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Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Haley Mathiot (9 KP) rated The Murder of King Tut in Books
Apr 27, 2018
Genre: non-fiction thriller
Rating: 4.5/5
Summary: James Patterson tells a story in three parts—one part, the mysterious death of King Tut, the second part the discovery of his tomb by Carter, and the third part his writing, own exploration, research, and discovery of the elusive history of the boy king.
Thoughts: This is one of the best James Patterson books I’ve ever read (listened too). JP has taken an age old mystery and solved it. Yes, it appears as though the mystery of Tut is mystery no more. This book is very alive, even though the plot revolves around a murder. I felt like I was standing right there, watching it all take place. At times, I felt like the characters themselves. This was an amazing escape from reality.
Characters (5/5): Characters should be relatable for a book to be enjoyable, and the characters in Tut’s world were wonderful. They were highly developed right away, and were the kind that either you routed for or hated with a passion.
Writing (4/5/5): James is an awesome writer. I always love reading his work because it’s so lyric. His words flow smoothly and he doesn’t overuse too many phrases (though several “waves” of various things did “wash over” many people).
Content (4/5): There was barely any language in this book, which was a nice change of JP’s work. It wasn’t necessary, either. It just goes to show that the point can be made—and made well—without filthy language. There was a little bit of sex but it wasn’t too graphic, nor was it frequent.
Reader (4/5): I really liked the voice of the reader for this book. I’ve heard some pretty awful ones before, I’ll say that much right now! But Joe’s voice was perfect for this book. The only thing I didn’t like were the voices he put with the characters—the accents were pretty lousy, and when he put on a “fake” voice for the child characters, it just sounded a little silly. I was glad when Tut got old enough that he didn’t have to do that anymore!
Recommendation: Ages 16+ to lovers of fiction, history, nonfiction, thrillers, mystery, or to any James-Patterson-addict.