"Pure Soviet existential gloom. The last scene had me sobbing. Not usually a fan of war movies, but The Ascent is so much more than that. Directed by a badass Ukrainian woman named Larisa Shepitko, and scored by the one and only Alfred Schnittke. Can’t go wrong."

"I came to Larisa Shepitko through reading about Elem Klimov after watching Come and See. When I saw that Criterion had put out two of her films through their Eclipse label, I snapped them up. These discs are probably my most prized in my collection. Watching The Ascent feels like being punched in the nose and rolled in the snow. I felt like I’d time traveled to the Second World War and was there as a silent witness."

"I came to Larisa Shepitko through reading about Elem Klimov after watching Come and See. When I saw that Criterion had put out two of her films through their Eclipse label, I snapped them up. These discs are probably my most prized in my collection. Watching The Ascent feels like being punched in the nose and rolled in the snow. I felt like I’d time traveled to the Second World War and was there as a silent witness."

"A harrowing war film made with near-religious austerity. Most of the movie is comprised of two kinds of shots: these yawning, snow-swept vistas that swallow people whole, and unbearably intense close-ups of the human face. You get the sense that making The Ascent was an all-consuming endeavor for Larisa Shepitko. Which other filmmakers have so evidently given so much to their craft? That it’s her final film is a shame, but some of its power carries over into her husband Elem Klimov’s delirious masterpiece Come and See."

"The last one, well, I think for me — at the moment — it’s Come and See, the Elem Klimov film about the Russians fighting the Nazis. I’ve only ever seen it once, and I don’t know if I ever want to see it again, but it is an incredibly, profoundly affecting and terrifying experience. I just thought it was amazing. I saw it maybe two years ago, and it’s just stayed with me so much. It was a film I had and I was scared of watching. I don’t know why I bought it. I buy a lot of films all the time, and I’ve just got cupboards and cupboards of movies. I saw it on the shelf and looked at it at like midnight one night and thought, “I’ll just watch five minutes of it and see what it’s like,” and then at two in the morning I was still watching, going “Oh my god, I’ve never seen anything like this.” What I like about it is that it’s a mixture that shouldn’t work on so many levels, because it’s very arty and it’s very self-conscious, but yet it’s utterly realistic, and it feels emotionally realistic. It feels like you’re totally transported into that situation. I’d also double that with The Ascent, the Larisa Shepitko movie. She was married to Klimov and made a movie 10 years earlier on almost the same subject, and her film is just unbelievable as well, you know. It’s well worth checking out, that Criterion box set. Mind-blowing stuff. Have you seen Come and See?"