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The Ballad of Mary Kearney
Book
"I am dead, my Mary; the man who loved you body and soul lies in some dishonorable grave." In...
Historical Fiction Irish History Women's Fiction
Great, inspiring memoir
I'm not going to do my usual paragraph of description for Becoming, Michelle Obama's memoir, because, well, we all know who Michelle Obama is. This memoir is Mrs. Obama's reflection on her life to date, from her childhood in the South Side of Chicago, her time at Princeton, her work as a lawyer and executive, meeting Barack Obama and being introduced to politics through him, and their historic road to the White House.
"Your story is what you have, what you will always have. It is something to own."
I almost do not want to review this book, because I feel like I cannot do justice to the woman that is Michelle Obama. This is a really beautiful book, and it's also really informative. I learned so much about Mrs. Obama and her life, which I very much enjoyed.
First of all, she's a great storyteller. This is a big book, and it's a bit of an undertaking, but it's an easy read, and a really interesting one. I found myself completely immersed--I really loved learning about her childhood and her family. And, of course, it's fun to hear about how she met Barack (his marriage proposal is pretty amazing). Learning about both of their origins is fascinating, honestly. I mean, I knew that the Obamas weren't from the old-school political establishment, but it wasn't until I was reading about her life--and hearing more about the former President's--that it really hit home to me. It's amazing how much they have accomplished for our country.
Ms. Obama does a wonderful job of weaving her themes throughout her story--the power of education, of having an advocate, the importance of diversity and women's rights, and how vital children are in her life. She is honest about the realities of working motherhood: both for her life and for those of working Americans. It's also great to get little asides about her daughters (e.g., families at their schools sending in cupcakes for the Secret Service agents on birthdays); funny stories about meeting the Queen; and her mom sounds like a real trip.
"Kids made me feel like myself again. To them, I wasn't a spectacle. I was just a nice, kinda-tall lady."
She also talks about serious matters: race, education, and her reluctance about getting her family into politics. We see how importance her daughters are to her and how hard it was, knowing what they were sacrificing when her husband ran for President. We hear about her struggles being the first African American First Lady--the stings she felt from the racial insults aimed at both her and her husband, the fear she felt for her family's safety, and the attempts she made to find her place in Washington. I found myself copying quotes right and left, because she is so intelligent and profound and because, truly, as we all learned over eight years, she's such a relatable person.
"Kids wake up each day believing in the goodness of things, in the magic of what be. They're uncynical, believers at their core. We owe it to them to stay strong and keep working to create a more fair and humane world. For them, we need to remain both tough and hopeful, to acknowledge that there's more growing to be done."
Overall, this was a great memoir. It was informative, educational, and also inspiring and funny. It made me miss the Obama family all over again and appreciate so much their time in the Oval Office. It also gave me even more insight into Mrs. Obama, her life, and her feelings. I highly recommend it.
"Your story is what you have, what you will always have. It is something to own."
I almost do not want to review this book, because I feel like I cannot do justice to the woman that is Michelle Obama. This is a really beautiful book, and it's also really informative. I learned so much about Mrs. Obama and her life, which I very much enjoyed.
First of all, she's a great storyteller. This is a big book, and it's a bit of an undertaking, but it's an easy read, and a really interesting one. I found myself completely immersed--I really loved learning about her childhood and her family. And, of course, it's fun to hear about how she met Barack (his marriage proposal is pretty amazing). Learning about both of their origins is fascinating, honestly. I mean, I knew that the Obamas weren't from the old-school political establishment, but it wasn't until I was reading about her life--and hearing more about the former President's--that it really hit home to me. It's amazing how much they have accomplished for our country.
Ms. Obama does a wonderful job of weaving her themes throughout her story--the power of education, of having an advocate, the importance of diversity and women's rights, and how vital children are in her life. She is honest about the realities of working motherhood: both for her life and for those of working Americans. It's also great to get little asides about her daughters (e.g., families at their schools sending in cupcakes for the Secret Service agents on birthdays); funny stories about meeting the Queen; and her mom sounds like a real trip.
"Kids made me feel like myself again. To them, I wasn't a spectacle. I was just a nice, kinda-tall lady."
She also talks about serious matters: race, education, and her reluctance about getting her family into politics. We see how importance her daughters are to her and how hard it was, knowing what they were sacrificing when her husband ran for President. We hear about her struggles being the first African American First Lady--the stings she felt from the racial insults aimed at both her and her husband, the fear she felt for her family's safety, and the attempts she made to find her place in Washington. I found myself copying quotes right and left, because she is so intelligent and profound and because, truly, as we all learned over eight years, she's such a relatable person.
"Kids wake up each day believing in the goodness of things, in the magic of what be. They're uncynical, believers at their core. We owe it to them to stay strong and keep working to create a more fair and humane world. For them, we need to remain both tough and hopeful, to acknowledge that there's more growing to be done."
Overall, this was a great memoir. It was informative, educational, and also inspiring and funny. It made me miss the Obama family all over again and appreciate so much their time in the Oval Office. It also gave me even more insight into Mrs. Obama, her life, and her feelings. I highly recommend it.
Ivana A. | Diary of Difference (1171 KP) rated Piasa in Books
Aug 21, 2018
My full review can also be found on my blog:
https://diaryofdifference.com/2018/04/11/piasa-michael-kott-book-review/
The author - Mr. Michael Kott sent me this book for an honest review! I honestly enjoyed reading every single page, and I couldn't put the book down, which deprived me from some sleep a few nights. This is what I thought about PIASA:
This is a very warm story that covers the life of Sara, a young little girl (don’t call her that, she’ll get angry!). My apologies - a young fifteen-year-old lady that survives a car accident while her whole family dies. In times when destiny is hard to accept, she will get involved into resolving the mystery behind the legend of the Piasa, and this adventure might actually mean a new start in life for her!
For a lady of this age, this destiny is extremely hard to accept, and on top of that, she has a few scars that will mark that experience probably for the rest of her life.
Her life is not easy - she lost her family, and all of her belongings, and here she is now, at her Aunt Claire’s hotel, still unsure whether she is ready to move forward with life.
Sara is a very unusual character. I have to admit that at times, she would made me cringe. Some of the things she says and does doesn’t comply with my opinion, but there are things that I really loved about her. I loved the way she is coping with all the challenges she has, after everything that she’s been through, her ability to admire someone the way she admires Mike, to start believing again, even despite everything that happens around her, to seize the day and enjoy the moments that life can offer. I love how she would find hope even in the darkest of places.
Even though I really liked the character of Sara, my favourite character has to be Mike. The way he thinks, acts and motivates everyone around him is unique. Mike is one of the characters that will make you realise and question some of your decisions in life.
The only character I couldn’t connect to at all was Pamela. I honestly am not sure why - it might be that there weren’t too many situations involving her that would make me care.
The story hooks you onto it and it is hard to put it down. I have never heard about the legend of the Piasa before, and one part of me wanted to find out before reading the book. I am glad that I didn’t, as I found out slowly about it, page by page, and that is an experience that will stay with me.
I love how it is presented that life is so unpredictable in so many ways, that mysteries are all around us, and that we are able to move forward and win - only if we wish to believe that we can do it. And sometimes, we are in doubt, and that is when precious people come into our lives - it all happens with a reason.
The only thing I wish was different about ‘’Piasa’’ is that I could’ve read this amazing book way, way sooner, when I was fifteen. I can’t wait to read the second book of this series - Cryptid.
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https://diaryofdifference.com/2018/04/11/piasa-michael-kott-book-review/
The author - Mr. Michael Kott sent me this book for an honest review! I honestly enjoyed reading every single page, and I couldn't put the book down, which deprived me from some sleep a few nights. This is what I thought about PIASA:
This is a very warm story that covers the life of Sara, a young little girl (don’t call her that, she’ll get angry!). My apologies - a young fifteen-year-old lady that survives a car accident while her whole family dies. In times when destiny is hard to accept, she will get involved into resolving the mystery behind the legend of the Piasa, and this adventure might actually mean a new start in life for her!
For a lady of this age, this destiny is extremely hard to accept, and on top of that, she has a few scars that will mark that experience probably for the rest of her life.
Her life is not easy - she lost her family, and all of her belongings, and here she is now, at her Aunt Claire’s hotel, still unsure whether she is ready to move forward with life.
Sara is a very unusual character. I have to admit that at times, she would made me cringe. Some of the things she says and does doesn’t comply with my opinion, but there are things that I really loved about her. I loved the way she is coping with all the challenges she has, after everything that she’s been through, her ability to admire someone the way she admires Mike, to start believing again, even despite everything that happens around her, to seize the day and enjoy the moments that life can offer. I love how she would find hope even in the darkest of places.
Even though I really liked the character of Sara, my favourite character has to be Mike. The way he thinks, acts and motivates everyone around him is unique. Mike is one of the characters that will make you realise and question some of your decisions in life.
The only character I couldn’t connect to at all was Pamela. I honestly am not sure why - it might be that there weren’t too many situations involving her that would make me care.
The story hooks you onto it and it is hard to put it down. I have never heard about the legend of the Piasa before, and one part of me wanted to find out before reading the book. I am glad that I didn’t, as I found out slowly about it, page by page, and that is an experience that will stay with me.
I love how it is presented that life is so unpredictable in so many ways, that mysteries are all around us, and that we are able to move forward and win - only if we wish to believe that we can do it. And sometimes, we are in doubt, and that is when precious people come into our lives - it all happens with a reason.
The only thing I wish was different about ‘’Piasa’’ is that I could’ve read this amazing book way, way sooner, when I was fifteen. I can’t wait to read the second book of this series - Cryptid.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="http://innahcrazy.tumblr.com/">Tumblr</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>; |
Bob Mann (459 KP) rated Lady Bird (2017) in Movies
Sep 29, 2021
“What if this is the best version”.
When did you grow up? I am now 57, and I’m still “working towards”! I remember distinctly though at the age of 16 thinking “I’ve got there”. And then again at 18. And then again at 21. And then again at 25…. There is something sweet about the certainty of youth that only life’s ultimate experiences can roughen the edges of.
“Lady Bird”, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really can’t pull off in “I, Tonya”) Saoirse Ronan plays Christine McPherson who has the given name (“I gave the name to myself”) of ‘Lady Bird’. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read ‘perfectly reasonably but firm’) mother (Laurie Metcalf, “Roseanne”); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (“the mid-west of California” – LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, “Three Billboards Outside Ebbing, Missouri”, “Manchester By The Sea”) and the aloof and enigmatic Kyle (Timothée Chalamet, “Call Me By Your Name”).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (“The Post“) is magnificent in the less showy role as the “good cop” dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her money… a drive away from an airport conveys just perfectly every college-age parent’s emotional low-point.
Where perhaps the film overplays its hand a bit is in the “wrong side of the tracks” line. The household while struggling is by no means trailer-park poor (compare and contrast with “I, Tonya”): perhaps this is the depths of financial desperation found in Sacremento? But I doubt it… there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in “Playgirl” (I want to say “it’s a penis, get over it”, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with “Phantom Thread” – here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales I’ve ever seen. On the basis that it looks like I will never get to see “Call Me By Your Name” – the only major one I’ve missed – before this Sunday’s Oscar ceremony, what a great way to round off my Oscar-viewing season.
“Lady Bird”, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really can’t pull off in “I, Tonya”) Saoirse Ronan plays Christine McPherson who has the given name (“I gave the name to myself”) of ‘Lady Bird’. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read ‘perfectly reasonably but firm’) mother (Laurie Metcalf, “Roseanne”); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (“the mid-west of California” – LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, “Three Billboards Outside Ebbing, Missouri”, “Manchester By The Sea”) and the aloof and enigmatic Kyle (Timothée Chalamet, “Call Me By Your Name”).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (“The Post“) is magnificent in the less showy role as the “good cop” dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her money… a drive away from an airport conveys just perfectly every college-age parent’s emotional low-point.
Where perhaps the film overplays its hand a bit is in the “wrong side of the tracks” line. The household while struggling is by no means trailer-park poor (compare and contrast with “I, Tonya”): perhaps this is the depths of financial desperation found in Sacremento? But I doubt it… there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in “Playgirl” (I want to say “it’s a penis, get over it”, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with “Phantom Thread” – here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales I’ve ever seen. On the basis that it looks like I will never get to see “Call Me By Your Name” – the only major one I’ve missed – before this Sunday’s Oscar ceremony, what a great way to round off my Oscar-viewing season.
BankofMarquis (1832 KP) rated No Time to Die (2021) in Movies
Oct 16, 2021
Works well enough - despite a weak villain
The Daniel Craig James Bond films are a different breed of Bond films. Instead of each one being a “one-off, fun romp” filled with Gadgets, Villains, Beautiful Ladies and Wild Stunts, the 5 films of the “Daniel Craig era” of Bond films was something else…gritty, serious and serialized, each film standing on it’s own but also building on the previous one to tell one long story.
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hazel (1853 KP) rated Montpelier Parade in Books
May 24, 2017
Sylvia Plath-esque
I received this book for free through Goodreads First Reads.
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
Montpelier Parade is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanour results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
Montpelier Parade is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, Montpelier Parade will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
Montpelier Parade is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanour results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
Montpelier Parade is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, Montpelier Parade will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Whatchareadin (174 KP) rated Vengeance in Books
May 10, 2018
Wicket is a world famous performer. She dazzles crowds wherever she goes and she's sold more albums than most artists. She is known to her friends, which are very few as Ladonna Sterling and even fewer know her as Caprice Tatum. When Caprice was 15 years old, she was brutally attacked by the people she trusted. Having been cut as a young girl by her mother her life hadn't been the easiest, but she never thought anything like that would happen. Now as she approaches her fortieth birthday she hopes to get vengeance against those who wronged her.
It has been a while since I've read one of Zane's books. I used to read her books a lot when I was in my early twenties. This book took quite a different turn that I wasn't expecting. There is always sex involved in her books, but this one was not the same.
Wicket has a lot of issues that have stemmed from her childhood. She has never gotten the kind of therapy necessary for the type of trauma she has experienced in her life. Now she has issues with intimacy and finds it difficult to connect with people in general. Sure her fame as a little to do with it, but trust is not something that comes easily.
The book started out slowly for me. But once Wicket made her big move, it started to pick up. This young lady had been through a lot of hardship in her life. Without those things, she may not have made it this far in her life, but no one should have to go through all of that to find happiness. Zane always made me look at events in my life to know that things can be much worse and for a lot of people out there they are.
Zane had a new book released earlier this year that I can't wait to read [b:Three-Piece Meal: A Novel|32920252|Three-Piece Meal A Novel|Zane|https://images.gr-assets.com/books/1482355789s/32920252.jpg|53537928]
It has been a while since I've read one of Zane's books. I used to read her books a lot when I was in my early twenties. This book took quite a different turn that I wasn't expecting. There is always sex involved in her books, but this one was not the same.
Wicket has a lot of issues that have stemmed from her childhood. She has never gotten the kind of therapy necessary for the type of trauma she has experienced in her life. Now she has issues with intimacy and finds it difficult to connect with people in general. Sure her fame as a little to do with it, but trust is not something that comes easily.
The book started out slowly for me. But once Wicket made her big move, it started to pick up. This young lady had been through a lot of hardship in her life. Without those things, she may not have made it this far in her life, but no one should have to go through all of that to find happiness. Zane always made me look at events in my life to know that things can be much worse and for a lot of people out there they are.
Zane had a new book released earlier this year that I can't wait to read [b:Three-Piece Meal: A Novel|32920252|Three-Piece Meal A Novel|Zane|https://images.gr-assets.com/books/1482355789s/32920252.jpg|53537928]
Phillip McSween (751 KP) rated Sixteen Candles (1984) in Movies
May 3, 2018
Fun 80's Comedy
Samantha's (Molly Ringwald) family is busy, so busy in fact that they forgot her sixteenth birthday. Samantha has to cope with this while dealing with various misadventures surrounding her life. It's an innocent 80's comedy that takes you on a fun ride from beginning to end.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Whatchareadin (174 KP) rated The House Girl in Books
May 10, 2018
Carolina Sparrow is a first year lawyer working in New York City. She is great at her job and her boss, Dan has told her that she is on track to become an excellent lawyer. Josephine Bell is a slave at the Bell Plantation in southern Virginia. It is the mid-1800's and she is ready to leave the slave life for something better. When a company contacts Lina's law firm to collect reparations for the slaves, Lina is given the task of finding a plaintiff who is a direct descendant of a slave. When Luann Bell's artwork comes into question at a local art exhibit, claiming the work could have been done by her house girl, Josephine, Lina uses this opening to find the plaintiff she may need. The book takes us back and forth between Lina and Josephine. Lina, trying to find a direct descendant of Josephine Bell and Josephine, trying to escape the Bell Plantation.
I'm torn between giving this book 3-4 stars. I was thoroughly intrigued by the subject matter, but didn't find myself running to read/listen to this book. I think part of this was due to the fact that for a few weeks, reading wasn't appealing to me and everything I picked up, I didn't find interesting enough to keep reading.
One really interesting aspect to this book was the racial divide. Lina, is a white girl from New York looking for descendants for a slave who escaped in 1852, shortly after the lady of the house passed away. This discovery takes Lina on a journey through Virginia that she never anticipated. She will uncover things that will turn history on end. This book has been on my TBR list for a while. I wasn't sure what to expect, but I was thoroughly surprised. I recommend this book for anyone who is interested in this subject matter or for a good book, with a deep historical message. I look forward to reading more books by Tara Conklin.
I'm torn between giving this book 3-4 stars. I was thoroughly intrigued by the subject matter, but didn't find myself running to read/listen to this book. I think part of this was due to the fact that for a few weeks, reading wasn't appealing to me and everything I picked up, I didn't find interesting enough to keep reading.
One really interesting aspect to this book was the racial divide. Lina, is a white girl from New York looking for descendants for a slave who escaped in 1852, shortly after the lady of the house passed away. This discovery takes Lina on a journey through Virginia that she never anticipated. She will uncover things that will turn history on end. This book has been on my TBR list for a while. I wasn't sure what to expect, but I was thoroughly surprised. I recommend this book for anyone who is interested in this subject matter or for a good book, with a deep historical message. I look forward to reading more books by Tara Conklin.
graveyardgremlin (7194 KP) rated The Revenge of the Radioactive Lady in Books
Feb 15, 2019
I took a chance on <b>The Revenge of Radioactive Lady</b>, it's not my usual read, but the cover and synopsis caught my eye and decided to give it a try. I was rewarded by a quirky story with neurotic, yet realistic, characters that was compulsively readable. Each chapter is told by a different person, Marylou/Nance and everyone in the Witherspoon family.
Though not as humorous as led to believe by the various quotes on the cover, the most amusing of it happened in the first chapter and nearer the end, the rest of the book is filled with many dramas that had unusual, and not quite so grim, outlooks to them. The book flows nicely and the descriptions were easy to visualize, so I could clearly picture the settings. The characters each have their individual voices that make it easy to separate each of them from the others; I found everyone to be interesting in how they acted, reacted and dealt with the situations that popped up in the story. I both sympathized and hoped they could better themselves by the end. The author tackles some tough subjects (pedophilia, murder, adultery, creating a model nuclear reactor) in a light, yet respectful manner, and who also incorporates some Cold War history into the story too. I had no idea that around 800 unsuspecting pregnant women were given radioactive 'cocktails' (iron) to see how it would effect their fetus. Further information can be found in [b:The Plutonium Files: America's Secret Medical Experiments in the Cold War|212087|The Plutonium Files America's Secret Medical Experiments in the Cold War|Eileen Welsome|http://photo.goodreads.com/books/1172741136s/212087.jpg|205297], which I am now interested in finding out more about this and other unethical testing, thanks to the author. Overall, the book is a quick and easy read, and I'm glad I had the opportunity to read it.
Though not as humorous as led to believe by the various quotes on the cover, the most amusing of it happened in the first chapter and nearer the end, the rest of the book is filled with many dramas that had unusual, and not quite so grim, outlooks to them. The book flows nicely and the descriptions were easy to visualize, so I could clearly picture the settings. The characters each have their individual voices that make it easy to separate each of them from the others; I found everyone to be interesting in how they acted, reacted and dealt with the situations that popped up in the story. I both sympathized and hoped they could better themselves by the end. The author tackles some tough subjects (pedophilia, murder, adultery, creating a model nuclear reactor) in a light, yet respectful manner, and who also incorporates some Cold War history into the story too. I had no idea that around 800 unsuspecting pregnant women were given radioactive 'cocktails' (iron) to see how it would effect their fetus. Further information can be found in [b:The Plutonium Files: America's Secret Medical Experiments in the Cold War|212087|The Plutonium Files America's Secret Medical Experiments in the Cold War|Eileen Welsome|http://photo.goodreads.com/books/1172741136s/212087.jpg|205297], which I am now interested in finding out more about this and other unethical testing, thanks to the author. Overall, the book is a quick and easy read, and I'm glad I had the opportunity to read it.