call Me By Your Name” – the only major one I’ve missed – before this Sunday’s Oscar ceremony, what a great way to round off my Oscar-viewing season.
BankofMarquis (1832 KP) rated No Time to Die (2021) in Movies
Oct 16, 2021
Works well enough - despite a weak villain
The Daniel Craig James Bond films are a different breed of Bond films. Instead of each one being a “one-off, fun romp” filled with Gadgets, Villains, Beautiful Ladies and Wild Stunts, the 5 films of the “Daniel Craig era” of Bond films was something else…gritty, serious and serialized, each film standing on it’s own but also building on the previous one to tell one long story.
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)