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Heather Cranmer (2721 KP) created a post

May 19, 2022  
Check out my blog, and read some excerpts from the true crime biography WASHED IN THE BLOOD by Shelton L. Williams. If you like what you read, enter the giveaway to win an autographed paperback, an Audible copy, or an eBook copy of the book - three winners total!

https://alltheupsandowns.blogspot.com/2022/05/book-blog-tour-and-giveaway-washed-in.html

**BOOK SYNOPSIS**
The true story behind the Kiss and Kill murder in Texas in 1961. Author Larry King says: Washed in the Blood is a page-turning read about the time--early 1960s--and place--Odessa, Texas--during its rowdy oil boom days when violence often rode the range. It is at once an examination of local mores and foibles, piety and hypocrisy and an inside-look at the famed 'Kiss and Kill' murder of a 17-year-old would-be actress, Betty Jean Williams, whose ghost is said to haunt the Odessa High School campus to this very day.
      
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Gareth von Kallenbach (965 KP) rated Night at the Museum: Secret of the Tomb (2014) in Movies

Jun 19, 2019  
Night at the Museum: Secret of the Tomb (2014)
Night at the Museum: Secret of the Tomb (2014)
2014 | Action, Comedy
6
6.9 (9 Ratings)
Movie Rating
Night At The Museum: Secret of the Tomb, is a new movie (rated PG) starring Ben Stiller, Robin Williams, Owen Wilson, Steve Coogan, Dan Stevens, and Rebel Wilson.

It is the third installment in the ‘Night At The Museum’ series.

The movie begins in time before any of the movies take place in time, throwing us back to the discovery of the magical tablet that brings the museum to life after sunset.

We then flash forward to current day,
and Ben Stillers character, Larry Daley, is the ‘special effects’ manager, in charge of all the magic of the museum.

Things go awry, and the rest of the movie is spent wrapped up in an attempt to first find out how to stop the erosion of the tablet, and then how to implement the information that is discovered.

The movie is fast paced, and it did draw me in. It is likely I was more emotionally invested in this film because it is the last film I will see Robin Williams in, and that was definitely at the forefront of my mind while watching the movie.

Some of the scenes between Rebel Wilson and Ben Stiller were less than funny to me, and some of the jokes were definitely groan worthy.
It was fairly predictable, but Dan
Stevens as Sir Lancelot did throw a few curve balls that mixed it up a bit.

It seems, based on some of the scenes, that Night at The Museum might be better in 3D than it was in 2D.

Over all, I liked the movie, but wouldn’t bother to take my son, who is 6 to see it ‘at the theatre’. It is one of those movies where the best parts seem to be in the previews.

http://sknr.net/2014/12/19/night-museum-3/
  
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Moby recommended Suicide by Suicide in Music (curated)

 
Suicide by Suicide
Suicide by Suicide
1977 | Electronic, Experimental, Rock
7.7 (3 Ratings)
Album Favorite Watch

"One of the first jobs I ever had was working as a caddy on a golf course, and I worked just long enough so I could buy Lodger by David Bowie. The second job I had was cutting lawns, and I remember it was one of those hot summer days, I was sweating and getting attacked by wasps, and I was just thinking 'This is all worthwhile, because when I'm done here I'm going to ride my bike and go and buy the cut out vinyl of Suicide'. Cut outs were like the discount version. To be honest with you, I don't really even remember why I was fixated on buying the first Suicide album. Part of it was the cover, and the guy who ran my local record store, his name was Johnny, he was this alcohol and drug-addicted crazy person, and you'd walk in and he'd be playing all these random records, from Nick Drake to the Grateful Dead to The Clash to Miles Davis, and one day he was playing Suicide. It sounded like nothing I'd ever heard before. I think I was about 14. It wasn't until many years later that I met anyone who liked Suicide. I don't know if you experienced this as well, but when I was growing up albums were these almost, not to sound too grad studenty, totemic things that you would take into your house. Nowadays if I hear a song and it doesn't immediately resonate with me I probably won't spend any time on it. Some of the early records that I bought, like Public Image's Second Edition or Suicide, I'd made the effort to bring these into my house. I only had nine or 10 albums in my possession, so if I didn't understand a record back then I would think it was my fault. I'd think that the people making the record were smarter and more sophisticated than I was, and the fact that I didn't understand it was indicative of my own shortcomings. It was the middle of the summer, and I didn't really have a lot of friends, I didn't have a lot going on. My mum would go to work in the day and I was pretty much left alone to read books and watch TV. I had a lot of free time to listen to records. I took the Suicide album home and it didn't make sense to me, but I spent day after day and week after week listening to it until I cracked the code and it started to make sense. The first song is 'Ghostrider', and I still remember that Saul on the road to Damascus moment when I was listening to it for the third or fourth time, and there's that recurring line ""America America is killing its youth"", and I'd never heard anyone say anything like that before. And to say it in such a throwaway, casual way, it wasn't delivered in a portentous way, it's a throwaway lyric in a song, and that was the moment that really resonated. At the same time I was taking guitar lessons, and my teacher loved very complicated well-produced modern jazz fusion and heavy metal with long guitar solos, and he'd force me to listen to Van Halen or Larry Carlton and then when I listened to Suicide I was first confused - am I allowed to like something that clearly my music teacher hates? And finally I admitted to myself I don't like these well-produced records, I like these strange sounds. I think it also really corrupted my musical DNA."

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