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BookwormMama14 (18 KP) rated In the Company of Secrets (Postcards from Pullman #1) in Books
Jan 2, 2019
(There are some spoilers in this review)
What happens when you build an entire life on a foundation of lies? Consequences!
Olivia travels to Pullman, Illinois from England with the Lady Charlotte. Charlotte is unmarried and pregnant. In order to be hired for a position as the assistant chef at the Hotel and to protect Charlotte's honor, they fabricate a pack of lies and stories about who they are. As time progresses, Olivia's closest friends Fred and his mother, Mrs. DeVault, as well as her cousin Albert and his girlfriend Martha are all deceived by who they are. In the end Olivia realizes the importance of honesty and seeks the Lord's forgiveness for what she has done. She tries to begin a fresh in her walk with the Lord. However, she keeps the truth about the lies hidden. She is eventually found out and has to face the consequences.
I am very baffled by this book. It drove me crazy at parts and I wanted to stop reading it, but I was also intrigued to see how it would all play out. I was disappointed in the end that the loose ends were not tied up. I understand that it is a series, however it felt very confusing at the close of the book. The two main characters were the reasons why I wanted to put the book down. Charlotte has her baby and neglects him and eventually abandons him. I know that this happens in the real world, but Charlotte's snobbery is the main reason behind her poor attitude towards the baby. Being a mother of 2 small children, this made me quite upset. Olivia is extremely naive when it comes to men and seems to be quite spineless when it comes to standing up for herself. She constantly lets herself get walked over and lives in complete fear that someone will find her out. I read for enjoyment and I prefer to read about women who are strong, truthful and stand up for what is right. I did enjoy the historical side of this book. Although, I am not quite sure where the "Postcards" come into play, learning a little about Pullman and the railworks in 1892 was quite interesting.
Even though I have conflicting feelings regarding this book, I am curious to see how Olivia's character progresses. Seeing as how the library does not yet have this series in electronic form though, I will not be continuing. I was able to purchase this book for free at Barnes & Noble.
Bethany House Publishers
What happens when you build an entire life on a foundation of lies? Consequences!
Olivia travels to Pullman, Illinois from England with the Lady Charlotte. Charlotte is unmarried and pregnant. In order to be hired for a position as the assistant chef at the Hotel and to protect Charlotte's honor, they fabricate a pack of lies and stories about who they are. As time progresses, Olivia's closest friends Fred and his mother, Mrs. DeVault, as well as her cousin Albert and his girlfriend Martha are all deceived by who they are. In the end Olivia realizes the importance of honesty and seeks the Lord's forgiveness for what she has done. She tries to begin a fresh in her walk with the Lord. However, she keeps the truth about the lies hidden. She is eventually found out and has to face the consequences.
I am very baffled by this book. It drove me crazy at parts and I wanted to stop reading it, but I was also intrigued to see how it would all play out. I was disappointed in the end that the loose ends were not tied up. I understand that it is a series, however it felt very confusing at the close of the book. The two main characters were the reasons why I wanted to put the book down. Charlotte has her baby and neglects him and eventually abandons him. I know that this happens in the real world, but Charlotte's snobbery is the main reason behind her poor attitude towards the baby. Being a mother of 2 small children, this made me quite upset. Olivia is extremely naive when it comes to men and seems to be quite spineless when it comes to standing up for herself. She constantly lets herself get walked over and lives in complete fear that someone will find her out. I read for enjoyment and I prefer to read about women who are strong, truthful and stand up for what is right. I did enjoy the historical side of this book. Although, I am not quite sure where the "Postcards" come into play, learning a little about Pullman and the railworks in 1892 was quite interesting.
Even though I have conflicting feelings regarding this book, I am curious to see how Olivia's character progresses. Seeing as how the library does not yet have this series in electronic form though, I will not be continuing. I was able to purchase this book for free at Barnes & Noble.
Bethany House Publishers
Hazel (1853 KP) rated Into the Dim (Into the Dim, #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Into The Dim</i> by Janet B. Taylor begins with an empty coffin. Fragile sixteen year old Hope is at her mother’s memorial service after her mother’s body was unrecovered after a horrific earthquake. Despite the opinion of her stepfather’s family, Hope is convinced that her mother is still alive. However she has not time to convince anyone before she is shipped off to the Scottish Highlands to spend time with her mother’s sister, Lady Lucinda Carlyle.
Hope finds herself at Christopher Manor, a forbidding ancient mansion that reminds her of <i>Hogwarts</i> (I love that <i>Harry Potter</i> is easily mentioned in many contemporary novels these days! There is also a <i>Doctor Who</i> reference in this book). Despite the old-fashioned setting, the inhabitants are the complete opposite. Firstly there is Phoebe, a bubbly blue-haired girl who is excited about Hope’s arrival at the manor. Phoebe’s brother, Collum, on the other hand, has a contrasting personality. Then there is Lu, who, despite her title, is younger than some may initially imagine her to be.
Through these new characters, Hope learns that her mother is indeed still alive, but trapped somewhere beyond all logic and reason. What is worse, Hope, who is practically scared of her own shadow, along with Phoebe and Collum are the only people who can rescue her. So begins their dangerous but exciting adventure.
<i>Into The Dim</i> is both a contemporary and historical novel, with the science fiction element of time travel thrown in. Time travel is nothing new in fiction, and Taylor’s idea is even based upon the scientist, Nikola Tesla’s discoveries. The storyline itself is a bit of fun with witty characters and humorous banter, yet there is so much more to it than that. Taylor has concocted enough research to help readers to learn something new. Firstly there is Tesla, as already mentioned, and then there is the knowledge and detail of twelfth century London, in particularly involving Eleanor of Aquitaine.
Although the main characters are in their late teens, younger teenagers can also enjoy<i> Into The Dim</i>. There is the occasional reference to mature content, but this is within the context of a historical period, in which younger readers should probably be aware of already from their school history lessons. If you love this book, look out for the sequel next year!
Deborah (162 KP) rated Six Tudor Queens: Katherine of Aragon, the True Queen: Six Tudor Queens 1 in Books
Dec 19, 2018
Weir again goes from traditionalist historian to historical novelist, but she can't seem to leave the historian bit behind. Much as I dislike wholesale abandonment of historical accuracy and the flagrant sensationalism of Phillipa Gregory and her Ilk, I really found this book over long and tedious - I could quite cheerfully have done some poisoning myself just to get the book over and done with! It feels like Weir has looked up every single historical quote she could find from people in the period and tried to squeeze them into the book. I had read biographies of the period that are more enlightening that this and do more to bring the people and period to life.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
Gareth von Kallenbach (980 KP) rated The Hustle (2019) in Movies
Jul 2, 2019
The Hustle stars Anne Hathaway and Rebel Wilson as a pair of con artists who extract money from men using their feminine wiles. Hathaway and Wilson have a great chemistry on screen and some of the physical humor had me laughing so hard that my eyes were watering from laughter. Other times the jokes fell so flat I cringed, especially early on with the lampooning of male behavior so over the top that it seemed like an SNL bit rather than a part of a story they were trying to tell. It takes the movie a while to get its feet underneath it and really start running, but it does eventually get there.
What I didn’t realize going into this movie was that it is actually a reboot of the Steve Martin, Michael Caine and the late Glenne Headly classic, Dirty Rotten Scoundrels. As soon as you realize this you know exactly how the story will go down to the last punch line. That is a real bummer for fans of the original because you know one of the biggest end reveals about half way through the movie.
Knowing the twist at the end doesn’t ruin the movie, but it did take a lot of the fun out of it and I wish they changed the twist to outsmart the audience who knew they were following the Dirty Rotten Scoundrels playbook.
Rebel Wilson plays off Anne Hathaway really well, I’d actually like to see them do something original together in the future. The chemistry reminds me of David Spade and Chris Farley with Hathaway playing the straight man and Wilson playing the physical comedian. The best parts of this movie are when these two are facing off in a scene trying to outdo one another.
I can’t say this enough; I really wish they changed the twist at the end so that I could have enjoyed it more because I really wanted to like it. Those who have never seen Dirty Rotten Scoundrels may enjoy it more than I did. The lady behind me was so shocked with the twist reveal at the end that her gasp was audible across the theater, so obviously not everyone has seen the original.
Because of the big laughs I did have while watching this movie I can’t say I hated the movie, it was definitely good for some laughs. But the con of the movie is to get you into the theater without you realizing that it’s just a replica reboot of a classic.
What I didn’t realize going into this movie was that it is actually a reboot of the Steve Martin, Michael Caine and the late Glenne Headly classic, Dirty Rotten Scoundrels. As soon as you realize this you know exactly how the story will go down to the last punch line. That is a real bummer for fans of the original because you know one of the biggest end reveals about half way through the movie.
Knowing the twist at the end doesn’t ruin the movie, but it did take a lot of the fun out of it and I wish they changed the twist to outsmart the audience who knew they were following the Dirty Rotten Scoundrels playbook.
Rebel Wilson plays off Anne Hathaway really well, I’d actually like to see them do something original together in the future. The chemistry reminds me of David Spade and Chris Farley with Hathaway playing the straight man and Wilson playing the physical comedian. The best parts of this movie are when these two are facing off in a scene trying to outdo one another.
I can’t say this enough; I really wish they changed the twist at the end so that I could have enjoyed it more because I really wanted to like it. Those who have never seen Dirty Rotten Scoundrels may enjoy it more than I did. The lady behind me was so shocked with the twist reveal at the end that her gasp was audible across the theater, so obviously not everyone has seen the original.
Because of the big laughs I did have while watching this movie I can’t say I hated the movie, it was definitely good for some laughs. But the con of the movie is to get you into the theater without you realizing that it’s just a replica reboot of a classic.
Neon's Nerd Nexus (360 KP) rated The Nightingale (2018) in Movies
Dec 4, 2019
Misery Loves Company
Nightinglale is a harsh, cold, relentless and constantly traumatizing tale of revenge and sadness. Athough I would say this film is one of this years best films and a must see by any serious film fan I can not stress enough just how disturbing and extremely hard to watch it can be at times. Realistic depictions of brutal violence and savage rape chill to the bone and while its tempting not to persist past such horrible scenes they really give the film purpose, such a raw/realistic tone and force you to feel every single emotion felt by its characters. A deep cold and sadness engulf the entire film throughout creating an uneasy atmosphere that constantly feels like a burden weighing on your shoulders making you feel uncomfortable and vulnerable just like the lead character. Acting is magnificent with everyones eyes alone seemingly telling you what kind of person they are or if they are genuine. A film that depicts racism, loss, grief, revenge, power abuse and most of all entitlement perfectly it shows just how much evil and hatred lurks in peoples hearts and the world we live in. Its very much like Hatred, Lady Mcbeth and The Witch infact and just like those films every character feels so real and well developed. A running theme that everyone feels like they are owed something runs throughout and even though we sympathize with our main character she too can prove to be just as cold/heartless and selfish as the main villian that is until she progresses and learns to open her eyes to it all. Dream like scenes also litter the film and show how disturbed/haunted by every encounter she is sometimes apearing just in time to motivate her or be her only escape to the perfect life that she now can never have. Its ever so fascinating stuff and has so much to say that its impossible for me to cram all of it into this review. Nightingale is without a doubt such an important film right bow (especially with how the world is today as the subjects it deals with depict how we have almost in a way have gone backwards in some of our ways). All in all a fantastic piece of film that shows us when we have everything taken from us and feel like giving up theres still beauty and pure souls somewhere in the world to give us hope, new life and help keep our dreams alive.
Sophia (Bookwyrming Thoughts) (530 KP) rated Killer of Enemies (Killer of Enemies, #1) in Books
Jan 23, 2020
Original Rating: 3.5 out of 5
This review and more can be found at <a href="http://www.bookwyrmingthoughts.com/2015/07/review-killer-of-enemies-by-joseph-bruchac.html">Bookwyrming Thoughts</a>
I never thought I would ever come across a book that dumps information on you AND like it.
With a post-apocalyptic world where people are ruled over genetically modified people who are barely human anymore, Joseph Bruchac has obviously planned this book very well and vividly, even with the amount of information he dumps on you for most of the book. I find that the information dump actually goes very well with the amount of action there is. Take away all of the information, and you'll be left with an empty husk of a book that is just full of nonstop action, which would definitely backfire big time on the author because it would be pretty undeveloped.
Bruchac is very detail-oriented throughout the book it's not just the information being dumped. Lozen, our main character who is a monster hunter for the genetically modified people ruling over her home, apparently goes into excruciating detail about some things, such as talking about someone's body odor or eating a monster's heart (that was gross).
Killer of Enemies also promotes diversity in the young adult genre Lozen is a Native American, and I can honestly say I have never had a Native American in any book I've read so far until now. There are hints of Native American traditions and culture woven throughout, and I find that it's probably one of the reasons why I actually enjoyed this a lot more than I would have without the Native American aspect.
Despite how awesome and diverse Killer of Enemies, there were just some things that knocked down some points. Throughout the information dumping, I don't think Bruchac actually mentions why or how the four rulers of Haven actually got their names. The Dreamer and Lady Time make sense, but the Jester doesn't really make sense, and Diablita Loca (how do you even say that?) makes no sense whatsoever.
There also doesn't seem to be a purpose, and while there does seem to be one, I just can't really tell at all. The entire book is pretty much described in less than ten words: hunting weird monsters, telling stories, flashbacks, and information dump.
I did, however, like how Bruchac ends Killer of Enemies by saying something along the lines of, "Just because this story is over doesn't mean everything is now peachy and happily ever after. It's just uncertain, but right now, everything is great."
This review and more can be found at <a href="http://www.bookwyrmingthoughts.com/2015/07/review-killer-of-enemies-by-joseph-bruchac.html">Bookwyrming Thoughts</a>
I never thought I would ever come across a book that dumps information on you AND like it.
With a post-apocalyptic world where people are ruled over genetically modified people who are barely human anymore, Joseph Bruchac has obviously planned this book very well and vividly, even with the amount of information he dumps on you for most of the book. I find that the information dump actually goes very well with the amount of action there is. Take away all of the information, and you'll be left with an empty husk of a book that is just full of nonstop action, which would definitely backfire big time on the author because it would be pretty undeveloped.
Bruchac is very detail-oriented throughout the book it's not just the information being dumped. Lozen, our main character who is a monster hunter for the genetically modified people ruling over her home, apparently goes into excruciating detail about some things, such as talking about someone's body odor or eating a monster's heart (that was gross).
Killer of Enemies also promotes diversity in the young adult genre Lozen is a Native American, and I can honestly say I have never had a Native American in any book I've read so far until now. There are hints of Native American traditions and culture woven throughout, and I find that it's probably one of the reasons why I actually enjoyed this a lot more than I would have without the Native American aspect.
Despite how awesome and diverse Killer of Enemies, there were just some things that knocked down some points. Throughout the information dumping, I don't think Bruchac actually mentions why or how the four rulers of Haven actually got their names. The Dreamer and Lady Time make sense, but the Jester doesn't really make sense, and Diablita Loca (how do you even say that?) makes no sense whatsoever.
There also doesn't seem to be a purpose, and while there does seem to be one, I just can't really tell at all. The entire book is pretty much described in less than ten words: hunting weird monsters, telling stories, flashbacks, and information dump.
I did, however, like how Bruchac ends Killer of Enemies by saying something along the lines of, "Just because this story is over doesn't mean everything is now peachy and happily ever after. It's just uncertain, but right now, everything is great."
LeftSideCut (3776 KP) rated The Invisible Man (2020) in Movies
Mar 11, 2020
I've always found the premise of The Invisible Man damn scary. Someone watching you, stood next to you, whilst you carry on obliviously. It's the kind of scariness that gets under the skin, honestly, just like this movie does. For the first time in a while, I felt truly uncomfortable and genuinely scared throughout a fair chunk of the run time.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
The movie starts with leading lady Cecilia (Elisabeth Moss) quietly and frantically leaving her house in the dead of night, to get away from her abusive relationship with partner Adrian (Oliver Jackson-Cohen).
This opening scene sets the tone nicely. It's dimly lit, it's mostly silent, it's tense, and climaxes frantically with a swelling of orchestral score (the original score by Benjamin Wallfisch is fantastic throughout).
Finally free and living with friends, Cecilia is somewhat comforted by the news that Adrian has subsequently committed suicide, and is no longer a threat to her.
Before long though, she is being stalked by an unseen presence, and she quickly becomes convinced that Adrian as alive and well, and has perfected his work in the optics field to turn himself invisible, and systematically ruin her life.
Once it becomes apparent that Cecilia is not alone is where the movie really shines. We're subjected to wide shot after wide shot of her going about her daily routines, with plenty of empty camera space, where we as the audience are prompted to search the shot for clues, to see if we can see where The Invisible Man is in the moment. It's a simple and hugely effective tactic that had me squirming. The constant under current of dread is really quite horrible.
Elisabeth Moss is great from start to finish. The torment that she is out through is portrayed really well, and it doesn't take a lot to sympathise with her, and the yearning for everyone else to see she isn't crazy is strong.
Towards the final act, the tension predictably takes a bit of a backseat for a more fast faced finale, which mostly works, but it's hard to ignore a few glaring plot holes, and a late twist that feels like it was thrown in just for the sake of it. It's not enough to ruin what is undoubtedly a pretty solid edge-of-your-seat thriller though.
If Universal had perhaps approached The Mummy with a similar style, then we could be in the midst of a great Dark Universe franchise, but if all the seperate entries end up being as strong as The Invisible Man, then it's no loss.
Gareth von Kallenbach (980 KP) rated Pitch Perfect 2 (2015) in Movies
Aug 6, 2019
For those, like me, who fell in love with the sleeper hit that Pitch Perfect was 3 years ago, Pitch Perfect 2 delivers the “more” we clamored for. In that regard, it’s as good if not better than the first. Sure, it’s missing that surprise factor that charmed even the most jaded critics. But those who wanted more a capella mash-ups from the Bellas and Treblemakers, more audacity from Fat Amy, puzzling confessions from whispering Lilly, off-color commentary from John and Gail and brash riff-offs with other a capella crews – rookie director Elizabeth Banks delivers.
There may be complaints that she offers just more of the same, but that’s what the fans wanted, right? That message was delivered a bit heavy-handedly, especially when the Barden Bellas, three-time defending champions, appeared to be losing their way with more convoluted productions and choreography that detracted from their singing. When one particular performance goes mortifyingly sideways, or in this case upside down, in front of the President and First Lady no less, the Bellas are stripped of their championship tour and threatened with disbanding. To keep their charter they have to be the first U.S. team to win the world championships. Hanging their hopes on a world title, they have to beat the ridiculous perfection that is the German team, Das Sound Machine. To beat the Germans, they need to find their sound again and deliver more of what got them there in the first place.
Anna Kendrick returns as adorably a ca-awkward Beca, but this time around instead of finding her place in college, she’s preparing to find her place in the music industry, unbeknownst to the rest of the Bellas. She’s ready to move on with life after a capella competition, while Brittany Snow’s Chloe isn’t quite there yet. Skylar Astin is back as boyfriend Jesse who now leads Treblemakers with Benji (Ben Platt) whose magic skills improved more than his ability to speak to women.
As in the first movie, Elizabeth Banks and John Michael Higgins deliver the absurd observations with perfect aplomb. Rebel Wilson, Ester Dean and Hana Mae Lee reprise their respective roles as fat Amy, butch Cynthia, and weird Lilly. Adam Devine also returns as Bumper while Oscar-nominee Hailee Steinfeld is the new kid on the block as a legacy Bella, courtesy of her mom Katey Sagal, a Bella in the 80s.
While the storyline is predictable, Pitch Perfect 2 is still entertaining and comes with some fun surprises. Fans will not be disappointed. And stay through the credits.
There may be complaints that she offers just more of the same, but that’s what the fans wanted, right? That message was delivered a bit heavy-handedly, especially when the Barden Bellas, three-time defending champions, appeared to be losing their way with more convoluted productions and choreography that detracted from their singing. When one particular performance goes mortifyingly sideways, or in this case upside down, in front of the President and First Lady no less, the Bellas are stripped of their championship tour and threatened with disbanding. To keep their charter they have to be the first U.S. team to win the world championships. Hanging their hopes on a world title, they have to beat the ridiculous perfection that is the German team, Das Sound Machine. To beat the Germans, they need to find their sound again and deliver more of what got them there in the first place.
Anna Kendrick returns as adorably a ca-awkward Beca, but this time around instead of finding her place in college, she’s preparing to find her place in the music industry, unbeknownst to the rest of the Bellas. She’s ready to move on with life after a capella competition, while Brittany Snow’s Chloe isn’t quite there yet. Skylar Astin is back as boyfriend Jesse who now leads Treblemakers with Benji (Ben Platt) whose magic skills improved more than his ability to speak to women.
As in the first movie, Elizabeth Banks and John Michael Higgins deliver the absurd observations with perfect aplomb. Rebel Wilson, Ester Dean and Hana Mae Lee reprise their respective roles as fat Amy, butch Cynthia, and weird Lilly. Adam Devine also returns as Bumper while Oscar-nominee Hailee Steinfeld is the new kid on the block as a legacy Bella, courtesy of her mom Katey Sagal, a Bella in the 80s.
While the storyline is predictable, Pitch Perfect 2 is still entertaining and comes with some fun surprises. Fans will not be disappointed. And stay through the credits.
ClareR (5869 KP) rated The Ninth Child in Books
May 1, 2020
Victorian Scotland, where reality meets myth.
The Ninth Child is a mesmerising mix of reality and fairytale. Neither of them are the pretty version, either. The story itself is set in Glasgow and the Trossachs between 1856 and 1859, where Isabel Aird is the wife of a young doctor. She has miscarried all seven of the babies she has carried so far, and is struggling to find meaning in her life. Her husband is very protective of her, but she can’t seem to forgive him for his apparent ability to shake off the loss of their babies.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.
Rock 'n' Film: Cinema's Dance with Popular Music
Book
Rock 'N' Film presents a cultural history of films about US and British rock music during the period...